ATLRetro

by Melanie Crew
Contributing Writer

Pillage & Plunder, “weaned on the teat of comic books, video games, jazz, mathematics, punk and prog” will be rockin’ to the tune of ‘Turtle’ at The Earl this Friday, May 23! It’ll be a night of mischief and mayhem with a celebration of the release of their debut LP, “The Show Must Go Wrong,” out August 5, along with Atlanta’s Slowriter and Mice in Cars, in conjunction with World Turtle Day! You won’t want to miss Pillage & Plunder’s rockin’ reptilian ruckus at The Earl this Friday!

Pillage & Plunder, Atlanta’s indie-prog/jazz-punk trio is made up of Gokul Parasuram (guitar/bass/vocals), Hsiang-Ming Wen (bass/guitar/vocals) and Noah Kess (drums/vibes). In no way are they newbies to the indie, pop-culture scene, having shared the stage with Tennessee’s indie, “rock n roll fablers” and Mega Man fanatics, The Protomen and Paper Route. They’ve also been rockin’ around town delivering their “rock magic” and “beautiful chaos” at several of Atlanta’s rockin’ venues: The Star Bar, Under the Couch, WonderRoot, Smith’s Olde Bar, 529, the Masquerade, the Inman Park Festival, just to name a few! And they’ve been busy recording since 2009 [2009 – “The Artisan/Blue” single; 2011 – “Look Inside For The Prize” (EP); 2012 – “Summer Days/Hit & Run” single; 2013 – “Goodnight Jack” (acoustic EP)]. Pillage & Plunder is a rockin’ band and chaotic force you won’t want to miss!

ATLRetro caught up with the fellas of Pillage & Plunder, for a quick interview about their rockin’ retro sounds, their love of all things geeky, the importance of the preservation of our 200-million-year-old turtle pals and their August 5 debut of their LP, “The Show Must Go Wrong”.

And while you’re takin’ a gander at our little Q&A with the band, take a listen to Pillage & Plunder’s “Summer Days” here.

ATLRetro: What’s in a name? Pillage & Plunder sounds more swashbuckler than comics, retro video games, jazz, math and punk. Is there an adventurous story of rock behind the name? Does “X” really mark the spot? Come on and fill our readers in on how you earned such a name!

Gokul: When we started, we had trouble thinking up good names. Every week, I’d bring new band names to a buddy of mine who’d always laugh at our ideas. This friend always suggested (jokingly) that we name ourselves Pillage & Plunder. It sounded corny and had no obvious connection to our music at the time, but we honestly couldn’t come up with anything better. Ten years later, nothing has changed.

How did you rockin’ dudes come together as a band? Was it rock love at first sight or was there a little shakin’, rattlin’ and rollin’ along the way?

Gokul: Let’s go with rock and roll love at first sight. Hsiang-Ming and I sat together in our eighth-grade history class. We became buddies. Watching movies led to video games and anime conventions, which led to guitars and ultimately to writing/recording demos in our bedrooms. Early Pillage & Plunder rehearsals comprised of covers and jams, but we picked up some momentum as original material started entering our repertoire. We gigged around with a drummer who was a high school friend until 2011, when Noah joined the band. I would describe Noah as rock and roll love at first phone conversation.

How would you describe your sound? We’ve seen the band described as paying homage to ’50s martini lounge, ’70s psych-prog and ’90s pop punk. What should our readers expect when they come to your show?

Gokul: We pay homage to these sounds and more on a nightly basis! It’s the byproduct of having three genre-hopping musical hoarders in the same band. Generally you can expect a lot of variety at our gigs, but all of our songs tend to have at least one big heavy riff moment. Look out for the big heavy riff moments!

We see that you ‘navigated the dreams of Frank Zappa and King Crimson’.  What about these artists influenced you the most?

Gokul: The most captivating thing about the music of bands from that era is this sense that both anything can happen and that almost everything does happen. It’s fun to see artists explore what they can and can’t get away with, and that mindset is more prevalent in experimental forms of music.

Tell our readers a little about how you navigated the music scene.  What drew you to music? Have you always had a desire to play in front of big crowds or was it something you came to love later in life?

Hsiang-Ming: We each come from different backgrounds of music. Gokul started out learning jazz guitar from an early age, Noah was a marching band geek playing percussion and I was an orchestra nerd playing violin from elementary school onwards, eventually diving into guitar and bass in high school. Music is something we all are extremely passionate about and feel comfortable communicating in. We love playing live and definitely feed off the enthusiasm and energy of the crowd. Shows are like a dialogue, and it’s no fun talking to a wall. Or maybe I’m just not talking to the right ones.

In celebration of ‘World Turtle Day’ we see that you’ll be rockin’ out alongside some classic turtle-lovin’ cinema.  We at ATLRetro love our vintage Kaiju flicks, so of course we’re super giddy you’re including 1969’s GAMERA VS. GUIRON, and it’s totally tubular that THE TEENAGE MUTANT NINJA TURTLES will be making an appearance as well! We think it’s pretty rad that you’re  not only promoting your rockin’ tunes, but are also promoting the preservation of some rockin’ descendants of prehistoric creatures.  Can you tell our readers about your love for turtles and why you’re interested in promoting and preserving them at this show?

Hsiang-Ming: YES!! This is going to be a great show! I don’t have a really good reason for loving turtles other than the fact thatthey’re AWESOME and have been around since over 200 million years ago! I just learned about World Turtle Day this year by chance and I think any event or organization that promotes the preservation of an endangered species is a cause worth talking about. We decided to do a show about it to have some fun and shed some light on a topic that is largely out of the public’s mind. The TMNT and Kaiju films are an added bonus that we tagged on not only for their pure entertainment value and because they’re amazing, but also to give people something to relate to, because kicking Foot Soldier butt and being an oversized tortoise is clearly something we’ve all dealt with in life. You can learn more about the American Tortoise Rescue and donate to their cause here. 

Can you tell our readers a little about your debut LP, ‘The Show Must Go Wrong’ coming out in August?

Hsiang-Ming: “The Show Must Go Wrong” is our debut LP that we’ve been working on since 2012 and we cannot be more excited to finally release it in August! The title comes from an episode of the TV show “Parks & Recreation” that we felt reflected the songs and general mood/state of the band during the making of this album. From parting ways with our original drummer, getting all of our equipment stolen at SXSW and coping with failed relationships along the way, we’ve hurdled through a decent share of obstacles to realize that life will always throw obstacles at you, but you just have to keep on chugging and push forward, even if you make a fool of yourself in the process.

Any special plans for your show on the 23rd at The Earl?

Hsiang-Ming: Yes! We will be playing with fellow locals Slowriter and Mice in Cars who are both amazing bands if you’ve never seen them. Aside from the music, as you know, we will be screening the original 1990 TEENAGE MUTANT NINJA TURTLES film along with GAMERA VS. GUIRON (1969). Local turtle-loving brewers Terrapin Beer Co. have also generously teamed up with us to donate a few cases of free RecreationAle to attending guests [Supplies are limited so come early!]  Also, if you come to the show wearing green we’ll give you a little souvenir to take home with you! A portion of the proceeds from the show will be donated to the American Tortoise Rescue as well. You can RSVP to the event here.

What’s next for Pillage & Plunder?

Hsiang-Ming: After our World Turtle Party on May 23, we will be doing a mini regional tour during the month of June and part of July, prior to our album release in August. Afterwards, we will tour more extensively to promote the new record. On top of that, we are also working on finishing our first music video and have started demoing some new songs for our next album.

Can you tell our readers something you’d like folks to know that they don’t know already?

Hsiang-Ming: Before Noah joined the band in 2011, Pillage & Plunder‘s original lineup competed against his old band Colorblind aka Colourblind in a traditional high school Battle of the Bands.

What question do you wish somebody would ask you and what’s the answer?

Hsiang-Ming: Q: “Why didn’t Noah Kess answer any questions?” A: “The voice of Noah Kess is too awesome for the universe to handle and has been known to cause black holes. For further inquiries regarding “He who has not spoken,” please e-mail pillageandplunderband@gmail.com”  

Aileen Loy, performing with Till Someone Loses an Eye at the Star Bar on Jan. 10, 2013. Photo credit: Jolie Simmons.

ATLRetro has had our eye on Atlanta visual and performance artist Aileen Loy for a long time, and now seems like the perfect time to catch up since her band Till Someone Loses An Eye will be playing Sunday March 10 in a three-month second Sunday series at the Corner Tavern in Little Five Points. The unique nine-person ensemble also will be opening for self-described “rockabilly-porno-metal with a country twist” Fiend Without a Face  and Ricer on Wed. March 6 at the Star Bar. Other band members include  Sam McPherson and Michael A. Robinson (L5P Rock Star Orchestra/DRACULA THE ROCK OPERA); Meredith Greer (The Chameleon Queen); Steve McPeeks (Art of Destruction); Frank Anzalone (Walk From the Gallows); Brigitte Warren (Wicked Geisha Ritual Theatre); and Dee Dee Chmielewski (DRACULA).

To call Aileen an eclectic talent would be an understatement for her passions definitely are eclectic and her talent unquestionable. Her singing voice is unexpectedly deep for a woman and has often been compared to Tom Waits. her costumes are always the very spirit of Bohemian and often feature bones, whether she is in full Mexican skull-face Day of the Dead regalia or  a skintight black pants fronted by a human pelvis and skeletal legs. Still to call her a goth would be selling her short. She certainly displays a passion for the macabre, but she also equally embraces the playful, including the recent Renaissance of carnival/circus culture and even a gypsy steampunk edge. Till Someone Loses An Eye lists its influences as Waits, Nick Cave and Gogol Bordello and its interests as “rusted metal, old time circus culture, cheese sandwiches, small rocks, freaks, geeks and miscreants.”

When she is not making music, Aileen crafts cool, creepy jewelry using prosthetic eyeballs and teeth, and she has experimented in film and just about every type of artistic media. If that’s not multi-talented, we don’t know what is. But enough talking about Aileen, let’s get talking to her.

ATLRetro: Seeing your artwork and listening to your music, we can imagine you being closer to Wednesday Addams than Cindy Brady as a little girl. How old were you when you started down the path to the darker side of creativity, and what pulled the trigger?

Aileen Loy: That’s a fair cop – I was a pretty serious and awkward little girl. I’m not sure how to answer the rest of that question but there was probably a library card involved.

Aileen Loy plays a mean harmonica with Till Someone Loses an Eye at the L5P Halloween Festival 2012. Photo credit: Stephen Priest.

Who/what were some of your early inspirations musically and visually that still influence your work today?

Johnny Cash, Tennessee Ernie Ford, a lot of classical music. My parents had a weird assortment of albums when I was growing up, so I’d go from listening to SONGS OF THE GUIANA JUNGLE, Lord Kitchener, those odd Reader’s Digest collected works of *insert western classical composer or awesome polka guy, here*, lots of Bollywood, Johnny Mathis and a good dose of Kitty Wells, Dolly, Willie Nelson. Rock and roll was kind of special because I got to discover that on my own. Those were the albums we played when the folks were at work or at my friend’s house. Dad went on a “Rock and roll is the music of the devil; we must burn all rock albums and rid the world of it’s horrible influence” phase, so most of my albums stayed in my room hidden safely behind the Mozart and Ravi Shankar. It was an odd time.

Why do you think circus and carnivale culture has made such a comeback and is seemingly in a renaissance in the independent arts scene from burlesque to steampunk to modern-day proud-to-be-freaks shows?

Good question and I don’t really know. I’ve always been drawn to it because it seemed like a magical amorphous place, where one can, not only be exactly what one is, but is encouraged and expected to be fully that – to gain power and reflect competence and heart through what others might view as “freakish.” It’s a place where no one expects tidy and convenient truths. Fantastic stuff. I think I definitely would have felt safer in there as a kid.

Your vocals have often been compared to Tom Waits, which is unusual for a woman. Did you work to create your unique singing voice or did it just come natural?

I’ve always had a little froggy voice, and the vocalists that I really loved had such huge resonance. You could feel them in your chest! So, yeah of course I wanted to sound like them. That would be me, age 5, trying my damnedest to sing Johnny Cash, and eventually I could. I had a voice therapist tell me that I have the physiology for it . My vocal cords are similar to a male’s. Otherwise I wouldn’t have been able to train that low.

Aileen Loy fronts Till Someone Loses An Eye at 7 Stages during Day of the Cupcake, Oct. 8, 2012. Photo credit: Jolie Simmons

Tell us about Till Someone Loses an Eye, your latest band. Why the name? And what makes this band special and unique musically?

I thought the name was funny. It could be a threat, an eventuality, or an aspiration. The band is personally interesting to me because everyone has such a widely different back story and vibe from one another, and it informs the music in a pretty cool way.

At an Artifice Club performance in fall 2012. Photo credit: James Curtis Barger.

You list some of your collaborators as “heads of mischief.” What do you mean by that?

I was being glib when I wrote that, just trying to fill a page and get it up. But now it’s very apparent to me that it’s absolutely true on its face, no explanation needed. Lovely troublemakers, all of them.

You’re playing twice this week. Wed. March 6 at Star Bar and then Sunday march 10 at Corner Pub, which is going to be a once-monthly event on second Sundays. Do you have any special plans for either show? Why should folks come out?

Wednesday’s show we’re playing with Fiend Without a Face and Ricer, two reasons right there to come. Second Sundays, we have the whole night to do whatever we want. We could play two full sets just us, or have another band open, or musicians sit in for a song or two. This Sunday, the band, Tulsa, is coming through from SXSW and will be doing an early opener set at 8:30.

A vintage stag pocketwatch sporting a prosthetic eye designed by Aileen Loy.

What are you up to in the visual arts right now? Last time I checked you were making beautiful jewelry involving teeth.

Still plugging away, trying to up the scope of the teeth jewelry a bit and take it to a logical conclusion, not sure what that is. I’ve got a few new projects brewing, but it’s still to foggy to talk about them with any kind of intelligence.

What artistic or musical accomplishment are you most proud of so far, and why?

I’m just happy I’m doing it. Neither was particularly supported when I was growing up, so I kind of always found my own way around. Definitely, a late bloomer.

Finally we had to ask. What’s your favorite whiskey and why?

Is there ever a bad whiskey?

Science fiction used to be all about the future, but in steampunk, it’s gone back to the past to create a steam-powered alternate Victorian era full of airships, goggles and rayguns where Tesla trumps Edison. If you think that steampunk is just about creative costumes, there will be plenty walking the halls of AnachroCon, this weekend (Feb. 24-26) at the Holiday Inn Select Perimeter, but there will also be so much more from literary to art to performances. Read more about the many facets of this fast-growing subculture in our recent interview with STEAMPUNK BIBLE co-author S.J. Chambers, then head on down to AnachroCon to experience the city’s biggest annual steampunk gathering live.

As Anachrocon’s Website says, it’s the “place in the South for Steampunk, History, Alternate History, Science, Music, Classic Sci-Fi Literature and the most amazing costuming you’ve ever seen!” Here’s our top nine coolest things to do at Anachrocon. For times and locations, check the full con schedule here.

Mad Sonictist Veronique Chevalier.

1. Costumes Extraordinaire

Men in top hats, boots and goggles. Ladies in their finest Victorian dresses with rayguns tucked into their beaded evening bags. Gizmos galore. In the case of steampunk, accessories make the outfit and it’s not just a look but a way of life for some followers who meticulously craft their eccentric wardrobes in home workshops. Expect to see an amazing array of hall costumes, but the best of the best compete in the Costume Contest at 5 p.m. on Saturday. Or learn to make your own from award-winning costumers in the Fashion and Fabrication programming tracks.

Frenchy & the Punk.

2. A Marvelous Menagerie of Musical Acts

If steampunk has a look, thanks to a motley menagerie of talented musicians, it also has a sound – a diverse blend of jazz, ragtime, gypsy, classical, goth and even a touch of rock n roll. At Anachrocon, you can hear some of the best in the region and nation including The Hellblinki Sextet (do we need to say more than pirate cabaret to pique your interest?!), The Extraordinary Contraptions, Frenchy and the Punk, Aeronauts, The Ghosts Project, The Gin Rebellion, The Vauxhall Garden Variety Players, Play It With Moxie and more. Dance the night away to several DJs including “self-described eccentric audio arranger and morally ambiguous scientist” Dr. Q, the mad mastermind behind The Artifice Club which stages quarterly steampunk shindigs and is the official sponsor of the Friday night main entertainment track provocatively titled Fallout Frenzy. Read an interview with Dr. Q here about The Artifice Club here.

Talloolah Love. Photo credit: Mark Turnley.

3. Trick or Tease: Burly-Q and Carnivale Steampunk-style

Burlesque arose out of vaudeville and sideshow hoochie-coo, all of which go back to the bawdy dancers, singers and comedians of the Victorian music hall. Circuses and carnival sideshows for general public pleasure also came of age in the 19th century. See steampunk versions of both this weekend. Award-winning Atlanta burlesque beauty Talloolah Love  invites you to Burlesque At the End of the World (Fri. midnight) featuring  flavors of Bertolt Brecht, The Muppets, and Hollywood heresy; “you’ve never seen a burlesque show like this!” Guest stars include Knoxville’s Rosey Lady, the Blooming Beauty of Burlesque; Katherine Lashe of Syrens of the South Productions; The Chameleon Queen; and Sadie Hawkins and Barbilicious of Blast-Off Burlesque. Meanwhile under the motto of “Doing the extrordinary with the ordinary,” the talented performers of Oklahoma’s Carnival Epsilon (Fri. 5 p.m.) test the limits the human body can be pushed to with sharp blades, burning fire and a silver fork. And Wicked Hips Bellydance, a professional troupe with members from the US and Europe, presents an art form once considered so risque that it would have inspired proper Victorian ladies to grasp their smelling salts (Sat. 7 p.m., Sun. noon).

4. History, Science and the End of the World, Oh My!

Nikola Tesla.

Yes, the whole idea of steampunk is based on an alternate history and a different direction in science and energy. Costumes are not mandatory to attend these bonafide actual history and science with fascinating panels on such topics as “the history of passive-resistance and non-violent protest” (Fri. 3 p.m.);  “evolution of small arms” (Fri. 5 p.m.), “Sex in Classical Greece and Rome” (Fri. 11 p.m.), Van Gogh at Remy (Sat. 5 p.m.) and much more including culinary discussions, Vikings, shipwrecks and a Sunday-morning gnostic mass. Well, with the Mayan calendar’s abrupt end this year, we give them some slack for a few more apocalyptic (and maybe not so hard-factual) programs such as “This is the Way the World Ends; Eschatology 101″ (Fri. 2 p.m.), “Mayan Calendar 2012″ (if the world’s coming to an end, it only makes sense there’s also a mead-making 101 class out by the pool at the same time), and “Surviving Those Pesky Zombie Apocalypses” (Sat 8 p.m.). Does that mean we’ll see some Walking Dead Steampunks drunk on mead? Well, we can only hope.

The Traveling Revelers.

5. A Little Etiquette & Indulgence Can Do You Good

The Victorian Age was known for being prim and proper, unlike our uncouth contemporary era, so it seems only fitting that AnachroCon’s newest last-minute programming track is centered on Etiquette & Indulgence. Run by Peter Beer Slayer and Richard Carnival, “their mission [is] to make the world a better place by providing instruction on the Social Graces and how to truly enjoy life by using their combined powers to become the Traveling Revelers!” Take ConSociology classes on “how to meet people at cons” (Fri. 3 p.m.);  “the zen of flirting” (Fri. 7 p.m.); “the art of social cues, green lights/red lights” (Sat. noon),and enjoy a “morning refresher” course (ok, early afternoon, Sun. 1 p.m.). Or engage in proper Tea Dueling at 11 a.m. Sun. morning.

Bill Pacer as Benjamin Franklin.

6. Viva the Revolution – Meet the Founding Fathers

Tea Partiers and Ultra-Liberals, take note! OK, AnachroCon isn’t breaking out the Ouija Board (well, not right now anyway; we kind of think there has to be some Ouija-ing going on somewhere), but professional Thomas Jefferson and Benjamin Franklin impersonators (J.D. Sutton and Bill Pacer) will be on hand to share their wisdom on government, electricity and even provide a Q&A. Find out what the founding fathers really thought about freedom of religion, gay rights and sleeping with French prostitutes – we dare you to ask them!

7. Astounding  Alt-History Literature & Pop Culture Panels

At the end of the day, it’s sometimes forgotten that steampunk started not as an aesthetic movement but in the pages of books and now is a lively literary genre. Panels discuss classic influences from Edgar Allan Poe (Sat. 1 p.m.) to a Victorian Science Fiction Roundtable (Sat. 9 p.m.) where we imagine the names Jules Verne and H.G. Wells might get a few mentions. More topics include how to write alternate history (Sat 4 p.m.), modern steampunk literature (Sat. noon) and Growing Up Steampunk (Fri. 7 p.m.). Author guests include Mark P. Donnelly, Kathryn Hinds, O.M. Grey, Emilie P. Bush, Kimberly Richardson, Alan Gilbreath and Dan Hollifield.

Enhanced sonic phaser by Venusian Airship Pirate Trading Co.

8. Sensational Steampunk Marketplace

Need a pair of goggles, a trusty ray gun, a corset, jewelry, custom leather items? All of these and more are available in the Vendor Room, a veritable bazaar of steampunk-related merchandise, with a little Medieval-Renaissance-Celtic thrown in for fun. Well, steampunk does share some roots in modern fantasy which is often inspired by those eras. Be sure to also visit the Artisans Room where you can buy unique, one-of-a-kind creations by jeweler Corey Frison (Labrys Creations), art prints and jewelry by Kerry Mafeo (Fantastic Visions), chainmail by Thandor (and watch him craft it before your very eyes!), the geekiest T-shirts on the planet from Aardvark Screen Printing and works by award-winning artist and illustrator Mark Helwig.

9. Steampunk Boba Fett

Do we really have to say anything else but those three words? OK, you may have seen the Elvis Stormtrooper at DragonCon but Steampunk Boba Fett has taken this helmeted STAR WARS mercenary to a new level of eccentric creativity. Dubbing himself humbly, “the galaxy’s most feared Steampunk Bounty Hunter since 1878 (Earth Time),” to see him is to be inspired! Now go home and get to work on your costume so you’ll be ready to enjoy Anachrocon this weekend!