Retro Review: ROCK ‘N’ ROLL HIGH SCHOOL: School’s Out at the Plaza This Weekend

Posted on: May 12th, 2011 By:

By Mark Arson, Contributing Writer

Art Opening & A Movie Presents ROCK ‘N’ ROLL HIGH SCHOOL (1979); Dir: Allan Arkush (with Joe Dante and Jerry Zucker, uncredited); Executive Producer: Roger Corman; Starring P.J. Soles, Vincent Van Patten, Mary Woronov, Paul Bartel, The Ramones; Art from Dave Cook, Derek Yaniger, R.Land, Kevin Rej, Chris Hamer, Josh May, Matthew Manning, Shane Morton, Scotty Mominee and Trish Chenard. Fri. May 13, 9:30 pm and Sat. May 14, 9:30 PM; Plaza Theatre; Trailer here.

Teen comedies are a tricky thing to pull off. Any film can be funny with good enough writing, but for a teen comedy to be memorable, for the audience to really fall in love with the setting and characters, some sort of fantasy element has to be at play. As most of us know, the day-to-day life of being in high school can be tedious and excruciating. Some of the best movies from this category excel at this, many of the films of John Hughes, for instance. Before those, though, there was ROCK ‘N’ ROLL HIGH SCHOOL. Originally pitched as DISCO HIGH, and slated to star the Bee Gees, as fate would have it, the film ended up centered around the Ramones, a fitting choice as they fit in better in the world of B-movies than they did in real life.

ROCK ‘N’ ROLL HIGH SCHOOL is set at Vince Lombardi High, where dozens of students smoke and buy test scores (as well as a ridiculous variety of  other things) in the restrooms, paper airplanes defy the laws of physics, there are…er…..about three teachers total, and Riff Randell pretty much does what she wants. Riff, played as the embodiment of a free spirited teenager by PJ Soles,  is the self-proclaimed #1 Ramones fan. She also happens to have written quite a good song for them, which was written by The Ramones in real life (a stroke of genius). Part of the conflict in the film involves Riff trying to get her song to the Ramones, but the major friction occurs between the new Principal, Evelyn Togar (Mary Woronov, at the top of her game here) and, well, the entire student body. The earlier rebellion swells to a standoff by the end of the film—mice explode, documents are shredded, and the Ramones even show up at school!

The Ramones and #1 fan Riff Randell rock the walls off Vince Lombardi High in ROCK 'N' ROLL HIGH SCHOOL. Photo credit: New World Pictures.

As I said earlier, the fantasy element is really important to a film like this, and as such, the focus on the Ramones couldn’t be more appropriate. In the movie, they ride into town playing to a line of fans waiting in line for days for tickets to their show, 100 tickets are bought by the kids at the high school, and tempers flare upon Principal Togar’s burning of hundreds of their record albums. It’s hard to imagine now, since they’re evolved into a musical legend (partly cemented by all of their founding members having died years ago), but the Ramones really weren’t all that popular at the time, especially not in the US. They are obviously great sports here, though (especially in the dream/fantasy sequence), and their propensity for playing it straight makes it all the more convincing that they could really have been the biggest band in the world. Maybe their confidence was just something that was easy to pick up on film.

Mary Woronov plays Principal Evelyn Togar in ROCK 'N' ROLL HIGH SCHOOL. Photo credit: New World Pictures.

It seems unlikely that the Bee Gees would have inspired the kids to blow up the school at the end of DISCO HIGH, even though it would have been hilarious if they did. The film we (fortunately) did get instead is full of memorable characters, some of which are Ramones playing themselves, of course, and plenty of great vintage ‘70s comic moments and teenage rebellion. You’ll have a hard time understanding why the Ramones weren’t huge, and you’ll wish that you went to Vince Lombardi High, what’s left of it anyway.

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Weekend Update, April 8-10, 2011

Posted on: Apr 8th, 2011 By:

Friday, April 8

Mike Geier and one of the lovely Dames Aflame.

Kingsized swings, lounges and rock and rolls the Star Bar in that wondrous way that only “Big Mike” Geier can.  Master mandolin player and one of the fathers of bluegrass music, Ricky Skaggs and his band Kentucky Thunder play Variety PlayhouseAlex Lattimore brings jazz, R&B and a light touch of blues to Fernbank Museum of Natural History’s Martinis and IMAX.  Joe Gransden and Kenny Banks jazz up Twelve at Atlantic Station.

Film Love‘s Yoko Ono: Reality Dreams short film series concludes with a free screening of Bottoms at 8 PM at Emory University‘s White Hall Room 206.  Ono’s most notorious film literally reveals the backsides of several hundred “saints of our time. All Film Love events are curated by recent Kool Kat Andy Ditzler.

Saturday April 9

Celebrate the 19th birthday of The Highlander with a free concert by musical masters of the circus freak show, Greasepaint, featuring Atlanta’s own insane clown posse of Puddles, aka Big Mike Geier (Kingsized), and the Reverend Uncle Laffo, aka Jim Stacy (Grand Moff Tarkin). Also on the bill is Super X-13, featuring Shane Morton (Gargantua, Silver Scream Spook Show) on bass in a big hair wig and crazy Ultraman-inspired jumpsuit (well that’s the whole band actually)!

 

Cuba’s greatest rumba ensemble for more than 50 years, Los Munequitos de Matanzas proves “without rumba, there is no Cuba, and without Cuba, there is no rumba” at GSU’s Rialto Center for the Arts. Legendary ’80s industrial/ experimental rock band Savage Republic revs up The EarlBetter Than The Beatles pays tribute to the Fab Four at Jerry Farber’s Side Door. DJ Romeo Cologne transforms the sensationally seedy Clermont Lounge into a ’70s disco/funk inferno.

Sunday April 10

Tinkerbell (Yetter) flies with Peter Pan (Ciaran Joyce). Photo credit: Ed Krieger.

Tom Gentry & Co. serve up the blues at “dunch” between 1 and 4 PM at The Earl. And today is the last day to catch KOOL KAT Emily Yetter starring as a precocious, politically incorrect Tinkerbell in J.M. BARRIE’S PETER PAN under the big tent at Pemberton Place, next to the World of Coca-Cola.

 

Ongoing

Henri de Toulouse-Lautrec died in 1901, but it’s not a stretch to say that his vibrant posters and prints of showgirls, nightclub stars and the café culture influenced the 20th century romantic view of Paris and still inspire today’s burlesque performers. The High Museum of Art’s dynamic new special exhibition, TOULOUSE-LAUTREC AND FRIENDS: THE IRENE AND HOWARD STEIN COLLECTION, runs through May 1. Also at the High through May 29 is the MOMA-organized HENRI CARTIER-BRESSON: THE MODERN CENTURY, another blockbuster exhibit showcasing a photographer and photojournalist who captured on film many of the seminal moments  of the 20th century from World War II to the assassination of Ghandi, China’s cultural revolution to civil rights and consumer culture in America.

Tune back in on Monday for This Week in Retro Atlanta. If you know of a cool happening we’ve missed, send suggestions to ATLRetro@gmail.com.


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Weekend Update, Feb. 24-27, 2011

Posted on: Feb 24th, 2011 By:

As I said at the start of the week, there are some tough choices this weekend, and a few additions not included in This Week to make it even harder. Whatever you choose, hope you have a ravishingly Retro good time!

Thursday Feb. 24

The Atlanta Opera presents the opening night of George Gershwin’s PORGY & BESS, a American folk opera about two lovers struggling to find happiness in Charleston’s Catfish Row. Find out more about the production at the Cobb Energy Centre which runs through March 6, in KOOL KAT OF THE WEEK spotlighting Costume Coordinator Joanna Schmink.

Good grief, CB’s an adolescent now, his little sister’s a goth, his ex-girlfriend’s in a mental hospital for setting too many fires, his friends are all drunk, and when his dog dies from rabies after killing a “little yellow bird,” he starts to question the existence of an afterlife.That’s the wacked-out premise of DOG SEES GOD: CONFESSIONS OF A TEENAGE BLOCKHEAD, a black comedy inspired by the popular PEANUTS comic strip and performed by the new Fabrefaction Theatre Company, which premieres today and runs through March 13.

ATLRetro will finally be joining the Last Of The Red Hot Truc-ers as Ghost Riders Car Club celebrates Vietnamese New Year with classic ’50s honkytonk and rockabilly for the last of their February Thursday night free gigs at Pho Truc in Clarkston. For a sneak peek, read Feb. 1 ’s KOOL KAT OF THE WEEK with guitarist Spike Fullerton. Listen to Tongo Hiti’s luxurious live lounge sounds, as well as some trippy takes on iconic pop songs, just about every Thursday night at Trader Vic’s. And Breeze Kings bring on the blues at Northside Tavern.

Friday Feb. 25

Get back to rock’s rockabilly, country and Western swing roots with Big Sandy & His Flyrite Boys, with special guests Caroline & the Ramblers and The Stumblers, at Star Bar. It’s a soulful night at Highland Inn Ballroom with The Soulphonics & Ruby Velle and George Hughley with Johnny & the Lakewood 5. The Nick Longo Band jazzes up Fernbank Museum of Natural History’s Martinis & IMAX. And go really retro with a futuristic twist at AnachroCon, a three-day steampunk convention, which kicks off today in grande style with The Gaslamp Gala, a concert extravaganza organized and presented by The Artifice Club‘s Dr. Q, at 7 PM. Performers include The Ghosts Project with Nathaniel Johnstone (Abney Park) and Play it with Moxie, a ballroom jazz band. Admission is included in your AnachroCon membership, with VIP seating available for $5. All festivities are at the Holiday Inn Select Perimeter, 4386 Chamblee-Dunwoody Road.

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Dracula, A.D. 2011: Chris Love’s Hard-Rockin’ Harker

Posted on: Feb 9th, 2011 By:

Children of the night, rejoice. The Little 5 Points Rockstar Orchestra is driving a stake into your preconceptions of rock opera as a dead-and-buried art form and putting the bite back into vampire lore at 7 Stages this week with HAUS VON DRACUL, PART 1. The production marks another collaboration between long-time Atlanta musician Rob Thompson (Ghost Story, Blistered), also owner of Java Lords Coffee House & Bar, who also plays the Count, and horror Renaissance man Shane Morton (Silver Scream Spookshow) who also created savage set design and make-up for the Rockstar Orchestra’s A KRAMPUS CHRISTMAS at 7 Stages last December.

Chris Love as Jonathan Harker in Haus Von Dracul, Part 1. Photo Credit: Nicole Boroski

ATLRetro caught up with guitarist Chris Love, who plays hero Jonathan Harker, this week, to dig up more about HAUS VON DRACUL and why a vampire rock opera makes for the perfect Valentine-week date.

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ATLRetro Weekend Update Jan. 28-30, 2011

Posted on: Jan 28th, 2011 By:

OK, I’d planned to do Weekend Updates on Thursdays, but the Jon Waterhouse interview got so many hits yesterday (thanks to everyone who reposted; you make me and Jon blush with gratitude!) that I decided to leave it at the top of the blog. But without further ado, here are ATLRetro’s top picks for things to do this weekend…

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If You Talk Like That, People Will Call You Crazy: A Sneak Peek at This Week’s Silver Scream Spookshow & the Wacky Wonderful World of Being Jon Waterhouse

Posted on: Jan 27th, 2011 By:

Silver Scream Spookshow Presents FRANKENSTEIN (Universal, 1931); Dir. James Whale; Starring Boris Karloff, Colin Clive, Mae Clarke; Plaza Theatre, Jan. 29., 2010, 1 p.m. kids matinee & 10 p.m. adult show

You know him as the “Retch,” lovable, laughable sidekick to Professor Morte at the Silver Scream Spookshow. Or if you don’t, you’ve missed out on one of the most creative collaborations in Atlanta—an ATLRetro five-star must-see.

Like the Frankenstein monster who will haunt the Plaza’s big screen this week, Shane Morton raised the old-time live and TV spookshow from the dead, putting Atlanta on the map as having one of the nation’s most active classic horror scenes (watch for a feature on Plaza twisted sister Splatter Cinema in the next few weeks). Before the movie, audiences are tricked and treated to a manic one-of-a-kind variety show featuring magic tricks, fun-filled frights and song & dance inspired also by the zany spirit of the PEE-WEE HERMAN SHOW. But Shane couldn’t have done it without unearthing a terrifying, titillating and talented team of cast-members such as Nick Morgan (Mumbobo the witch doctor, the conspiring Dr. Wertham), Amy Dumas (Pandora the spooksmodel), Gayle Thrower Rej (Persephone, spooksmodel in training), Nick Hood (rock ‘n’ rollin’ Frankenstein “all the way from Horrorwood, Karloffornia!”), the gorgeous guys and ghouls of Blast-Off Burlesque, and Waterhouse.

ATLRetro caught up with Jon recently and asked him what it’s like to costar in one of the city’s coolest creations, as well as what the multi-talented, self-described “ADD personified” writer/actor/musician/DJ/rasslin’ manager is up to with regard to his numerous other projects.

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