ATLRetro

Magician Chad Sanborn is one of the many talented local and regional performers in BURLESQUE WITH A HITCH Sat. Aug. 13 at Masquerade. Photo courtesy of Chad Sanborn.

Legendary film director Alfred Hitchcock has been dubbed the “Master of Suspense,” but suspense also is the key ingredient to a great burlesque act – the tantalizing tease which has you wondering when she’s going to take it off. Leave it to Mon Cherie to have the genius to put the two together for one of the more innovative burlesque pairings in the local scene this year. In BURLESQUE WITH A HITCH, the latest in her Va-Va-Voom series at Masquerade this Sat. Aug. 13 (doors at 9 p.m.), each act will be based on a different Hitchcock film. Alabaster JuJu stars, with master of suspense and mystery Miss Mason hosting, and the line-up of top local and regional performers includes aerialist extraordinaire Sadie Hawkins (Blast-Off Burlesque), Rebecca DeShon (Hoop Essence), Stormy Knight, Fonda Lingue, Evil Sarah, The Chameleon Queen, Katarina Laveaux (Birmingham, AL), Nicolette Tesla (Charlotte, NC), and Peachz de Vine (Greensboro, NC). Before and after, DJ 313 spins alternative dance, Allison Kellar offers body-painting, and there’s also the usual RAWKIN’ RAFFLE with lots of vintage-inspired vendors donating prizes. Cover is a bargain 5 bucks, and doors open at 9 p.m., with all proceeding helping cancer patient Shawn Brown.

Of course, suspense is also the key to a successful magic trick, and all great burlesque and vaudeville shows have to have a magician. For BURLESQUE WITH A HITCH, we think Mon Cherie couldn’t have picked less of a “Wrong Man” than Chad Sanborn, who, outfitted like a ’40s noir detective complete with fedora, sets up his tricks like a crime to be solved. ATLRetro caught up with Chad to find out why he adopted his signature style, as well as gather a few clues about his Sat. night act and his other projects, including movie and TV roles and HOUDINI: DOG MAGICIAN commercials for The Cartoon Network. And Just Added: Chad sent us a short rehearsal clip for his Saturday night trick. Watch it here.

ATLRetro: How old were you when you started performing magic, and is there any fun story about that?

Chad Sanborn: I started performing, if you could call it that back then, when I was just a kid. I’d say about 8 years old. David Copperfield would do a yearly television special. Those have inspired me greatly. When you are starting in magic, your family and friends are your guinea pigs. Mostly they are cordial and say “that’s nice,” whether you fooled them or not. Then there is my grandmother…ugh. She would tell me the truth. And it hurt. “It’s in the other hand,” “there is a string on it,” etc. What’s worse is that she would holler it out right in the middle of the show! I hated that. Mostly because she was right. Now I see that honest criticism as a good thing. It lets me know what works and what doesn’t. Positive feedback is good for the ego, but honest feedback is good for the show. It’s been tough, but I have learned to set my ego aside and do what’s best for the magic.

Photo courtesy of Chad Sanborn.

You’ve adopted a noir ‘30s/’40s Humphrey Bogart/James Cagney look instead of the top hat, tux and cape that magicians traditionally have worn. How did that come about?

Well I learned magic from old books I got from the library. They would preach about bringing your own personality into each trick. Are you funny, clever, sexy, goofy? Whatever you were, they said you should inject that into the presentation of the tricks. So who was I? That’s tough to answer at 8 years old. Heck, its tough to answer at 38 years old. As I got older, I realized that I liked vintage things -1900s-1950s clothing, music, vaudeville, etc. Everything. So it was only natural to bring those elements into the magic. I emulated Bogart because he was tops in his field. So now I wear a vintage suit and tie with a fedora and spectator shoes, instead of a tux, top hat and cape. Though I do own a tux made in 1942!

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BEACH PARTY (1963); Dir: William Asher; Writer: Lou Rusoff; Starring Frankie Avalon, Annette Funicello, Robert Cummings, Dorothy Malone; Taboo-La-La Series hosted by Blast-Off  Burlesque at Plaza Theatre, Sat. July 23; 10 PM; pre-show antics include Twister in the lobby, live music by Grinder Nova, cupcakes by The Sugar Dolls, guest star The Chameleon Queen; age 18 & over only; trailer here.

Before Blast-Off Burlesque take off on their World Tour Sept. 9 and 10, these crazy kats are heading to the beach for some Twister, hula-hooping, surfing and flirting. Yes, it’s Taboo-La-La time once again Sat. night July 23 at the Plaza Theatre, and keeping in the summer spirit, the movie is BEACH PARTY (1963) starring Sixties America’s favorite surf couple Frankie Avalon and Annette Funicello. And per usual, it’s not just a rare chance to see a cult classic in 35 mm on the big screen, it’ll be a party like only Blast-Off can throw. We checked in with the sensational Sadie Hawkins for a sneak preview of the fun they have in store…

BEACH PARTY seems pretty tame for a Taboo-La-La after SHOWGIRLS and FASTER PUSSYCAT! KILL! KILL!, but I’m guessing you’re thinking behind all that semi-bare flesh and adolescent hormones, there’s some sexy behind-the-scenes actiongoing on. How did Blast-Off decide on this movie?

Well, it’s summertime, and what better time for a beach movie? And BEACH PARTY is the one that started the whole beach movie craze. It may seem tame, but really, it’s a pretty weird movie that spends a lot of time lingering on adolescent/post-adolescent sexuality.

When did you first see BEACH PARTY and what do you personally love about it?

I first saw it on teevee when I was a kid. I loved Frankie and Annette. Seeing it as an adult, though, I’ve come to love the completely strange fabricated world in BEACH PARTY. It’s a lot of fun. It’s totally goofy—I mean, the motorcycle gang is astoundingly white bread.

Without spoiling any surprises, what can you share about the pre-show and how did you pick this month’s guest stars?

The pre-show is kind of Blast-Off’s take on a Beach Party, only inside the Plaza. We’ve got a couple acts of our own and some fun contests in the theme of the movie—hula hooping, twisting. We’re really excited to have Grinder Nova back for another show—this time, they’ll be playing a larger part of the pre-show. And we’re absolutely delighted to welcome our good friend, The Chameleon Queen, who will be performing as A’Lotta Wood. That act is awesome.

There’ll also be beach party action in the lobby, right? Did I hear something about Twister?

Yep! We’ll have Twister in the lobby and cupcakes from The Sugar Dolls [Read a scrumptious sneak preview of the delicious delights they’ll be bringing here].

When should beach partiers arrive at the Plaza and what should they wear have maximum fun in the sun?

The show starts at 10, so if folks get there a bit before that, they’ll have time to play a little Twister and have some cupcakes and chat a bit. We always encourage people to dress to the theme—we’ve got our swimsuits ready, and I know there will be some Hawaiian shirts on display.

What can we tease out of you about Blast-Off’s WORLD TOUR?

It’s shaping up to be a totally insane trip. Seriously, there’s some kooky stuff in this show. I think this may be my favorite Blast-Off show so far. Well, every one is my favorite, but really: it’s going to be a lot of fun. So, we’re really excited to share it with people. It’s going to be September 9 and 10 at 7 Stages. Tickets are available at blastoffburlesque.com.

Finally, gotta ask what’s new with the lovely Miss Sadie Hawkins and where else can we see you hanging around this summer?

Well, I teach lyra classes four days a week and I’m performing quite a bit. After Taboo-La-La, the next burlesque event at which I’m performing is Bellissitease: Film Noir, July 29 at Bellissima. I tend to keep myself pretty busy, between private events and fundraisers, regular aerial/fire work at night clubs and myriad other stuff. Also, the second weekend in August, I’ll be at the Pinups for Pitbulls fundraiser at The Graveyard, Man Day at Twain’s and Mon Cherie’s Burlesque With A Hitch at Masquerade. I try to keep my Website (www.sadiehawkins.net) pretty up to date with what I’m up to.

From 1994 to 2005, only one Atlanta nightclub had a reputation for being the most audacious, notorious and outrageous. If you lived here then, you know which one I’m talking about—The Chamber. Tucked away in a warehouse behind the strip clubs of Cheshire Bridge Road (now The Jungle), you might not see much besides a few lonely Goths swaying tragically to an industrial soundtrack if you arrived early. But around 11 pm to midnight, they began to arrive and soon the place would be packed with the city’s most diverse nightlife—fetish enthusiasts in black leather and latex, dazzling drag queens, big hair, marvelous make-up and, standing out like neon in a church, mundane preppie “tourists” from Buckhead and the ‘burbs.

However, the Chamber wasn’t just about crowd-watching. It featured live entertainment both on a main stage and in a variety of titillating smaller spaces such as The Shower Room, the Peep Show and the Flashlight Room. While not as extreme as the BDSM scene in New York, the fetish shows strived to be provocative but also never forgot a sense of playfulness, and you could even purchase your own fetish-wear and sexy lingerie onsite at a satellite location of the Little 5 Points boutique, Throb. At the end of the wee hours of the morning, like other great local clubs such as 688 and the Metroplex, a night at The Chamber became less about shocking a few yuppies and more about the friends you made. And like every memorable grand salon, behind the curtains was a great hostess, Mon Cherie.

This Saturday April 16, for one night only, Mon Cherie will be resurrecting that scandalous spirit with Mon Cherie’s The Chamber Reunion in Purgatory and Hell at The Masquerade. Among the festivities are live fetish performances, burlesque/Boi-Lesque,  aerial feats, go-go dancers, drag skits, body paint, a chocolate bar, a dungeon/play area, vendors, raffle and, as the Facebook event listing coyly promises “more surprises to tickle your fancy.” Ever the ringmistress, over the years since The Chamber closed, Mon Cherie has proven an uncanny ability to assemble the best in local talent to stage a parade of Rockabilly Lounges, burlesque shows and other one-of-a-kind social gatherings. So it’s no surprise that this event’s performers include many stars of the local fetish and burlesque scenes including emcee Miss Mason, Secretroom alumna Evil Sarah, Fonda Lingue, Stormy Knight, Catatonic Raucous, Chandler Bearden, Melissa Coffey, and many more. But to give you an exclusive sneak peep, who better than Mon Cherie herself…

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