ATLRetro

As tickets go on sale for next year’s Southern Fried Burlesque Festival, Atlanta burlesque maven Talloolah Love looks back on an absolutely fabulous first year…

I have to give my eyes a rest, as I may develop rhinestone cataracts after seeing such an array of magnificent, world class acts as graced the stage March 10-13 for the first-ever Atlanta burlesque convention: The Southern Fried Burlesque Festival. Plenty of articles have been put out there about the two gals behind the event. Masterminds and inner puppeteers, Ursula Undress and Katherine Lashe, were certainly exercised to the extreme as they worked their little tail feathers off to put this show on, and boy, didn’t it show! The vendors room alone could have struck you blind for all the fabulous glitter, rhinestones and color. As someone who has been to many festivals all over the country, ATLRetro asked me to share my experience as a spectator with a sweet nod and smooch to everyone behind the event who volunteered and assisted in their own ways to make it all happen.

Lydia DeCarllo

I arrived Friday night, just before doors. The moment I came in, the fabulous Lydia DeCarllo, the international sensation from Vancouver, swept me up. Now that’s my kind of welcome wagon! We chatted about her trip in and about how she’s been since we last saw each other at the Texas Burlesque Festival. Derek Jackson, Atlanta photographer and avid burlesque advocate, arrived soon after along with world-famous Rick DeLaup, founder of the New Orleans Burlesque Festival. I took a quick jog over to the bar, as I am quite familiar with the Decatur Holiday Inn and Convention Center, which has been newly renovated and also is the home of TribalCon, a national bellydance convention I try to attend every year. The bar was literally dripping with burlesque stars, but the most fabulous in attendance at that moment as Ms. Torchy Taboo, Atlanta’s own burlesque Godfather. She held court there as only she can, a moment I so sorely missed out on because there was so little time to commiserate before the first big show began.

Talloolah Love and Derek Jackson

I took my seat in the VIP section with Rick and Derek and used my commemorative Jo Boobs pen to take notes on the festival’s first all-star show. My only disappointment was that when Derek invited me to sit VIP, my vision of it would be some kind of small gift bag or at the very least drink tickets for the conveniently located hotel bars in the ballroom. But not this year. Happily the bar’s prices were so reasonable it wasn’t as big of a deal as it could have been had the event been held in Atlanta. Still, if I were to critique the VIP experience for its price, a small gift of appreciation would have been nice and usually expected at most festivals.  All of this, though, was again mitigated by the national celebrities who came to chew the fat with us, like Atlanta’s own Mike Geier, the evening’s emcee, and Margaret Cho, along with the cast of DROP DEAD DIVA.

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Ask anyone in Atlanta’s neo-burlesque scene who started it here, and one name inevitably comes up— Eve “Torchy Taboo” Warren. She’s been dubbed the “Godfather of Atlanta Burlesque” and nothing seems more natural than her hosting the Dirty South Burlesque Showcase, a late-night cabaret on Saturday night for some of the best regional performers, one of several star-studded performance events at this weekend’s Southern Fried Burlesque Fest [read ATLRetro’s preview here].

With all the burlesque troupes and production companies performing here now, it’s hard to imagine that just 16 years ago, none of that existed. While Atlanta was home to one of the nation’s largest collections of adult entertainment venues, those venues had long ago left behind any appreciation of the art of the tease. Among all the stagnant bump and grind for big bucks, however, one dancer had a dream.

This red-haired 5-foot-nothing Rita Hayworth lookalike never had been an ordinary stripper. When she wasn’t dancing, she was vagabonding across Europe, performing at drag shows at The Sports Page, studying art history, sipping Polynesian cocktails, waxing poetically about corndogs and jitterbugging to rockabilly bands at the Star Bar. That’s how I met her in 1995 through my friend “Go-Go” Max Bernardi, another Star Bar regular and a singer, painter and performance artist whose artwork and acts were often seen at 800 East, an Inman Park warehouse that at the time was a haven for the city’s alternative creative scene.

The cast of Go-Go and Torchy's Taboo Revue including Eve "Torchy Taboo" Warren, "Go-Go Max" Bernardi, Wanda Baker, Tim Monteith, Ivy Godiva, Dave Olsen and the Queen Bee. Photo credit: April Stevens

Together, Eve and Max cooked up this crazy idea to put on a tribute to the burlesque variety shows of the mid-20th century which they would come to call GO-GO AND TORCHY’S TABOO REVUE. It took place at the Catch City Club, next to Center Stage in Midtown, on October 14-15, 1995, and included many top players in Atlanta’s burgeoning rockabilly, lounge and performance art scene. Useless Playboys former front man “Big Mike” Geier even returned to Atlanta from Richmond, Va., to emcee. Later on he’d found some band called Kingsized and perform with a neo-burlesque company called Dames Aflame, which incidentally also was founded by Torchy Taboo. Another reason why it’s only fittin’ that Big Mike will be hosting and the Dames Aflame are special guests at the FreeRange Burlesque Show Friday night at Southern Fried.

Kelly Hogan (The Jody Grind, Rock*A*Teens), Wanda Baker (Bleu Velveeta) and Dave Olsen (Atlanta rockabilly swing icons The Lost Continentals) sang solo numbers, and almost every number was performed live by a seven-member lounge band, featuring Olson and other members of The Lost Continentals. Dashing up-and-coming illusionist, Christopher Tracy, provided magic, and Ivy Godiva, the weekly guest star of the then-infamous Go-Go Rama dances at the Star Bar, delivered laughs as his ravishingly redneck assistant, as well as a red-hot striptease to a revved-up rockabilly version of Dion and the Belmonts’ “Ruby Baby.” Puppeteer Tim Monteith boogied woogied as all three Andrews Sisters; he still regularly performs at Syrens of the South and other local shows and is competing in the first annual Southern Fried Burlesque Pageant earlier on Saturday night. In an artistic interlude, modern dancers Anik Keuller and Sonya Sconiers re-interpreted the Greek myth of Persephone without removing a stitch. And a certain ATLRetro writer/editor danced and sang as a 1920s art deco Bumble Bee Queen, with Bee-ettes “Saasha Foo” Wilson, hostess to many of 800 East’s zany variety shows, and her friend and fellow disco dancer Faith Farley.

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Wow, there’s a lot flying and frying this week Retro-wise in Atlanta from Phoenix Flies to Southern Fried Burlesque Fest to a host of pop and rock performers who got their start in the ’80s. Here’s your weekly guide to where and why to get out…

Monday March 7

Atlanta Preservation Center continues its annual The Phoenix Flies: A Celebration of Living Landmarks, so-named after the iconic symbol of Atlanta—the mythical bird that burns and is reborn similar to the city post-Civil War. The event which runs through March 20 offers a chance to take its neighborhood historical walking tours for free, as well as experience additional behind-the-scenes peeks inside Atlanta’s most famous buildings of eras gone by. Today’s tours include The Temple synagogue (1930), designed by legendary Atlanta architect Philip Trammel Shutze at 10:30 AM; the Gothic revival Peachtree Christian Church (1925) at noon; and Grant Park at 5 PM. Reservations are recommended. After dark, Joe Gransden & his smokin’ 16-piece orchestra present another Big Band Night of jazz at Café 290, featuring Sinatra, Bennett, Basie and Joe’s originals. Blues chanteuse Francine Reed is back at Cafe Circa. Northside Tavern hosts a Blues Jam.

Tuesday March 8

Phoenix Flies features the Swan House at the Atlanta History Center (AHC), site of lavish parties in the 1920s and ’30s; other AHC facilities such as the 1840 Tullie Smith Farm and Cherokee Garden Library and Kenan Research Center, which both house rare photos and documents of Atlanta history; neoclassic First Church of Christ, Scientist (cornerstone laid 1903); Hinman Home (1896), now Stonehurst Place Bed & Breakfast; Midtown’s The Castle; a general Historic Midtown tour; and Wimbish House (1906), one of the last remaining homes on Peachtree Street’s once posh Mansion Row now the headquarters of Atlanta Women’s Club.

Splatter Cinema presents 1980s vampire classic NEAR DARK at 9:30 PM. Read Mark Arson’s Retro Revue to see why you shouldn’t miss this hard-edged horror Western directed by Oscar winner Kathryn Bigelow and starring Lance Henriksen and Bill Paxton. Grab your horn and head to Twain’s in Decatur for a Joe Gransden jazz jam session starting at 9 PM. Fedora Blues plays Fatt Matt’s Rib Shack. Atlanta’s notorious DJ Romeo Cologne spins the best ‘70s funk and disco at 10 High in Virginia-Highland.

Wednesday March 9

Phoenix Flies tours the Fabulous Fox Theatre and offers a rare peek inside The Herndon Home, a beautiful 1910 mansion built by Atlanta’s first African-American millionaire Alonzo Herndon which has many eclectic aspects thanks also to his drama teacher wife Adrienne who would put on theater productions occasionally on the roof.

Get ready to rumba, cha-cha and jitterbug at the weekly Swing Night at The Glenwood. Catch Joe Gransden every Wednesday night at 8:30 PM at Jerry Farber’s Side Door. The Hollidays bring on the blues at Fatt Matt’s Rib Shack. Dance to ‘70s, ‘80s and ‘90s hits during Retro in the Metro Wednesdays presented by Godiva Vodka, at Pub 71 in Brookhaven, starting at 8 PM. Cover band ’80s Band of Destiny is in the Atlanta Room at Smith’s Olde Bar.

Thursday March 10

Stonehenge Mansion, one of today's Phoenix Flies tours.

Another busy day for Phoenix Flies including tours of Fox Theatre; early Edgewood-Candler Park; Unseen Underground exploring parts of the old railway lines and viaduct system not usually open to public view; Burns Club (1910), a replica of Scottish poet Robert Burns’ birth home with Burns poetry reading; City Hall; Stonehenge Mansion & Sanctuary, a Gothic mansion in Druid Hills built as a residence but now houses St. John’s Lutheran Church; and the Georgia Capitol.

The first annual Southern Fried Burlesque Fest kicks off with the Atlanta premiere of award-winning documentary DIRTY MARTINI & THE NEW BURLESQUE, with a Q&A afterwards with director Gary Beeber and Neo-Burlesque Revival superstar Dirty Martini, at the Holiday Inn & Conference Center in Decatur. Be sure to read our fest preview here. Chickens and Pigs play Pho Truc in Clarkston from 8-10 PM. Listen to Tongo Hiti’s luxurious live lounge sounds, as well as some trippy takes on iconic pop songs, just about every Thursday night at Trader Vic’s. Party ‘70s style with DJ Romeo Cologne at Aurum Lounge.  Breeze Kings and Chicken Shack bring on the blues respectively at Northside Tavern and Fat Matt’s Rib Shack.

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Decided it might make more sense to run Weekend Update on Friday mornings than on Thursdays. You can still find out about Thursday activities, of course, in This Week in Retro Atlanta on Mondays. And of course, you can plan ahead for the whole weekend.

Friday March 4

Blair Crimmins.

Legendary pianist George Winston tickles the ivories at Variety Playhouse. Blair Crimmins and the Hookers provide a 1920s Vaudeville atmosphere during amagical Fernbank Museum of Natural History’s Martinis and IMAX themed“Night of the Kraken” tying in with its current MYTHIC CREATURES: DRAGONS, UNICORNS AND MERMAIDS special exhibition which will be open for viewing that night. Also, hear they’ll be serving up special mythic-themed cocktails, including a Krakentini, featuring Kraken rum, Silver Scream Spookshow‘s Professor Morte will be a special guest, and there’s a costume contest planned, too, so don your most mythical duds. Just about to post a last-minute interview with Blair about the fanciful festivities, so be sure to check that out.

Celebrate Mardi Gras early and decadently, or rather BART-I GRAS, with the insane crew of Avondale Estates’ Bart Webb Studios and the sexy and sassy Syrens of the South, Big Easy cuisine provided by Zatarain’s, beads, masks, and the first Bart-i Bra contest where the best decorated bra will be judged to crown the first Queen or King of Bart-i Gras.

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Atlanta certainly has earned its place on the map of the Neo-Burlesque Revival with amazing performers and troupes. Now this steamy Southern city finally is getting its first bonafide burlesque festival, too. In case you’ve been too naughty to notice, Southern Fried Burlesque Fest dances into town next weekend, Thurs. March 10- Sun. March 13, 2011, at the Holiday Inn Hotel and Conference Center in Decatur. But co-founders Katherine Lashe and Ursula Undress (Syrens of the South Productions) kindly have agreed to pull back the curtains and strip down to some of the delicious details…

Katherine Lasche & Ursula Undress invite you to some Southern-fired fun at Atlanta's first burlesque festival.

1. Is there any story behind how you hatched the idea for Southern Fried Burlesque Fest and why Atlanta needs its own festival?

Katherine Lashe: Atlanta’s the biggest city in the Southeast and a hot bed for burlesque with guest performers coming in all the time so it seemed to make sense that we should have a festival to show off all of the amazing talent from all aspects of burlesque that the Southeast had to offer, in addition to showing the Southeast what the rest of the world has to offer as well.

Ursula Undress: I had heard some talk about how we needed to do something like it here at a few of the Atlanta Burlesque & Cabaret Meet-Ups and had been to a few other state-specific festivals. So I supported Katherine with wanting to move forward with one here and told her I would do whatever I could to help. We definitely have the talent in the city and surrounding areas—so it has become sort of a regional thing.

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The Retro action in Atlanta isn’t quite as sizzling as last week, making it a great time to check out some of the ongoing great weekly events that pay tribute to vintage jazz, blues, funk and country. Or catch up on your city history with The Phoenix Flies: A Celebration of Living Landmarks, starting Saturday.

Monday Feb. 28

It’s definitely worth braving the showers to hear the vivacious voice of blues chanteuse Francine Reed at Cafe Circa in the Old Fourth Ward. And there’s a Blues Jam at Northside Tavern.

Tuesday March 1

Atlanta’s notorious DJ Romeo Cologne spins the best ‘70s funk and disco at 10 High in Virginia-Highland.

Wednesday March 2

Every Wednesday in March, The Hollidays bring their modern take on classic ‘60s soul, garage, rock ‘n’ roll and obscure blues to Fat Matt’s Rib Shack. Danny “Mudcat” Dudeck plays the blues at Northside Tavern. Get ready to rumba, cha-cha and jitterbug at the weekly Swing Night at The Glenwood. Joe Gransden is off but jazz is still on the menu with Scott Glazer and the Real All-Stars at Jerry Farber’s Side Door. Dance to ‘70s, ‘80s and ‘90s hits during Retro in the Metro Wednesdays presented by Godiva Vodka, at Pub 71 in Brookhaven, starting at 8 PM. The Atlanta Burlesque and Cabaret Club meets at a new venue, Melton’s App & Tap, in Decatur, at 8 PM. Topic is how to do (and not do) a photoshoot with opportunity to speak to professional photographers and pin-up professionals.

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Minette Magnifique may be Atlanta’s youngest burlesque troupe, but these voluptuous vixens, true to their motto “the art of delectable dance, sans the pants,” are fast forging their own ravishing reputation. Shellie Schmals, aka Baroness VONSchmalhausen, shares a few secrets about her stage and other personas, as well as a tantalizing peek behind the tassles of the House of Minette’s Valentine’s spectacular, FROM PARIS WITH LOVE, Friday Feb. 11 at Le Fais do-do in west Midtown.

Shellie Schmals of Minette Magnifique. Photo credit: Jordan Barclay

ATLRetro: How did you personally become interested in burlesque and when did you start performing?

Shellie Schmals: As a little girl, I saw the iconic image of Bettie Page and was entranced. She looked so sweet, but she was also extremely sexy in a way that wasn’t popular in 1980s mainstream media. I identified with her more than Christy Brinkley or Cindy Crawford. Living with a family of antique collectors, I was surrounded by pinup advertising of the 1940s and 50s – which I adored too. Somehow, I just always knew burlesque was there but never knew how to find it.

It wasn’t until 2008 that I was introduced to the Atlanta burlesque scene by the Syrens of the South. We collaborated on a comedy and burlesque show at Relapse Theatre, and I performed one comedic burlesque [act] under the stage name “Mrs. Velma NoHeart.” After that show, I was still very interested in performing. The right opportunity and role didn’t come along again until January 2010, when my Minette Co-Founder, Kellyn Willey (Madame Willey) was starting up another troupe and we knew we needed to combine our creative forces. Our first Minette show was on May 1, 2010 and we’ve been on fire ever since!

You dance and emcee under the show name, Baroness VONSchmalhausen? Can you share a little bit about her and how she came to join Minette Magnifique?

Photo credit: Offhand Photography

In 2006, I started my event production and marketing company VONschmalhausen, named after my family’s name before it got chopped up at Ellis Island at the turn of the century in the 1900s. My ancestors were from Poland and Hungary and I really wanted to honor my Jewish heritage. VONschmalhausen literally means “of the small house” and my tag line became “small house * BIG IDEAS” – how could it not be??!!

Since then, VONschmalhausen has grown into a brand for all my events, performance and projects. When it was time for me to name my burlesque character, Baroness VONschmalhausen seemed the obvious choice. My Baroness VONschmalhausen persona is still me, but bolder with a lot more sparkles. Although I enjoy raunchy and vulgar humor, it never sounds right when I say it. If I were to pick words that describe Baroness: elegance, innocence, sly humor, dirty innuendos with a smile, double entendres with a wink, and poetry with a little slapstick.

For that matter, what’s the origin of Minette Magnifique? Did I hear right that the troupe got started in New Orleans?

In the rich tradition of vaudeville performers, we rewrote our history. Each performer scribed a bio that speaks to who their characters are, and we did the same thing for the troupe itself. Although we might not come from New Orleans, our spirit lives there.

Minette Magnifique, and/or the House of Minette, is a really creative name for a burlesque troupe. Is there a story behind how you selected it?

Naming Minette Magnifique is an example of how beautifully Madame Willey and I collaborate together. Madame Willey was enthralled with the first name “Minette”, as it has multiple identities as an girl’s name (which means “protector”) and as the French slang for a girl who is all dolled up. We didn’t want to give ourselves the traditional moniker of Minette Burlesque, because we felt it was too restrictive. Being the alliteration junkie that I am, “Magnifique” came to me almost from divine intervention.

I started calling us “The House of Minette” as a way to bring all the performers and members of Minette on stage at the end of a show. The phrase is very grand, invoking images that are regal, with a splash of bordello. Just like us!

Blast-Off Burlesque has a wacky pop culture edge and Dames Aflame have embraced the showgirl aesthetic. How would you describe Minette Magnifique’s unique niche in the Atlanta burlesque scene?

I would describe Minette as theatrical and comical, sexy and sultry, vintage with a contemporary appeal. We love romance, sparkles, glitter, glamour and paying homage to the golden era of performers who graced the burlesque stage, pinup calendars and golden age of the silver screen.

Minette Magnifique’s Website bills FROM PARIS WITH LOVE as “a romantic, Parisian-inspired evening of musical and magical entertainment.” Can you divulge a little bit about what audiences can expect when it comes both to music and magic?

Our venue Le Fais do-do, is the perfect setting for us. It sets the mood for the Minette routines – each dancer selects their own music, and each girl was inspired from vintage French music. Expect to see a lot of interaction between the dancers. Mimi de Milo and Portia Lynn Dahl are performing a sister act. Vyolet Venom will be singing. Expect BIG SMILES, NEW DANCE MOVES and TWIRLING TASSELS!!

Would you tantalize us with a sneak preview of your own acts this Friday?

I’m excited to be performing two routines with our guest emcee, Mr. Tonguelinguist, my dear friend and improv co-hort, Jeff Wisard. I’ll be swept off my feet and into the lap of love!!

What about your emcee persona? How do you get into character and do you script it all out in advance or play it more improv?

Getting into character starts a few hours before show time, I’m very much in my head and am pretty quiet. As soon as I hit the stage to greet the audience with my signature phrase “Good evening ladies and lords …,” I’m in there, alive and in the moment. A shot of Jager always helps, too!!

I LOVE writing our shows. Before each dancer performs, I give a little intro that sets the scene for our audience. Since all of our Minette shows are themes, it’s a fun challenge to write something saucy and unique for each dancer, that not only describes their personality but also puts a time and a place on a routine. You can be sexy and just dance, but it’s even sexier to know the inner thoughts of the performer and create the world around them.

My role as Minette emcee is more of a storyteller, so much of it is scripted. Although, I play with the audience and improv as well. Most emcees announce the dancer’s credentials. We decided collectively that we wanted something different and my role has evolved with that. I’m very versatile though, and have emceed for many events without a script or notes – just going off the cuff and enjoying the energy from the audience.

Who are the guest performers for this week’s show?

We are thrilled to have Blair Crimmins, as our musical guest. He’ll be performing with Darcy Lemmonier, as she debuts a new routine. Blair’s music embodies everything that Minette is about: whisking the audience member back to a time where romance prevailed, the music was big and bawdy, and life was, too.

Joining us also will be Chad Sanborn, as our guest magician. Chad’s charisma and creativity provide an added touch that is going to make this show special and different. We’ll also be using Chad throughout the evening to help heighten our storyline.

My guest co-host for our Paris show is Mr. Tonguelinguist, [as noted previously, otherwise known as my improv buddy, Jeff Wisard]. Jeff did a guest spot with us in December as a boy toy and we loved him so much, we asked him back in a larger role! I’m excited to work with Jeff in this new capactiy too. We’ve been improv’ing together for years.

What’s next for you and Minette Magnifique?
As a troupe, Minette feels very strongly about the importance of giving back to others. In 2010, we participated in benefits for The Rainbow Center, PinUp for Pitbulls, Living Walls and Hurricane Katrina. Our next performance will be Friday, February 18 at Carnivale: A Benefit for Actor’s Express. This is a great opportunity to support the creative endeavours of our peers in the entertainment community.

When you’re not performing, what else do you do for work and play?

I can’t gush enough about my job. I work at a fabulous organization, ART PAPERS, as the director of development + public relations. ART PAPERS exists to provide an independent and accessible forum for ideas on contemporary art. I am coming off the heels of our weekend-long Art Auction fundraiser and am still jonesing on an adrenaline rush.

My heart also belongs to Relapse Theatre. I volunteer my time as director of community affairs  [and] I manage all the social media and community service/social projects that happen within our walls and in the Atlanta area. I’m also lucky enough to perform with 2Girls3Eyes, a talented group of improv performers, every Friday night on the Relapse stage.

And I, like, LOVE to shop!!! I’ve been surrounded by antiques my whole life. As a child, I would frequent garage sales, estate sales and flea markets with my parents looking for gold amongst the ruins. I was fortunate enough to amass a collection of vintage jewelry from the 1920s-1970s called VINTAGEsparkles by VONschmalhausen that is available for rental with photo shoots by PinUpGirl! Cosmetics in Grant Park.

More Secrets About Shellie:

Favorite Retro Movie: FREAKS by Tod Browning

Favorite Retro Musicians: The Beatles, The Shangri-Las

Favorite Retro Song to Dance to: “Chantilly Lace” by The Big Bopper

Favorite Retro Book: VALLEY OF THE DOLLS by Jacqueline Susann

Inspirational Burlesque Performers (Vintage Or Present-Day): Gypsy Rose Lee, Mae West, Bettie Page, Indigo Blue

Purchase tickets for FROM PARIS WITH LOVE here.