ATLRetro

Hawaiiana Tiki Culture and Rockabilly music are two of our favorite things here at ATLRetro, so you can bet we’re looking forward to the 3rd Annual Rockabilly Luau this weekend at Atlanta-Northlake Holiday Inn.  This year, it’s expanded to two days of feativities with a kick-off night on Friday Aug. 2 starting at 6 p.m. and then a full day of fun on Sat. Aug. 3 kicking off at noon hosted by Jim Stacy and mermaid Medusirena the Fire-Eating Mermaid, with bands, vendors, tropical cocktails, a classic car show, a pin-up swimsuit contest, Hawaiian fire performers and even a mermaid! The killer line-up includes a treasure chest of ATLRetro Kool Kats of weeks past, so we thought it would be fun to reprint some highlights from their interviews to give you a taste of the fun to come.

Rockabilly Luau Founder Chris Mattox

Chris told us that he grew up on rockabilly and surf music and that the Rockabilly Luau is a labor of love. “One of my fondest childhood memories was my dad taking me to see Dick Dale at the Variety Playhouse,” he says. “A love for Polynesian culture was inevitable.” At every turn, he reminded us of his passion for fair treatment of animals and that all proceeds from the Rockabilly Luau benefit dog rescue efforts. This year the designated nonprofit is Friends To The Forlorn Pitbull Rescue. Read Chris’s full Kool Kat interview here.

Hot Rod Walt of The Psychio-Devilles (Saturday 7 p.m.)

Hot Rod Walt, aka Walt Richards, may have roots in Jersey and Florida, but since parking in Atlanta in 2006, he’s quickly become one of Atlanta’s hardest working rockabilly/psychobilly singer/guitarists. He has 200 original songs, and his main band, the Psycho-Devilles, which also features Buford T. Ogletree on bass and Steve “Burnout” Barnett on drums, have generated multiple CDs, toured the US and Europe and shared the stage with some of the biggest names in the Retro Revival, not to mention lighting a bass on fire at the first Rockabilly Luau in 2011.

“I got my first guitar for Christmas when I was around 12 years old,” Walt recalled. “I will never forget being so stoked about it and I can still smell the smell of the wood and glue and paint it was made of. I didn’t come from a musical family so having an instrument seemed very exotic as a kid. I also remember my little brother and I fighting that day and my father threatening to smash my new prized possession !! He would have done it too.”

As for his fantastic rockabilly wardrobe: “I make all my show clothes myself,” Walt said. “I have some vintage stuff that I find randomly. But I usually find a halfways cool suit at Goodwill and then customize it to a Western style or ’50s style coat. Since I am an upholstery guy, I have industrial sewing equipment and just make whatever I want. I have quite a huge collection of suits. I always want to make a new one for every show!”

Read Hot Rod Walt’s full Kool Kat interview here.

Caroline Hull-Engel of Caroline and the Ramblers (Friday 7:15 p.m.)

As interviewer James Kelly noted, “Red Hot Mama” [the title of the Ramblers’ CD] Caroline Hull Engel is well known to the folks who frequent the Redneck Underground and rockabilly shows in town as one of the best singers around. She was even selected as Creative Loafing’s “Best Female Vocalist” in 2009. Keeping the spirit of the classic ’50s and early ’60s alive is her goal, and with an amazing mix of terrific original tunes and classy covers, Caroline & the Ramblers never disappoint.”

Caroline herself said The Ramblers, her current band, is “geared more towards a combination of originals and obscure covers and [is] heavier on the rockabilly stylings of Wanda Jackson, Janis Martin and Gene Vincent with some torchy stuff mixed in. I had gone through a tumultuous relationship and breakup which gave me a lot of inspiration to write some songs that are finally ending up on my new record. Probably the best example of this time in my life is the song “Wasn’t Ready for the Heartache,” which is on the new record. Of course, a little time passing and meeting the love of my life – my husband Robert – helped a lot, too! In 1999 at the first Drive Invasion, I changed the name of the band to Caroline & the Ramblers. We’ve been playing as C&R ever since. There have been some lineup changes over the past 15 years, but I have been very fortunate to play with some of the best players in Atlanta.”

Read Caroline’s full Kool Kat interview here.

Julea Thomerson at The Star Bar's Bubbapalooza.

Julea Thomerson of Julea and Her Dear Johns (Saturday 1 p.m.)

When we caught up with lovely Julea, she was singing and strumming (she plays banjo, acoustic guitar and rubboard) with some of the best male blues and roots musicians in the city, including Bill Sheffield, Charlie Wooton, Nathan Nelson and Danny “Mudcat” Dudeck, and her main gig was with the Bareknuckle Betties. Now she’s got her own band, Julea and Her Dear Johns.

When asked why she plays country and honky tonk in the 21st century, Julea retorted, “Why not? Every form of music we listen to today is, to some extent, derivative of some sort of sound that is not from the 21st century. There is not one song you can listen to that is completely unique, not one style or genre of music that hasn’t already been reinvented hundreds of times. And that’s true for every genre, not just honky tonk. So if you’re looking at music from that angle, why play anything at all? As for me personally, I play what I play because those are the kind of songs that I write. I write those kind of songs because that’s what I listen to. And I listen to what I listen to because it’s what I connect with and enjoy. I guess you could say that country western honky tonk music is not a 21st century sound. But in my opinion, I think it’s silly to try to assign a time period to something that is timeless.”

Read Julea’s full Kool Kat interview here.

Rev. Andy Hawley. Photo courtesy of Andy Hawley.

The Right Reverend Andy of Garage 71 (Friday Kick-Off Party, 10:30 p.m.)

For almost a decade, the Right Reverend Andy Hawley has been at the pulpit of Atlanta’s rockabilly revival as the DJ of Psychobilly Freakout (now airing Mondays from 8-10 p.m. on Garage 71 Internet radio and live at area events) and also for the many ‘billy events he has organized. Andy said he became the Right Reverend a bit by accident. “It began as something fun I decided to do one afternoon,” he added.  “I came in to do my show at Album 88 (88.5FM) and told the DJ before my show went on I had become ordained through the Universal Life Church. Without prompting her, she ended her shift by saying, “Coming up next is Psychobilly Freakout with Reverend Andy!” Years later, Sully from daveFM would add the “Right” part to add some flourish. Now, I’m active outside the studio with my role as the high priest of rock ‘n’ roll getting folks deep fried and sanctified with the help of roots music!”

As for the origins of “Psychobilly Freakout,” he told us “This name (and song) encapsulated the theme for what I wanted my show to become. Honestly, it came down to naming it this or “Rockabilly Rebel,” after a Hillbilly Hellcats song. The program director for Album 88 wanted to differentiate my show from the country show, so I went with the Freakout. The first time I interviewed Jim Heath (Reverend Horton Heat), I told him I had named my show after one of his songs. He told me, “You better make it live up to the name,” and I think I have, eight years going.”

Mon Cherie. Photo credit: Chris Buxbaum.

Mon Cherie (Hostess, Friday Night Kick-Off Party)

Chris Hamer. Photo courtesy of Chris Hamer.

Monsterific Comics Artist Chris Hamer (Vendors Row)

The Rockabilly Luau’s vendors’ alley is always full of fantastic finds from carved tikis to floral hair styling accessories to carved Cthulhu tiki mugs, but one of our favorites has to be the man who put a monster in your thrift store painting, Chris Hamer of Urbnpop Studio. When we caught up with him, he was about to do a Tom Waits-themed art show, and this is what he said about his approach to using found pieces in his works: “This show was a bit how I do my thrift store pieces, but I did the shopping at antique stores instead. I would travel around to different stores with a song in mind, walk around, do a lot of staring at stuff, and buy it [if I had] the feeling that I could make it work. When you listen to Tom Waits, or even see a photo of him, there is this nostalgic, romantic quality to him. I feel that with his music, he does not fit into this new polished sound that is on the radio or popular with a wide audience. It’s almost like his fans are antiques or vintage themselves. By no means am I calling them old, but you just do not hear people talking about him as much as you do a mainstream band or singer. I did not want to just simply make a wooden box or buy some canvas for the art, I wanted to take the vintage old soul approach with the art. So each piece has some sort of lost antique or discarded feel to it. One piece that will stand out the most in the show is for the song “Old 55.” I used an original pre-‘50s Ford truck door for my canvas to paint on. It’s all rusty and looks like time forgot all about it. I love it.”

Read Chris Hamer’s full Kool Kat interview here.

Medusirena. Photo courtesy of Medusirena.

Medusirena (Saturday, 8:15 p.m.)

And last but not least it’s true, there will be a mermaid and she knows how to play with fire! One of the last luau’s most alluring acts was aquatic dance by Medusirena, also known as Marina the Fire-Eating Mermaid, from Fort Lauderdale, FL., and we’re happy to say she’s back. She wasn’t an official ATLRetro Kool Kat, but we did interview her for last year’s preview to find out a little more about this self-described “zany Uncanny Exoticat-Aquaticat,” whose passion is to recreate vintage aquatic dance for today’s audiences.

“Well, there was never a time I “became” a “mermaid,” to tell you the truth,” Marina told ATLRetro. “I can say that  I learned how to free dive at a very early age – 3 – in the West Indies and have always maintained a strong connection with aquatic movement art. That, together with training in Polynesian and Eastern dances, it was a natural fit.  I was inspired by marine animal movement and performers and showpeople ranging from Esther Williams, Eartha Kitt, Ricou Browning, Annette Kellerman, Iris Chacón and even Freddie Mercury, with a touch of Bruce Lee. My goal is to not only to return aquatic performances to people’s consciousness, but to help educate and encourage the art form for future generations. Retro-tainment if you will.”

Read our full interview with Medusirena here.

And that’s just our Kool Kats sos far. Everyone on the Rockabilly Luau playlist is a sure-fire contender for a future Kool Kat. Here’s the full performance schedule, but keep in mind, as we said, they’ll be a lot more going, especially on Saturday, including vendors, classic cars, cocktails and food.

Friday Night Line-up:

6:00-7:00 The Monterreys
7:00-7:15 Daisy Day
7:15-8:00 Caroline & The Ramblers
8:15-9:00 Bikini Tiki Luau Pin-up Swimsuit Pre-Qualifier
9:00-9:45 The Mystery Men?
9:45-10:30 Forged Creations Fire Performers
10:30 -? Hotel guests only kickoff party! Hosted by Mon Cherie, Garage 71 and Bachelor Pad Magazine!

Saturday Line-up:
12:00 Gates open!
1:00-2:00 Julea and her Dear Johns
2:00-3:00 Gemini 13
2:30-3:30 “Taste of the Islands” part 1
3:00-4:00 Davina & the Harlots
4:15:-5:15  The Intoxicators
5:30-6:00  Hawaiian Performance by Aloha Islanders
6:00-6:45  Bikini Tiki Luau Pin-up Swimsuit Contest Finals “Taste of the Islands” part 2
7:00-8:00  Hot Rod Walt & The Psycho Devilles
8:15-8:45 Medusirena
9:00-9:30 Hawaiian Performance by Aloha Islanders, Fire Knife dancer
9:30 Kat Chaffin & Woven Pines

Atlanta will say aloha to the Second Annual Rockabilly Luau this Sat. Aug. 4 from noon to 10 p.m. by the pool at the Holiday Inn Northlake, which has been undergoing renovations for a tiki cabana look. The first Rockabilly Luau last summer at Masquerade Music Park featured a great line-up of bands, burlesque and Polynesian performers and vendors. But after this long hot summer and before the Mayan calendar ends, this year’s event is themed The End of Summer, End of the World Luau! And ATLRetro is excited that cofounder Chris Mattox decided to relocate it to a more watery location, allowing us to pretend we have escaped to the paradise of the Hawaiian Islands and some added entertainment opportunities including aquatic dance by Marina the Fire-Eating Mermaid (also known as MeduSirena) from Fort Lauderdale, FL. Plus the incomparable Calu Cordeiro, mixologist for Mai Tai Tahitian Tuesdays at Dark Horse Tavern, will be supervising the cocktails – a must for any Retro-Polynesian-themed event. Again all proceeds go to two animal rescue charities, Friends to the Forlorn and Shelter Angels

True to its name, Rockabilly Luau combines two Retro styles – tiki and rockabilly, with a healthy dose of surf. Back again are ATLRetro favorites The Rebel Surfers from Nashville (12:30-1:30), Hot Rod Walt and the Psycho Devilles (4:15-5:15) and Daikaiju (1:45-2:45), who unfortunately got rained out last year. El Capitan & Thee Scallywags (5:30-6:30) also are on the bill, as well as a Polynesian Show (3-4 and 7:15-8:15), a tropical bathing suit fashion show by Waterbabies (6:45-7), Marina the Fire-Eating Mermaid (8:30-9), and culminating in a Volcano Sacrifice Burlesque Show starting at 9:15. Co-hosts are Marina and the Right Rev. Andy, DJ of Psychobilly Freakout on Garage 71, Atlanta’s top rockabilly music radio source and the main stage sponsor.

More features include a fire knife performance, a vintage car cruise-in, live tiki carving, real kalua pork and other Polynesian fare, hula hoop performances by Hoop Essence, Poi performances by Sinder and Incendia and tons of vendors located on Tiki Row (including ATLRetro! We’ll be bringing plenty of T-shirts featuring our exclusive logo by DerekArt, hair flower art, Hula girl tote bags and more Hawaiiana and Retro items).

Marina, the Fire-Eating Mermaid. Photo courtesy of Marina.

ATLRetro caught up with Marina, a self-described “zany Uncanny Exoticat-Aquaticat,” to find out a little more about what it’s like to be a mermaid, why she was drawn to recreating vintage aquatic dance for today’s audiences, her Retro dance influences ranging from Esther Williams to Bruce Lee, and what she has planned for the Rockabilly Luau.

ATLRetro: How did you become a mermaid?

Marina: Well, there was never a time I “became” a “mermaid,” to tell you the truth. I can say that I learned how to free dive at a very early age – 3 – in the West Indies and have always maintained a strong connection with aquatic movement art. That, together with training in Polynesian and Eastern dances, it was a natural fit. I was inspired by marine animal movement and performers and showpeople ranging from Esther Williams, Eartha Kitt, Ricou Browning, Annette Kellerman, Iris Chacón and even Freddie Mercury, with a touch of Bruce Lee. My goal is to not only to return aquatic performances to people’s consciousness, but to help educate and encourage the art form for future generations. Retro-tainment if you will.

What attracts you to mermaids and do you have a favorite mermaid of screen or fiction?

The mermaid [is a] combination of two enviornments – the aquatic & the terrestrial – [and] everyone sees it in a different and personal manner. I perform often without fins, and love it just as much. It pays homage to those first aquatic performers.

The “mermaid” is what most people connect with, and as seems to have become quite popular recently, it’s what most people expect. I make it a point, however, not to appear “realistic,” instead opting for the image of a woman in a “fishtail cocktail dress.” I feel it best addresses the genre I wish to represent.

Marina recreates the aquatic dance made famous by the incomparable Esther Williams. Photo courtesy of Marina.

As for my favorite “mermaid” in film, it has to be the great Esther Williams. If you are referring to the “tailed” variety, it’s got to be SHE CREATURE (2001 remake). She was dangerous, and that really was great – she should make you nervous! The original CREATURE FROM THE BLACK LAGOON is also a fave. Love him to chummy bits.No single time we Phentermine suffered any “fake drugs” or delay.

Can you give readers a quick taste of what you have planned for Rockabilly Luau?

As for what I’ve got planned, all I’ll say is that it will be a loving nod to the golden age of tourism entertainment – a bit of swimming, a bit of fire, a lot of humor. I sincerely hope everyone enjoys it. It is a terrific honor to be a part of such a terrific event and for such a noble cause.

Tickets for the Rockabilly Luau are $15 in advance (available here) and $20 at the gate.

Photo courtesy of Cletis Reid.

By Torchy Taboo
Contributing Writer

When I first began frequenting the Star Community Bar in L5P in the early ’90s, like so many locals, I couldn’t get enough of the amazing selection of country and rockabilly bands that were being booked there. The excitement was consistent and palpable—we were starved for “it.” Late weekend nights, we clambered for more—even demanded more. Before long it came to my attention that a notable battle-cry had developed. “Alright God-damn-it!” would holler a couple of kids from up front. They clearly had a feel for the real thing ’cause if the show was good they were there and raisin’ a ruckus. “More!!!” Young Cletis Reid knew what he wanted to hear and had no compunctions about making it known.

Now Cletis has his own band, Cletis and his City Cousins, and since they just released a new CD, CITY COUSINS MOVIN’ IN, and are playing this Fri June 15, at The Earl, ATLRetro thought it was a great time to make him Kool Kat of the Week. Make sure you get out because the 9 p.m.-starting show is a mere $10 and they’re sharing the stage with three other ATLRetro favorites, Three Bad Jacks, Hot Rod Walt and The Psycho-DeVilles and Whiskey Dick. 

TORCHY TABOO: I know you grew up in M’retta…how’d you end up at the Star Bar yelling for encores from Redneck Underground greats?

CLETIS REID: In 1992, I saw The Blacktop Rockets play with a band called Donkey at The Roxy in Buckhead, and I basically hauled ass down this path of riches and fame. I had been listening to country music my whole life but never saw people only a little older than me play it before.

I remember The Hepburns with you and your brother Ryan—you were just kids. What was it like being a “child prodigy”? 

The Hepburns is kind of a blur simply because it went from an idea on one of those crazy Stein Club Mondays to kaput within a year, yet we recorded an EP, had heavy airplay on Album 88, did Live at WREK, had an article in The Loaf and Stomp and Stammer, and played a sold-out Point opening for Kelly Hogan. It was like being hit by a truck since, yeah, it was my first “normal” band. I thought it would always go that fast. It went out with a keg on Morgan Road in Marietta.

Photo courtesy of Cletis Reid.

So seeing bands like Backtop Rockets and The Vidalias put the country music of the 1960s and ’70s and earlier into a current and personal context for you. Was it easy to find like-minded people to play with before the Redneck Underground?

Always easy. It was easy when I started out because none of us knew what the hell we were trying to do anyway. I didn’t really develop that direction until Redneck Underground was already a term.  I never identified myself with the Redneck Underground name, just kinda got identified with it through association. I never went through the official hazing ritual with the Witches of the Ozarks. By the time the RU came around, I was surrounded by like minded people all the time. Still am.

I know what Hank III thinks of current mainstream “country'” music. I know what I think of it. What do you think of it?

First of all, I would never call it country. When you say you love country music in my circles, people know what you mean. If I say that out in the real world, people think you mean something totally different and will ask you what you think of the new Taylor Swift record. “I haven’t heard the [___], sir.” But to answer your question I think it should be “mainstreamed” up Toby Keith‘s …..[the terminology gets musically “technical” here…we’ll spare the reader.]

Who was your first rockabilly band, and don’t I recall you on stand-up bass?

The first “rockabilly” band I played with was Flathead Mike and the Mercurys, which was kind of a rockabilly turned up to 11. I was just starting out on upright bass. Definitely hard to keep up with those monkeys at that time. Soon after started playing upright with Caroline and the Ramblers which was a new experience. Already established, total professionals, and more traditional in their sound. I played with them for eight years and learned a lot. Caroline has a new CD out, by the way. I’m her agent. Starting now.

Your band The Holy Smokes brought us the timeless and technical favorite “Hubble Space Telescope,” as I recall.

Hard to remember exact years, but around 2000, I started The Holy Smokes with my buddies Bill Quigley and Mark Griffiths, and a revolving door of drummers. I figured I was ready to front a band. We did a few originals and a number of covers of Sun Records-era rockabilly. That song was written for a Monday night songwriter thing at the Star Bar. I think we may have played it once with The Snakehandlers (another band I was in), but that’s about it. I didn’t have it written down and accidentally forgot it. I remember the relevant part. I guess I could always write some new crap around that.

Tell us about your current band, Cletis and his City Cousins?

After everybody moved away on me, after a couple of years I asked my buddy Johnny McGowan to help me out and it turned into Cletis and his City Cousins around 2002. It evolved into more of a ’60s or ’70s trucking vibe, which seemed like the natural order of things.

For the erudition of the general public, why truckin’ songs?

Truckers to me have always been the cool, loner guys. I would go on vacations with my grandparents as a young kid and we would roll into this truckstop diner around foggy sun-up, and I thought all these guys were living a real life Smokey and The Bandit or Tom T. Hall song, and in a way they were. Those old truck-driving songs have a way of painting a picture of that life that I could never do in sentences. Always felt I could relate to them in a sense. Plus, all my Trapper Keepers [Marietta-speak for school notebook] had some rigs with some sweet sleepers on them. Wanted to live in one.  I got a CB for Christmas one year. My handle was “Honkey See, Honkey Do.” I guess it still is if I ever get another one.  [if?!]

The Cousins frame the talents of Johnny McGowan, and the chemistry seems perfect.

Johnny and I were friends from his early days in the Blacktop Rockets when we raised a little hell at Sleazefest ’97. When I needed somebody to play with after the great Exodus of ’02, he was a no-brainer. Even then he had some of the craziest chops in town. We would set up for hours on end in his basement and record stuff until we were plain sick of each other, and eventually it became a natural working relationship. He and I actually plan on releasing some of those early basement recordings some day. He’s the best musical mind I know, and the only guy I know who can play a Jerry Reed-type run exactly the way we need it done. Turned out we wrote well together too. It hasn’t always been sunshine and teacups, but I’ve never had a second thought about calling him up. Throw in Blake and Hammer, and I can’t imagine a more perfect band for me.

It’s been predicted that “The Man Behind the Woman Behind the Man Behind the Wheel” will top the charts as a single. Say something about the new CD to entice the Fans.

First off, it’s very shiny. Secondly, it’s been in the works since the Vietnam era, and finally, $10 is a small price to pay for the most staggering achievement in the annals of human endeavor. CD is called CITY COUSINS MOVIN’ IN. [Buy it or they will. Ed’s note: Watch out for an ATLRetro review coming soon.]

To close, I asked Cletis the ubiquitous question, “where’d  the name ‘Cletis and the City Cousins’ come from?” But it was the top of the Ninth, and an answer nearly as dismissive as “Woman, get me a beer” told me my magic moment with the rising star was done. “I just came up with it off the top of my head as just something to call it and it ended up sticking,” he said. ” need to come up with a more exciting story for my next interview.”

Yes. Well, the truth is Cletis Reid sees himself as that guy all Southern people have in their family so the name is a straightforward description of sorts. That is, if they all had a notorious biting wit for remarks such as, “If there was any justice in this world, URBAN COWBOY would be thought of in the same way people think of CITIZEN KANE.”

Brook Bolen poses as Miss April in the Pinups for Pitbulls 2011 calendar. Photo courtesy of Pinups for Pitbulls.

There oughta be a song about it. Guy dumps girl. Girl gets dog, starts a rock band called the F’n Heartbreaks, poses with her dogs as Miss April in the Pinup for Pitbulls 2011 Calendar to help more dogs, and performs at DOG DAYS OF SUMMER, Pin-Ups for Pitbulls’ latest fundraiser this Friday night (Aug. 12) at The Basement beneath Graveyard Tavern in East Atlanta.

While that fairy tale could be Brook Bolen’s life story, this fun fundraiser is for anyone of either sex who loves dogs, especially pitbulls, and righteous Retro entertainment. In addition to The F’n Heartbreaks, there’s the Hot Rod Walt Trio, an offshoot of rockabilly daredevils Psycho DeVilles (read ATLRetro’s recent Kool Kat interview with Hot Rod Walt here), and plenty of burlesque goodness from the tantalizing Talloollah Love, the sexy Sadie Hawkins and Barbilicious of Blast-Off Burlesque, and Little Darling from Pennsylvania, who also is the charity’s founder. Plus merchandise for sale, a raffle and silent auction to support the cause, and pinup girls aplenty!

ATLRetro caught up with Brook to find out the full scoop on Friday’s festivities, as well as a little bit about the F’n Heartbreaks, her passion for pitbulls and how you can become a Pinup for Pitbulls calendar girl, too.

Pitbulls often get a bad rap. How did you get involved with Pinups for Pitbulls and why does supporting this charity and pitbulls mean so much to you?

I discovered Pinups for Pitbulls about four years ago and was immediately drawn to them because they fit me effortlessly. I have two pitbulls, love pinup style and was literally heartbroken from working in a high-kill animal shelter where I saw countless pits die needlessly. This charity is the perfect way for me to effect some positive change in a way that is authentic to me. Our work is fundamental to me not only because of my own pitbull babies but because of the tens of thousands I met working in Animal Control who were also wonderful, loving companion animals.

How did the idea for Pinups for Pitbulls get started? Wasn’t it founded by a burlesque performer?

It was founded by an amazing pinup model and burlesque performer, Deirdre “Little Darling” Franklin. Her lifelong love of animals led her to volunteer in an animal shelter, where she fell in love with a pitbull but was prohibited from adopting it. She learned that many shelters employ similar policies—so going to shelters is essentially a death sentence. She decided to use her pinup/burlesque fan base to start educating and advocating for the breed.

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Friday, July 1

Catch an IMAX movie and get funky to the progressive jazz-fusion sounds of The Nick Longo Band at Fernbank Museum of Natural History’s Martinis and IMAX.

Saturday July 2

Never tell Linda Gail Lewis that she’s just the sister of Jerry Lee. See why this rockin’ redhair holds her honkytonkin’ own and is a favorite Van Morrison collaborator, too, at the Star Bar tonight. Expect a fiery night with Psycho-DeVilles also playing, and Hot Rod Walt is this week’s Kool Kat. Also on the sure-to-get-you-money’s-worth bill are kick-ass honky tonk ensemble Whiskey Belt and Athens Latin Misfits tribute band Los Meesfits.

This week’s pretty quiet overall, but nothing can be easy, can it? You still have to choose between that rockin’ Retro line-up and iconic Atlanta alternative band Guadalcanal Diary back together for two 30th anniversary gigs, one of which you already missed if you missed Athfestand the other tonight at Smith’s Olde Bar. Read ATLRetro’s preview with Murray Attaway here. In the mood for blues? Plus Northside Tavern hosts an all-star Women in Blues Festival with Lola & the Blues Ladies featuring some of the city’s finest chanteuses including Caroline Aiken, Sana Blue, Sandra Hall, Donna Hopkins, Bareknuckle Betties and of course, Lola. DJ Romeo Cologne transforms the sensationally seedy Clermont Lounge into a ’70s disco/funk inferno late into the wee hours.

Sunday July 3

Os Ossos headlines blues “dunch” between 1 and 4 PM at The Earl. And at night come back to hear deranged glam by guys in leather jackets. It’s ain’t no mouse, but the name of the Chicago garage band is Mickey. Also on the bill are Atlanta punk band The Husseins and Black Lodge.

Below the jump – more ongoing exhibitions and performances with a Retro edge…

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Hot Rod Walt takes a ride on Paul "Stubbs" Diffin's bass. Photo courtesy of Hot Rod Walt.

Hot Rod Walt, aka Walt Richards, may have roots in Jersey and Florida, but since parking in Atlanta in 2006, he’s quickly become one of Atlanta’s hardest working rockabilly/psychobilly singer/guitarists. He has 200 original songs, and his main band, the Psycho-DeVilles, which also features Paul “Stubbs” Diffin (Blue Cats, Big Six) on bass and Steve “Burnout” Barnett on drums, have been racing ever since 2002 when they crashed OUT OF THE GARAGE AND ONTO THE STREET, the title of one of their four CDs. Their three other recordings have equally in-your-face titles: PSYCHO CADILLAC, SUPERCHARGER and NIGHT PROWLER. They’ve toured the US and Europe and shared the stage with some of the biggest names in the Retro Revival.

Left to right: Paul, Walt and drummer Steve "Burnout" Barnett.

Speaking of speed, in just the past two weeks, Stubbs literally lit his stand-up bass on fire at Rockabilly Luau (June 18; see ATLRetro’s Kool Kat feature on founders Chris Mattox and Jessica Vega here), and the band also shook up the Dixie Tavern in Marietta last Saturday. This weekend, they’re playing the Star Bar with Los Meesfits, Whiskey Belt and singer/songwriter Gail Linda Lewis—yup that’s Jerry Lee Lewis’s younger sister though she’s not riding any coattails (just ask Van Morrison). On Sunday, acoustic side project The Hot Rod Walt Trio heads outside the perimeter to play Brookstock at Wings and Brews in Jackson. Then they’re in-town at The Five Spot with The Seranaders on Thurs. July 7, and on Sat. July 9, they swing back to the Jailhouse Brewing Company in Hampton.

Pink and Blue Cadillacs from Hot Rod Walt's collection.

When Hot Rod Walt isn’t singing and strumming, true to his name, he hand-stripes and rebuilds custom cars and motorcycles and has accumulated a fantastic fleet of vintage wheels. That talent has earned him TV spots on Discovery Channel’s AUCTION KINGS, auctioning off his 1960 pink Cadillac, and CAFÉ RACER, which also included a band profile, on Velocity.

ATLRetro asked Hot Rod Walt to slow down long enough for a quick interview about guitars, automobiles and this week’s Star Bar show…

How old were you when you first picked up a guitar and what mischief did you make?

I got my first guitar for Christmas when I was around 12 years old. I will never forget being so stoked about it and I can still smell the smell of the wood and glue and paint it was made of. I didn’t come from a musical family so having an instrument seemed very exotic as a kid. I also remember my little brother and I fighting that day and my father threatening to smash my new prized possession !! (He would have done it too).

Hot Rod Walt doesn't miss a beat while Paul sets his bass on fire again.

Then a friend of the family got me an old Teisco electric with a chrome pick guard and that was it………. I was a rock star !

Why rockabilly/psychobilly, and how did you get started singing songs about hot rod cars and mean women?

I have been writing songs since I was able to write. I still have my first song I wrote in pencil as a very small child. In high school, I had some bands and always did my original songs with them. But at about 23 years old, I had moved to Florida and started an acoustic duo called Acoustic Boulevard. We had 85 original songs, no covers. Put out a nice album that did pretty good. I did that for about eight years. Then we put those 85 songs on the shelf, put on electric guitars and wrote 50 or so new songs and started an alternative type band called Slick Riddle. We put out three albums and had a great following in Florida.

Now to finally answer your question—I always loved rockabilly. My parents had given me all their Elvis 45s when I was a kid and I played them on my Fisher Price record player. I about wore them out!! I still have those records today in my 1962 Seeburg Jukebox. When the Stray Cats came out, I was very excited. I used to follow a band out of New Jersey called the Razorbacks. However it wasn’t till years later that one of my customers introduced me to The Reverend Horton Heat and Social Distortion. This is when things started to really change for me. I started digging and found this huge underground of music I never knew existed.

So I started the Psycho-DeVilles as a side project. It shortly became my only band and it skyrocketed. I figured that you can age gracefully playing rockabilly and that I can play this music till I’m dead.

I do write about hot rod cars and mean women. I have had over 100 hot rod cars through the years and I have known a few real meanies. Bangin’ gears in a ’32 is inspirational. So is divorce…

Have you played with Linda Gail Lewis before? If yes, when and where, and what’s she like? If no, are you and the band excited about the opportunity?

The Psycho-DeVilles played the big [Viva Las Vegas] Rockabilly Weekender in Vegas this past April, and Linda Gail was on the bill as well with Jerry Lee. She really tore it up, a great performer and a very sweet lady. Turns out that my bass player Paul Diffin did some recording with her when he lived in San Diego and they are friends. In fact,  they now both live in Acworth, Ga. So I put her on this bill with us at the Star Bar July 2nd. It’s gonna be a blast!!

You certainly play with an energy that rivals Jerry Lee Lewis, though he’s burning up a keyboard and you a guitar. Did Jerry Lee Lewis influence your sound and staging?

I love playing with energy !! I was heavily influenced by all the Sun Records performers. But I really do it because I want people to be entertained and come back for more and wait to see what we might do next. Give people something to look at “and” something to listen to. I don’t like to go out to see a motionless band so I refuse to be one.

Do you and the band have anything special planned for this Saturday’s show?

We have nothing super special that we will be doing but I think the entire event will be very special. The Los Meesfits are from Athens, Ga.. They are a salsa-styled Misfits cover band and lots of fun. Whiskey Belt is a guy/girl honky tonk duo with one of Atlanta best guitar players, Rich DeSantis. Of course, Linda Gail with a special appearance by her daughter Annie Marie Dolan. And then us… and you never know what might happen at the Star Bar!!

What did you think about the Rockabilly Luau and how’d you like to see that evolve? Other than Bubbapalooza, I don’t think I’d heard such a great line-up of so many quality local and regional Retro-inspired musicians in Atlanta this year—that is, before the monsoon hit.

The Luau was a great event. The folks that put it together really did a top notch job organizing and running it. Real pros for sure. We are really looking forward to next year’s event and we are already booked!! And yes, there were some great bands on the bill. I think that next year there are some real big surprises in store for us. Stay tuned.

You certainly play a diverse selection of locations—both in and out of the perimeter. What’s different between playing the Star Bar or the Five Spot and those suburban and out of the big city locations?

We do play a lot of shows—75-100 shows a year all over the country and beyond!! We even played Luxembourg, Germany, Belgium and Holland in 2010. I am now booking a Euro tour for Sept. 2012. We love playing all gigs, the concert type venues where there is a rockabilly scene, and the honkytonk biker bars outside the perimeter. We just do our best to keep the people there all night till the bitter end. I would rather play music than do anything else. I’m pretty sure my bandmates feel the same way.

How many vintage hot rods do you own now, what are they, and what are you working on right now?

I have always kept many cars on the road, usually 10-15. I currently have a ’32 Ford Roadster, ’32 Ford 3 window, ’34 Ford 5 window, ’51 Merc coupe, ’51 Merc Convertible, ’36 Plymouth coupe, ’64 Falcon convertible to name a few—and several more and motorcycles, too! I am currently doing the upholstery in a ’51 Plymouth Slantback that I chopped the top on last year for a customer. Red and black tuck and roll.

I seem to recall that you customize your guitars, too?

Yes. I am a Pinstriper. I pinstripe cars, guitars and bikes almost every single day. I am flying to California to the Fender Custom Shop and hand striping 10 special edition Hot Rod Walt Pinstriped Gretsch Guitars. Pretty cool !!

You have one fantastic rockabilly wardrobe—especially your jackets. What’s your favorite place to shop for clothes in Atlanta?

I make all my show clothes myself. I have some vintage stuff that I find randomly. But I usually find a halfways cool suit at Goodwill and then customize it to a Western style or ’50s style coat. Since I am an upholstery guy, I have industrial sewing equipment and just make whatever I want. I have quite a huge collection of suits. I always want to make a new one for every show!

Any other news you’d like to share about you or the Psycho-DeVilles—more upcoming gigs? Next new recording?

The Psycho-DeVilles are very busy and are always adding shows to our schedule. I also have a side project called the Hot Rod Walt Trio, where I play mostly acoustic stuff. Be sure and go to our official Website to keep up to date on all the latest: https://www.psychodevilles.com

We are also going back in the studio again to make our fifth Psycho-DeVille record. I have written 15 new songs for it. Actually a few of them are some tunes that I wrote many years ago that never got recorded. We hope to have a new album out by fall. We also have some more TV shows coming out this year. Stay tuned to CAFE RACER TV for my “haircut episode” on Discovery HDTheater.

What question do you wish someone would ask you, but they never do, and what is the answer?

I just want to say thanks to all our loyal friends out there. And want to thank Atlanta for being such a great place to play music ! I especially want to thank Steve and Paul and Roland for their great musicianship and loyalty.

Just five months after quietly launching ATLRetro the last weekend of January, we’re up to our 100th post, blushing after a rockin’ review from Scoutmob, and averaging nearly 4,000 hits a month! Thanks, dear readers, for your support, and we hope you’ll stick around for an exciting site revamp in July featuring a mighty swell new logo courtesy of that swingin’ kat Derek Yaniger and new regular features on Retro restaurants, cocktails and vintage shopping.

Mike Geier and one of the lovely Dames Aflame.

Monday June 27

From 3 PM on, savor tropical sounds and libations, as well as a Polynesian dinner during Mai Tai Monday at Smith’s Olde Bar. Kingsized and Tongo Hiti lead singer Big Mike Geier is Monday night’s celebrity bartender at Sister Louisa’s Church of the Living Room and Ping Pong Parlor. Northside Tavern hosts its weekly Blues Jam.

Tuesday June 28

Grab your horn and head to Twain’s in Decatur for a Joe Gransden jazz jam session starting at 9 PM. Fedora Blues is at Fat Matt’s Rib Shack. Notorious DJ Romeo Cologne spins the best ‘70s funk and disco at 10 High in Virginia-Highland. Catch Tuesday Retro in the Metro nights at Midtown’s Deadwood Saloon, featuring live video mixes of ’80s, ’90s, and 2Ks hits.

Wednesday  June 29

Get ready to rumba, cha-cha and jitterbug at the weekly Swing Night at Graveyard Tavern. The Hollidays bring a little soul to Fat Matt’s Rib Shack and Danny “Mudcat” Dudeck blues it down at Northside Tavern respectively. Dance to ‘70s, ‘80s and ‘90s hits during Retro in the Metro Wednesdays presented by Godiva Vodka, at Pub 71 in Brookhaven.

Thursday  June 30

You don’t need a golden ticket to enter in a world of Gene Wilder‘s imagination courtesy of trippy 1971 kids classic WILLY WONKA AND THE CHOCOLATE FACTORY, this week’s movie at Piedmont Park‘s Screen on the Green.

Uncle Daddy & the Kissin’ Cousins get Twain’s a hoppin’, hillbilly style. Self-described Atlanta “modern retrobilly” band The Serenaders swing at Kathmandu Restaurant & Grill in Clarkston. All Thursday shows at the Vietnamese restaurant are free and all-ages. Go Polynesian to Tongo Hiti’s luxurious live lounge sounds, as well as some trippy takes on iconic pop songs, just about every Thursday night at Trader Vic’s. Party ‘70s style with DJ Romeo Cologne at Aurum Lounge. Breeze Kings and Chickenshack bring on the blues respectively at Northside Tavern and Fat Matt’s Rib Shack.Bluegrass Thursday at Red Light Cafe features Kris Youmans & the DC-3’s.

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Decided it might make more sense to run Weekend Update on Friday mornings than on Thursdays. You can still find out about Thursday activities, of course, in This Week in Retro Atlanta on Mondays. And of course, you can plan ahead for the whole weekend.

Friday March 4

Blair Crimmins.

Legendary pianist George Winston tickles the ivories at Variety Playhouse. Blair Crimmins and the Hookers provide a 1920s Vaudeville atmosphere during amagical Fernbank Museum of Natural History’s Martinis and IMAX themed“Night of the Kraken” tying in with its current MYTHIC CREATURES: DRAGONS, UNICORNS AND MERMAIDS special exhibition which will be open for viewing that night. Also, hear they’ll be serving up special mythic-themed cocktails, including a Krakentini, featuring Kraken rum, Silver Scream Spookshow‘s Professor Morte will be a special guest, and there’s a costume contest planned, too, so don your most mythical duds. Just about to post a last-minute interview with Blair about the fanciful festivities, so be sure to check that out.

Celebrate Mardi Gras early and decadently, or rather BART-I GRAS, with the insane crew of Avondale Estates’ Bart Webb Studios and the sexy and sassy Syrens of the South, Big Easy cuisine provided by Zatarain’s, beads, masks, and the first Bart-i Bra contest where the best decorated bra will be judged to crown the first Queen or King of Bart-i Gras.

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The Retro action in Atlanta isn’t quite as sizzling as last week, making it a great time to check out some of the ongoing great weekly events that pay tribute to vintage jazz, blues, funk and country. Or catch up on your city history with The Phoenix Flies: A Celebration of Living Landmarks, starting Saturday.

Monday Feb. 28

It’s definitely worth braving the showers to hear the vivacious voice of blues chanteuse Francine Reed at Cafe Circa in the Old Fourth Ward. And there’s a Blues Jam at Northside Tavern.

Tuesday March 1

Atlanta’s notorious DJ Romeo Cologne spins the best ‘70s funk and disco at 10 High in Virginia-Highland.

Wednesday March 2

Every Wednesday in March, The Hollidays bring their modern take on classic ‘60s soul, garage, rock ‘n’ roll and obscure blues to Fat Matt’s Rib Shack. Danny “Mudcat” Dudeck plays the blues at Northside Tavern. Get ready to rumba, cha-cha and jitterbug at the weekly Swing Night at The Glenwood. Joe Gransden is off but jazz is still on the menu with Scott Glazer and the Real All-Stars at Jerry Farber’s Side Door. Dance to ‘70s, ‘80s and ‘90s hits during Retro in the Metro Wednesdays presented by Godiva Vodka, at Pub 71 in Brookhaven, starting at 8 PM. The Atlanta Burlesque and Cabaret Club meets at a new venue, Melton’s App & Tap, in Decatur, at 8 PM. Topic is how to do (and not do) a photoshoot with opportunity to speak to professional photographers and pin-up professionals.

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