The Horror! The Horror! Our Top 10 Retro Reasons to Go to DAYS OF THE DEAD 2014

Posted on: Feb 6th, 2014 By:

What are we doing this weekend?! We’re heading down to the third annual Days of the Dead at Sheraton Hotel Atlanta, Friday-Sunday Feb. 7-9.

1) THE THING REUNION! Given that John Carpenter‘s THE THING (1982) is one of those rare remakes that surpasses the original, we can’t think of anything more fun than meeting a bunch of the guys who signed on for Antarctic duty and ended up monster-meal. Keith David, Richard Masur, Joel Polis, Peter Maloney, Thomas Waites all together on one stage at 1 p.m. on Saturday and signing all weekend.

2) DAMIEN ECHOLS. We have followed the case of the West Memphis Three since 1993, and couldn’t be more happy that he is finally free. He talks about “Life After Death” Row Saturday at 7 p.m.

3) RUNAWAYS. We’re not sure how two of rock’s most badass babes ended up on the horror con circuit, but we’re not complaining about any chance to meet Lita Ford and Cherie Currie. Also rocking the roster are crazy ’80s metal man Dee Snider and Skinny Puppy’s Twiggy Ramirez.

4) SID HAIG AND BILL MOSELEY.  Sid Haig, one of those rare B-movie icons and character actors whose career spans the decades from Jack Hill’s blaxploitation films of the 1970s to the chaotic, creepy Captain Spaulding. Quite frankly you and Bill Moseley scared the sh-t out of us in THE DEVIL’s REJECTS and since we’re not easily scared, for that we salute you both!

5) BUTCH PATRICK, MEG FOSTER, CHRIS SARANDON, AND THE CRYPTKEEPER JOHN KASSIRThe guest list just seems to go on and on with Retro-horror goodness including the original Eddie Wolfgang Munster, one of Hollywood’s most eye-catching actresses and the star of another John Carpenter classic THEY LIVE (1988), the hot neighborly vampire from the original FRIGHT NIGHT (1985), and the man whose voice creeped us out so many times hosting TV’s TALES FROM THE CRYPT.

6) THE HISTORY OF THE SPOOK SHOW! Atlanta’s own Professor Morte leads the SILVER SCREAM SPOOK SHOW in a history lesson of this macabre art form which we are certain will both amaze and entertain. We may even learn something, too!

Professor Morte (Shane Morton). Photo courtesy of Shane Morton.

7) MARK MADDOX. If you’re a classic horror or sci-fi fan, you’ve undoubtedly encountered the work of this Rondo Hatton and Pulp Factory Award-winning artist on the covers of countless publications from Little Shoppe of Horrors to the 50th anniversary issue of DOCTOR WHO Magazine. His appearance is sponsored by Monsterama, Atlanta’s newest horror con which debuts August 1-3, 2014.

8) SPOOKTACULAR SHOPPING  Horror cons are the perfect place to stock up on both macabre movie memorabilia, cult classics on DVD and creepy clothing, costumes and accessories.

9) MACABRE MAKE-UP, CREEPY COSTUMES AND PHANTAMAGORIC PARTIES!! Check the schedule for make-up demonstrations, VIP parties, costume contest Saturday night at 11 pm followed by the Monster Ball. On Friday night, learn SFX make-up from the masters in the Atlanta Zombie Apocalypse Presents Putrid Prosthetics, hear the funny side of wrestler-actor Roddy Piper, followed by a midnight Murder Ball hosted by Atlanta’s own most extreme Halloween attraction Chambers of Horror.

10) FRIGHTENING FILMS! The JABB 48-hour film festival featuring new indie horror, such as THE MORNINGSIDE MONSTER by ATLRetro Kool Kats Jayson Palmer and Chris Ethridge, as well as crazy has-to-be-seen-tobe-believed cult classic NEON MANIACS (1986).

Days of the Dead main con hours are Fri. Feb. 7 from 5 to 11 p.m.; Sat. Feb. 8 from 11 a.m. to 7 p.m.; and Sun. Feb. 9 11 a.m. to 5 p.m., with parties going late into the night on Friday and Saturday. For more info, visit https://www.daysofthedead.net/atlanta/.

Category: Features | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Kool Kats of the Week: Joy Kills to the MCW! Having Their Cake and Eating It, Too, While Moshing!

Posted on: Dec 12th, 2013 By:

This weekend, unwrap a Monstrosity Championship Wrestling (MCW) double header at Club Famousstarting with a Silent Night, Deadly Night Friday the 13th Holiday Horror Show Dec. 13 at 9 p.m., followed by a special all-ages Holiday Matinee  on Dec. 14 starting at 2 p.m. We’ve heard rumors of a seasonal showdown between Santa and Krampus, as well as those rowdy redneck Wolfmen taking on the trio of Dragula, Natureboy Paul Lee and the “Leatherback of Notre Dame” End Zone in a two-out-of-three-falls match and ” The Lethal Dose ” Stryknyn defending the MCW Championship against The Dark Mon! Not to mention raffle prizes from the likes of Diamond*Star*HaloAtlanta Zombie ApocalypseChocolate F/X and more!

Providing the music between the mayhem is the The Joy Kills! We caught up with frontman Eric Haugh and guitarist Mike Westberg recently to find out more about what the fearsome four have planned for Friday night, as well as a sneak peek at their new EP, due out in February from  Blood Drunk Records. [FYI Spooky Partridge play the Saturday show; if you missed it, you can catch up with our Kool Kat interview with Atlanta’s rockin’est mom Katy Graves here.]

ATLRetro: What’s the secret origin story of the Joy Kills and how did you get your name?

Eric: If I told you, then you’ll be carrying a life-threatening secret you must guard from the likes of the FBI, the CIA and PETA.

Michael: Which is to say we met on OKCupid. The date didn’t work out, but we decided for form a band anyways.

Eric: The Joy Kills came out of our drummer’s mouth by mistake. It’s the best mistake he ever made. He’s to blame for such irony. After much amusement with the name I finally realized that the Joy DOES Kill. It kills us all. The Joy Kills mean life, and how brief and fun and scary it can be for everyone. The Joy will kill you too.

The Joy Kills in a urinal. Photo courtesy of The Joy Kills and used with permission.

We’ve heard the Joy Kills called  “garage-punk,” but that you also have a heavy blues edge and are influenced by Black Sabbath. In a few words, how would you describe your music to the uninitiated?

Eric: Music for the dining banquet of a mental health institution, in Hell! For tonight, you’ll be entertained by a lovely three-piece with an escapee from the institute leading them in the charge.

Michael: You’re so glib… I like to say we’re all over the place with our influences and can’t make up our mind.  I think one thing we can agree on, though, is we like to be in that little spot between punk and rock. That way we can have our cake and eat it too, while moshing.

What are three acts and/or bands which influenced you and why?

Eric: Iggy and The Stooges, Jay Reatard and Butthole Surfers have all equally scarred me with wild, intense sounds that attacked my pleasure senses of my brain in a way that seems inappropriate for the some viewers. All of them were known for being kick-ass live shows to see back in the day that was both revolutionary as well as fleeting.  All of them are now defunct. Something about the brief and candid explosiveness of their time(s) really inspires me to do more with music than just explode. So I hope to stick around.

Michael: Iggy and The Stooges still play!  Although their original guitarist, Ron Asheton, died not too long ago.

The Joy Kills Capturing Her First Prize in Charm City. Photo courtesy of The Joy Kills and used with permission.

You recently did a holiday song. Why you did you go for such a scary aspect of the holidays as “Black Friday”?

Michael: Because the holidays are scary! It’s such a petulant time; family you don’t really like, and an obligation to buy crap for other people who are just going to be disappointed you didn’t get them something better.  I remember one Christmas I got a STAR WARS action figure from a distant relative, but it was some crappy “B” character from the Mos Eisley’s cantina scene.  I will not see this relative again until their funeral, when I shall place the unopened figurine in their casket.

Eric: It’s really funny. All the songs on that compilation appear to carry the same tune of very jaded view of the December holiday. We didn’t realize this until AFTER the release on Blood Drunk Records. We must all hate the holidays! MERRY CHRISTMAS!!!

Short answer: Our singer Eric was born three days before Christmas Day. Since that day it he’s been competing with Jesus ever since to offer YOU low prices.

Why play a wrestling show?

Both: Why not? It’s America!

Which MCW wrestlers are you rooting for this Friday and why?

Eric: All of them. I will make them fight for my affection.

Michael: Eric is an only child, see?  We’re only here on this Earth for his amusement.

The Joy Kills' Eric flying! Photo courtesy of The Joy Kills and used with permission.

Do you have any special plans for this Friday’s gig?

Eric: Possible costume requirements: mask, silly string and a chainsaw… you do the math…

Michael: Is that why you asked to borrow my chainsaw and my plague doctor’s mask?

Can you tell us anything about your second CD? It’s coming out in February, right?

Michael: It’s a secret! The kill collar around my throat will activate if it senses me even muttering anything about the new rec…

Eric: But we can tell you it will be a four-track EP available only on vinyl and digital release. Keep an eye out with us and BloodDrunkRecords.com.  Oh, and if you want a taste, we had a prerelease of one of the songs, “Betsy,” on our Blood Drunk Compilation.  Which I highly recommend everyone go and get now! [Listen to 01 Betsy!]

Michael: I’d like to reiterate that as well!  It’s worthwhile to support your local music scene, and not just your friend’s band. There’s a lot out here in ATL and beyond, and a lot of these bands bust ass to make music for people to enjoy.  I suggest going to random shows and trying new things.

Eric: We always try to keep things interesting, not just in our live show, but with little videos and quirky updates.  Get people wanting to be fans, and keep the fans engaged is the name of the game!

For more on the Joy Kills:

Preview teaser for Friday the 13th Holiday Horror Show

Interview with Wrestling with Pop Culture’s Jonathan Williams

Category: Kool Kat of the Week | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Haint Misbehavin’: ATLRetro Reviews Atlanta’s Top Halloween Attractions

Posted on: Oct 25th, 2013 By:

The horror! The horror! Thanks to some dedicated monster-lovers, Atlanta has become the year-round capital city of Scary. This October, though, our local terrifying talent has outdone themselves in creepy creativity. Here are our reviews of five of the city’s hottest haunted attractions. One general tip for all: wear comfortable closed toe shoes and clothes that you don’t mind getting moist. Don’t worry. The monsters may tell you they are spurting you with blood or other bodily fluids, but it’s just water. Well, we think it is.

ATLRETRO’S HAINT OF THE SEASON: CHAMBER OF HORRORS

Chambers of Horror, Atlanta’s adults-only haunt behind The Masquerade, has come a long way baby from a torture porn extravaganza to a creepy crawl through a septic, gritty underworld. So we’re not only calling it this year’s most improved attraction but also a must-see, as long as you have a stomach for extreme violence and the phantasmagorically pornographic. Let’s be clear–you won’t be seeing parasexual activity, but nakedness and deformed organs are in view.

This year’s concept has the old Torture Co. burned to the ground, but some of its denizens have survived in caverns below, continuing their brutal pursuits. The journey begins in an elevator that shakes and shudders just enough to evoke a realistic ride down five stories with a most unwelcome host. Once below, what makes this year’s Chambers stand out is its atmosphere and acting. You really feel like you are deep below, passing through cave-like passages between disturbing dioramas, such as a monstrous birthing, which look believably real rather than staged. Sure, there were some jumpy scares and victims predictably cried out mournfully for help, but it was their torturers beckoning with a longing evocative of Clive Barker’s Cenobites, who truly tantalizing us with a promise of pain, both excruciating but yet beautiful. Open through Nov. 2.

LABOR OF LOVE: ATLANTA ZOMBIE APOCALYPSE

When most folks, even in the horror biz, think of haunts, they peg them as places you walk or ride through with scares that jump out at you. Forget all that passive voyeurism with ATLANTA ZOMBIE APOCALYPSE (AZA), which this year again boasts two attractions and a zombie shoot. Since its founding four years ago, this bizarre brainchild of Shane Morton, aka Professor Morte of the The Silver Scream Spookshow, and Johnny Rej, former owner of the Plaza Theatre, distinguished itself as a fully immersive experience where visitors literally become part of a realistic plot line of a zombie incursion. Some may consider it off the beaten track just south of I-285 at the Moreland Avenue exit, but the abandoned aura of this industrial area only adds to the apocalyptic feel, and there’s no discounting that having the full run of Safety Wolf, a derelict motel/truck stop turned paintball course, opens up a toxic host of possibilities.

What we love about this year’s AZA’s three attractions is that they steer away from George Romero, WALKING DEAD and other military-industrial plague zombie stories. That doesn’t mean there aren’t military types running around with paintball automatic weaponry, but rather that the cumulative effect is a love affair with some classic horror tropes in creative ways which frankly we’ve never seen at other haunts, which appeal to the Retro as well as the contemporary horror fan, and which will delight everyone who is tired of zombies, too. We don’t want to reveal any spoilers, so all we’ll say about the first main new attraction is that it is quintessentially Shane and will especially delight old school Spookshow fans. This is a good point to note that AZA’s staff includes many Spookshow members and attendees, and that passion permeates every aspect of this team effort of true old-school monster movie fans. The second experience incorporates the woods behind the motel again and returns to the same Lovecraftian territory with the dead raised by Cthulhu-worshipping cultists as last year, but expect different guides, twists and a much stronger climax. Even the zombie shoot rises to another level this year. Shooters don’t stand and aim at zombie targets, but rather get to run from room to room with a safety helmet and weapon just like they would in a real zombie apocalypse.

In sum, ATLRetro couldn’t have had more fun. It’s not a haunt or even just an immersive theater experience, it’s a labor of love not just by Shane Morton but also embodying the heart and soul of what makes Atlanta’s monster movie community truly unique and –hell, we’ll dare to say it– the best in the nation. Open through Nov. 2.

MOST GOTHICALLY GORGEOUS: NETHERWORLD

Consistently ranked as the nation’s best Halloween attraction, Netherworld is also completely homegrown rather than corporately conceived. Founders Billy Messina and Ben Armstrong and a dedicated team of designers, painters, sculptors and other artists deserve ever kudo imaginable for crafting a Gothic wonderland in a Norcross commercial space. Every year it gets bigger and better, yes, making us invoke Clive Barker again–a literal manifestation of Midian, where the Monsters live in his novella CABAL and the movie version NIGHTBREED (1990).

The ATLRetro team doesn’t scare easily, so we just walked slowly in awe of the bizarre beauty from graveyards of gargoyles to mirrored mazes, decadent dioramas inhabited by vampires and other classic monsters to sinister steampunk laboratories, weird werewolf lairs to abysses inhabited gigantic Lovecraftian elder Gods. NETHERWORLD also always features a second haunt that is usually more slasher/contemporary horror in its bent–read toxic waste and chainsaws. This year’s BOGEYMAN was particularly fun, our favorite part being the bouncy dancing killer clowns. Yeah, you read that right. We usually are totally freaked out by clowns, and these clowns were mighty creepy. Or maybe we just enjoyed scaring them by hopping along. Open through Nov. 3.

BEST BATTLE OF THE BEASTS: MONSTROSITY CHAMPIONSHIP WRESTLING AT SIX FLAGS FRIGHT FEST

Every October Six Flags Over Georgia is overrun by ghastly ghouls, terrifying monsters and psychotic mad scientists, but their 2013 Fright Fest has grown hellishly bigger than ever. They’ve upped the ante with 11 haunted attractions and four live shows, but for us the real Retro treat was Monstrosity Championship Wrestling (MCW), which has taken over the Axis Arena in Gotham City for four afternoon shows at 2, 3, 4 and a big Battle Royale featuring all the big bad beasts at 5 p.m.

Yup, we mean the same MCW that was cooked up by our BFF blog Wrestling with Pop Culture (check out our Kool Kat interview with blogger Jonathan Williams here) and “Atlanta’s Renaissance man of horror” Shane Morton (check out his Kool Kat interview here). Yup, Shane has been doubling up on October weekends with MCW during the day as The Silver Scream Spookshow’s “ghost host with the most” Professor Morte and then heading to supervise his other baby Atlanta Zombie Apocalypse (AZA) at night. With the assistance of the horrifically humorous Ringmaster, Morte crowns the bloody victors in matches made in hell as MCW’s deadly contenders duke it out in fearsome full-throttle matches. On a recent Sunday, we saw such creepy contenders collide as MCW faves Dragula, the Alabama Wolfman, Pandora, Bad Santa and more! When they’re not bringing their pro-league fight club for monsters to Six Flags, they can be seen battling it out on their home turf, Club Famous every first Friday of the month. Weekends through Oct. 27.

ATLANTA’S NEWEST HAUNT: CONTAINMENT

The newest haunt on the Atlanta scene is Containment, located underneath Atlantic Station. As described on Containment’s website, “An assortment of demonic artifacts collected by the mysterious Frightmares, Inc., was to be safely transported by train through Atlanta as part of a convoy of secured cargo containers. ut a mysterious chain of events changed everything. The train derailed, causing the containers to crash onto the Atlantic Station property, followed by a series of unexplained incidents, disturbing behavior and mysterious disappearances.”

Visitors pass through 19 cargo containers featuring bizarre medical equipment, creepy dolls, apocalyptic motorcycle riders, redneck cannibals, even a Victorian greenhouse. Other than the occasional character jumping out of the shadows at you, there aren’t too many big scares, but there are quite a lot of interesting ‘artifacts’ to look at in the 25,000 square feet, quarter-mile long haunt. Containment is open through November 3rd.
I’ll tell you that from my experience. Dozens of Klonopin 2mg drugs were taken with no result at all! Just don’t raise up the doctor’s prescripted dosage and all will go fine!

Thanks to Melanie Crew and Rebecca Perry for their assistance with Six Flags Fright Fest/MCW and Containment.

Category: Features, Tis the Season To Be... | Tags: , , , , , , , , , , , , , , , , , ,

Kool Kats of the Week: Wrestling with the Rock-Horror Connection with Ryan Howard, Derek Obscura and Jamie Robertson of the Casket Creatures

Posted on: Jul 3rd, 2013 By:

Derek Obscura of the Casket Creatures.

The Fireworks may be over but Monstrosity Championship Wrestling is back at The Famous Pub culminating in a Great American Monster Mash battle royal to determine the number one contender to Phantom’s MCW Championship. The festivities also include a live performance by the Casket Creatures, celebrating the release of their new CD, SEX, BLOOD AND ROCK N ROLL.

Being that there’s a long history of rock songs with horror themes back to Bobby “Boris” Pickett’s “Monster Mash,” ATLRetro couldn’t resist inviting vocalist Ryan Howard and guitarists Derek Obscura and Jamie Robertson of the Gainesville, GA.-based punk/horror band, to be our first triple-threat Kool Kats of the Week.

ATLRetro: What was your entree (musician and song) into horror-themed rock and how old were you?

Ryan: I grew up fascinated by haunted houses, Halloween, horror movies and anything spooky. My dad is a big part of this; he raised me around rock n’ roll and horror movies, and I am a better person because of it. My first experience to the horror genre in music would be my dad listening to Alice Cooper and Black Sabbath around me as a kid.  I guess the rest is horror history!

Jamie: I myself was really into Danzig since I was around 13,  and from Danzig I heard about the Misfits. I think the first Misfits track I heard was “Die Die My Darling,” and since then I have been hooked.

Derek: I was a bit of a late bloomer into the world of horror-rock/punk, but better late than never, they say! I was 15 and highly obsessed with the band Slipknot. Then I hear about Joey Jordison having this side band called the Murderdolls. I went out and picked up their debut, and instantly it was like a spark was set off in my brain. I played that CD nonstop for at least two or three weeks. And then from there, I found Wednesday 13’s solo CD [and] came across the Misfits, Blitzkid, etc. And here we are!

Why do you think rock and horror go together so well?

Ryan: Because the horror kids and the rock and roll kids usually are the same! We wear black shirts, listen to evil music and enjoy the darker side of life!

Derek: I think they mesh so well because both are pretty obscure subjects. Well, they CAN be. If you say “I like THE RING and Five Finger Death Punch,” that’s not obscure, that’s just lame! But throughout the years, you know, it wasn’t the “cool” thing to like horror movies, or the “cool” thing to like Rock N’ Roll,” or even wrestling! But the benefits of it are that the people are into it and REALLY dig it and get it, those people are awesome ,and it makes for a great community of like-minded people!

Ryan Howard, vocalist, The Casket Creatures.

The band was originally formed in 2006 as Brain Buffet and then reformed in 2010 as “The Casket Creatures.” When and how did the Casket Creatures get started? And why did you change the name?

Jamie: Myself and Ryan are the only two members from Brain Buffet that are also Casket Creatures. Also we didn’t want to do the exact same style with the Creatures; we wanted to be darker but more upbeat. Also instead of being straight-up punk, we wanted to add elements of other musical styles like rock ‘n’ roll and a metal flare to certain parts. The name change was just something that needed to happen. In June 2010, Ryan and myself started seriously talking about starting a new horror project which we actually got up and running in August 2010. I thought of the name one night watching old school universal horror movies. I threw the name out to the other members. They all dug it and the rest is history.

Ryan: Me and Jamie were in Brain Buffet, but the project was mainly a Halloween kind of band. A lot of cover songs, campy songs about eating brains, etc. After the band kind of dissolved we decided to form a new band that would be all about horror year-round! We wanted to have a different sound, more original songs and a nonstop show schedule. That along with the member change [is why] we decided to go with “The Casket Creatures.”  Ever since we changed the name, we have had way more opportunities, so it’s been really good for us.

Jamie Robertson, guitarist, The Casket Creatures.

Who are some of your influences? In other words, for the uninitiated, are the Casket Creatures more Cramps, more Bauhaus, more Alice, more Misfits or a witches’ brew of them all?

Ryan: We have had people call us rock, metal and punk, but at the end of the day  I think we have a really different sound for this genre. I think you can hear many different influences in each song, but we really work it to create the Casket Creature sound.

Derek: I would say we are a witches’ brew of a bit of everything and even more! All of us bring in a variety of different influences that are all over the place, and I think it shows in our songs.

Jamie: For me, it’s The Misfits, Alice Cooper and Danzig. More recent bands also include Slipkot and Blitzkid.

You’ve opened for such bands as Wednesday 13, Static X and Michale Graves. What’s your favorite gig so far and why?

Derek: Out of the three listed, I would have to say the Static X show for the reason that we have friends in that group as well as Davey Suicide who was on the tour also. S o it was really cool to get to see friends and hang out and them being able to see our band play. We also had some extra props for that show thanks to our pal Sam, so it made it more theatrical.

Ryan: We have had many gigs that could qualify as my favorite. Rock N’ Roll Monster Bash, Six Flags Fright Fest and the L5P Halloween Parade come to mind first for me. But out of those three, I would say Wednesday 13. We played great that night, we had an amazing crowd, and we made some DIEHARD fans that night.

Jamie: Little 5 Points Halloween Parade 2012. The crowd was insane, and we played really well.

Your new album is called SEX, BLOOD AND ROCK N ROLL. What’s it about and where can we get a CD or download a copy?

Ryan: SEX, BLOOD AND ROCK N ROLL is the album I have always wanted to make. It really shows what the band can do, and it really sets the bar high for the next release! Which by the way we are already talking about. The new album can be picked up on CDBABY, ITunes, Spotify and just about anywhere you can download music. I would just buy a copy at the MCW show Friday personally!

Do you have any special plans for Friday night?

Ryan: Just a killer set that showcases a lot of new material that has barely been played out live!  Oh, and [it’s] the first show that our CD will be available at!

What else makes Monstrosity Championship Wrestling special, and why should folks come out to the show, whether or not they are wrestling fans?

Derek: Where else can you see someone get beat up by The Invisible Man?! It is a great time all the time. I think it’s just very entertaining, and for people who aren’t into wrestling, they can still enjoy it because it’s just a night of excitement. There is the wrestling, you have live bands playing, they give out prizes, and you never know what’s going to happen!

Jamie: MCW is something that can be appreciated by anyone not just wrestling fans. From music to horror and even comedy, MCW is a full entertainment package.

What’s next for the Casket Creatures?

Jamie: Getting back into the full swing of playing live shows now that the album is out. I would also like to work on an EP or split with the new line-up. There are also some side projects in this band I would like to get out for everyone to hear. Another [thing] I would also like to put out with the Creatures in the future is some kind of concept album.

Ryan: Hopefully more out of state shows! We consider ourselves an Atlanta band at this point because that’s where we feel at home. And honestly Atlanta has the best horror scene around in my opinion, but we have a lot of fans asking us to make it out to them and we hope to soon make that happen!

The Casket Creatures performing at a Nov. 16, 2012 MCW match. Photo Credit: Target Audience Magazine. Photo courtesy of the Casket Creatures.

What do you do when you’re not performing with the Casket Creatures?

Ryan: Work on new material, book shows and work to pay the bills! Pretty much all my free time from working goes into the band! Oh, and beer drinking, lots of that!

 

Category: Kool Kat of the Week | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Kool Kats of the Week: DILBERT Does Demonic: Raising Corporate Hell with the Pretty Faces of Shane Morton and Chris Brown

Posted on: May 22nd, 2013 By:

Chris Brown and Shane Morton at The Lab. Photo courtesy of Adult Swim.

When Shane Morton, aka Atlanta’s Renaissance man of horror, and Chris Brown, mad mastermind of Macabre Puppets and the bloody musical SCARLET’S WEB (Dad’s Garage), first got involved with Adult Swim‘s  YOUR PRETTY FACE IS GOING TO HELL, they immediately realized this grotesque and groovy gig was their dream, or should we say nightmare, job. The initial assignment was special effects makeup, but the show didn’t have an art director yet. It’s a story Shane has already told colorfully in several articles, but he asked them for a couple of days to film a make-up test to prove the pair could transform humans into demons in 45 minutes, then he got to work on sketches and models. Being old-school Ray Harryhausen fans, Shane and Chris wanted to do as much as possible with miniatures, but budgets and technological advances dictated a balance between digital effects for lava flows and heads spinning like Linda Blair and the old ways for blood spurts and HR Geiger-esque urinals. Still, the pair didn’t have to do much to convince everyone to let them take over much of what perhaps a little ironically is called the “practical” effects for the series.

“Maybe we were thinking too much about that,” Shane says, speaking about his passion for traditional effects from the monster FX Lab he’s built south of the city at the Atlanta Zombie Apocalypse. The undead Halloween attraction is one of many horror events he has nurtured locally and is a big force behind the transformation of Atlanta into Halloween-town, USA. “We did sculpt and cast all the horns themselves,” he continues. “We didn’t want to be just painting people red and sticking horns on them, and we didn’t want anything store-bought.”

Ever since the Middle Ages, comedies about deals with the Devil have proven a surefire hit. Think about such Retro cult classic movies as BEDAZZLED (The 1967 version, of course, starring Peter Cook and Dudley Moore) and POOR DEVIL (TV, 1971), starring Sammy Davis Jr.  and Christopher Lee). YOUR PRETTY FACE IS GOING TO HELL mixes in-your-face crassness and generous gore with office comedy, reimagining Hades as a contemporary cubicle-ridden setting. Demon Gary (played by Henry Zebrowski) is dedicated but far too much of a screw-up to earn a promotion. Yet it’s hard not to empathize with the well-meaning “associate” because we all like to complain about our bosses, but his, well, has to be worst because it’s Satan. The original live-action series is created and directed by Dave Willis (AQUA TEEN HUNGER FORCE, SQUIDBILLIES) and Casper Kelly (SQUIDBILLIES, HARVEY BIRDMAN: ATTORNEY AT LAW; STROKER & HOOP). The final installment of the six-episode run airs this Thursday May 23, 2013, at midnight.

Henry Zebrowski stars as Gary the demon in YOUR PRETTY FACE IS GOING TO HELL. Photo courtesy of Adult Swim.

At the Silver Scream Spookshow, Shane’s homage to Retro spook shows of old, he regularly performs magic tricks as Horror Host with the Most Professor Morte. Whether transforming humans into monsters with make-up, conjuring up crazy sets or engineering a splattery gross-out nosebleed, Shane views his effects work equally as magic. A consummate showman, he “performs” for the crew and ultimately the TV audience. “When there is special effects stuff going on, everybody wants to be around to watch it,” Shane says. “You’re getting to see the trick in the magic trick. You’re getting to peek behind the curtain.”

Part of the magic on YOUR PRETTY FACE was having to be prepared for the unexpected every day on the set. The script served only as a loose guide because a great deal of improvisation happened, too, Shane says. With that in mind, he kept a “library of prosthetics” on set. At the AZA Lab prior to shooting, he crafted multiple “wounds and hanging eyeballs and sets of teeth, because you never know what these people are going to ask for.”

Shane and Chris started each day by getting the cast into make-up. As simple as it may seem to paint someone red and stick on horns, Shane notes that because the body is organic–yeah, people sweat and rub against things–there’s a nonstop need for  reapplication. “We were constantly touching up their noses, painting in their ears, touching their beards up, molesting them all day long,” Shane says. “You have to get intimate.”

That process became trickier when on location, such as for the third episode, Take Life By the Horns,” in which Gary found himself fallen into a ravine. That shoot involved dodging poison ivy and copperhead snakes and having to rappel camera equipment down the side of a mountain, Chris recalls.

After make-up, the pair would launch into preparing the special effects and any additional props needed for the day. Sometimes that could be blood or pus or a potion of extreme projectile vomit, also needed for the ravine shoot. “We had a limited amount of time, so I literally used a sump pump, like you use to bail water out of your basement,” Chris says. “I put together a big plunger and a giant syringe, and then opened the nozzle to spew out a rainbow collection, which included stew, cream of mushroom soup, I made some gelatin and crunched up into chunks. The smell quickly turned rancid so it even smelled like vomit.” In addition, Gary broke his leg from the fall down the cliff, and Chris had to create nauseating pus to spew from the wound. Yes, it did involve black blood, red blood and tapioca pudding!

Satan (Matt Servitto) gets a touch-up from Shane Morton. Photo courtesy of Adult Swim.

Shane and Chris are used to working wonders on a tight budget and schedule whether it’s for local theater or DEAR GOD! NO!, an over-the-top neo-exploitation movie involving bikers, Bigfoot and a Nazi mad scientist which scored awards at grindhouse festivals across the nation. While the budget was not huge for YOUR PRETTY FACE, it was much larger than the typical indie which allowed such treats as Chris was crafting Satan’s legs out of actual yak fur rather than a used gorilla suit. “The original talk was that Satan would be fat, over-the-hill, and extra lecherous like the demon in LEGEND (1985) as if time has caught up with him,” Shane says. “We were really gung ho for that, but we loved the look he ended up with.”

A secret ingredient underneath Satan’s furry legs was spandex tights, that could easily be changed out if Matt Servitto, the actor who plays Satan, felt sweaty. A lycra lining gave four-way stretch which, as Shane notes, even allowed Matt to do David Lee Roth kicks in a photo shoot. As for costume maintenance, well, “it was like combing out a big dog,” Chris says.

Perhaps Shane’s favorite set pieces are the aforementioned H.R. Geiger-esque urinals, the bowls of which needed to accommodate the heads of demons who displeased Satan. Yeah, he pees on them, including sometimes poor hapless Gary. Originally they were supposed to be clean, standard urinals, but then Shane had the crazy idea to make them scary: “Everything in hell is monsters, so let’s make the urinals monsters, too!”

Shane Morton at work on Claude (Craig Rowin), Gary's over-dedicated intern in YOUR PRETTY FACE IS GOING TO HELL. Photo courtesy of Adult Swim.

Shane went home and crafted a miniature model, brought it in, and got the greenlight to create a urinal that looks like an extra-large facehugger. He toyed with various color ideas but finally decided that the bathrooms otherwise would be spotless in Hell.

The demonic duo were impressed that the show really did follow through with Satan actually peeing on the demons’ heads. Of course, even with a program that prides itself on shock value, some things inevitably didn’t make the final cut. For example, Satan won’t poop on Gary’s face, even though the scene was filmed. “It will end up on DVD maybe,” Shane says hopefully. “Somebody getting pooped on or an arm hacked off is a good day at work! It keeps the energy up.”

Satan’s office is packed with props created by Shane and Chris, though it is not perhaps quite the devilish “greatest hits” collection that they originally envisioned. Instead of the trophies and plaques that have become de rigeur in executive offices, Shane wanted to include on the shelf Eve’s apple, Christ’s crown of thorns and Hitler’s head in a jar. And clearance couldn’t be gotten for Wall of Shame photos of Satan flashing a big grin with dubious celebrities such as David Hasselhoff and the Octomom. Still, those who look carefully will see many subtle Shane and Chris touches such as faces of tortured souls on the steel balls that click back and forth on the Devil’s desk. “Everything is pumped up a little bit because after all we are in hell,” Shane says. “Even the elevator switch looks like something scary.”

In other words, Shane and Chris had one of a helluva good time. At an apartment location, some little old ladies told the crew “they were going to pray for us because we were doing the devil’s work,” Shane says. “We joked every day and maybe it did get a bit old but ‘it’s really hell getting all this done today!’”

Shane holds up his own head, a prop he crafted for DEAR GOD! NO! Photo courtesy of Adult Swim.

As the season draws to a close, the pair are now just waiting to hear the final ratings and whether the show gets greenlit for a second season. If yes, they’re hoping for a bigger budget and the chance to play around more with more practical special effects over CGI–“to raise the bar,” as Chris says. “If we end up getting multiple seasons, it’s only going to get more extreme,” he adds. And maybe there’ll even be a cameo for that giant spider with the humungous nut-sack hanging on his back that turned out to be expensive to cast.

In the meantime, Chris will be working on the script for a $3-4 million movie version of SCARLET’S WEB. And Shane recently wrapped the indie feature, TALES FROM MORNINGVIEW CEMETERY. In it, he appears as Professior Morte, fulfilling the Cryptkeeper role, introducing the segments and holding the show together. He’s also involved in preproduction with director Jimmy Bickert for FRANKENSTEIN CREATED BIKERS, the much-anticipated sequel to DEAR GOD! NO! It will be filmed in 35mm widescreen hopefully by the end of 2013, he revealed, and include a lot more special effects and monsters. Look for Shane, or rather his Professor Morte alter-ego, at the 11th Annual Rock n Roll Monster Bash at the Starlight Six Drive-In on Sunday June 2. The movies this year are THE DEVIL’S RAIN (1975) and EVIL DEAD 2 (1987), not to mention six bands, scary shopping and Monstrosity Championship Wrestling! [ED. Note: Watch for Retro Reviews of both movies next week]

Editor’s Note: Shane and Chris are just a few of the talented local folk streaming by in the end credits of YOUR PRETTY FACE. More ATLRetro friends include producer Linda Burns (V/H/S, THE SIGNAL), set decorator/property master Laurie Garner, who’s played bass in so many Atlanta bands (She-Monster and Vietnam to name a few), and the indomitable Eddie Ray (SATANIC PANIC BAND OUT OF HELL and a previous Kool Kat to boot!).

ALSO: Learn some of the make-up secrets Shane Morton used in YOUR PRETTY FACE IS GOING TO HELL at his Monster Make-up Class on Sunday May 26 in his Lab at AZA. For more details, visit the Facebook Event Page here.

Category: Kool Kat of the Week | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Kool Kat of the Week: A Pop Culture Birthday to Remember: DeWitt Dawson on the Lost Art of Wrestling Management and Crowning the Champ of Monstrosity Championship Wrestling Fri. March 1 at Famous Pub

Posted on: Feb 28th, 2013 By:

Our BFF blog Wrestling with Pop Culture is celebrating its second anniversary with the biggest, baddest Monstrosity Championship Wrestling match yet this Fri. March 1 at 9 p.m. at Famous Pub in Toco Hills. The horror-movie-inspired league is crowning its first champion, Professor Morte and the Silver Scream SpookShow gang will be on hand for scary shenanigans and Metal Gaga will be providing unforgettable entertainment with heavy metal versions of Lady Gaga hits. Oh, and lest we forget, you’ll have another chance to win a Pine Street Market box of meat and other fun prizes in the raffle! All that and more for only $10!

The night’s fearsome and fun festivities include semifinal matches pitting the Phantom against “Bona Fide” Fred Yehi and Papa Marko against “The Undead Luchador” Supernatural! Witness a queer bar brawl where previous Kool Kat Johnny Danger and Dragula take their fight against the intolerant Alabama Wolfman and Kentucky Wolfman all over the bar! Quozzy Quozzbourne promises to bring a St. Patrick’s Day leprechaun to the party, Dark Mon vows to preach his own Easter sermon, and well, they tell us there’s much, much more.

We interviewed Jonathan Williams, the monster-mind behind Wrestling with Pop Culture, last year for WWPC’s first birthday, so this time we asked him who else will be the Koolest Kat in the bar. He suggested DeWitt Dawson, better known within wrestling circles as “Double D,” who will be managing Fred Yehi in the MCW tournament and also manages some of Georgia’s other top wrestling talents from Universal Independent Wrestling in Villa Rica, NWA Atlanta in Locust Grove, etc. After all, as Jonathan notes, “managers are kind of a lost art in wrestling.” So it was a special treat to ask DeWitt not just to go behind the scenes for a preview of this Friday’s action but also about what it takes to be a wrestling manager, what he loves about the sport and how he became a master at his craft.

ATLRetro: What role do you play as a manager?

DeWitt Dawson: Simply put. I am the eyes, the ears and the mouth for my charges. I am the best foot forward outside the ring, so all they have to think about is what goes on inside them ropes and turnbuckles. If they need to be somewhere, Double D gets ’em there early. If they need to leave somewhere, Double D gets ’em out before the first blue light hits the scene.

How do you select the men you manage?

I am looking for folks who can benefit from my counsel as much as I can benefit from their talent. Nothing under the sun is free but bad advice, and the ole Alabama Icon don’t give out nothing but golden nuggets of wisdom. So that must be repaid with championships. I am not here to manage folks who might get it, or who can get it done. I only open up my waiting arms to them that need that extra push to not just be good, but to be great.

Who do you manage?

Little darling, my clientele is not hard to validate, but I ain’t going to make it that easy on you. The bricks that are building Double D’s Empire are ever increasing. If you really want to know who I am managing, start taking stock of the titles that sit on the waists of the champions in this state, and I bet you won’t have to look far to see Dewitt Dawson somewhere close by.

What attracted you to professional wrestling?

Honey, you would have a whole heap less work if I told you what didn’t attract me to this business, ’cause I can honestly say that I can’t remember a time when I wasn’t in love with professional wrestling. One of my earliest memories is a young Double D huffin’ and weezin’ trying to catch his breath in the wee morning hours having my first asthma attack. I didn’t know up from down or Hell from Heaven, and the only way my lovin’ mama could get me to calm down was to tell me that she bet all the wrestlers that I loved so much were up getting ready to be on TV that Saturday morning. That settled me right down, and you can bet your last money that I went to the emergency room and got back home in time to see Ko Ko B Ware on the TV that morning.

I guess [as] a youngern,  it was the crazy characters that I loved – the Ultimate Warriors, the Stings and the Blue Blazers of the world. As I got a little older, I was infatuated with the talkers – the American Dreams and Nature Boys. After that it was the showmen – The Heart Break Kids, the RVDs and the Eddie Guerreros. These days, it is the driven ones who ain’t making a penny over the bare-ass minimum, but they still go out there and put on a hell of a show for the people – the Shane Marxes, the Jagged Edges and the Demigods of the world.

From whom do you draw inspiration?

My inspiration comes from the folks I mentioned just now and from the red clay and white fields of the great state of Alabama. Everybody wants to know why I sound the way I do and say things that they ain’t never heard before. Simply put, it is because these roots run right through the cotton fields and contradictions of Alabama the beautiful. I draw as much inspiration from my brother The Pretty Boy, and Donnie Tidwell, and my uncles, and my mama nem as I do Dusty Rhodes and Shawn Michaels.

How is wrestling different now than in your youth?

I know a lot of people will tell you how everything has gone plum to Hell with wrestling over the last few years, and they make some fine points. But when you get right down to it, good wrestling is the same as it ever was. You tell a good story, somebody gets their ass whipped, and you do it all again the next week.

Which crowds are your favorite?

A paying one. What other kind of crowd is there? Hell, I got a closet full of shotguns that ain’t as loaded as that damn question. But if you got balls big enough to ask it, I got balls big enough to answer it. The only thing that a wrestling crowd needs is passion and a little bit of sense. As long as they got their eyes focused on the action and their mouths open and yelling at who they don’t like and cheering who they do like, they will be just fine. They ain’t got to know every damn hold under the sun, and they ain’t got to be able to name all the damn Villanos to have a good time so long as they ain’t dumb enough to try to put their hands on me and they don’t [think] they’re smarter than everybody else there, then I bet they have a good time.

Why aren’t you a nicer man? Have you considered therapy?

I am as gentle as a pussy cat in the right environs. When I settle into here at the ole home place and I pull off my boots, pop the top on a Paul Bryant beer, cut on them ole Drive-by Truckers, I tell you I am as sweet as pumpkin pie. Because of that, I don’t have no reservation about raising pure hell every time I am anywhere near a squared circle, and the only therapy I need is to see my Empire bathed in the gold of champions.

What are your ambitions in wrestling?

My only ambition in wrestling is to give this business half as much as it has given me and to burn a trail in Georgia that makes General Sherman look like a lightning bug in a damn super nova.

What appeals to you personally about Monstrosity Championship Wrestling (MCW)?

On any night at a MCW show, you ain’t got clue 1 as to what in the blue Hell is going to come through that curtain next. It might be one of the best technical wrestlers you ever laid eyes on, or it might be some kind of half-dead zombie-assed sasquatch monster. You might not know whether to clap your hands or clinch pucker your assshole. It is just like ole Double D; you don’t what you are going to get, but you know good and well it is going to be entertaining as all get out.

What are you looking forward to the most about MCW this Friday?

Aw honey, that is simple. We are going to crown our first champion, and that is always a special occasion in any wrestling show’s history. When you look at the folks that are still kicking in this tournament, then you know it is going to be a champion who is plenty worthy.

Why should even someone who is not a big wrestling fan attend?

Well, if you like drinking cold beer, your ort to be there. If you like womerns who ain’t bashful about showing you a little of that thang, you ort to be there. If you like that damn banging and clanging or some kind of heavy metal outfit, you ort to be there. If you like boxes of meat, you ort to be there. And if you would like to hear the golden voice of the best damn commentator that you have ever heard in your long-legged life, you damn well better have you asses front and center.

A special thank you to Kool Kat Chuck Porterfield for his help with this article.

All photos are courtesy of DeWitt Dawson. All rights reserved.

Category: Kool Kat of the Week | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Retro Review: WHITE ZOMBIE Walks Again in the World Premiere of an All-New Restoration at Atlanta’s Historic Plaza Theatre!

Posted on: Jan 16th, 2013 By:

WHITE ZOMBIE (1932); Dir. Victor Halperin; Starring Bela Lugosi, Madge Bellamy, John Harron and Robert Frazer; World premiere Friday, Jan. 18 @ 8:00 p.m. hosted by Prof. Morte (scary details at end of story), and Jan. 25-31; Plaza Theatre; Trailer here.

By Aleck Bennett
Contributing Writer

Long before George A. Romero’s NIGHT OF THE LIVING DEAD forever redefined “zombie” in the public mind as “undead, flesh-eating ghoul,” the Halperin Brothers first brought the Haitian legend of the zombie to the screen with 1932’s WHITE ZOMBIE.

The movie finds young couple Madeline Short (Madge Bellamy) and Neil Parker (John Harron) reuniting in Haiti to be wed at the plantation of their friend Charles Beaumont (Robert Frazer). Beaumont’s secret love for Madeline drives him to visit local voodoo master Murder Legendre (Bela Lugosi) in order to enlist his help in winning Madeline’s hand. Legendre provides Beaumont with a potion that will transform her into a zombie, robbed of her will and love for Parker. He complies with Legendre’s instructions, but soon finds that the villainous voodoo master has plans of his own for the young beauty.

In 1932, America was in the midst of a newfound fascination with voodoo due to New Orleans’ emergence as a tourist destination. Interest was further fueled by authors such as William Buehler Seabrook. Seabrook was a well-traveled journalist, explorer, occultist and Georgia resident who had gained renown by documenting occult practices across the globe, including some of the only objective contemporaneous reporting on Aleister Crowley. Seabrook’s interest in the occult led him to spend considerable time in Haiti researching voodoo and the Culte des Morts. This adventure resulted in his 1929 book THE MAGIC ISLAND, which introduced the concept of the “zombie” to American audiences.

Producer Edward Halperin and his brother, director Victor Halperin (along with screenwriter Garnett Weston) capitalized on the nation’s interest in voodoo by borrowing liberally from both Seabrook’s work and Kenneth Webb’s 1932 Broadway play, ZOMBIE, and crafted an atmospheric masterpiece. The Halperins enlisted Bela Lugosi, fresh off his success in Universal’s 1931 smash DRACULA. It’s unclear as to Lugosi’s reasons for choosing to immediately follow a major studio hit with a micro-budgeted independent film, but he may have seen it as a way to stretch his creative muscles in a low-risk venture. Although he was paid little for his role (reports vary from $500 to $5000), his co-star Clarence Muse reported that Lugosi rewrote portions of the script, restaged some of the scenes and even directed portions of the film. His personal investment in the end results may be why Lugosi considered WHITE ZOMBIE a favorites among his own movies.

It could also be because it’s just a damned fine film.

The film deftly balances the legendary with the actual. While Legendre’s zombies are the reanimated corpses of Haitian lore (their look provided by Universal’s maestro of makeup, Jack Pierce), the film also depicts his use of a poison that emulates death and results in the victim’s deathlike trance and subsequent subservience to a bokor or sorcerer. Though this method had long been suspected, a pharmacological explanation for the zombie phenomenon wouldn’t be confirmed until ethnobiologist Wade Davis’ explorations into Haiti in the 1980s.

Beyond the film’s knowing mixture of fact and fiction, it benefits from the collaboration of Victor Halperin, cinematographer Arthur Martinelli and music superviser Abe Meyer. Together, they take what may have read on the page as stagebound and stodgy and create a dreamlike vision that mirrors Carl Dreyer’s VAMPYR (also 1932), echoes elements of contemporaneous Universal horrors and anticipates Val Lewton’s exercises in atmosphere and sound design. Constantly inventive staging and camera work—taking place on sets borrowed from DRACULA, FRANKENSTEIN and THE HUNCHBACK OF NOTRE DAME—operate in sync with native drumming, chants, ambient noise, eerie rearrangements of classical works and original music by Xavier Cugat to deliver a palpable sense of creeping death under the oppressive hand of Murder Legendre.

And in the role of Legendre, Lugosi becomes the embodiment of evil itself. No other role—not even Dracula—fully utilizes his mesmeric power and hypnotic presence. From the opening scene, when his eyes are superimposed on the landscape of Haiti, his presence is felt in every frame of film; this is the power of his performance as Murder Legendre. The Halperins attempted to recapture the magic of this film with a sequel, REVOLT OF THE ZOMBIES, but made the mistake of attempting to replace Bela with Dean Jagger. It’s no small wonder that the subsequent film failed.

For years, WHITE ZOMBIE only circulated on washed-out transfers of faded 16mm prints, mastered for public domain VHS and TV broadcast. In 1999, two rare 35mm prints were used to create the restored version released on DVD by the Roan Group. However, those prints were hardly in pristine condition, displaying evident damage and dropped frames.

Left to right: Bela Lugosi as voodoo master Legendre, a mesmerized Madge Bellamy and a concerned John Harron in WHITE ZOMBIE (1932).

In recent years, Los Angeles-based Holland Releasing had heard that a previously unknown complete 35mm print was rumored to be in the possession of an aged film collector. Thomas W. Holland (a previous resident of Roswell and Marietta) spoke about the efforts to track down this elusive print and its owner. “I heard a rumor about an old fellow who claimed to have a superb, original 35mm print and that began a worldwide search to find this aging, eccentric film lover and convince him to let us acquire the film for a full restoration.  People think I’m joking when I say I had to go through a friend of a friend of a friend to contact this man.” When the print was found, Holland was stunned at its overall condition. “It must have been removed from theatrical service early on, or been set aside as a special studio print.” The Holland Releasing group then set about restoring the film.

AlgoSoft-Tech USA, based in Bishop, Georgia, was hired to return WHITE ZOMBIE’s image quality to its original standards. AlgoSoft’s president, Dr. Inna Kozlov, a famed mathematician in her native Russia, took on the project with great excitement. “We arranged to have the vintage 35mm print scanned, frame-by-frame, at a very high resolution so as not to lose any information.” From that point, Dr. Koslov and her technology developer, Dr. Alexander Petukhov wrote customized software to correct any imperfections in each frame. “Our goal was to return the film’s visuals to how they looked in 1932, the way a vintage carbon arc light source would have glistened through a silver nitrate print of the era.”

Another Atlanta firm, Crawford Media Services, was chosen to do the final re-assembly of the motion picture which included intensely detailed color-correction. “Being a black-and-white film, WHITE ZOMBIE required far more expertise and patience than a typical color feature to get the light levels correct,” says producer Holland. “This film is a gothic masterpiece, and we wanted it to look exactly the way it did when audiences first saw it.”

Once the Georgia image work was completed, the master was sent to Chace Audio by Deluxe in Burbank, California. Using a variety of sources, Chace remastered the film’s faded audio tracks to restore the sound to match the quality of the restored image. “Early sound films had a tremendous amount of inherent hiss, clicks and pops,” Holland says, “but Chace was able to give us a new audio track that greatly reduced this. We weren’t looking to make a hi-fi version of the WHITE ZOMBIE track, just a cleaner, clearer representation of how the movie originally sounded in theaters of the ’30s.”

Of course, any restoration invites an amount of controversy, and WHITE ZOMBIE is no exception to this rule. The Holland restoration, which has been licensed for use on an upcoming DVD and Blu-Ray release by Kino/Fox Lorber, is already attracting its share of debate from advance reviews. (The release offers two viewing options for comparison: the Holland restoration and a “raw” transfer of the print used prior to AlgoSoft’s restorative work.) However, without actually being able to see an arc light-projected silver nitrate print of WHITE ZOMBIE, it’s impossible to say that the Holland restoration is an inaccurate representation of how the film looked in 1932.

What is most exciting, though, is the chance to see WHITE ZOMBIE on the big screen once again as the restoration makes its world premiere at the Plaza Theatre. The Plaza is making this night a grand event. Hosted by Professor Morte of the Silver Scream Spookshow (aka Shane Morton) and Blake Myers (Atlanta effects artist, filmmaker, Buried Alive Film Festival programmer and ATLRetro Kool Kat, whose credits include THE WALKING DEAD and V/H/S), the film will be preceded by the vintage Betty Boop cartoon “Is My Palm Read?” and followed by the 1932 short subject “An Intimate Interview with Bela Lugosi.” Following the filmed entertainment, the team behind WHITE ZOMBIE’s restoration will take part in a question-and-answer session. And attendees will have a chance to win a lifetime all-inclusive ticket to the Plaza, original Plaza seats and T-shirts and monster masks from event sponsor Atlanta Zombie Apocalypse.

Following its premiere on January 18, the film will be showing at the Plaza for a full week, running from January 25-31, and will be shown on a one-time-only basis in theaters across the Unites States and Canada. But you can be there first and see WHITE ZOMBIE brought back to life at its world premiere in Atlanta.

Aleck Bennett is a writer, blogger, pug warden, pop culture enthusiast, raconteur and bon vivant from the greater Atlanta area. Visit his blog at doctorsardonicus.wordpress.com

Category: Retro Review | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Retro Review: Viva Morte! Viva la Plaza! Celebrate the Plaza Theatre as the Silver Scream Spookshow presents ABBOTT & COSTELLO MEET FRANKENSTEIN!

Posted on: Dec 20th, 2012 By:

Silver Scream Spookshow presents ABBOTT & COSTELLO MEET FRANKENSTEIN (1948); Dir: Charles Barton; Starring: Bud Abbott, Lou Costello, Bela Lugosi, Lon Chaney, Jr. and Glenn Strange; Sat. Dec. 22;  kids’ matinee at 1 PM (kids under 12 free & adults $7) and adult show at 10 PM(all tickets $12); Plaza Theatre; Trailer here.

By Aleck Bennett
Contributing Writer

Let me get personal for a minute here.

This month’s Silver Scream Spookshow at the Plaza Theatre is a special one for me. Not just because every Spookshow is its own special thing. And not just because the Plaza is Atlanta’s oldest running independent cinema, which is just incredible in its own right. But because the film being presented—ABBOTT & COSTELLO MEET FRANKENSTEIN—is my very first memory. The earliest thing I can recall from childhood is trying to fall asleep while watching Glenn Strange’s monster lurching about a pier in a film on the “late-late show” my mom was watching. It’s stuck with me. That’s why one of my most treasured possessions as a kid was a glow-in-the-dark poster of James Bama’s portrait of Glenn Strange as the Frankenstein monster. (Thanks, Super Sugar Crisps!) That’s why I’ve got Glenn-as-Frankie tattooed on my forearm. In the years since that fateful day, I’ve watched this movie over and over again and I’ve never grown tired of it.

For those not in the know, here’s the lowdown on this flick: Chick (Bud Abbott) and Wilbur (Lou Costello) are bumbling baggage-claim clerks in Florida. Thanks to a late-night delivery of mysterious crates to a wax museum, they unwittingly wind up caught in Dracula’s (Bela Lugosi) evil plot to replace the Frankenstein monster’s brain with a more receptive one: that of the dim-witted Wilbur. Lawrence “Wolf Man” Talbot (Lon Chaney, Jr.) enlists their assistance in stopping Dracula’s fiendish plot, and once the full moon rises, the whole thing turns into a large-scale monster bash along the lines of 1944’s HOUSE OF FRANKENSTEIN or 1945’s HOUSE OF DRACULA. Just a whole lot funnier.

Besides the film’s early imprinting on my developing mind, though, the film is notable for many other reasons. It’s Bela’s second and final feature-length performance as Dracula (he had a cameo as Dracula in 1933’s HOLLYWOOD ON PARADE theatrical short). It’s one of the few horror comedies in which the monsters are not treated as the butts of the film’s jokes; the horror elements are respected and presented practically as seriously as they were in any other Universal film, while the comedy largely rises from Bud and Lou’s interplay and reactions to the horror. (This, however, didn’t stop Boris Karloff from refusing to see the film, believing it to be disrespectful toward the horror genre.) All three of the “monster” actors had played the role of Frankenstein’s monster (with Chaney even briefly playing him during the course of this film when Glenn Strange broke his foot on a falling lighting rig), and both Chaney and Lugosi had played Dracula. Vincent Price even makes a surprise cameo (though don’t keep your eyes peeled for him).

Dracula (Bela Lugosi) hypnotizing Bud AbbotT in ABBOTT AND COSTELLO MEET FRANKENSTEIN. Universal Pictures, 1948.

But beyond even those items of interest, there’s a larger and more personal reason why this Spookshow is a special event this month: it’s the final Silver Scream Spookshow being held at the Plaza under the watchful eye of Jonathan and Gayle Rej, the Plaza’s owners and operators since 2006.

Let me make another personal detour here. The Plaza Theatre is, to me, a sacred space. It’s almost a religious temple, dedicated to conjuring and making manifest the spirit of cinema. And over its history—from movie palace to grindhouse to a showcase for independent film and performing arts—it has presented Atlanta with the full spectrum of the cinematic experience. And more than that, it has become a central, vital spot in my life. When I first moved back to the Atlanta area in 2006 after more than a decade away, I was working from home and initially didn’t get out much. It took me a while to get settled in and motivated to check out what was going on. That was when I saw a flyer for the Silver Scream Spookshow in the window of Junkman’s Daughter. It promised a revival of the classic Spook Show tradition of live stage shows augmenting showings of classic horror flicks—a phenomenon that I was old enough to remember coming to my home town, but young enough to have never personally experienced—presented by Professor Morte, an old-school-styled horror host from the cracked mold of Ghoulardi and Zacherley. So I went. And went. And went again.

The Frankenstein Monster meets Bud Abbott and Lou Costello. Universal Pictures, 1948.

Being a movie fanatic, the Plaza quickly became the center of much of my recreational time because more than simply being a theater, it has spawned a community. Most of the people I know and the friends I have, I have met either directly or indirectly through the Plaza. In fact, I wouldn’t be writing this piece for this fine website if it weren’t for the Plaza. And if it weren’t for the hard work and dedication of Johnny and Gayle Rej in the face of economic struggles that would have beaten down lesser mortals, none of the above would have existed.

As you may or may not know, Johnny and Gayle have sold the Plaza to Michael Furlinger, who recently revived the classic Terrace Theatre in Charleston, SC. I spoke with Shane Morton, the mastermind behind Morte, for his thoughts on the end of the reign of the Rejs and the beginning of a new era for the Plaza.

“I think out of all the phases that the Plaza has gone through, that Johnny and Gayle have really turned it into something much more than just a movie theatre. Something beyond just building the stage and clearing out the space in the back for us to work. It’s like they gave this place a soul. You can feel it when you walk in there. And if I can be selfish, they’ve given me a place to do what I think is the most important work of my life with the Spookshow. We recently did a showing of THE PHANTOM OF THE OPERA (1925), and I spent 15 minutes turning a kid into Lon Chaney’s Phantom. All that time, I was talking to the audience, and I felt the passion that one of those true-believer preachers must feel—not one of those charlatans that’s just out for money or to bang chicks or whatever. I got to preach about the magic of the movies. I not only get to be this hero (or anti-hero, if you want); I get to educate kids and give them something that they don’t have enough of right now. Kids’ programming today sucks, and they don’t have the kind of stuff available to them that even you and I had growing up; they don’t see things like the original KING KONG, stuff that filled me with a sense of wonder and amazement at the age of four.”

Shane went on to discuss the creative development that the Plaza has encouraged: “It’s become a hub for a lot of creative people: Splatter Cinema, Blast-Off Burlesque’s Taboo-La-La series and all the great art shows that they’ve hosted at the Plaza. Johnny and Gayle really turned a simple movie theater into almost an art movement. I know that it has literally changed my life. It’s given me the chance to fulfill every dream I ever had growing up. I could get to be Houdini or Alice Cooper or the horror host I had always wanted to see. And no matter what happens in the future, if I wind up making the greatest movie ever made, I don’t need any more than this: I saw a kid dressed as Professor Morte for Halloween. My mother passed away recently, and I’m so glad that she got a chance to see me spread my bat wings and fly with the Spookshow. And I really have Johnny and Gayle to thank for this.”

Professor Morte (Shane Morton). Photo courtesy of Shane Morton.

And what of the future? “We’d always hoped that someone with the financial backing could come in and turn the Plaza Theatre around. It seemed like an impossible dream. And then suddenly, it all seemed to fall together at the right time. Johnny and Gayle had just had a baby, and that’s without a doubt their most important job right there! Suddenly, Mike Furlinger came in and was in the position to deliver everything anyone involved with the Plaza could hope for. New digital projectors, new seats, new carpeting…now, I like the old seats and the old carpeting. I like stuff that’s old and weird. But you have to keep moving with the times, and what he’s going to bring to the Plaza is going to help the theater thrive. The future looks really exciting. The Plaza will be able to show first-run films along with the art-house movies they’re known for and keep delivering the funky stuff that all of us bring to the table.”

After the Rejs turn the keys over to Furlinger at the end of this month and renovations begin, it may be a while before we can see Morte’s handiwork on the Plaza stage. So come out and celebrate. Celebrate that the world didn’t end on Friday. Celebrate that the solstice has passed and a new dawn is rising. That Santa’s on his way. That a new year is on the horizon. That one of the best films in the Universal Horror cycle is screening in a lovely digital restoration. That Professor Morte and his merry band of misfits are taking the stage. And celebrate the legacy of the hard work and spirit of Jonathan and Gayle Rej. Raise your tubs of popcorn in salute, boils and ghouls.

Aleck Bennett is a writer, blogger, pug warden, pop culture enthusiast, raconteur and bon vivant from the greater Atlanta area. Visit his blog at doctorsardonicus.wordpress.com

Category: Retro Review | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Kool Kat of the Week: Chuck Porterfield Calls the Punches for a Pop Culture Nightmare Before Thanksgiving at Monstrosity Championship Wrestling This Friday

Posted on: Nov 14th, 2012 By:

Bummed that Halloween is over and scared that Christmas will be here way too soon? Never fear, our BFF blog WrestlingwithPopCulture.com and the Silver Scream Spookshow’s Professor Morte are stirring together two Retro standards, classic monsters and wrestling, for the ultimate Monstrosity Championship Wrestling (MCW) showdown this Friday Nov. 16, starting at 8 p.m. at Club Famous, inside Famous Pub in Toco Hills. MCW made its debut at the Atlanta Zombie Apocalypse in 2011, and the creatures clashed again at Wrestling with Pop Culture’s one-year birthday party in March and June’s Rock n Roll Monster Bash.

In addition to the monster mayhem, the eerie-inspired event will also feature live music by the Casket Creatures; body painting by Neon Armour; fiendish freebies and devilish drink speciuals courtesy of Cayrum Honeys; a raffle with such phantasmic prizes as a bag of edible body parts from Pine Street Market, a Dead Elvis flask from Diamond*Star*Halo and more. We can’t wait to raise a “To Hell You Ride” cocktail to Jonathan Williams, the creator of Wrestling with Pop Culture for his well-deserved Reader’s Choice Award for Best Local Blog in Creative Loafing’s Best of Atlanta 2012. [ATLRetro was too humble (well, busy) to court your votes this year, but watch out Wrestling with Pop Culture, we’ll be in the ring fighting for your title in 2013!]

To find out more about the spooktacular spectacle, ATLRetro caught up with ultimate monster movie and wrestling nerd (and proud of it!) Chuck Porterfield, who will be calling the action while monsters, maidens, and madmen go at it in toe-to-toe mayhem!

ATLRetro: I know you’ve been into both wrestling and monster movies, so I assume that’s what made you so excited about MCW.

Chuck Porterfield: Personally, I’m excited because it combines my pure adoration of monster movies, as well as seeing a lot of the INCREDIBLE athletes from Platinum Championship Wrestling (PCW) together. The Washington Bullets, probably the best tag team in the state of Georgia will be there, as will the Pound-For-Pound, Toughest Woman in Wrestling, Pandora. Also, my man, the “Demigod” Mason will show everyone why he’s the hero of PCW’s current homebase, Porterdale, Georgia!

This isn’t the first bout of Monstrosity. Are there any old scores from previous fights to be settled?

The match garnering the most attention is the return of Dragula, the most fabulous blood-sucker in wrestling as he takes on The Kentucky Wolfman!

Chuck Porterfield gets down with the Creature from the Black Lagoon. Photo courtesy of Chuck Porterfield.

Ever since I was a kid I’ve loved weirdo pop culture! I remember watching KING KONG on WGN one year on Thanksgiving, and my love of monsters was then inescapable. Hours of MUNSTERS and ADDAMS FAMILY reruns, Adam West as BATMAN and pretty much any wrestling I could find on TV defined my youth.

So your passion for wrestling goes back to childhood, too? 

I don’t remember the first wrestling I saw, but I watched any and all then-named WWF programming I could find. There weren’t many kids in the neighborhood so I’d jump off my sofa onto the cushions. Or at least I did until I undershot it and hit my head on my dad’s pool table!

How did you get into professional wrestling?

My first entry into professional wrestling was with Southern Extreme Championship Wrestling. For a couple of reasons, that didn’t really work out so well so I left to pursue other interests. I never stopped thinking about the wrestling business, so when I saw that PCW had brought wrestling back to Atlanta I knew there could be an opportunity with them. Stephen Platinum chose to take a chance on a guy he knew nothing about, and I think things have worked out to be mutually beneficial. Along with guys like Penn Jillette and Herschell Gordon Lewis (2000 Maniacs), I consider him to be one of the most influential people in my life.

What is it like collaborating with Wrestling With Pop Culture mastermind Jonathan Williams? It seems like his blog (our BFF blog) has really upped local coverage of wrestling and is helping to fuel the scene.

Jonathan is a tremendous supporter of independent wrestling in Georgia and the success of his blog speaks for itself. I wouldn’t ask him about his altercation with The Jagged Edge outside of the steel cage though…

You used to work at Video Store, one of Atlanta’s best psychotronic video rental stores in Little 5 Points [owned by Matt Booth, who now runs the super-cool Videodrome]. Do you ever miss those pre-Netflix/streaming days when a guy like you could be a salvation for local movie buffs?

With the exception of independent powerhouse Videodrome, it’s true that Atlanta is basically a video store graveyard. Part of me misses the days in college of going through the aisles of stores, particularly the dearly-missed Blast Off Video in Little 5 Points, but I also just see it as a reflection of life itself. None of us are promised a single day, a single smile, and I just try to be grateful for the days and opportunities I have. I try not to dwell too much on what is lost and think about what’s out there to be created.

Photo courtesy of Chuck Porterfield.

Who are your favorite monsters?

My favorite monsters? You’d think this would be a hard one because I love so many, but hands down it’s Frankenstein’s Monster, the Creature from the Black Lagoon and the big monkey himself, Kong! But from a purely sexual attraction level, no one can match the Bride of Frankenstein and Morticia Addams! Some crushes last with you forever…

What else are you up to?

Right now I’m working with Blake Myers, director of the heart-stirring gem of a documentary DISABLED BUT READY TO ROCK [Ed. note: read our Kool Kat interview with Blake here] to make a space fantasy web series called SASS PARILLA CONQUERS THE MARTIANS, that is ambitious to say the least. It’s going to take a LOT of time and energy to get it right, but I think it’s custom-made for fans of this blog. In fact, if there are any investors out there with a love of psychotronic movies and skepticism, we’re the guys you want to talk to!

Thanks so much for being our Kool Kat of the Week!

Thanks, Atlanta Retro! You’re the keenest, sexiest and coolest blog around! XOXO

Category: Kool Kat of the Week | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

30 Days of the Plaza, Day 27: The Monster Demands a Mate! Silver Scream Spookshow presents The Bride of Frankenstein at the Plaza Theater on Oct. 27

Posted on: Oct 22nd, 2012 By:

Elsa Lancaster as THE BRIDE OF FRANKENSTEIN. Universal Pictures, 1935.

By Rebecca Perry
Contributing Writer

Silver Scream Spookshow Presents THE BRIDE OF FRANKENSTEIN (1935); Dir: James Whale; Starring Boris Karloff, Elsa Lancaster, Colin Clive; Sat. Oct. 27;  kids matinee at 1 PM (kids under 12 free & adults $7) and adult show at 10 PM(all tickets $12); All proceeds of today’s shows benefit Atlanta’s oldest running independent cinema, the nonprofit Plaza Theatre; Trailer here.
“To a new world of gods and monsters!”
– Dr. Pretorius, THE BRIDE OF FRANKENSTEIN
Closing out Universal Monster Month at the Plaza Theatre on Sat. Oct. 27 is THE BRIDE OF FRANKENSTEIN. Released in 1935 by Universal Studios, this second film inspired by Mary Shelley’s novel is, in this writer’s opinion (and many others), the best of the Universal Monster films and one of the rare sequels that is superior to the original (1931’s FRANKENSTEIN). James Whale, who also directed FRANKENSTEIN and co-wrote the screenplay for BRIDE with William Hulburt, originally did not want to direct a sequel. It was only after years of persuading from Universal that he relented, and then only under the stipulation that he have complete artistic freedom to direct the picture as he envisioned it.
        Although she appears on screen for less than 5 minutes, The Bride of Frankenstein, portrayed by Elsa Lanchester, is one of the most iconic movie characters of all time. Her horrified reaction to Boris Karloff’s Monster is heartbreaking, especially when we see the look on the Monster’s face at being rejected once again. (“She hates me.  Like others.”)
        I remember seeing this film for the first time at age 7 on a local Detroit television show called Creature Feature, which would often show classic horror and sci-fi films every Saturday afternoon. I was glued to the screen and couldn’t wait to see what the Bride would look like;. Would she be disfigured like the Monster or beautiful like the other Bride in the film, Elizabeth (played by Valerie Hobson)? When the bandages were finally removed at the end of the film, I had a new fashion icon (sorry, Wonder Woman), and I have been a Universal Monsters fan ever since.
      Editor’s Note: This screening of THE BRIDE OF THE FRANKENSTEIN also will be the sixth anniversary of the Silver Scream Spookshow, so you know Professor Morte and his ghoulish gang will be pulling out all the scary stops in the paranormal preshow! With your box office benefiting the Plaza Theatre, that makes it our top pick for an ATLRetro Halloween. Not just full of tricks, this is Atlanta’s best kept grassroots treat. Be there or be scared – either the kids’ matinee or the evening adults’ show!

Category: Tis the Season To Be... | Tags: , , , , , , , , , , , ,

© 2024 ATLRetro. All Rights Reserved. This blog is powered by Wordpress