ATLRetro

Katherine Lashe. Photo credit: PinUp Girl Cosmetics.

Atlanta’s burlesque scene right now is hot, hot, hot, and one lady is right at the sizzling heart of it – Kool Kat Katherine Neslund, aka Katherine Lashe. This week alone, Syrens of the South, her production company, is giving Atlanta a new monthly burlesque showcase with Tease Tuesdays at The Shelter on June 11 (specific Tuesdays will vary per month). She’s also a key player in the city’s first Debut-Tease Ball, featuring Katherine and a mix of experienced and new talent either teaching or taking classes at Studio Burlesque, Atlanta’s own burlesque school which launched just last winter.

Perhaps most of all, Katherine is the driving force behind the Southern Fried Burlesque Festival, which celebrated its third anniversary this year. Finally Atlanta has an annual event that brings together local, regional, national and even international burlesque revival stars and legends. Tease Tuesdays are fundraisers for SFBF. And that’s not even beginning to talk about Katherine’s own talents as a performer who has graced nationwide stages including the Burlesque Hall of Fame in Las Vegas.

ATLRetro caught up with Katherine recently to find out more about this week’s events; her own path to burlesque via theater; what else she has coming up, including a significant partnership between Syrens and 7 Stages theater in Little Five Points; and much more.

ATLRetro: What’s the one thing that happened to you during childhood that made it your destiny to be a burlesque performance artist?

Katherine Neslund/Lashe: When I was younger my Mom made costumes and clothing for drag queens in Knoxville, TN.  I ended up wanting to be a drag queen when I grew up because they had the best clothes! Later it was explained to me that, being a girl, I couldn’t technically be a drag queen. I was pretty disappointed  with this childhood realization. I’ve obviously since realized my passion and have been doing theater in some capacity my entire adult life. I’ve always felt pretty at home on the stage. Burlesque seemed to unite the whole drag queen dream with my theater experience.

I understand you kicked off your burlesque career in Atlanta by opening for Dita Von Teese. That’s a pretty exciting beginning. How did that happen and can you share something about that experience? Did Dita impart any words of wisdom that have stayed with you.

I used to be the head performer at The Chamber, and one day Howie, the manager, told us we were opening for Dita von Teese in two weeks and we should do something burlesquey.  I had no idea what that meant since I had very limited experience with burlesque having only seen The Doll Squad and Torchy Taboo perform a few times at that point.  We ended up putting together a Fosse-style group number that incorporated burlesque, dancing and a little bit of that Chamber touch.  It’s kind of funny that out of that group came myself, Renea’le Roux and Gia Nova as professional burlesque performers.

Katherine Lashe. Photo credit: PinUp Girl Cosmetics.

The Syrens of the South is a production company, not a troupe. A lot of people don’t know the difference, so can you clarify what this means in the burlesque world?

A troupe is traditionally a group of people that works together on a regular basis; going through routines and rehearsals, every member focused on a common vision of what the group should embody as a whole, and then also on what every member will perform exclusively.  Syrens of the South treats all of our performers as independent contractors, and I have always encouraged everyone to have their own identity – to perform whenever and with whomever they want.  Each performer creates their own personal vision of what they want to be, and they own and control their personal performance.  Syrens is like a playground on which these amazing folks can show their talent. Thanks to this freedom, performers can feel free to include everything from classic, to comedy, to just plain weird stuff.  I also try to make sure that we have a good variety of acts, including, of course, vaudeville type acts to break up the boobies, making it an interesting evening for everyone!

It’s been long overdue for Atlanta to have an annual burlesque festival, and Southern Fried really seems to be putting the city on the map. SFBF has made it to its third year and seems to be really hitting its stride. What did you personally enjoy the most at year’s festival and can you give us a little preliminary tease about your goals are for next year?

My favorite part each year is the Legends.  I have a passion for burlesque history, hence why I teach a very in-depth class on it, and have been collecting burlesque legend interviews for a very long time now.  My goal is to gather as much information as possible before the information is no longer available.  I was lucky enough to interview Tura Satana before she passed away, and I am so very grateful I was able to do so.

This particular year I was really excited with how many people from the local Atlanta burlesque community became involved.  In between volunteers, performers and even those that just showed up in the audience to come and see us, plus so many regular Syrens of the South performers, members of Hot Toddies Flaming Cabaret, The Imperial OPA Circus, Minette Magnifique and Musee du Coeur showed up both on stage and off.  The hope is that Southern Fried can help show Atlanta a taste of what goes on in the rest of the world, as well as showing the rest of the world the amazing talent we have here in Atlanta and the Southeast.  Many performers don’t travel, so this is a great way to show off all that we have to offer here!

Funding a festival must be challenging. Where does Tease Tuesday fit in?

The goal of Tease Tuesday is to help raise money so we can continue putting on this amazing festival.  It costs around $20,000 to put on each year, and we make less than half of that from ticket sales each year.  The rest of the money comes from our vendors, sponsors, application fees, Syrens of the South shows and out of my pocket.  We need approximately $2,500 to pay off the remaining bills from last year before we can start moving on to next year.  Tease Tuesday events, at 10 acts for only $10, gives us  a nice inexpensive monthly show to help us get the remaining bills paid off and then hopefully help us get the deposit for the hotel next year so we can continue going forward with the festival.

Another thing we love about Tease Tuesday is that it’s going to be monthly. In New York there are multiple monthly and even weekly burlesque events, but Atlanta audiences have had to wait several months between shows by the same troupe or producer. Can you tease our readers about the Syrens first Tease Tuesday and how you plan to keep a monthly show fresh and exciting? Will shows be themed and will you just feature local performers or regional and national performers as well?

Our first Tease Tuesday show was in May as a straight up fundraiser and test show.  We were lucky enough to have the current Southern Fried Queen, Lola le Soleiland two time SFBF winner Bourgeois Betty, Little 5 Points Rockstar Orchestra founder Rob Thompson doing an acoustic set, as well as Talloolah Love, Nipsy Tussle from Knoxville’s Salome Cabaret, Tora Torrid, Persephone Phoenix, Edie Akimbo, Tru Bliss, and my Wednesday night Beginning Burlesque class from Studio Burlesque.  Fritzengreuben was our Master of Ceremonies with Tupelo Honey as our stage kitten.

Our show on Tuesday, June 11, will have some amazing burlesque – Florida’s Tokyo Bell incorporates fire into her stripping, Atlanta favorite Ursula Undress will be there, Jed Drummond will be singing and playing his ukulele, there will be sexy juggling, some sultry singing and many more burlesque dancers.  Remember -10 acts for $10, so it’s a surprise as to who the other performers will be!  The next one on July 16 is so secret I can’t tell you anything other than it’s gonna be awesome!

Katherine Lashe. Photo credit: PinUp Girl Cosmetics.

Studio Burlesque is another milestone for the Atlanta burlesque community. How did that get started and what was your role in its fruition?

I have been teaching burlesque classes for almost six years in borrowed/rented spaces. It was really only a matter of time before someone realized the popularity of burlesque was on the rise and that there should be a studio dedicated to it.  An investor approached multiple members of the Atlanta burlesque community until he found the right fit which happened to be the valedictorian of the very first Syrens of the South graduating class: Ursula Undress.  She and I had a long talk about it after she was approached, and her mission statement was beautiful and her heart was in the right place, so I decided to move my regular classes to Studio Burlesque.  I’ve given a little advice just because of the six years of previous experience, but with the festival taking off, it’s really nice to get to just show up as a teacher rather than organizing all the classes like I used to.  Many of my former students became teachers in the Syrens of the South class series and now teach at Studio Burlesque.  I am very proud of all of them and love that there’s a home for everyone in Atlanta Burlesque to be able to come to learn and to teach.

Are classes just for aspiring burlesque performers? Could any of them be an alternative to a conventional boring exercise class?

The regular weekly classes are for anyone at any level of dance experience.  My Beginning Burlesque class on Wednesday at 6:30 p.m. has people who have never danced before and a few seasoned performers, however, they all work great together in learning the new choreography we do each month.  For those who want to try performing, I’ve been offering a performance spot for that class at each of the Tease Tuesdays.  Students get a little firsthand taste of the performance experience and can then decide if it’s something they want to try.  The performance track classes are for those that are interested in becoming burlesque performers or at least getting a solo opportunity on stage.  It consists of three months of classes; we focus on getting them on stage for a student showcase at the end of the three months.  The next performance track series will be starting in July after July 4th.

Debut-Tease is coming up this Saturday. Some people might be reluctant to come to a beginners’ show. Tell us why they’re wrong.

I love student showcases!  There is that excitement of it being their first time, and you can see the nerves, the joy, the fear and the overwhelming feeling of accomplishment when they walk off the stage.  It’s like watching someone be born without all the gross parts!  However, even if you’re not a big fan of watching newbies, myself and many of the other teachers will be performing as in this show, so many professional performers will be gracing the stage as well as all the newbies.  Ursula Undress, Talloolah Love, Fonda Lingue and The Chameleon Queen will be performing, just to name a few!

Are any of your students performing? Any star student in particular to watch out for?

Every student that is debuting on the 15th is part of the Studio Burlesque Performance Track Classe Series so I have gotten to teach them all as I teach the History of Burlesque and Tassels and Gloves classes in that series.  Many of them also come to my Wednesday night class so I’ve gotten to know a few of them fairly well.  If I had to pick one to watch I’m going to have to say A to Zee as he is the only boy making his debut that night.  I’ve seen his work in progress, and I think everyone will have fun with it. Being the only guy, I think he’ll succeed in inspiring other gentlemen to come out and learn the art of boylesque!

Finally, burlesque is just one of your talents. You have a background in theater and were heavily involved with 7 Stages‘ hit DRACULA: THE ROCK OPERA. Anything you’d like to share about that experience and what’s next for that production? Or anything else you’re up to?

Yes, I was honored to be the stage manager for DRACULA: THE ROCK OPERA!  The finished recording of the awesome soundtrack from our show will be finalized and out for sale on CD sometime soon.  We’ll be doing a concert version in February so do keep your eyes peeled for that!  I went to school for musical theater and am now finishing up a degree in technical theater to balance out my onstage and off-stage experience, which is good since I was just the lighting designer for LADY LAY, a great play at 7 Stages Theater that closed out the 2012-13 season.  I’ve also been a stage manager for The Imperial OPA Circus for a few years, and look forward to continuing at 7 Stages in the 2013-14 season.  After Dracula, I really just found my home at 7 Stages as I love everyone who works there and what they are trying to do through art and community building.

Katherine Lashe. Photo credit: PinUp Girl Cosmetics.

I’ve recently been made a member of their fundraising committee and am helping to put together a brunch at Our Way Cafe on June 23.  Brunch will include a concert by the awesome local band Till Someone Loses an Eye, and benefits will go to 7 Stages.  Mark your calendars!  Also, our Syrens of the South 6th year anniversary show will be held on the main stage at 7 Stages on Aug 3.  I’m splitting the profits with the theater to help them with their fundraising goals.  As 7 Stages is now going to be our new home for our big shows, for instance our Anniversary, Tits for Toys for Tots (Nov 23) and our Vixen’s Valentease show, we want to make sure to start our new marriage by giving them a decent dowry!

Friday, July 22

Dig out the glitter bodysuit and platform heels and get yourself down to The Masquerade for Gilded Trash, a glam rock theme party to be remembered featuring live music from The Sexual Side Effects, The Unsatisfied and Starbolt 9; classic hits from T. Rex & Bowie to Iggy & Eno; burlesque by The Chameleon Queen; the scandalous banter of Dax Exclamationpoint!; foot-pounding grooves by Glitterdome‘s DJ Tiny Tears; body-painting; gilded go-go dancers, glam-inspired art by Chris Buxbaum; glam-orous vendors; and much more. Get a sneak preview from Kool Kat of the Week Amber Taylor, show mastermind and vocalist/guitarist for The Sexual Side Effects here.

The Stumblers make it a rockabilly/Southern roots night in The Basement at Graveyard Tavern in East Atlanta. Read ATLRetro’s Extra Kool Kat of the Week interview with lead singer/rhythm guitarist Keith Martin here. Eighties multi-platinum heavy metal band Dokken rocks Wild Bill’s in Duluth. Country chanteuse Emmylou Harris plays Concerts in the Garden at the Atlanta Botanical Garden. Rod Hamdallah is at Fat Matt’s. Callanwolde‘s popular Tango Night is back including introductory lessons in the sexy Argentine version from Tango Rio‘s expert instructors at 8 p.m., followed by an open tango dance party at 9:15 p.m. Catch an IMAX movie and dance to soulful jazz standards performed by The Kayla Taylor Quartet at Fernbank Museum of Natural History’s Martinis and IMAX. And last but not least, the wacky cast of Cineprov! bait and tackle Humanoids of the Deep, a sensationally schlocky 1980 horror flick about half-man/half-fish mutations starring then-hottie Doug McClure, at 8 p.m. at Relapse Theatre. Free admission if you wear a bathing suit!

Last but not least, a high school ritual gets an undead makeover in a ‘50s setting in ZOMBIE PROM, this weekend only at Fabrefaction Theatre. The girl-loves-ghoul rock ‘n’ roll off-Broadway musical is fun for the entire family and performed by actual high school students as the culmination of a two-week theatre education program. The opening night show is at 8 p.m., and additional performances are at 2 p.m. and 8 p.m. on Sat. and 3 p.m. on Sun.

Saturday July 23

What’s that, Artie? A steampunk theme night with a Wild West twist? That’s the wild, wild premise behind The Artifice Club‘s Weird West Saloon, at The Solarium in Oakhurst. The frontier-inspired festivities begin at 5 p.m. with a Trading Post Market, with doors opening officially at 7 p.m. and entertainment lasting to midnight culiminating in an after-party at McGowan’s Oakhurst Pub. There will be gambling and a quick draw tournament to benefit the Dream Power Therapeutic Equestrian Center, and featured acts included Blair Crimmins and the Hookers (read an ATLRetro interview with Blair about this ’20s-ragtime-inspired band here), DJs Swivel and Doctor Q, emcee and sheriff comedienne Sabrina Pandora and a bevy of burlesque beauties…er sexy saloon dancing girls including, Fonda Lingue, Ruby Redmayne, Tupelo Honey and Talloolah Love, who treats you lucky ATLRetro readers to an exclusive preview here.

Americana classic Dex Romweber and sister Sara throw a party mix of originals and obscure nuggets from rock n roll’s dusty closets at the Star Bar for the release of the Dex Romweber Duo‘s latest album, IS THAT YOU IN THE BLUE. It only gets better with local rockabilly faves The Blacktop Rockets, classic rock-inspired The Booze and Chattanooga-based garage rock band The Bohannons also on the bill.

Meanwhile over at the Plaza, Blast-Off Burlesque are throwing a BEACH PARTY tonight for their third Taboo La-La sin-sational film series. Much more than a rare chance to see the classic 1963 frolic with Frankie Avalon and Annette Funicello in 35mm on the big-screen, there’s a zany and sexy preshow featuring special guests Grinder Nova and The Chameleon Queen as the float-tastic Alotta Wood, as well as a Twist-Off Contest, a Hula Hoop Contest, and Twister games and beach party-inspired cupcakes from Atlanta’s own The Sugar Dolls, who were kind enough to serve up a tasty sneak preview of the treats they’ll be bringing here.

Eighties hit makers Huey Lewis and the News try to take you Back in Time to when it was Hip to Be Square at Classic Chastain. Capitol City Opera players sing Broadway standards in ON THE LIGHT SIDE, a themed night of lighter music that has become a 20-year tradition at the vintage Callanwolde mansion. The Reverb-O-Rockets deliver Chicago style-blues “straight, no chaser” at Fat Matt’s Rib Shack. And of course, DJ Romeo Cologne transforms the sensationally seedy Clermont Loungeinto a ’70s disco/funk inferno late into the wee hours.

Sunday July 24

Alick Gerard & the Dixie LTD play blues “dunch” between 1 and 4 PM at The Earl. Learn Beginning Vintage Hair Styling from award winning pin-up girl D’lilah D’lite from 1 to 3 p.m. at SpinARella Pole/Dance/Fitness. The class is part of the Syrens of the South‘s ABCs & 123s of Burlesque Class Series. GET DELICIOUS AGAIN at 8 p.m. at the Plaza Theatre as Jim Stacy (Palookaville, Starlight Drive-In, AM Gold, Greasepaint, etc.)  samples Atlanta’s Asian eateries in the latest installment of his unconventional culinary series serving up Atlanta’s Hidden Restaurant Treasures. If you can’t make thisFREE screening with special foodie guests, tune in or set your DVR to PBA 30 also at 8 p.m. Nature is Dangerous and It will Hurt You: A Benefit for Jessica Miller features some a great line-up of local blues and rockabilly bands, beer specials, Fat Matt‘s BBQ, raffle prizes and more from 2:30 p.m. to late at Blind Willie’s, including Bill Sheffield, Rocksploitation, Nat King Coal Miners, Bob Page and Co., The Shadows, Rod Hamdallah, Joe McGuiness Trio, The Electromatics, and The Stooge Brothers. Blair Crimmins and the Hookers headline Unplugged in the Park at the Park Tavern.

Ongoing

The latest revival of Tony Award-winning musical FIDDLER ON THE ROOF is at The Fabulous Fox through Sunday June 24.

VIDAL SASSOON: THE MOVIE not only chronicles the life of the rock star hairdresser/artist but also features lots of ’60s/’70s fashions and hair styles. Playing through Sun. July 31 at Cinefest.

At the High, RADCLIFFE BAILEY: MEMORY AS MEDICINE, the most comprehensive exhibition of the Atlanta artist’s works to date, opened last Sunday June 26 and runsthrough Sept. 11. Read more about the artist and this powerful exhibition that in last week’s Kool Kat. JOHN MARIN’S WATERCOLORS: A MEDIUM FOR MODERNISM, a companion exhibit also at the High this summer through Sept. 11, surveys the work of the man named America’s number one artist in a 1948 LOOK magazine survey. While his name is not a household one today, this exhibition reminds us of his important place in the modernist movement and why watercolors became such a powerful instrument for avante-garde art in the hands of him and other artists in the Stieglitz Circle,including Georgia O’Keefe.

MODERN BY DESIGN, the High‘s other Retro exhibition, celebrates three key moments in modern design and also the Museum of Modern Art, New York‘s (MOMA) collection history. The works on loan from MOMA cover “Machine Art” (1934), “Good Design” (1950-55) and “Italy: The New Domestic Landscape” (1972), with the latter addressing modernism in the context of 1960s and ’70s counterculture.

The Museum of Design Atlanta (MODA)‘s newest exhibit WaterDream: The Evolution of Bathroom Design, runs through Sept. 24 in the dynamic new Midtown space. Displays take visitors through a four-part journey into the bathroom from the birth of minimalist aesthetics in 20th century design to current concepts.

Get a rare chance to view original manuscript pages from the last four chapters of ATLANTA’S BOOK: THE LOST GONE WITH THE WIND MANUSCRIPTat the Atlanta History Center. The new exhibit, which opens today and runs through Sept. 5, is part of a series of activities celebrating the 75th anniversary of the publication of the international bestseller and also includes foreign and first edition copies, the desk Margaret Mitchell used while writing it and select images.

Tune back in on Friday for Weekend Update. If you know of a cool happening that we’ve missed, send suggestions to ATLRetro@gmail.com

When most people think Steampunk setting, images of Victorian London likely come to mind, but across the Atlantic and a steam engine-pulled train ride inland stretched a vast frontier. This Saturday night, July 23, at THE WEIRD WEST SALOON, the fine folks at The Artifice Club transform The Solarium in Oakhurst into a steampunk version of that less polite society where the law often came down to the fastest draw.

Festivities kick off at 5 p.m. with the opening of the Trading Post Market with vendors of unique jewelry, weaponry, costumery and other unexpected ephemera. Then at 7 p.m., doors officially open for ticketholders. Chance your cash for charity in the saloon casino, test whether you’ll be caught dead or alive in a quick draw tournament and kick back an alcoholic beverage in period sets created by mad geniuses Sean O’Shea and Penny Dreadful Productions. Of course, there’ll also be entertainment aplenty from Blair Crimmins & the Hookers (read an ATLRetro interview with Blair here) to Mistress of Ceremonies/Sheriff Sabrina Pandora, tunes spun by DJ Swivel and Artifice Club maestro/founder DJ Doctor Q to a bevy of Atlanta burlesque beauties, dressed delightfully down as sexy saloon personas including Fonda Lingue, Ruby Redmayne, Tupelo Honey and Talloolah Love.

The tantalizing Ms. Love graciously consented to give all you ATLRetro cowboys and girls an exclusive sneak peek, as well as the scoop on a Friday pre-party and late night after-party for those who want to play in the Weird West beyond the Witching Hour.

How did The Artifice Club get the idea for a Steampunk Western theme night?
There are many cultures to pull from when you talk about the Victorian era. Many of us start out with the European influence because it seems the most natural. Since The Artifice Club wants to explore all advents of the art form, the American twist was where we went with it this time, and it seems like everyone is really jazzed about it. It’s something new, and a great excuse to whip out those sewing machines, spray paint and epoxies! It’s time to think about a new slant on a good costume and new props, because you can always use a new form of weaponry, just ask Bill Harrison! The West Coast does a lot of really cool wild west conventions as well but not on the East Coast. That should be remedied.

It’s often said that THE WILD WILD WEST 1960s TV series was an early example of Steampunk. Can we expect to run into Jim West (Robert Conrad), Artemus Gordon (Ross Martin) or—yikes—Dr. Miguelito Quixote Loveless (Michael Dunn)?

You might, though I find that most of our Steampunks lean toward doing unique costumes. Though, you never know with this crowd, they tend to surprise me at every turn! I know that the burlesque portion of our show is most definitely inspired by movies with saloon girls, such as THE UNSINKABLE MOLLY BROWN, RIVER OF NO RETURN, and even a little French import from CAN CAN. I think Doctor Q would do flips if someone did the 1960s version of Loveless or Gordon, but that’s my opinion.

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Wow, there’s a lot flying and frying this week Retro-wise in Atlanta from Phoenix Flies to Southern Fried Burlesque Fest to a host of pop and rock performers who got their start in the ’80s. Here’s your weekly guide to where and why to get out…

Monday March 7

Atlanta Preservation Center continues its annual The Phoenix Flies: A Celebration of Living Landmarks, so-named after the iconic symbol of Atlanta—the mythical bird that burns and is reborn similar to the city post-Civil War. The event which runs through March 20 offers a chance to take its neighborhood historical walking tours for free, as well as experience additional behind-the-scenes peeks inside Atlanta’s most famous buildings of eras gone by. Today’s tours include The Temple synagogue (1930), designed by legendary Atlanta architect Philip Trammel Shutze at 10:30 AM; the Gothic revival Peachtree Christian Church (1925) at noon; and Grant Park at 5 PM. Reservations are recommended. After dark, Joe Gransden & his smokin’ 16-piece orchestra present another Big Band Night of jazz at Café 290, featuring Sinatra, Bennett, Basie and Joe’s originals. Blues chanteuse Francine Reed is back at Cafe Circa. Northside Tavern hosts a Blues Jam.

Tuesday March 8

Phoenix Flies features the Swan House at the Atlanta History Center (AHC), site of lavish parties in the 1920s and ’30s; other AHC facilities such as the 1840 Tullie Smith Farm and Cherokee Garden Library and Kenan Research Center, which both house rare photos and documents of Atlanta history; neoclassic First Church of Christ, Scientist (cornerstone laid 1903); Hinman Home (1896), now Stonehurst Place Bed & Breakfast; Midtown’s The Castle; a general Historic Midtown tour; and Wimbish House (1906), one of the last remaining homes on Peachtree Street’s once posh Mansion Row now the headquarters of Atlanta Women’s Club.

Splatter Cinema presents 1980s vampire classic NEAR DARK at 9:30 PM. Read Mark Arson’s Retro Revue to see why you shouldn’t miss this hard-edged horror Western directed by Oscar winner Kathryn Bigelow and starring Lance Henriksen and Bill Paxton. Grab your horn and head to Twain’s in Decatur for a Joe Gransden jazz jam session starting at 9 PM. Fedora Blues plays Fatt Matt’s Rib Shack. Atlanta’s notorious DJ Romeo Cologne spins the best ‘70s funk and disco at 10 High in Virginia-Highland.

Wednesday March 9

Phoenix Flies tours the Fabulous Fox Theatre and offers a rare peek inside The Herndon Home, a beautiful 1910 mansion built by Atlanta’s first African-American millionaire Alonzo Herndon which has many eclectic aspects thanks also to his drama teacher wife Adrienne who would put on theater productions occasionally on the roof.

Get ready to rumba, cha-cha and jitterbug at the weekly Swing Night at The Glenwood. Catch Joe Gransden every Wednesday night at 8:30 PM at Jerry Farber’s Side Door. The Hollidays bring on the blues at Fatt Matt’s Rib Shack. Dance to ‘70s, ‘80s and ‘90s hits during Retro in the Metro Wednesdays presented by Godiva Vodka, at Pub 71 in Brookhaven, starting at 8 PM. Cover band ’80s Band of Destiny is in the Atlanta Room at Smith’s Olde Bar.

Thursday March 10

Stonehenge Mansion, one of today's Phoenix Flies tours.

Another busy day for Phoenix Flies including tours of Fox Theatre; early Edgewood-Candler Park; Unseen Underground exploring parts of the old railway lines and viaduct system not usually open to public view; Burns Club (1910), a replica of Scottish poet Robert Burns’ birth home with Burns poetry reading; City Hall; Stonehenge Mansion & Sanctuary, a Gothic mansion in Druid Hills built as a residence but now houses St. John’s Lutheran Church; and the Georgia Capitol.

The first annual Southern Fried Burlesque Fest kicks off with the Atlanta premiere of award-winning documentary DIRTY MARTINI & THE NEW BURLESQUE, with a Q&A afterwards with director Gary Beeber and Neo-Burlesque Revival superstar Dirty Martini, at the Holiday Inn & Conference Center in Decatur. Be sure to read our fest preview here. Chickens and Pigs play Pho Truc in Clarkston from 8-10 PM. Listen to Tongo Hiti’s luxurious live lounge sounds, as well as some trippy takes on iconic pop songs, just about every Thursday night at Trader Vic’s. Party ‘70s style with DJ Romeo Cologne at Aurum Lounge.  Breeze Kings and Chicken Shack bring on the blues respectively at Northside Tavern and Fat Matt’s Rib Shack.

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Atlanta certainly has earned its place on the map of the Neo-Burlesque Revival with amazing performers and troupes. Now this steamy Southern city finally is getting its first bonafide burlesque festival, too. In case you’ve been too naughty to notice, Southern Fried Burlesque Fest dances into town next weekend, Thurs. March 10- Sun. March 13, 2011, at the Holiday Inn Hotel and Conference Center in Decatur. But co-founders Katherine Lashe and Ursula Undress (Syrens of the South Productions) kindly have agreed to pull back the curtains and strip down to some of the delicious details…

Katherine Lasche & Ursula Undress invite you to some Southern-fired fun at Atlanta's first burlesque festival.

1. Is there any story behind how you hatched the idea for Southern Fried Burlesque Fest and why Atlanta needs its own festival?

Katherine Lashe: Atlanta’s the biggest city in the Southeast and a hot bed for burlesque with guest performers coming in all the time so it seemed to make sense that we should have a festival to show off all of the amazing talent from all aspects of burlesque that the Southeast had to offer, in addition to showing the Southeast what the rest of the world has to offer as well.

Ursula Undress: I had heard some talk about how we needed to do something like it here at a few of the Atlanta Burlesque & Cabaret Meet-Ups and had been to a few other state-specific festivals. So I supported Katherine with wanting to move forward with one here and told her I would do whatever I could to help. We definitely have the talent in the city and surrounding areas—so it has become sort of a regional thing.

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