ATLRetro

by Melanie Crew
Contributing Writer

VJ Anthony, purveyor of all things ’80s and Retro and one of Atlanta’s only Video DJs, will be throwing a righteous party of ’80s proportions, ICON: 80s Music Video Dance Night, the Guilty Pleasures: Dance Songs You Hate to Love Edition at ‘Club Famous’, the back room of Famous Pub, this Friday, April 11 and every Friday in the foreseeable future! He will spin you right ‘round with all the MTV videos you’ve been missing! So, ditch whatever lame thing you were doing and rock on down to Famous Pub for a taste of nostalgia doused in new wave, a little dark underground as well as videos from Madonna to The Cure, with a little Sisters of Mercy, Depeche Mode and Siouxe thrown into the mix!

VJ Anthony hails from Florida and has been jockeying those discs for over 25 years. After settling in Atlanta, he slinked right into the Atlanta underground Goth and Industrial scene, helping launch Heels & Whips, an underground fetish club and was also the resident DJ at the Masquerade’s Club Fetish, which eventually led to the opening of Atlanta’s den of dirty deeds, The Chamber, which closed its doors in 2005.  In 2007, VJ Anthony added video projectors to his set-up and has been digging deep into the huge collection of videos he’s accumulated since the “dawn of MTV’,” delivering the perfect combination of visual and audio experiences at his dance party events. He was resident DJ at 688 Club; Future, which was located at Underground Atlanta and has since closed; the Mark Ultra Lounge (now the Sidebar); and The Shelter, where he hosted regular ’80s/’90s music video nights.  He could also be found dishing out danceable visual experiences at the Bootie ATL dance parties, which were held monthly at The Shelter.

If you have a craving for the ’80s and are feeling a little nostalgic for the good ole days when MTV actually played music videos, rock on down to the Famous Pub every Friday from 10 pm to 3 am and let VJ Anthony do a number on your senses!

ATLRetro caught up with VJ Anthony for a quick interview about the life of a DJ/VJ, his exciting venture into the land of ICON: 80s, his HUGE music video collection and his absolute devotion to clean bathrooms!

Since ICON: 80s Music Video Dance night is one of your new ventures, following your stint as resident VJ for The Shelter’s 80s/90s Music Video Dance Nights, can you let our readers know what sort of exciting things to expect when they come out to the Famous Pub (Club Famous) for your event?

First off, the space is incredible—a best-kept-secret kind of thing.  They can expect to hear old favorites they might not have heard in years and some they might have missed back in the day.  The best part, to me, is the video aspect.   Ninety-nine percent of the time, I have the video for the song, so you quite literally see what you’re hearing.  This is a dance night, but people who prefer to sit at the bar won’t feel uncomfortable.  There are a number of flat screens, as well as a couple of projector screens around the club.

How do you choose what you will play/show at your music video nights? Is it random picks? Audience requests? Or do you plan each night specifically?

I can feel out the crowd pretty well after 25-plus years, but I do play requests!  They have to be a good fit, but requests are welcome.  I want people to have fun—and come back!

You’ve done special nights recently, with the “John Hughes” and “The Lost Boys” editions. What other special editions would you like to see come to fruition and why?

I think the plan is this:  The first and third Fridays will be Icon: 80s, strictly 80s, with loose themes. I always loved the fantasy movies from the 80s – think DARK CRYSTAL and LABYRINTH – so I think that one will be heading to Icon: 80s very soon. There will also be tribute nights to individual bands such as Duran Duran, The Cure or Depeche Mode, that will showcase their prolific video catalogs throughout the night.  The second and fourth Fridays will be “Guilty Pleasures”—mostly 80s, with some 70s and 90s thrown in. Songs you love to hate, or songs you hate to love.  It will be kind of like a test to see if people are brave enough to dance to some embarrassing but fun songs.

What is your favorite 80s genre or performer and why? What or who can’t you get enough of?

I can narrow the genre part a bit by saying I really love new wave, Goth, ethereal and industrial. Electronic bands with synths, like Blancmange, Depeche Mode and Yello; Goth and industrial bands with a dance element, like Sisters of Mercy, Xymox, Front 242 and Skinny Puppy; ethereal bands that are calming and beautiful, like Cocteau Twins, Raison d’Etre and Dead Can Dance. The record labels 4AD and Wax Trax! are to blame.

So, you’ve “collected music videos since the dawn of MTV.”  When did you begin your collection and why did you collect them?

My grandmother bought me a Betamax in the early 80s and I was fortunate enough to have MTV from the very first airing on August 1, 1981.  I quickly discovered many new bands and was really attracted to the new wave sound coming from the UK. In 1986, MTV‘s 120 Minutes program gave alternative bands a huge push and exposed many to the Goth and industrial world.

How many 80’s music videos would you say you have? Which are your favorites?

Currently, I have around 10,000 videos.  For many of these, I have transferred the video from Betamax, Laserdisc or VHS.  Often, I’ve had to replace the audio track with a clean CD source for the best club sound.  My favorites are concept videos; they have a story to tell, like a mini movie.  They usually have bad acting from band members who are suddenly forced to make a music video.  This sort of campy video can never be reproduced in today’s music video world.

You also hold a “BLACK OUT” version of your 80s Music Video Dance Night. Can you tell our readers a little about how it differs from the regular event and about what to expect?

Black Out is the fourth Saturday each month, also held in the back of Famous Pub.  It’s actually not a version of my 80s dance night, though I can see why it might seem to be.  It’s still a music video night held at the same venue, but it’s specifically Goth and industrial.  To be fair, though, there is some crossover.  At Black Out, you’ll hear things like Bauhaus and Peter Murphy, Joy Division, Wolfsheim, Sisters of Mercy, Siouxsie, Wumpscut, Cocteau Twins, Nitzer Ebb, VNV Nation and Covenant.

You’ve been a part of Atlanta’s underground Goth and Industrial scene for quite some time, with your involvement with the underground fetish club Heels & Whips, Club Fetish held at the Masquerade, and the Chamber.  What drew you to the dark side?

Although I love “up” music too – Oingo Boingo, Erasure, Howard Jones – I just like the feel of some of the darker music more.  Maybe it’s in the sad chord changes or keys they’re played in… not sure.  It definitely wasn’t the stilettos. Ouch.

Did you have a particular calling to become a DJ and then a VJ? What does the road to a DJ/VJ look like?

I never heard enough of the music I really loved when I went out to clubs, so I started learning how to DJ for myself, then parties, then clubs. I was always in love with the video aspect, so it just felt like a natural progression to me.

Just as I went from tapes to vinyl to CDs to digital, I went from Beta and VHS to DVDs to digital. I don’t play MP3s, though, unless it’s absolutely the only way to get the song. The road has been long, but lots of fun. It’s definitely a lot lighter now than it was back then!

Who are some of your favorite DJs/music purveyors and influences?

DJ OMAC [Roy Miller] in New York and DJ Rob in Tampa.  I’ve heard a few sets I’ve really liked from various “famous” DJs, but I can’t remember any off-hand.  I don’t think I was influenced by any DJ in particular, but even DJs run up to the booth to ask what that last song was!

Having worked at many clubs in many different cities, which gig would you say was your favorite?

I don’t really have a favorite club or city.  It’s about the energy of the crowd.  I love it when the music itself is what brings them [the audience] out and moves them, figuratively or literally.  The most important tangible things I want to see in a club are a really good sound system and clean bathrooms – which Famous Pub has!  Everything else—like crazy lights and cool art—is really incidental.

If you could have a dream gig, where would it be and how would it run?

I would love a weekly dark eighties night in a club not unlike some of the seedy ones in 80s movies. But I want clean bathrooms!

How does it feel to be established as one of Atlanta’s only video DJs?

I haven’t really ever thought about it. I don’t know of any other VJ in Atlanta who works in the same genres I do, but I have to give a shout-out to Bill Berdeaux, resident VJ at Blake’s. I learned a lot from him (and he’s a super nice guy!).

Do you think the nostalgia of the 80s will keep people coming back for more?

You know, I think it will.  People already had that nostalgia in the early 90s, when the 80s were barely over.  It was huge in the mid- and late-90s. It’s big again today. Hell, I hear people who are currently in high school and college going on about some obscure 80s band.  It’s weird, but it makes me happy. There was just that *something* about it…

Any special plans for your upcoming April 11th ICON 80s: Music Video Dance Night event?

There’s an Absolut Vodka promotion that night, so the name was easy: Absolut Guilt!  (That’s the second Friday, so it’s a Guilty Pleasures edition.)

What’s next for VJ Anthony?

A 70s disco and funk night and few other surprises while I get my own business “on the road,” but that’s another story!

What question do you wish somebody would ask you and what’s the answer?

How do I feel before, during and after a gig after 25+ years of DJ/VJing?  I am still nervous as hell, every time!

Can you tell us something you’d like folks to know about you that they don’t know already?

Ironically, I am not comfortable in a large crowd of people. The DJ booth helps keep me in a small personal zone, which makes it easier to interact with just a few people at a time. I guess I have social anxiety, but only when the number of people creeps above eight or so.

All photographs are courtesy of VJ Anthony and used with permission.

Hawaiiana Tiki Culture and Rockabilly music are two of our favorite things here at ATLRetro, so you can bet we’re looking forward to the 3rd Annual Rockabilly Luau this weekend at Atlanta-Northlake Holiday Inn.  This year, it’s expanded to two days of feativities with a kick-off night on Friday Aug. 2 starting at 6 p.m. and then a full day of fun on Sat. Aug. 3 kicking off at noon hosted by Jim Stacy and mermaid Medusirena the Fire-Eating Mermaid, with bands, vendors, tropical cocktails, a classic car show, a pin-up swimsuit contest, Hawaiian fire performers and even a mermaid! The killer line-up includes a treasure chest of ATLRetro Kool Kats of weeks past, so we thought it would be fun to reprint some highlights from their interviews to give you a taste of the fun to come.

Rockabilly Luau Founder Chris Mattox

Chris told us that he grew up on rockabilly and surf music and that the Rockabilly Luau is a labor of love. “One of my fondest childhood memories was my dad taking me to see Dick Dale at the Variety Playhouse,” he says. “A love for Polynesian culture was inevitable.” At every turn, he reminded us of his passion for fair treatment of animals and that all proceeds from the Rockabilly Luau benefit dog rescue efforts. This year the designated nonprofit is Friends To The Forlorn Pitbull Rescue. Read Chris’s full Kool Kat interview here.

Hot Rod Walt of The Psychio-Devilles (Saturday 7 p.m.)

Hot Rod Walt, aka Walt Richards, may have roots in Jersey and Florida, but since parking in Atlanta in 2006, he’s quickly become one of Atlanta’s hardest working rockabilly/psychobilly singer/guitarists. He has 200 original songs, and his main band, the Psycho-Devilles, which also features Buford T. Ogletree on bass and Steve “Burnout” Barnett on drums, have generated multiple CDs, toured the US and Europe and shared the stage with some of the biggest names in the Retro Revival, not to mention lighting a bass on fire at the first Rockabilly Luau in 2011.

“I got my first guitar for Christmas when I was around 12 years old,” Walt recalled. “I will never forget being so stoked about it and I can still smell the smell of the wood and glue and paint it was made of. I didn’t come from a musical family so having an instrument seemed very exotic as a kid. I also remember my little brother and I fighting that day and my father threatening to smash my new prized possession !! He would have done it too.”

As for his fantastic rockabilly wardrobe: “I make all my show clothes myself,” Walt said. “I have some vintage stuff that I find randomly. But I usually find a halfways cool suit at Goodwill and then customize it to a Western style or ’50s style coat. Since I am an upholstery guy, I have industrial sewing equipment and just make whatever I want. I have quite a huge collection of suits. I always want to make a new one for every show!”

Read Hot Rod Walt’s full Kool Kat interview here.

Caroline Hull-Engel of Caroline and the Ramblers (Friday 7:15 p.m.)

As interviewer James Kelly noted, “Red Hot Mama” [the title of the Ramblers’ CD] Caroline Hull Engel is well known to the folks who frequent the Redneck Underground and rockabilly shows in town as one of the best singers around. She was even selected as Creative Loafing’s “Best Female Vocalist” in 2009. Keeping the spirit of the classic ’50s and early ’60s alive is her goal, and with an amazing mix of terrific original tunes and classy covers, Caroline & the Ramblers never disappoint.”

Caroline herself said The Ramblers, her current band, is “geared more towards a combination of originals and obscure covers and [is] heavier on the rockabilly stylings of Wanda Jackson, Janis Martin and Gene Vincent with some torchy stuff mixed in. I had gone through a tumultuous relationship and breakup which gave me a lot of inspiration to write some songs that are finally ending up on my new record. Probably the best example of this time in my life is the song “Wasn’t Ready for the Heartache,” which is on the new record. Of course, a little time passing and meeting the love of my life – my husband Robert – helped a lot, too! In 1999 at the first Drive Invasion, I changed the name of the band to Caroline & the Ramblers. We’ve been playing as C&R ever since. There have been some lineup changes over the past 15 years, but I have been very fortunate to play with some of the best players in Atlanta.”

Read Caroline’s full Kool Kat interview here.

Julea Thomerson at The Star Bar's Bubbapalooza.

Julea Thomerson of Julea and Her Dear Johns (Saturday 1 p.m.)

When we caught up with lovely Julea, she was singing and strumming (she plays banjo, acoustic guitar and rubboard) with some of the best male blues and roots musicians in the city, including Bill Sheffield, Charlie Wooton, Nathan Nelson and Danny “Mudcat” Dudeck, and her main gig was with the Bareknuckle Betties. Now she’s got her own band, Julea and Her Dear Johns.

When asked why she plays country and honky tonk in the 21st century, Julea retorted, “Why not? Every form of music we listen to today is, to some extent, derivative of some sort of sound that is not from the 21st century. There is not one song you can listen to that is completely unique, not one style or genre of music that hasn’t already been reinvented hundreds of times. And that’s true for every genre, not just honky tonk. So if you’re looking at music from that angle, why play anything at all? As for me personally, I play what I play because those are the kind of songs that I write. I write those kind of songs because that’s what I listen to. And I listen to what I listen to because it’s what I connect with and enjoy. I guess you could say that country western honky tonk music is not a 21st century sound. But in my opinion, I think it’s silly to try to assign a time period to something that is timeless.”

Read Julea’s full Kool Kat interview here.

Rev. Andy Hawley. Photo courtesy of Andy Hawley.

The Right Reverend Andy of Garage 71 (Friday Kick-Off Party, 10:30 p.m.)

For almost a decade, the Right Reverend Andy Hawley has been at the pulpit of Atlanta’s rockabilly revival as the DJ of Psychobilly Freakout (now airing Mondays from 8-10 p.m. on Garage 71 Internet radio and live at area events) and also for the many ‘billy events he has organized. Andy said he became the Right Reverend a bit by accident. “It began as something fun I decided to do one afternoon,” he added.  “I came in to do my show at Album 88 (88.5FM) and told the DJ before my show went on I had become ordained through the Universal Life Church. Without prompting her, she ended her shift by saying, “Coming up next is Psychobilly Freakout with Reverend Andy!” Years later, Sully from daveFM would add the “Right” part to add some flourish. Now, I’m active outside the studio with my role as the high priest of rock ‘n’ roll getting folks deep fried and sanctified with the help of roots music!”

As for the origins of “Psychobilly Freakout,” he told us “This name (and song) encapsulated the theme for what I wanted my show to become. Honestly, it came down to naming it this or “Rockabilly Rebel,” after a Hillbilly Hellcats song. The program director for Album 88 wanted to differentiate my show from the country show, so I went with the Freakout. The first time I interviewed Jim Heath (Reverend Horton Heat), I told him I had named my show after one of his songs. He told me, “You better make it live up to the name,” and I think I have, eight years going.”

Mon Cherie. Photo credit: Chris Buxbaum.

Mon Cherie (Hostess, Friday Night Kick-Off Party)

Chris Hamer. Photo courtesy of Chris Hamer.

Monsterific Comics Artist Chris Hamer (Vendors Row)

The Rockabilly Luau’s vendors’ alley is always full of fantastic finds from carved tikis to floral hair styling accessories to carved Cthulhu tiki mugs, but one of our favorites has to be the man who put a monster in your thrift store painting, Chris Hamer of Urbnpop Studio. When we caught up with him, he was about to do a Tom Waits-themed art show, and this is what he said about his approach to using found pieces in his works: “This show was a bit how I do my thrift store pieces, but I did the shopping at antique stores instead. I would travel around to different stores with a song in mind, walk around, do a lot of staring at stuff, and buy it [if I had] the feeling that I could make it work. When you listen to Tom Waits, or even see a photo of him, there is this nostalgic, romantic quality to him. I feel that with his music, he does not fit into this new polished sound that is on the radio or popular with a wide audience. It’s almost like his fans are antiques or vintage themselves. By no means am I calling them old, but you just do not hear people talking about him as much as you do a mainstream band or singer. I did not want to just simply make a wooden box or buy some canvas for the art, I wanted to take the vintage old soul approach with the art. So each piece has some sort of lost antique or discarded feel to it. One piece that will stand out the most in the show is for the song “Old 55.” I used an original pre-‘50s Ford truck door for my canvas to paint on. It’s all rusty and looks like time forgot all about it. I love it.”

Read Chris Hamer’s full Kool Kat interview here.

Medusirena. Photo courtesy of Medusirena.

Medusirena (Saturday, 8:15 p.m.)

And last but not least it’s true, there will be a mermaid and she knows how to play with fire! One of the last luau’s most alluring acts was aquatic dance by Medusirena, also known as Marina the Fire-Eating Mermaid, from Fort Lauderdale, FL., and we’re happy to say she’s back. She wasn’t an official ATLRetro Kool Kat, but we did interview her for last year’s preview to find out a little more about this self-described “zany Uncanny Exoticat-Aquaticat,” whose passion is to recreate vintage aquatic dance for today’s audiences.

“Well, there was never a time I “became” a “mermaid,” to tell you the truth,” Marina told ATLRetro. “I can say that  I learned how to free dive at a very early age – 3 – in the West Indies and have always maintained a strong connection with aquatic movement art. That, together with training in Polynesian and Eastern dances, it was a natural fit.  I was inspired by marine animal movement and performers and showpeople ranging from Esther Williams, Eartha Kitt, Ricou Browning, Annette Kellerman, Iris Chacón and even Freddie Mercury, with a touch of Bruce Lee. My goal is to not only to return aquatic performances to people’s consciousness, but to help educate and encourage the art form for future generations. Retro-tainment if you will.”

Read our full interview with Medusirena here.

And that’s just our Kool Kats sos far. Everyone on the Rockabilly Luau playlist is a sure-fire contender for a future Kool Kat. Here’s the full performance schedule, but keep in mind, as we said, they’ll be a lot more going, especially on Saturday, including vendors, classic cars, cocktails and food.

Friday Night Line-up:

6:00-7:00 The Monterreys
7:00-7:15 Daisy Day
7:15-8:00 Caroline & The Ramblers
8:15-9:00 Bikini Tiki Luau Pin-up Swimsuit Pre-Qualifier
9:00-9:45 The Mystery Men?
9:45-10:30 Forged Creations Fire Performers
10:30 -? Hotel guests only kickoff party! Hosted by Mon Cherie, Garage 71 and Bachelor Pad Magazine!

Saturday Line-up:
12:00 Gates open!
1:00-2:00 Julea and her Dear Johns
2:00-3:00 Gemini 13
2:30-3:30 “Taste of the Islands” part 1
3:00-4:00 Davina & the Harlots
4:15:-5:15  The Intoxicators
5:30-6:00  Hawaiian Performance by Aloha Islanders
6:00-6:45  Bikini Tiki Luau Pin-up Swimsuit Contest Finals “Taste of the Islands” part 2
7:00-8:00  Hot Rod Walt & The Psycho Devilles
8:15-8:45 Medusirena
9:00-9:30 Hawaiian Performance by Aloha Islanders, Fire Knife dancer
9:30 Kat Chaffin & Woven Pines

Katherine Lashe. Photo credit: PinUp Girl Cosmetics.

Atlanta’s burlesque scene right now is hot, hot, hot, and one lady is right at the sizzling heart of it – Kool Kat Katherine Neslund, aka Katherine Lashe. This week alone, Syrens of the South, her production company, is giving Atlanta a new monthly burlesque showcase with Tease Tuesdays at The Shelter on June 11 (specific Tuesdays will vary per month). She’s also a key player in the city’s first Debut-Tease Ball, featuring Katherine and a mix of experienced and new talent either teaching or taking classes at Studio Burlesque, Atlanta’s own burlesque school which launched just last winter.

Perhaps most of all, Katherine is the driving force behind the Southern Fried Burlesque Festival, which celebrated its third anniversary this year. Finally Atlanta has an annual event that brings together local, regional, national and even international burlesque revival stars and legends. Tease Tuesdays are fundraisers for SFBF. And that’s not even beginning to talk about Katherine’s own talents as a performer who has graced nationwide stages including the Burlesque Hall of Fame in Las Vegas.

ATLRetro caught up with Katherine recently to find out more about this week’s events; her own path to burlesque via theater; what else she has coming up, including a significant partnership between Syrens and 7 Stages theater in Little Five Points; and much more.

ATLRetro: What’s the one thing that happened to you during childhood that made it your destiny to be a burlesque performance artist?

Katherine Neslund/Lashe: When I was younger my Mom made costumes and clothing for drag queens in Knoxville, TN.  I ended up wanting to be a drag queen when I grew up because they had the best clothes! Later it was explained to me that, being a girl, I couldn’t technically be a drag queen. I was pretty disappointed  with this childhood realization. I’ve obviously since realized my passion and have been doing theater in some capacity my entire adult life. I’ve always felt pretty at home on the stage. Burlesque seemed to unite the whole drag queen dream with my theater experience.

I understand you kicked off your burlesque career in Atlanta by opening for Dita Von Teese. That’s a pretty exciting beginning. How did that happen and can you share something about that experience? Did Dita impart any words of wisdom that have stayed with you.

I used to be the head performer at The Chamber, and one day Howie, the manager, told us we were opening for Dita von Teese in two weeks and we should do something burlesquey.  I had no idea what that meant since I had very limited experience with burlesque having only seen The Doll Squad and Torchy Taboo perform a few times at that point.  We ended up putting together a Fosse-style group number that incorporated burlesque, dancing and a little bit of that Chamber touch.  It’s kind of funny that out of that group came myself, Renea’le Roux and Gia Nova as professional burlesque performers.

Katherine Lashe. Photo credit: PinUp Girl Cosmetics.

The Syrens of the South is a production company, not a troupe. A lot of people don’t know the difference, so can you clarify what this means in the burlesque world?

A troupe is traditionally a group of people that works together on a regular basis; going through routines and rehearsals, every member focused on a common vision of what the group should embody as a whole, and then also on what every member will perform exclusively.  Syrens of the South treats all of our performers as independent contractors, and I have always encouraged everyone to have their own identity – to perform whenever and with whomever they want.  Each performer creates their own personal vision of what they want to be, and they own and control their personal performance.  Syrens is like a playground on which these amazing folks can show their talent. Thanks to this freedom, performers can feel free to include everything from classic, to comedy, to just plain weird stuff.  I also try to make sure that we have a good variety of acts, including, of course, vaudeville type acts to break up the boobies, making it an interesting evening for everyone!

It’s been long overdue for Atlanta to have an annual burlesque festival, and Southern Fried really seems to be putting the city on the map. SFBF has made it to its third year and seems to be really hitting its stride. What did you personally enjoy the most at year’s festival and can you give us a little preliminary tease about your goals are for next year?

My favorite part each year is the Legends.  I have a passion for burlesque history, hence why I teach a very in-depth class on it, and have been collecting burlesque legend interviews for a very long time now.  My goal is to gather as much information as possible before the information is no longer available.  I was lucky enough to interview Tura Satana before she passed away, and I am so very grateful I was able to do so.

This particular year I was really excited with how many people from the local Atlanta burlesque community became involved.  In between volunteers, performers and even those that just showed up in the audience to come and see us, plus so many regular Syrens of the South performers, members of Hot Toddies Flaming Cabaret, The Imperial OPA Circus, Minette Magnifique and Musee du Coeur showed up both on stage and off.  The hope is that Southern Fried can help show Atlanta a taste of what goes on in the rest of the world, as well as showing the rest of the world the amazing talent we have here in Atlanta and the Southeast.  Many performers don’t travel, so this is a great way to show off all that we have to offer here!

Funding a festival must be challenging. Where does Tease Tuesday fit in?

The goal of Tease Tuesday is to help raise money so we can continue putting on this amazing festival.  It costs around $20,000 to put on each year, and we make less than half of that from ticket sales each year.  The rest of the money comes from our vendors, sponsors, application fees, Syrens of the South shows and out of my pocket.  We need approximately $2,500 to pay off the remaining bills from last year before we can start moving on to next year.  Tease Tuesday events, at 10 acts for only $10, gives us  a nice inexpensive monthly show to help us get the remaining bills paid off and then hopefully help us get the deposit for the hotel next year so we can continue going forward with the festival.

Another thing we love about Tease Tuesday is that it’s going to be monthly. In New York there are multiple monthly and even weekly burlesque events, but Atlanta audiences have had to wait several months between shows by the same troupe or producer. Can you tease our readers about the Syrens first Tease Tuesday and how you plan to keep a monthly show fresh and exciting? Will shows be themed and will you just feature local performers or regional and national performers as well?

Our first Tease Tuesday show was in May as a straight up fundraiser and test show.  We were lucky enough to have the current Southern Fried Queen, Lola le Soleiland two time SFBF winner Bourgeois Betty, Little 5 Points Rockstar Orchestra founder Rob Thompson doing an acoustic set, as well as Talloolah Love, Nipsy Tussle from Knoxville’s Salome Cabaret, Tora Torrid, Persephone Phoenix, Edie Akimbo, Tru Bliss, and my Wednesday night Beginning Burlesque class from Studio Burlesque.  Fritzengreuben was our Master of Ceremonies with Tupelo Honey as our stage kitten.

Our show on Tuesday, June 11, will have some amazing burlesque – Florida’s Tokyo Bell incorporates fire into her stripping, Atlanta favorite Ursula Undress will be there, Jed Drummond will be singing and playing his ukulele, there will be sexy juggling, some sultry singing and many more burlesque dancers.  Remember -10 acts for $10, so it’s a surprise as to who the other performers will be!  The next one on July 16 is so secret I can’t tell you anything other than it’s gonna be awesome!

Katherine Lashe. Photo credit: PinUp Girl Cosmetics.

Studio Burlesque is another milestone for the Atlanta burlesque community. How did that get started and what was your role in its fruition?

I have been teaching burlesque classes for almost six years in borrowed/rented spaces. It was really only a matter of time before someone realized the popularity of burlesque was on the rise and that there should be a studio dedicated to it.  An investor approached multiple members of the Atlanta burlesque community until he found the right fit which happened to be the valedictorian of the very first Syrens of the South graduating class: Ursula Undress.  She and I had a long talk about it after she was approached, and her mission statement was beautiful and her heart was in the right place, so I decided to move my regular classes to Studio Burlesque.  I’ve given a little advice just because of the six years of previous experience, but with the festival taking off, it’s really nice to get to just show up as a teacher rather than organizing all the classes like I used to.  Many of my former students became teachers in the Syrens of the South class series and now teach at Studio Burlesque.  I am very proud of all of them and love that there’s a home for everyone in Atlanta Burlesque to be able to come to learn and to teach.

Are classes just for aspiring burlesque performers? Could any of them be an alternative to a conventional boring exercise class?

The regular weekly classes are for anyone at any level of dance experience.  My Beginning Burlesque class on Wednesday at 6:30 p.m. has people who have never danced before and a few seasoned performers, however, they all work great together in learning the new choreography we do each month.  For those who want to try performing, I’ve been offering a performance spot for that class at each of the Tease Tuesdays.  Students get a little firsthand taste of the performance experience and can then decide if it’s something they want to try.  The performance track classes are for those that are interested in becoming burlesque performers or at least getting a solo opportunity on stage.  It consists of three months of classes; we focus on getting them on stage for a student showcase at the end of the three months.  The next performance track series will be starting in July after July 4th.

Debut-Tease is coming up this Saturday. Some people might be reluctant to come to a beginners’ show. Tell us why they’re wrong.

I love student showcases!  There is that excitement of it being their first time, and you can see the nerves, the joy, the fear and the overwhelming feeling of accomplishment when they walk off the stage.  It’s like watching someone be born without all the gross parts!  However, even if you’re not a big fan of watching newbies, myself and many of the other teachers will be performing as in this show, so many professional performers will be gracing the stage as well as all the newbies.  Ursula Undress, Talloolah Love, Fonda Lingue and The Chameleon Queen will be performing, just to name a few!

Are any of your students performing? Any star student in particular to watch out for?

Every student that is debuting on the 15th is part of the Studio Burlesque Performance Track Classe Series so I have gotten to teach them all as I teach the History of Burlesque and Tassels and Gloves classes in that series.  Many of them also come to my Wednesday night class so I’ve gotten to know a few of them fairly well.  If I had to pick one to watch I’m going to have to say A to Zee as he is the only boy making his debut that night.  I’ve seen his work in progress, and I think everyone will have fun with it. Being the only guy, I think he’ll succeed in inspiring other gentlemen to come out and learn the art of boylesque!

Finally, burlesque is just one of your talents. You have a background in theater and were heavily involved with 7 Stages‘ hit DRACULA: THE ROCK OPERA. Anything you’d like to share about that experience and what’s next for that production? Or anything else you’re up to?

Yes, I was honored to be the stage manager for DRACULA: THE ROCK OPERA!  The finished recording of the awesome soundtrack from our show will be finalized and out for sale on CD sometime soon.  We’ll be doing a concert version in February so do keep your eyes peeled for that!  I went to school for musical theater and am now finishing up a degree in technical theater to balance out my onstage and off-stage experience, which is good since I was just the lighting designer for LADY LAY, a great play at 7 Stages Theater that closed out the 2012-13 season.  I’ve also been a stage manager for The Imperial OPA Circus for a few years, and look forward to continuing at 7 Stages in the 2013-14 season.  After Dracula, I really just found my home at 7 Stages as I love everyone who works there and what they are trying to do through art and community building.

Katherine Lashe. Photo credit: PinUp Girl Cosmetics.

I’ve recently been made a member of their fundraising committee and am helping to put together a brunch at Our Way Cafe on June 23.  Brunch will include a concert by the awesome local band Till Someone Loses an Eye, and benefits will go to 7 Stages.  Mark your calendars!  Also, our Syrens of the South 6th year anniversary show will be held on the main stage at 7 Stages on Aug 3.  I’m splitting the profits with the theater to help them with their fundraising goals.  As 7 Stages is now going to be our new home for our big shows, for instance our Anniversary, Tits for Toys for Tots (Nov 23) and our Vixen’s Valentease show, we want to make sure to start our new marriage by giving them a decent dowry!

Every other month for more than five years – that’s half a decade – Atlanta’s Retro hostess with the mostest Mon Cherie gathers her friends and throws a Rockabilly Lounge at The Masquerade. And we’re tickled pink that her Valentine’s Lounge this Saturday Feb. 9 features a bunch of Kool Kat alums. First off, Mon Cherie is one. Then shake rattlin and rollin’ will be one of our favorite Atlanta bands The Stumblers, featuring Kool Kat Keith Martin. The Sweetheart Burlesque Show includes performances by Stormy Knight and the magic of Chad Sanborn, not to mention Scarlett Page, Hada Pixie, and debuting for the first time anywhere: Sunshine Divine. Wear your jitterbug’ shoes because The Right Reverend Andy will be spinning swing, rockabilly and psychobilly favorites. And that’s not to mention the Ragin’ Raffle and vendors aplenty to help you find that perfect gift for your Retro-lovin’ Valentine. Doors are at 9 p.m. but it’s no exaggeration to say the fun always runs well past midnight, making it just about the best way to get a bang out of 10 bucks.

In the midst of all this Koolness, we realized there’s one kool kitty we hadn’t gotten to profile yet, the Rockabilly Lounge’s gorgeous, charming and dangerously clever emcee, Miss Mason. Not wanting to get stung by Cupid’s arrow in our rear, we decided we’d better remedy that situation right quick.

ATLRetro: Why Miss Mason? 

Miss Mason: It’s my maiden name. Incidentally it’s also the name I was often referred to when I was at trouble at school. Went like this: THEM: “Do you think you’re being funny, Miss Mason?” ME: “I KNOW I’m bein’ funny.”

Miss Mason and the Right Reverend Andy Hawley. Photo credit: Shawn Doughtie.

How did you get the nickname “The Mouth of the South”?

Ha, that one is courtesy of my parents, as I had – have! – the proclivity for talking when I shouldn’t, talking back, talking loud. Seemed a perfect fit for a tag line for a big-mouthed shit-talker!

To us, emceeing seems like an absolute art. How much of what you do is pre-scripted and how much is improvised?

I don’t fancy myself much of an artist. I’m just not afraid of crowds, not afraid to talk in front of one. As for scripting, information about the artists is something I collect so they can get a proper introduction. The artists work very hard at building their brand, and the last thing I want to do is mess that up. Sometimes they have developed intros to use for each performance, but there are plenty of artists who trust me to come up with something silly and fun. As time goes by and we all get to know each other better, the introductions get more and more clever. I rather enjoy it, and I hope it endears the artists to me.  So a little is scripted, but for the most part I just get up there and roll with the punches.

What do you love most about emceeing?

That’s easy: I love to make people laugh.

How did you get your start performing?

A little over five years ago I attended a birthday party for my friend’s son and Mon Cherie was there. She was just about to give birth to Rockabilly Lounge and asked if I’d like to be one of her Burlesque Beauties and give out Jell-O shots. Not long after our first Rockabilly Lounge, Mon Cherie asked if I’d introduce the band. I mentioned that I was surprised she wasn’t doing it on account of her history of being on stage and performing at The Chamber, and she said, “Believe it or not, I’m kinda shy!” – which cracks me up that THE Kitten With A Whip of Atlanta was too shy to say a few words on the mic! She tickles me like that. Anyhow, I did get up and intro the band, and she liked it, so the next time there were band intros, burlesque intros and much more. It was a happy accident. The rest is history.

How did you meet Mon Cherie and how long have you been collaborating with her?

I was introduced to Mon Cherie by Phil Solomon (AntiHeroes, Impotent Sea Snakes) for the first time at The Chamber in the early 90s. She had just come off stage. She was thrilling to watch. And I mean RAWR! We met again maybe a year or so later when she and Philip were touring with Impotent Sea Snakes in Miami. But it wasn’t until six years ago that we became reacquainted at a kid’s birthday party. There we were, grown up. HAHAHAHAHA! I’m kidding. We’re never growing up.

What’s so special about Mon Cherie’s Rockabilly Lounge and especially about this month’s Valentine-themed event?

Well, first off, there is something special about a promoter who puts her heart and soul in her work, and that is bound to translate into a great show. And this month’s edition features The Stumblers! Aaaaaand we have fresh meat debuting in the burlesque set! Aaaaaand I’m wearing my favorite red heels! I’m excited. Can we go there now?

What’s the best pair of shoes you’ve bought lately, where did you buy them, and why did you just have to have them?

Oh,man, I’ve been a good girl lately with the shoe shopping, but the last pair I bought are a fierce pair of black leather ankle booties with an architectural heel and a zipper up the back. Once I found them, it was love, and when it’s love I don’t care about the price. They’re absolutely more fetish/rock than they are anything, but I am that girl, too. Sigh, I love shoes. I have a closet full.

Miss Mason shows off her favorite pair of rocket red Betsey Johnson Mary Janes. Photo credit: Shawn Doughtie.

What’s your favorite cocktail and who in Atlanta makes it the best?

Oooooh, my favorite cocktail? That’s like asking which pair of shoes is my favorite pair!!!!  I love so many. Damn. Honestly my favorite cocktail, The Pink Lady, is made by meeeeeeee. It’s Smooth Ambler Spirits Gin and Cherry Limeade. But then I have vodka moods, SoCo moods, and I’m always in the mood for a frosty PBR.

What do you do when you aren’t being the fabulous hostess of Mon Cherie’s Rockabilly Lounge? 

When I’m not on stage, I’m a wife to The Mister and a mom to The Boy – who’s got a big old case of The Show Biz bug! – and puppet to Lily and Ginger, better known as Puggy Goodness, LLC . We love entertaining at Chateau Mason! I love to make a wicked cocktail, bake anything under the sun, make weird ice creams, and especially enjoy creating things with bacon, cayenne, Nutella, and/or bourbon. Ask around.  My skills are that of local legend! I’m a fledgling cyclist. I’ve committed to riding two centuries (that’s 100 miles! eek!) this year. Oh! And sometimes I hoop! I love to hoop!

Photo courtesy of The Sexual Side Effects.

Andy Warhol would have approved of the Sexual Side Effects‘ Franken-Party  this Friday Jan. 25 at the Drunken Unicorn. A rock ‘n’ roll fantasy collides with an art show. The crowd is scantily but fabulously dressed, clothes replaced by body paint. Go-go dancers twist and shake in Nancy Sinatra boots as multi-colored lights sweep across the dance floor. The epic extravaganza launches SSE’s Franken-Tour across the Southeast and Texas and also boasts Sarasota, Florida’s MeteorEYES, who are on their Winter Migration Tour, and self-proclaimed Atlanta nerd-rock band Go! Robo! Go!

The Sexual Side Effects have only been playing Atlanta for a couple of years, but to say they have taken the city and the Southeast by storm is like underestimating a thunderstorm before it starts firing up a tornado. In fact, it’s hard to imagine with all the high-voltage energy lead vocalist/guitarist Amber Taylor is channeling into the band, it won’t be long until they have the attention of the nation and the entire world, maybe even the galaxy if ETs are tuning in.

Over time, we figured some Kats would be so Kool that they had to be Kool Kat of the Week more than once, and Amber certainly qualifies in spades. Last time we chatted with her in July 2011, she was plotting a neo-glam revolution with her Gilded Trash events in Atlanta and New York. SSE still sports its glam roots in some of their sound, their audacious stage shows and encouragement to people to wear outrageous, sexy costumes to their performances, but the band has revealed itself to be much more. On the Retro side, one can see in-your-face post-punk, new wave and even psychedelic influences, and yet their approach feels right in tune to the 21st century. With a successful EP,an award-winning video, scoring “Best Local Rock Act” and “Best Band Name” in Creative Loafing‘s 2012 Best of Atlanta, sell-out shows from DC to Florida and a Franken-Tour on the horizon, we felt it was high time to catch up again with Amber to find out more about why their kick-off party in Atlanta this Friday is not to be missed and what’s up in a future so bright we imagine they’ll have to wear shades.

ATLRetro: Without giving it all away, what do you want folks to know in advance about Franken-Party?!

Amber Taylor: Franken-Party! is our new party. It started by making a silly flyer with Frankenstein partying with a couple of cold ones, and it inspired a eureka moment. We (The Sexual Side Effects) realized that one of the funnest and most successful shows we produced over the years was at My Sister’s Room in October 2011. The concept was simple – Art + Music. We played, had a couple of guest stars and bands from around town joined us on stage, had an art show, body painting, burlesque queens and tons of other fun eclectic art.

This whole experience can be summed up by the name “Franken-Party!” Pull all kinds of art into a blender – music, visual art, performance art, film, burlesque, drag, costumery, you name it. If it’s art, it has a home. I know I wasn’t supposed to give it all away, but, oh well, I guess we just slept on the first date. Don’t worry I like to make breakfast in the morning.

If Franken-Party is a rock concert, why so much art and half-nakedness? Do I have to be at least half-naked to attend?

It’s only part concert. It’s really an art-party that’s all about the people. People have to enter covering up their “naughty bits,” but if things get a little out of control, so be it! It’s not a party till someone get’s nekid!

You’ve expressed on Facebook a lot lately that you feel this is a big year for you and the Sexual Side Effects. Why now, what’s up and how does this relate to Franken-Tour?

Well, we have been working our tails off night and day over the last couple of years, and have reached a point where we have a team built to help us get more accomplished. In 2013, we have established an agent, publicist, radio promoter and are flirting with a couple of managers as well. This will enable us to put more time and energy into our art.

We hear Ryan McDougall is leaving the band. Who is replacing him and will Franken-Party being his last gig with SSE give the night a bittersweet tint?

RyGuy – which Mike the bassist affectionately coined him – is leaving the band. This will be his farewell show, and a farewell to one part of our journey as a band. It’s a positive thing though! The SSE has always had its core three members – myself, Mike Sidner [bass] and Clay McClure [drums]. We have evolved into a group that incorporates different people into it from time to time or project to project. We still have the same sound, same direction and personality, but now we just get to share the experience with more people and make it a bigger family. We may continue as a trio, or may get another guitarist. We have a couple of people we have auditioned, but either way the train will never stop until our dying days. Art is my mission in life, and it will never stop.

Photo courtesy of The Sexual Side Effects.

Looks like SSE is playing all over the South in the next two months on Franken-Tour. You’ve also played a lot of Florida dates lately. Any plans to go north of the Maxon-Dixon line?

We are going to work on the Southeast, Florida and Texas for a while. Too many bands want to go national overnight, and this is the biggest mistake they can make. The Wall of China was not built overnight; it was built brick by brick on a solid foundation. The U.S. is a big place, and every time we play a city we have to go back within two to three months. We are going to do about five rounds on tour in the Southeast and then figure out what’s next once SSE mania has spread far and wide. In other words, this shit is on!

It seems like your five-song EP HIGH MAINTENANCE and the video for “All She’ll Ever Hurt,” directed by David Joseph and the Comcast/Xfinity Video Award winner at the 2012 Georgia Music Awards, really amped things up for the band. Do you consider that a key turning point?

Well, it has helped a lot, but nothing happens over night. Art is hard work, and there is a long road to travel to get to the point where we want to be in our hearts. The video and the album are the introduction for the band to the world and they still get discovered everyday by people. Surprisingly the UK has really embraced us! As some point soon we will start touring there.

What’s been your favorite gig on this crazy trip so far?

Phasefest in Washington, DC, with Hunter Valentine, Vanity Theft and Glitterlust was one of the most magical shows I have personally felt yet. The club sold out at 300 people, and they had to turn away 200 people at the door AND it was $25 to get in! It was off the chain! I’m surprised the fire marshall didn’t shut it down. Well, at least my amp stayed cool. What an insane night; on top of that, we played the night before in Atlanta at a convention, got in the van after the show and drove straight to DC overnight. I remember being exhausted before we hit the stage, but when we plugged in, it was like a firecracker went off – for the next hour. Thank God for Red Bull! The last song we played the whole crowd was singing along – and they didn’t even know the words!

OK, since we’re ATLRetro, we always like to talk about the past as much as the future. Let’s go back to your roots. How old were you when you discovered glam music? Who was the performer, what happened and why did it appeal to you then?

Well, in all honesty about the glam thing, we have moved away from glam as a definitive title for us. Because of who and what I am, my relationship to Glitterdome  [at The Chamber] in the past, our parallel to the band Placebo, and of course, our Glam night we did called Gilded Trash, we kind of got that label in the begining. This isn’t totally fair to the listener though. We have a much different sound which is more rooted in Post-Punk, Psychedelic Space Rock, New Wave, Brit-Pop, Indie Rock and Indie Pop. Of course, there are elements of ’70s glam in what we do and our sound as well, but that is only a small part of the mixture. Of course, there is also the Joan Jett element of how I look, as well as the T-Rex-ness that gives that aura.

David Bowie, of course, was my all-time favorite. Pat Briggs from the Glitterdome was a big part of my fondness with David and glam in general. After I got to know and perform with him, I had a huge glam fetish. When the movie VELVET GOLDMINE came out, it seemed to boost that whole scene and the nostalgia of it all as well. Some people love that movie and some people hate it, but to me it is an important part of glitter fantasy that every child should have!

When we talked last year, you were talking about the Sexual Side Effects in the context of instigating a neo-glam movement. Do you still feel that’s the best term overall to classify the band is or has it progressed into something different? How do you describe your music to someone who hasn’t heard it before?

Well, we did set off down that path, but being true to the song and what has come out as an artist we found other elements and music we have drawn inspiration from. We are all about the fantasy of music, rock ‘n’ roll, and the show, but that manifests itself in new ways and new descriptions. It’s an art movement, creating musical art with no boundaries or constraints to what it is. We have come up with a new fusion of sounds that could be described as Progressive Psych Pop. The fun, charisma, and audience participation that glam has still manifests itself in who we are, but our sound is a little outside the box to perfectly fit in the neo-glam classification. We have grown a bit as artists as well which has made it morph into something new. Art in the context of the Flaming Lips is a better parallel for sight, sound, experience, inspiration for the show and audience participation.

OK, back to the future, are you recording anything else, perhaps a full CD, soon? What about more videos?

We have been writing and have a good number of songs laid out to be recorded. We plan to go back into the studio soon and record. We are hoping to have something proper released around Summer 2013.

Photo courtesy of The Sexual Side Effects.

You’ve said that “Really the next step for the band is to take our music and who we are and help change society beyond us.” That’s heavy stuff but all one has to do is look in your eyes to know you mean it. Do you have a master plan, and how can the Sexual Side Effects’ music change the world?

One person at a time. It takes a long time, but we have a whole lifetime. When a teacher has a positive life-changing effect on a student or a social worker or whoever, it’s that moment when they have a purpose greater than themselves. Music is our purpose in life. To help others, and to share it with others makes it even more amazing. It’s a universal language that connects us all, regardless of barriers.

Finally, you’re just having a helluva lot of fun, aren’t you?

Why yes! It’s been a mountain load of hard work though. I worked my fingers to the bone the last couple of years and realized I need to stop and smell the roses. So this year I have dedicated to having more fun in everything we do. I think part of having Franken-Party! is my need to throw down at an epic party, too!

If you miss Franken-Party in Atlanta, here are the preliminary dates for the Franken-Tour:

1/25 – Atlanta, GA – The Drunken Unicorn
2/7   – Knoxville, TN – Preservation Pub
2/8   – Birmingham, AL – The Nick
2/9   – New Orleans – TBA
2/10 – Houston, TX – Cactus Music In-Store
2/11 – San Antonio, TX – The Thirsty Camel
2/12 – Fort Worth, TX – Wherehouse
2/13 – Austin, TX – Parish Underground
2/14 – Houston, TX – Mango’s
2/15 – Baton Rouge – The Library (ex. North gate tav)
2/16 – Mobile, AL – Alabama Music Box
2/28 – Nashville, TN – 12th + Porter
3/1   – Cookeville, TN – Miracle Mountain Farms
3/7   – Carrollton, GA – The Alley Cat
3/23 – Asheville, NC – Boiler Room
3/24 – Charlotte, NC – The Saloon

More Dates TBA. Check the Sexual Side Effects’ Website  and like their Facebook page for updates.

Return to the outrageous glittery days of ‘70s glam rock at The Masquerade this Friday July 22, from 9 p.m. into the wee, wee hours. The theme party promises not just classic hits from the likes of T. Rex, David Bowie, Iggy Pop and Brian Eno—we imagine there’s got to be some Gary Glitter, too—spun by Glitterdome’s DJ Tiny Tears but also live music from neo-glam bands The Sexual Side Effects, Chattanooga’s The Unsatisfied and New York’s Starbolt 9. And that’s just the tip of the sequins as attendees are fully immersed in the glam-orous life with burlesque by the always provocative The Chameleon Queen, scandalous banter by model/artist Dax Exclamationpoint, body-painting by Erick Jara’s Dreamskin Art, gilded go-go dancers on the dance floor, a glam-inspired art show by Chris Buxbaum and vivacious vendors such as Diamond Star Halo and Aries Chain Mail.

ATLRetro tracked down Amber Taylor, the creative mastermind behind this glam resurrection and lead vocalist/guitarist of The Sexual Side Effects, to find out all the dazzling details about what’s happening Friday night, what’s new with her band and whether the rumor is true that she’s about to become a TV star.

When ATLRetro first saw the profile shot for The Sexual Side Effects Facebook page, we had to do a double-take because we thought that cute chick in the middle stomping her foot was Noel Fielding. We’re guessing you’ll take that as a compliment?

If you want to get it on with Noel then the answer is yes, because chances are I want to get it on with you too 🙂

OK, let’s get to Gilded Trash? How did you get the idea and why a tribute night to glam rock in 2011?

The night is about classic Glam Rock old and new—not ‘80s hair metal. I know a lot of really great musicians around the world who are influenced and inspired by the Glam movement of the early 1970s like I am. What better way to bring all of these people from across the globe together than to have a full-blown crazy club night with burlesque queens, circus freaks and half-naked body-painted go-go dancers where they can put on a real show.

Other glam-inspired nights I have seen or been involved with have everyone playing cover songs. While this is great, this is where we bring something different to the table by showcasing original music, hopefully cultivating a classic glam revival in the music scene. Even more important than that is to give the glam experience to a new generation that is bombarded at all angles by Disney princesses, hip-hop and dance-pop that has been run through so many record label marketing groups and filters that there is no real music or emotions left. This is about bringing classic Glam Rock into the hearts and minds of the 21st century.

You’ve put together a pretty diverse line-up of live acts, DJs, go-go dancers and burlesque performers such as The Chameleon Queen? How did you decide on the line-up?

The only way to create a magical night that is this big and have as much reach is to get as many people involved as possible. The live music is the core, but we didn’t just want to have another concert, we wanted to augment the night into something beyond that. We put the word out and started getting different types of performers and components involved with the night. It doesn’t stop at bands, burlesque, dancers, drag-queens, DJs and vendors. We have so much more we want to do as far as showcasing performers in the future, but we simply have ran out of room on the bill for this first night.

A lot of credit goes to the Gilded Trash team as well—David Dominick, our production manager, and Meredith Greer, our stage manager/talent coordinator. They have been the key in cultivating the talent and organizing the night.

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From 1994 to 2005, only one Atlanta nightclub had a reputation for being the most audacious, notorious and outrageous. If you lived here then, you know which one I’m talking about—The Chamber. Tucked away in a warehouse behind the strip clubs of Cheshire Bridge Road (now The Jungle), you might not see much besides a few lonely Goths swaying tragically to an industrial soundtrack if you arrived early. But around 11 pm to midnight, they began to arrive and soon the place would be packed with the city’s most diverse nightlife—fetish enthusiasts in black leather and latex, dazzling drag queens, big hair, marvelous make-up and, standing out like neon in a church, mundane preppie “tourists” from Buckhead and the ‘burbs.

However, the Chamber wasn’t just about crowd-watching. It featured live entertainment both on a main stage and in a variety of titillating smaller spaces such as The Shower Room, the Peep Show and the Flashlight Room. While not as extreme as the BDSM scene in New York, the fetish shows strived to be provocative but also never forgot a sense of playfulness, and you could even purchase your own fetish-wear and sexy lingerie onsite at a satellite location of the Little 5 Points boutique, Throb. At the end of the wee hours of the morning, like other great local clubs such as 688 and the Metroplex, a night at The Chamber became less about shocking a few yuppies and more about the friends you made. And like every memorable grand salon, behind the curtains was a great hostess, Mon Cherie.

This Saturday April 16, for one night only, Mon Cherie will be resurrecting that scandalous spirit with Mon Cherie’s The Chamber Reunion in Purgatory and Hell at The Masquerade. Among the festivities are live fetish performances, burlesque/Boi-Lesque,  aerial feats, go-go dancers, drag skits, body paint, a chocolate bar, a dungeon/play area, vendors, raffle and, as the Facebook event listing coyly promises “more surprises to tickle your fancy.” Ever the ringmistress, over the years since The Chamber closed, Mon Cherie has proven an uncanny ability to assemble the best in local talent to stage a parade of Rockabilly Lounges, burlesque shows and other one-of-a-kind social gatherings. So it’s no surprise that this event’s performers include many stars of the local fetish and burlesque scenes including emcee Miss Mason, Secretroom alumna Evil Sarah, Fonda Lingue, Stormy Knight, Catatonic Raucous, Chandler Bearden, Melissa Coffey, and many more. But to give you an exclusive sneak peep, who better than Mon Cherie herself…

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