Posted on: Jan 26th, 2022 By:

by Anthony Taylor
Contributing Writer

Welcome to Apes on Film! This column exists to scratch your retro-film-in-high-definition itch. We’ll be reviewing new releases of vintage cinema and television on disc of all genres, finding gems and letting you know the skinny on what to avoid. Here at Apes on Film, our aim is to uncover the best in retro film. As we dig for artifacts, we’ll do our best not to bury our reputation. What will we find out here? Our destiny.


Apes on Film also appears on Nerd Alert News. Check them out HERE!




3.5 out of 5 Bananas
Starring: Turhan Bey , Lynn Bari , Cathy O’Donnell , Richard Carlson
Director: Bernard Vorhaus
Rated: NR
Studio: The Film Detective
Region: A, B
BRD Release Date: October 26, 2021
Audio Formats: English: DTS-HD Master Audio 2.0 Mono
Video Codec: MPEG-2
Resolution: 1080p HD
Aspect Ratio: 1.37:1
Run Time: 78 minutes

Fans of Guillermo Del Toro’s recent remake of NIGHTMARE ALLEY should enjoy THE AMAZING MR. X, which explores similar territory (spiritualism and con men, but without the carny trappings) painted in the same film noir brush strokes.

Universal Studios’ stalwart Turhan Bey (THE MUMMY’S TOMB) stars as “Alexis, Psychic Consultant” – code for con man – who’s set his sights on Lynn Bari’s (THE BRIDGE OF SAN LUIS REY) Christine, a not-too-recent rich widow who’s being haunted by the spirit of her dead husband, Paul (Donald Curtis). Richard Carlson (CREATURE FROM THE BLACK LAGOON) intervenes as her sensible and skeptical lawyer/suitor. Martin and Cathy O’Donnell (THE BEST YEARS OF OUR LIVES) plays younger sister Janet, who wants nothing more than for Christine to forget the past and move on to a happy future with Martin. As much a character in the drama as any of the actors is the cinematography of John Alton, who creates dream-like misty and sometimes even downright fog-laden environments that enhance the lighting and lens choices he makes. Shot in a gothic, film noir style, the camera’s eye is used as a narrator rather than simply as a passive window.

Bey’s inside accomplice (Christine’s housekeeper Virginia Gregg) feeds him enough information to dazzle her and point her towards him as a solution to her problem as it begins to spin out of control. Alexis remains a smooth operator until the moment Martin holds him to a seance table and dead husband Paul appears without any pre-arranged special effects. From then on, the fake spiritualist is in over his head and unable to find a way out.

The Film Detective’s release of THE AMAZING MR. X is sourced from a 4K restoration of Bey’s own print of the film, and a definite improvement over earlier home video releases. As much of the film is set at night, there are some very grainy segments, but for the most part the picture is as crisp or as sharp as the cinematographer and director decided it should be. Other artifacts pop up occasionally – there are some shots with slight lens doubling effects that stem from the original film elements. Audio is consistent with the technology of 1948, sweetened a bit for modern tastes. It’s no distraction from the imagery, but could have been more of an enhancement.

Special Features include a commentary by professor and film scholar Jason A. New; MYSTERIES EXPOSED: INSIDE THE CINEMATIC WORLD OF SPIRITUALISM, an original documentary by Ballyhoo Motion Pictures featuring author Lisa Morton and writer/producer C. Courtney Joiner, and a full color booklet with an essay, The Amazing Mr. Bey, by Dan Stradley.

If you’ve never seen this movie, or seen it only in a diminished format sourced from a bad public domain print, don’t hesitate to buy this disc. Well worth the price!




Anthony Taylor is not only the Minister of Science, but also Defender of the Faith. His reviews and articles have appeared in magazines such as Screem, Fangoria, Famous Monsters of Filmland, SFX, Video*WatcHDog, and more.


*Art Credit: Anthony Taylor as Dr. Zaius caricature by Richard Smith

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30 Days of The Plaza, Day 18: The Secret Behind the Creature from the Black Lagoon’s Sex Appeal

Posted on: Jun 29th, 2012 By:


Millicent Patrick poses with the head she designed of THE CREATURE FROM THE BLACK LAGOON. Photo credit: Universal Pictures, 1954.

Silver Scream Spookshow Presents THE CREATURE FROM THE BLACK LAGOON in 3D (1954); Dir: Jack Arnold; Starring Richard Carlson, Julie Adams, Richard Denning and Ricou Browning; Sat. June 30;  kids matinee at 1 PM (kids under 12 free & adults $7) and adult show at 10 PM(all tickets $12); All proceeds of today’s shows benefit Atlanta’s oldest running independent cinema, the nonprofit Plaza Theatre; Trailer here.

All the ladies know that the Creature from the Black Lagoon is the sexiest of the Universal monsters, but do you know why? We asked Professor Morte, the horror host with the most, and he didn’t hesitate to reveal the terrifying truth. His look was designed by a woman – Millicent Patrick.
        For years, make-up artist Bud Westmore hoarded the credit and downplayed Millicent’s role, which went uncredited. Sadly when Universal considered sending the attractive Patrick out on a CREATURE promo tour as “The Beauty Who Created the Beast”  in 1954, Westmore intervened and refused to hire her again, putting a stop to an effects career which also included the mutants in THIS ISLAND EARTH (1955), the masks in ABBOT AND COSTELLO MEET DR. JEKYLL AND MR. HYDE (1953), THE MOLE PEOPLE (1956) and the Xenomorph from IT CAME FROM OUTER SPACE (1953).
       That Millicent was not one to toot her own horn and led a private life did not help in getting the word out about her talented achievements in SFX make-up. What we do know is that she was a strikingly attractive woman and a Disney-employed animator, that she appeared in more than 20 movies and 12 TV series, and she was married and divorced twice to actor George Tobias. She was born Mildred Elizabeth Fulvia di Rossi and may or may not have been an Italian baroness. The Screen Actors Guild has no date for her death and no address since the early 1980s.
Fun facts about The Gill-man suit:
It was made from airtight molded sponge rubber.
It cost $15,000.
The underwater suit was painted yellow to make it easier to see in dark water.
A rubber hose was used to feed air into the suit.
Editor’s note: There aren’t many articles about Millicent Patrick and her work on CREATURE FROM THE BLACK LAGOON. Thanks to Horror Icon: Millicent Patrick by Mary Parker which appeared in the St. Louis Horror Movies Examiners for much of the material used in this piece. For more information, we’ve been told to dig up Filmfax, issue 100, or Famous Monsters of Filmland, #145.

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