ATLRetro

Buried Alive Film Festival (BAFF) brings both new and Retro cinema scares to the historic Plaza Theatre for its 16th annual outing this weekend, Friday Sept. 29 through Sunday Oct.1, 2023. Over the years, the festival founded by Gorehound Productions has never failed to impress with a mix of independent features and groundbreaking shorts from all over the world. Tickets are available for individual films and short blocks here, but we recommend going all in for the $80 all-inclusive festival pass! Why? Well, where the HELL do we start and how the HELL do you choose?! If you’re not DEAD SET on attending, check out the festival trailer featuring Professor Morte and the practical FX masters of Silver Scream FX Lab NOW!

Festival Insider Tip: The curated short blocks are BAFF’s pièce de résistance! Year after year, the film selection committee outdoes itself in unearthing some of the highest quality, zaniest, creepiest horror shorts by filmmakers ranging from local talents to creators from all over the world. Expect to be surprised and blown away because anything from anywhere may show up on the big screen from hellacious humor to spine-tingling scares, from old-school Gothic to the craziest Bizarro, from atmospheric supernatural to pushing the envelope of skin-crawling bloody gore-fantastic.

FRIDAY SEPT. 29

SINEMA CHALLENGE (6 PM). Local indie filmmakers randomly selected a horror genre from a deck of Cards Against Humanity and had 13 days to make a movie! The results are always a riot but also a chance for some of Georgia’s most talented film creators and crews to go all in with no Hollywood rules. Be the first to see these wacky and innovative shorts made especially for BAFF.

I’LL CRUSH YA’LL (Os Reviento, DIR: Kike Narcea, 8 PM), the opening night feature, is a bloody bare-knuckle horror/action comedy from Spain about a retired boxing champion and his dog defending his family farm from wave after wave of gangsters. A hit at Fantastic Fest, let’s just say the trailer is just as over the top as you’d expect if you’re a BAFF regular!

SHORT BLOCK 1 (10 pm),  The first program of BAFF’s curated horror shorts from around the world includes surprises at a farewell ceremony to a dead sister, voracious hunger, a possessed office printer, terror in Mumbai’s decaying red light district, insect love, and more! Stick around for filmmaker Q&As after the screenings.

SATURDAY SEPT. 30

If you can only do one day of BAFF, get ready to camp out at the Plaza ALL DAY Saturday.

YOKAI MONSTERS; SPOOK WARFARE (DIR: Yoshiyuki Kuroda, 1:30 PM) Professor Morte and the Silver Scream Spookshow present one of the wildest Yokai movies of all time. For the uninitiated, the Yokai are strange supernatural entities from Japanese folklore known for wacky shapes and trickster humor which you hope is on your side. This is the second of a trilogy and a not-to-miss chance to see it on the big screen with the Spookshow experience as the cherry on top! Here’s a trailer to the trilogy because after seeing Spook Warfare, you’ll want to see the rest.

SHORTS BLOCK 2 (4 PM). The second program of our curated horror shorts from around the world includes a lovely glittering earworm, an offbeat Dublin-based short about a hard-to-please dad, cobwebs in the…gulp…throat, something provocatively titled Titsferatu, boogie-ing ghosts at a high school dance, and more! Stick around for filmmaker Q&As after the screenings.

FEATURE: FAT FLESHY THINGS (DIR: Various, 6 PM). This anthology film made entirely by alumni of the BizaroLand Film Festival tells the tales of eight hapless souls infected with a monstrous sexually transmitted parasite that holds eldritch powers over its host’s mind! Teaser trailer here. Preceding the feature is a short to be insane fun short film, CONTENT: THE LO-FI MAN, by BAFF favorite Brian Lonano and BAFF co-founder Blake Meyers!

SHORTS PROGRAM 3 (8 PM). The third program of BAFF’s curated horror shorts from around the world features a horrifying VD, fire, a kaiju-sized robotic creature, an eventful evening in the life among death of a mortuary artist, puppetry, a haunted Spanish library in 1979, and much more! Stick around for filmmaker Q&As after the screenings.

FEATURE: DEMON’S ROOK (DIR: James Sizemore, 10 PM). 10th anniversary screening of a festival-awardwinning indie horror classic which FearNet called “a virtual love-letter to early 80s Italian zombie cinema”! A young boy named Roscoe finds a portal to another world where he is taught magic by an elder demon known as Dimwos. Dimwos raises the boy into manhood, revealing to him many secrets. Trailer here!

SUNDAY OCT.1

FEATURE: SEX DEMON (DIR: J.C. Cricket 1975, 1 PM). An ultra-rare chance to see a long-lost underground “queer horror” cult classic on the big screen! According to the Plaza’s Website: “All hell breaks loose when John’s last-minute anniversary gift inadvertently causes his younger lover Jim to become possessed by a SEX DEMON who wreaks havoc on New York’s gay cruising spots. Openly inspired by both THE EXORCIST and its Blaxploitation cousin, ABBY, J. C. Cricket’s SEX DEMON is a ferocious mix of the erotic and the grotesque that’s primed and ready to shock audiences again after being lost for the past forty years. In the words of Gay Scene critic Bruce King, ‘the squeamish may not want to watch, but if you do, you won’t forget it!’”

SHORTS PROGRAM 4 (3 PM). The final installment of curated horror shorts from around the world features the terrifying ultimatum “stop moving until you die,” a hallucinatory nightmare road trip, a Vietnam vet turned into an ultra-violent test subject, a “silver gleaming death machine,” a man obsessed with starring in his own snuff film, and more! As always, stick around for filmmaker Q&As after the screening.

FEATURE: SPOOKT (DIR: Tony Reames, 5 PM). Fresh from its world premiere at Fright Fest in August, Spookt is the highly anticipated first full-length feature by television director Tony Reames, whom BAFF 2019 attendees may remember  for fan-favorite short PLAYTIME’S OVER. When paranormal investigator Claire and sceptic Rachel join forces to discover the truth behind a missing girl and the infamous Dr Byler, beliefs are tested when unexplained occurrences begin to happen, centring around the notorious Gibson house. Check out the Red Band trailer here!

BAFF AWARDS (7 PM). After all the screenings, find out which shorts and features won the BAFF Awards, chosen by this year’s judges and audience votes.

by Melanie Crew
Managing Editor

Millie De Chirico, co-creator and exclusive Programmer for Turner Classic Movies’ (TCM) weekly late-night cult movie showcase, “TCM Underground,” returns to Buried Alive Film Festival’s (BAFF) bloody ranks as a hand-picked and well-sought after  juror for BAFF’s Sinema Challenge, a horrorific and spooktacular extra added to this year’s festival! Competitors’ films for the 13-day filmmaking competition will screen Nov. 16 at 7 Stages (7 p.m./ 9 p.m.), kicking off the 11th Annual Buried Alive Film Festival (Thursday, November 17, 7:00 p.m. – 10:30 p.m.; Friday, November 18, 6:00 p.m. – 2:05 a.m.; Saturday, November 19, 12:00 p.m. – 12:00 a.m.; Sunday, November 20, 12:00 p.m. – 10:00 p.m.;  7 Stages; Tickets $12 per screening block / $120 all access pass [includes film blocks and special events]; Schedule for each screening block here; Tickets here)!

De Chirico, a Georgia State University (GSU) film major and cult-classic connoisseur has been a member of TCM’s Programming Department for over a decade. While TCM Underground is her cult-film love-child, she’s also spearheaded several successful TCM initiatives, including TCM’s Summer of Darkness featuring films of the noir persuasion; Condemned, “A festival of films Condemned by the Catholic Legion of Decency”; and the TCM Imports Showcase. De Chirico is no fledgling when it comes to independent film, as she’s sat on juries for Austin’s Fantastic Fest and Buried Alive. Recently, she held a week-long programming residency at the Alamo Drafthouse in Austin. And in 2016, De Chirico was given an enviable opportunity to be involved with programming content for TCM/Criterion Collection’s new streaming service, FilmStruck!

ATLRetro caught up with Millie De Chirico for a quick interview about her cult cinema obsession, especially obscure films showcasing girl gangs and basically ladies who kick ass; being a part of the Buried Alive Film Festival family; and exposing rare and bizarre films to the masses via “TCM Underground”!

ATLRetro: “Queen of the TCM Underground”! What a killer title! Can you tell our readers how you earned such a moniker and how you helped create TCM’s late-night cult movie franchise, “TCM Underground” in 2006, originally hosted by Rob Zombie?

Millie De Chirico: Well, becoming the “Queen” was incredibly easy because I’m the only person who works on it! There was another person involved in the very first year, a guy named Eric Weber who no longer works at TCM. We worked on it together at first. After he moved to another department at Turner, I was the only one left to do it, and that’s how it’s been for the past 10 years.

Stanley Kubrick was sort of your gateway drug into the land of cult film at the tender age of nine, with his 1971 classic, A CLOCKWORK ORANGE. Besides Kubrick, who influenced you the most in your love of cult cinema? And why?

Russ Meyer‘s FASTER PUSSYCAT! KILL! KILL!  was probably the biggest influence on me. It totally blew my mind when I first saw it. I can’t tell you how amazed I was to see Tura Satana, a half-Asian woman just like me, being such a dynamic badass. I’d never seen anything like that before. After that I really fell into the rabbit hole. John Waters and Herschell Gordon Lewis movies were also my early cult cinema education. They are canon at this point, but will always be influential to me.

Your job is a dream come true for cinephiles the world over. As a kid, did you ever imagine you’d get the opportunity to educate the masses on the wonders of the most obscure films? What’s a day in the life of Millie De Chirico like?

As a kid I had no idea you could even have a job doing something like this. When I was a kid, jobs were like firefighters and whatever you learned in elementary school, and women were always secretaries. Every day I go into work and get to talk about and think about movies, so I’m very fortunate. I see what I do less about educating and more just about sharing movies with people. Anyone that gets paid to share what they love with others is a very lucky person.

Do viewers get to request films to be screened for “TCM Underground”? If so, what is the most bizarre request for programming you’ve received?

I love to hear ideas from viewers. I think everyone in the Programming Department at TCM does. I don’t know if I’ve gotten a single bizarre film request; it’s more that the people making the requests are the interesting thing. For example, I learned recently that TCM Underground has a pretty big following among prisoners. They’ve sent a lot of letters and I have to say, the requests are really interesting and a lot of times actually underground, like DEEP stuff. Also, I sat down with John Carpenter once a few years ago and he mentioned he’d seen Underground, and then rattled off a bunch of movies he wanted to see. My brain pretty much exploded after that.

How exciting to be a part of TCM/Criterion Collection’s new streaming service, FILMSTRUCK. Can you tell us a little about the service what it means to you to have opportunity to help with the programming and content?

I think I’m most glad I get the opportunity to flex a different programming muscle with FilmStruck. A lot of people assume I just like cult movies and that’s it. I’m actually a fan of lots of different types of films. I still program for the network and love classic Hollywood movies. With FilmStruck I get to program foreign, art house, and indie, which are all genres I greatly enjoy. Plus I get to work really closely with the folks at Criterion Collection, a company that I’ve had a crush on since I was in college when they were only making laserdiscs — it’s basically a dream come true.

You’ve been a juror for several film festivals across the country, including Fantastic Fest in Austin, TX and Atlanta’s own home-grown horror film festival, Buried Alive Film Fest (BAFF). I’m going to assume it’s nerve-wracking, but what’s it like getting to judge the creative harvest of filmmakers across the world?

It’s pretty thrilling to get to see really new movies, by people who’ve never made one before a lot of the time. You’re kind of there at the creative gun blast, which is very cool! The year I did Fantastic Fest I was on a jury that got to watch IT FOLLOWS and SPRING and a bunch of other movies that were unknown, but ended up being big hits.

What is your favorite American cult film? Foreign cult film? Favorite cult film genre?

You should know better than to ask film people about a single favorite movie! Admittedly I have about fifty and they change daily. But if I must choose, my favorite American cult film would be the aforementioned FASTER PUSSYCAT! KILL! KILL! (NIGHT OF THE HUNTER is a very close second); foreign cult film would be THE ROAD WARRIOR. Favorite cult genre would be anything involving girl gangs, like SWITCHBLADE SISTERS or DARKTOWN STRUTTERS. What can I say; I love ladies who kick ass.

Can you tell us how you got involved with Buried Alive Film Festival and the killer Kool Kats running the show?

I went to film school at GSU with Blake, one of the founders, and I’m friends with most of the people who run it. Atlanta’s film community is fairly tight knit and I’m always happy when we get to work together in any way.

As one of the judges for BAFF’s Sinema Challenge, how does the competition look? Anything horrific and exciting you can tell us at this time without giving anything important away before the BAFF opening screenings on Nov. 16?

I actually haven’t seen them yet. I have no idea what to expect but I know I’m super excited!

What are you looking forward to most at BAFF 2016? Anything fangtastic we should know about?

I think everyone should see the shorts. They are always a blast and the BAFF folks always put together really great shorts programming. I’m also really looking forward to seeing SYMPATHY FOR THE DEVIL, the documentary about the Process Church of the Final Judgment (I will basically watch any documentary about cults or religion). And they’re doing a screening of CARRIE, an all-time favorite of mine, which I’m sure will be super fun.

What exciting and cinematically cultish things do you have planned in the near future?

I’d really love to do screenings in Atlanta. I’m always jealous when I go to cities like L.A. or Austin that have really cool, interesting cult or repertory film scenes, partially due to the fact that they have so many theaters that will do them. I’ve been talking to folks in town about this for a long time, so maybe something will finally happen…

What obscure piece of cult cinematic history can our readers look forward to in upcoming “TCM Underground” programming?

I’m really excited to be playing TERMINAL ISLAND by the great Stephanie Rothman, one of the only women who directed cult films and worked for Roger Corman for many years. I got the chance to meet and hang out with her last year and she is unbelievably nice with amazing stories to tell.

And last but not least, what question do you wish somebody would ask you and what’s the answer?

Question: Who my favorite cult actor or actress? My very quick answer is: Elizabeth Taylor in the 1960s and 1970s. She made some really bizarre movies during this period and I’m kind of on a quest to get everyone I know to watch them.

Photos courtesy of Millie De Chirico and used with permission.