ATLRetro

So many of Atlanta’s best bands got their start when musicians known for other ventures just happened to get together and jam. That synergy has happened again with Nat King Coal Miners to the good fortune of the Atlanta music scene who will get to enjoy one of their first public performances at the Star Bar this Wed. June 22.

The recently formed jazz trio sports three musicians well known locally for years for their involvement in many iconic jazz, swing and blues groups. Spike Fullerton (guitar) most recently has been playing with Ghost Riders Car Club (see ATLRetro’s Feb. 2 Kool Kat piece on him and that band here), but his many other credits include being a founding member of Kingsized. Matt Wauchope (piano) is now with Blair Crimmins and the Hookers toured and recorded with the late, great blues guitarist Sean Costello, giving him the chance to perform with music legends such as Jody Williams, Hubert Sumlin, Pinetop Perkins, James Cotton and Elvis Costello. Veteran blues bassist Dave Roth is now with Burnt Bacon, but also performed with Sean Costello.

ATLRetro caught up with Spike to get the scoop on how the new venture got started, the Nat King Cole connection, what Ray Charles has to do with it, and why he’s bringing out the Big Girl…

Spike Fullerton playing with Ghost Riders Car Club. Photo courtesy of Spike Fullerton.

All three of you are seasoned musicians well-known in Atlanta for your previous misadventures? Why/how did you decide to get together to form a 1940s/’50s jazz trio?
The late lamented Glenwood in EAV had a terrific Sunday night jam session. I had played with Dave there a couple of times, and Matt turned up one night. We knocked out a couple of standards on the spot and that was it. Both of those guys are so good, you know it in about 16 bars. Dave Roth has both perfect pitch and relative pitch, and big-time chops to go with it; Matt Wauchope, who also plays piano with Blair Crimmins and the Hookers can just knock that Harlem stride style out as well. It’s both humbling and a real pleasure to play with such enormously talented musicians

Why the name Nat King Coal Miners and do you play Nat King Cole classics?
I happened to mention (original King Cole Trio guitarist) Oscar Moore as a big influence on me, and it turned out Matt and Dave already had this project going. Matt and I had both done long stints in Kingsized—I was a founding member years ago—so we had a large pool of common standards to choose from, as well as a shared sense of humor about the material. The language of jazz is pretty similar across genres—it’s just deciding which accent you want to speak with. The King Cole sensibility of strong rhythm, heavy swing, and clever lyrical and musical interplay was a natural.

Who are some other influences on the band’s sound and will you be playing just covers of jazz greats or originals, too?
The three of us are huge fans of the ’50s R&B style of Ray Charles—we do a lot of things in that genre as well. It can go from utter melancholy to swingin’ like mad, and just has the most delightful sense of rhythm. We’ll do the odd original, perhaps a Waits cover, all sorts of stuff. Source material is important, but I think we are more concerned with the articulation rather than recreating the original records. So some things may sound more original than they really are and vice versa.

Spike's Big Girl.

Any special plans for the Star Bar gig this week?
Our good friend the Rockin’ Gator, legendary friend to the Atlanta music scene, will be on hand to tape some of the proceedings so everyone who turns up gets a little digital immortality as a side dish. For you guitar geeks out there, I’ll be bringing out a very special instrument from my collection to play for the evening. I had retired it for over a decade, but I love this style, and this group so much, I’m going to bring out The Big Girl (an extremely rare 1949 Gibson archtop), along with a period amplifier for the show.

Where else will the Nat King Coal Miners be playing soon and any plans for a recording?
We are booked for the Summer Shade Fest [Aug 27-28] in Grant Park and have recurring gigs at Blind Willie’s and hopefully the Star Bar going forward.

The Ghost Riders Car Club set had the most heartwarming moment at Bubbapalooza when you guys started pulling Mama Smalley and other Star Bar regulars onstage for an audience singalong to The Diggers‘ “She’s Breakin’ My Heart (While I’m Drinkin’ Her Beer)” Can you share some of the specialness of that moment with anyone who missed the show.
As you may know, I was on the bill at Bubbapalooza I. [Founder] Greg [Smalley] was a colleague of mine on the scene, and we played many a show at many a forgotten venue. It speaks to his impact on the community that after all this time. We should all be remembered so long, and so fondly.

Love your band logo – what’s the story on that?
It’s actually a real King Cole Trio album cover from the ’ 40s. The postmodern sense of motion and optimism, and use of negative space and color, sort of dovetail with what we try to do as a group.

Friday, June 17

Libby Whittemore

It’s an all-around jazzy evening at three Atlanta theaters, attractions and museums. Beloved Atlanta chanteuse Libby Whittemore returns to Actor’s Express for the second show in a four-day run (June 16-19) of LISA & LIBBY’S SUMMER CAMP, joining singer Lisa Paige and musical director/accompanist Robert Strickland for a summer-themed new installment to the Libby’s at the Express series. The show combines standards, Broadway tunes, and more, and in the second act, the 31st Ladyof Country Music Connie Sue Day. Shows start at 7:30 PM. Vocalist Marsha DuPree sings sweet, soulful cabaret and musical revue favorites at Callanwolde Jazz on the Lawn. Or head to the halls of the High Museum of Art for a night of art and Friday Jazz with Kevin Bales. Joe Gransden brings his big band style of jazz to Jazz Journeys at Georgia Aquarium. If swingin’ blues is more your mood tonight, Jump’n Jukes are at Fat Matt’s Rib Shack. Or catch an IMAX movie and merengue the night away during Salsa Night with Salsambo Dance Studio at Fernbank Museum of Natural History’s Martinis and IMAX.

Saturday June 18

What could be more retro than the first annual Rockabilly Luau at the Masquerade Music Park from noon to 8 PM, featuring a mix of rockabilly, psychobilly, surf and psycho-surf music by Hot Rod Walt and the Psycho DeVilles, Daikaiju, The Pelvis Breastlies, The Mystery Men?, The Rebel Surfers,The Go Devils, The Atomic Rockets and C.N.I. COW. More performers include Blast-off Burlesque, Davina and the Harlots, The Spinderellas and authentic Polynesian dancers and fire dancers. The total tiki day also promises Hawaiian BBQ and beer, a pre-1968 car show, Hawaiian pin-up girl and swimsuit contest, live tiki carving, lei greeters, a worst Hawaiian shirt contest, vendors and classic tropical drinks. All ticket sales support two local animal rescues. Catch ATLRetro‘s sneak preview with founders and this week’s Kool Kats Chris Mattox and Jessica Vega here and an exclusive interview with The Rebel Surfers here.

Papa Said Knock You Out and that’s exactly what Atlanta Rollergirls plan to do today in their monthly double-header at the Yaraab Shrine Center. First bout between the Sake Tuyas and Toxic Shocks is sold out, we hear, but tickets were still available at press time for the second match at 7:30 PM between Atlanta Rumble B‘s and visiting team Fort Myers Derby Girls. Then take the Highway to Hellbilly as world-famous mountain Dancing Outlaw Jesco White and country singer-songwriter Roger Alan Wade burn up Atlanta at 529 Club in East Atlanta. DJ Romeo Cologne transforms the sensationally seedy Clermont Lounge into a ’70s disco/funk inferno. And of course, ’80s metalheads/rockers will want to head to Lakewood Amphitheatre for Heart and Def Leppard.

Sunday June 19

Blake Rainey & His Demons headlines blues “dunch” between 1 and 4 PM at The Earl. Hall & Oates play Chastain Park Amphitheatre.

Closing this weekend

Ray Harryhausen's interpretation of the Cyclops in THE 7TH VOYAGE OF SINBAD (1958)

Sun. June 19 is the last day to see the original images which inspired Ray Harryhausen‘s amazing stop-motion cyclops, centaurs and other mythological beasts in the special exhibition, MONSTERS, DEMONS AND WINGED BEASTS: COMPOSITE CREATURES IN THE ANCIENT WORLD at the Michael C. Carlos Museum at Emory University through June 19. The exhibition of monstrous art, drawn from the museum’s permanent collections, shows how the ancient Greeks were inspired by other Middle Eastern cultures in developing a vast repertoire of richly imagined creatures.

Kandace Christian as Margaret Mitchell. Photo courtesy of Melita Easters.

Find out about the headstrong, irrepressible early years and the human side of MRS. JOHN MARSH..THE WORLD KNEW HER AS MARGARET MITCHELL at the Ansley Park Playhouse. The well-reviewed hit one-woman show by Melita Easters and starring Kandace Christian has gotten some great reviews and even includes a rare perspective on her year at Smith College in Northampton, Massachusetts – the only time she ever left the Southeast. Friday and Saturday at 8 PM and Sunday at 2 PM.

Ongoing

MODERN BY DESIGN, the High‘s newest special exhibition opening on Sat. June 4, celebrates three key moments in modern design and also the Museum of Modern Art, New York‘s (MOMA) collection history. The works on loan from MOMA cover “Machine Art” (1934), “Good Design” (1950-55) and “Italy: The New Domestic Landscape” (1972), with the latter addressing modernism in the context of 1960s and ’70s counterculture.

The ever irreverent Dad’s Garage Theatre takes a stab at the ’80s horror genre of camp slasher films in SLAUGHTER CAMP about a homicidal maniac terrorizing a theatre camp. June 2-25 on the main stage.

Get a rare chance to view original manuscript pages from the last four chapters of ATLANTA’S BOOK: THE LOST GONE WITH THE WIND MANUSCRIPTat the Atlanta History Center. The new exhibit, which opens today and runs through Sept. 5, is part of a series of activities celebrating the 75th anniversary of the publication of the international bestseller and also includes foreign and first edition copies, the desk Margaret Mitchell used while writing it and select images.

Tune back in on Monday for This Week in Retro Atlanta. If you know of a cool vintage-inspired happening, send suggestions to ATLRetro@gmail.com.

Monday June 13

From 3 PM on, savor tropical sounds and libations, as well as a Polynesian dinner during Mai Tai Monday at Smith’s Olde Bar. Kingsized and Tongo Hiti lead singer Big Mike Geier is Monday night’s celebrity bartender at Sister Louisa’s Church of the Living Room and Ping Pong Parlor. Northside Tavern hosts its weekly Blues Jam.

Tuesday June 14

Watch Dennis Hopper battle crazed redneck cannibals as Splatter Cinema presents THE TEXAS CHAINSAW MASSACRE 2 at the Plaza Theatre tonight at 9:30 PM. Read Geoff Slade‘s bloody review here.  Hear UK ’70s hard rock band Uriah Heap at Variety Playhouse. Attend the Atlanta launch of THE SWEETEST THING, a novel about two remarkable women during the Great Depression, by award-winning writer Elizabeth Musser, author of The Swan House, at the Atlanta History Center. Grab your horn and head to Twain’s in Decatur for a Joe Gransden jazz jam session starting at 9 PM. Notorious DJ Romeo Cologne spins the best ‘70s funk and disco at 10 High in Virginia-Highland. Catch Tuesday Retro in the Metro nights at Midtown’s Deadwood Saloon, featuring live video mixes of ’80s, ’90s, and 2Ks hits.

Wednesday  June 15

It’s only halfway through the work week, but Syrens of the South Productions are ready to make it go a little faster with Hump Day Honeys, a weeknight burlesque show at The Shelter featuring both local favorites, such as Katherine Lashe and Kittie Katrina, as well as hot out-of-town guests such as Burlesque Nouveau from Greensboro, NC. Shows start promptly at 10 PM, end at midnight, and include a raffle to benefit the Southern Fried Burlesque Fest. Get ready to rumba, cha-cha and jitterbug at the weekly Swing Night at Graveyard Tavern. The Hollidays bring a little soul to Fat Matt’s Rib Shack and Danny “Mudcat” Dudeck blues it down at Northside Tavern respectively. Dance to ‘70s, ‘80s and ‘90s hits during Retro in the Metro Wednesdays presented by Godiva Vodka, at Pub 71 in Brookhaven.

Thursday  June 16

Slim Chance & the Convicts

Slim, Dangerous Dan and Tony Drummer reunite for the first time in five years and replay their very first set from June 4, 1986 to celebrate The 25th Anniversary of Slim Chance & the Convicts at Kathmandu Kitchen & Grill (formerly Pho Truc) in Clarkston. Opening for the Redneck Underground icons is Spooky Partridge. No cover charge, no smoking and all ages!

Beloved Atlanta chanteuse Libby Whittemore returns to Actor’s Express for a four-day run (June 16-19) of LISA & LIBBY’S SUMMER CAMP, joining singer Lisa Paige and musical director/accompanist Robert Strickland for a summer-themed new installment to the Libby’s at the Express series. The show combines standards, Broadway tunes, and more, and in the second act, the 31st Lady of Country Music Connie Sue Day. Shows start at 7:30 PM. Relive the pangs and pleasures of ’80s high school romance via John Hughes’ 1984 hit SIXTEEN CANDLES at Piedmont Park‘s Screen on the Green. Listen to Tongo Hiti’s luxurious live lounge sounds, as well as some trippy takes on iconic pop songs, just about every Thursday night at Trader Vic’s. Party ‘70s style with DJ Romeo Cologne at Aurum Lounge. Breeze Kings and Chickenshack bring on the blues respectively at Northside Tavern and Fat Matt’s Rib Shack.Bluegrass Thursday at Red Light Cafe features He Sang She Sang and Hopfrog.

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Wow, there’s a lot flying and frying this week Retro-wise in Atlanta from Phoenix Flies to Southern Fried Burlesque Fest to a host of pop and rock performers who got their start in the ’80s. Here’s your weekly guide to where and why to get out…

Monday March 7

Atlanta Preservation Center continues its annual The Phoenix Flies: A Celebration of Living Landmarks, so-named after the iconic symbol of Atlanta—the mythical bird that burns and is reborn similar to the city post-Civil War. The event which runs through March 20 offers a chance to take its neighborhood historical walking tours for free, as well as experience additional behind-the-scenes peeks inside Atlanta’s most famous buildings of eras gone by. Today’s tours include The Temple synagogue (1930), designed by legendary Atlanta architect Philip Trammel Shutze at 10:30 AM; the Gothic revival Peachtree Christian Church (1925) at noon; and Grant Park at 5 PM. Reservations are recommended. After dark, Joe Gransden & his smokin’ 16-piece orchestra present another Big Band Night of jazz at Café 290, featuring Sinatra, Bennett, Basie and Joe’s originals. Blues chanteuse Francine Reed is back at Cafe Circa. Northside Tavern hosts a Blues Jam.

Tuesday March 8

Phoenix Flies features the Swan House at the Atlanta History Center (AHC), site of lavish parties in the 1920s and ’30s; other AHC facilities such as the 1840 Tullie Smith Farm and Cherokee Garden Library and Kenan Research Center, which both house rare photos and documents of Atlanta history; neoclassic First Church of Christ, Scientist (cornerstone laid 1903); Hinman Home (1896), now Stonehurst Place Bed & Breakfast; Midtown’s The Castle; a general Historic Midtown tour; and Wimbish House (1906), one of the last remaining homes on Peachtree Street’s once posh Mansion Row now the headquarters of Atlanta Women’s Club.

Splatter Cinema presents 1980s vampire classic NEAR DARK at 9:30 PM. Read Mark Arson’s Retro Revue to see why you shouldn’t miss this hard-edged horror Western directed by Oscar winner Kathryn Bigelow and starring Lance Henriksen and Bill Paxton. Grab your horn and head to Twain’s in Decatur for a Joe Gransden jazz jam session starting at 9 PM. Fedora Blues plays Fatt Matt’s Rib Shack. Atlanta’s notorious DJ Romeo Cologne spins the best ‘70s funk and disco at 10 High in Virginia-Highland.

Wednesday March 9

Phoenix Flies tours the Fabulous Fox Theatre and offers a rare peek inside The Herndon Home, a beautiful 1910 mansion built by Atlanta’s first African-American millionaire Alonzo Herndon which has many eclectic aspects thanks also to his drama teacher wife Adrienne who would put on theater productions occasionally on the roof.

Get ready to rumba, cha-cha and jitterbug at the weekly Swing Night at The Glenwood. Catch Joe Gransden every Wednesday night at 8:30 PM at Jerry Farber’s Side Door. The Hollidays bring on the blues at Fatt Matt’s Rib Shack. Dance to ‘70s, ‘80s and ‘90s hits during Retro in the Metro Wednesdays presented by Godiva Vodka, at Pub 71 in Brookhaven, starting at 8 PM. Cover band ’80s Band of Destiny is in the Atlanta Room at Smith’s Olde Bar.

Thursday March 10

Stonehenge Mansion, one of today's Phoenix Flies tours.

Another busy day for Phoenix Flies including tours of Fox Theatre; early Edgewood-Candler Park; Unseen Underground exploring parts of the old railway lines and viaduct system not usually open to public view; Burns Club (1910), a replica of Scottish poet Robert Burns’ birth home with Burns poetry reading; City Hall; Stonehenge Mansion & Sanctuary, a Gothic mansion in Druid Hills built as a residence but now houses St. John’s Lutheran Church; and the Georgia Capitol.

The first annual Southern Fried Burlesque Fest kicks off with the Atlanta premiere of award-winning documentary DIRTY MARTINI & THE NEW BURLESQUE, with a Q&A afterwards with director Gary Beeber and Neo-Burlesque Revival superstar Dirty Martini, at the Holiday Inn & Conference Center in Decatur. Be sure to read our fest preview here. Chickens and Pigs play Pho Truc in Clarkston from 8-10 PM. Listen to Tongo Hiti’s luxurious live lounge sounds, as well as some trippy takes on iconic pop songs, just about every Thursday night at Trader Vic’s. Party ‘70s style with DJ Romeo Cologne at Aurum Lounge.  Breeze Kings and Chicken Shack bring on the blues respectively at Northside Tavern and Fat Matt’s Rib Shack.

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Forget Hollywood’s cheesy 3-D CLASH OF THE TITANS. In fact, ATLRetro hopes you already have. Instead you’ll have much more fun at this week’s Martinis & IMAX at Fernbank Museum of Natural History, redubbed “Night of the Kraken,” which promises to be fantastically out of time and marvelously in tune with the recently opened MYTHIC CREATURES: DRAGONS, UNICORNS AND MERMAIDS special exhibition. Attendees are encouraged to compete in a fantasy-inspired costume contest hosted by Professor Morte, “ghost host with the most” of the Silver Scream Spookshow. Bartenders will be serving up mythic-themed cocktails including a Krakentini, featuring Kraken rum. And playing in the shadow of the skeletons of the world’s most gigantic dinosaurs—primeval beasts whose bones perhaps inspired medieval belief in dragons—fittingly is one of Atlanta’s most imaginative bands, Blair Crimmins and the Hookers.

You might think of ragtime as kind of quaint, but you wouldn’t be talking about Crimmins’ take on this 1920s form of jazz. Remember that they didn’t call the Twenties Roaring for nothing. In fact, you might even describe Crimmins’ high-energy style as “in your face” as rock ‘n’ roll. Except the groupies would be flapper girls, and the band is playing instruments your grandparents would approve of from banjo to accordion, saxophone to piano, trumpet to trombone—and may be accompanied by antics inspired by the best vaudeville comedy. What does this have to do with mythic monsters? Well, let’s just say in the midst of the madcap mania, some of the lyrics are also decadently dark.

ATLRetro caught up with the mastermind behind this one-of-a-kind act for a last-minute preview of this not-to-be-missed hootenanny themed around a giant monster of the deep.

1. What drew you personally to the ragtime, 1920s sound?

Early Ragtime jazz and Dixieland represents a time when jazz was brand new and exciting. People [were] taking classical instruments and making these wild sounds with them. It’s like the first time someone turned up the overdrive on their guitar amp. It made people turn their heads and say “What the hell is that sound?!”

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It’s a veritable luau feast for Retro activities in Atlanta this week, and ATLRetro has some tough decisions about what to do, especially on Saturday night.

Monday Feb. 21

Joe Gransden & his smokin’ 16-piece orchestra present another Big Band Night of jazz at Café 290, featuring Sinatra, Bennett, Basie and Joe’s originals.

Tuesday Feb. 22

The current incarnation of seminal progressive rockers The Church play their haunting melodies not just under the Milky Way but at Variety Playhouse. Wynton Marsalis and the Lincoln Center Jazz Orchestra are at Symphony Hall. Or if you live on the east side, swing dance to the Atlanta-New York Connection at the unlikely location of Northlake Mall’s Food Garden starting at 6 PM. Then head to Twain’s in Decatur for a Joe Gransden jazz jam session starting at 9 PM.

Wednesday Feb. 23

“If Elvis had been a woman, he probably would have sounded just like Kim Lenz,” says Rolling Stone. Decide for yourself when the scarlet-haired rockabilly queen brings her fiery voice to the Star Bar with her band The Jaguars. And if the night weren’t rockin’ enough, local faves Atomic Rockets and Junior, Dolan & Cash are also on the bill. Get ready to rumba, cha-cha and jitterbug at the weekly Swing Night at The Glenwood. Catch Joe Gransden every Wednesday night at 8:30 PM at Jerry Farber’s Side Door. Dance to ‘70s, ‘80s and ‘90s hits during Retro in the Metro Wednesdays presented by Godiva Vodka, at Pub 71 in Brookhaven, starting at 8 PM.

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The weekend is so close you can almost taste it.  As usual, ATLRetro reminds you about what’s happening, including a new section at the end with ongoing events such as theater performances and exhibitions.

Thursday Feb. 17

Celebrate one of the most dynamic decades in pop music history when LIBBY’S AT THE EXPRESS PRESENTS THOSE FABULOUS FIFTIES, featuring songs made famous by Nat “King” Cole, Rosemary Clooney, The Mills Brothers, Buddy Holly, Hank Williams Sr., and the King of Rock ‘n’ Roll, Elvis Presley. The variety show stars local chanteuses Lisa Paige, Wendy Melkonian and Libby Whittemore, with musical arrangements by Robert Strickland, tonight through Sunday Feb. 20 at 7:30 PM at Actor’s Express in west Midtown.

Ghost Riders Car Club celebrates Vietnamese New Year with classic ’50s honkytonk and rockabilly every Thursday in February at Pho Truc in Clarkston. Listen to Tongo Hiti’s luxurious live lounge sounds, as well as some trippy takes on iconic pop songs, just about every Thursday night at Trader Vic’s. The Joe Gransden Trio is at Atmosphere from 7-10 p.m. And Breeze Kings play the blues at Northside Tavern.

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