ATLRetro

PEGGY GUGGENHEIM: ART ADDICT (2015); DIR. Lisa Immordino Vreeland; Documentary; Opens Wed. Nov. 27; Landmark Midtown Arts Cinema; Trailer here.

By Claudia Dafrico
Contributing Writer

The name “Guggenheim” is synonymous with the art world. The ludicrously affluent Guggenheim family dominated the worlds of both industry and high society, and the influence they had on the early part of the 20th century will not likely be soon forgotten. They also had their fair share of family drama and quite a few “black sheep,” the most famous of whom is the subject of Lisa Immordino Vreeland’s latest documentary, PEGGY GUGGENHEIM: ART ADDICT. Vreeland maps Guggenheim’s colorful life from her beginnings as a flighty heiress embracing bohemia to her later years as a famed art collector desperate to relive her past. With insightful commentary from Guggenheim’s old friends and relatives, and even excerpts from the last interview featuring Guggenheim herself, this film is truly introspective and should not be missed.

Peggy was born in 1898 to Benjamin Guggenheim, the brother of American businessman/art collector/philanthropist Solomon Guggenheim, and Florette Seligman, the daughter of a lesser known high society family. She found herself surrounded by both oddity and tragedy at a young age. Many of her family members ranged from mildly eclectic to highly unstable, and Peggy absorbed it all. When her father died in the sinking of the Titanic, she felt isolated within her own family.

Courtesy of the Peggy Gugggenheim Collection Archives, Venice

Peggy left for Paris in 1920 at the age of 22 and became enamored with the free-spirited nature of the bohemian community. She took many lovers, and became close with some of the most innovative artists of the time, including Man Ray and Marcel Duchamp. She married her first husband and had two children in Paris, and quickly divorced once his infidelity came to light. Undeterred, Peggy had affairs with multiple married men and continued her avant-garde lifestyle. She moved to London and opened her first gallery, Guggenheim June, where she promoted the art of her colleagues, most of which were either Surrealist or abstract in nature. With Europe entering a time of unrest, Peggy packed up her collection and headed back to New York.

One of the most compelling portions of PEGGY GUGGENHEIM: ART ADDICT is the narrative of her years in New York City. It became clear to Peggy that the artists she had come to love would be in imminent danger were they to stay in Europe. So she arranged to have both creator and creations moved to the states, and bought many of their works to feature in her new gallery. The museum, appropriately titled Art of This Century, was a haven for up-and-coming artistic movements, such as Abstract Expressionism, as well as one of the first well-known galleries to feature exhibits consisting solely of the works of female artists.

Courtesy of the Peggy Gugggenheim Collection Archives, Venice

Peggy continued to discover new artists, including the then little-known Jackson Pollock, and promote them to mainstream success. She also continued her liberated lifestyle by sleeping with many of her peers, a habit she felt no shame over. She had wed one of the artists she had brought from Europe, the famed Max Ernst, but the marriage proved to be a failure and she divorced a second time. That separation proved to be a catalyst of change, and Guggenheim closed Art of This Century and headed back to Europe, this time making her place in a Venetian Palace.

This palace would soon become home to the Peggy Guggenheim Collection, one of the most visited art museums in Europe. Peggy lived with her collection in Venice and entertained many guests, both artists and members of high society. Robert De Niro, being the son of artists Guggenheim had promoted, was one of Guggenheim’s many visitors. In the film, he recalls his time spent with the collector in her palace.

But while Peggy seemed to be socially thriving, her life was proving to be remarkably lonely. Her son, Sindbad Vail, who spent his childhood with her first husband, rejected the art world, and her daughter, Pegeen, was highly unstable. Pegeen lived with Peggy in Venice and was prone to “fits” that Peggy could not learn to control. She committed suicide in 1967, and Peggy was left alone in her massive palace with only her art and her dogs by her side.

Courtesy of the Peggy Gugggenheim Collection Archives, Venice

The film does a wonderful job of illustrating Peggy’s desire to return to the past, with bits from her last interview expressing the despair she felt as she aged. After spending her life promoting others, it seemed as if no one was left to promote her well-being when she needed it the most.

Guggenheim passed in 1979, leaving behind both a legacy of sordid tales and a massive collection of art. The Peggy Guggenheim Collection still attracts visitors from around the world and proves to be a testament of Peggy’s keen eye for art of the most fantastic and enduring nature. PEGGY GUGGENHEIM: ART ADDICT proves to be a passionate ode to one of the most overlooked roles in the art world – that of the sponsor – and the vital role these individuals play in the beginning of a sensation. Peggy Guggenheim is the sponsor we should all look up to, and her legacy is lovingly brought to life in this fabulous documentary.

All images are for review purposes only and used with permission.

Friday, June 24

Blair Crimmins

Things could get dangerous as radical ragtimers Blair Crimmins & the Hookers revive the Roarin’ Twenties after A Fight to the Death and Lille at The Earl. Read ATLRetro’s interview with Blair here. If you missed AM Gold‘s brilliant heartfelt rendition of the entire Steve Miller Band’s Greatest Hits ’74-’78 album at Bubbapalooza, we guess you could settle for the real Steve Miller Band at Delta Classic Chastain. Experience a funkier kind of jazz with Cadillac Jones at Star Bar. Catch an IMAX movie and swing dance the night away to Kingsized at Fernbank Museum of Natural History’s Martinis and IMAX.

The bewitching Dario Argento classic SUSPIRIA, starring Jessica Harper (PHANTOM OF THE PARADISE) and Joan Bennett (DARK SHADOWS), is this month’s feature for Shriek Theatre Movie Night at DooGallery. And Film Love:Robbie Land includes 16 mm shorts and a chance to meet the acclaimed filmmaker. Works include MICANOPY WINTER WONDERLAND, which documents an antique jukebox converted into a diorama wonderland scene, and FLORIDALAND, about defunct Florida theme parks from 1960s, ’70s and ’80s. Film Love founder/director Andy Ditzler was a recent Kool Kat.

Saturday June 25

Greg Theakston, comics writer/artist and the man who rediscovered Bettie Page, signs JACK MAGIC, THE LIFE AND ART OF JACK KIRBY, his definitive biography of the King of Comics who co-created many of Marvel’s most iconic characters from Captain America to the Fantastic Four, from 3 to 6 PM at Criminal Records.

Forget 3D! Ever seen a movie in hypnoprismoscope? Ghost Host with the Most Prof. Morte will unveil the mysterious new process this weekend as The Silver Scream Spookshow screens schlocky 1953 sci-fi/horror – well we’re not sure it’s a classic – movie ROBOT MONSTER at the Plaza Theatre. Come early for the hilarious pre-film stage show featuring gorgeous dancing ghouls and other fiendish friends. Kids matinee at 1 PM and adult show at 10 PM. Look for ATLRetro’s review soon.

It’s also the last day to see the ever irreverent Dad’s Garage Theatre take a stab at the ’80s horror genre of camp slasher films in SLAUGHTER CAMP about a homicidal maniac terrorizing a theatre camp. DJ Romeo Cologne transforms the sensationally seedy Clermont Lounge into a ’70s disco/funk inferno.

Sunday June 26

It’s a day for new exhibitions. At the High, be among the first to experience RADCLIFFE BAILEY: MEMORY AS MEDICINE and JOHN MARIN’S WATERCOLORS: A MEDIUM FOR MODERNISM. Read more about the former in this week’s Kool Kat. Marin was named America’s number one artist in a 1948 LOOK magazine survey. While his name is not a household one today, this exhibition reminds us of his important place in the modernist movement and why watercolors became such a powerful instrument for avante-garde art in the hands of him and other artists in the Stieglitz Circle, including Georgia O’Keefe.

The Museum of Design Atlanta (MODA) opens its newest exhibit WaterDream: The Evolution of Bathroom Design, which runs through Sept. 24 in the dynamic new Midtown space. Displays take visitors through a four-part journey into the bathroom including the birth of minimalist aesthetics in 20th century design and progress into current concepts.

The Barrow Boys headline blues “dunch” between 1 and 4 PM at The Earl. And at night catch ’80s-founded alt-rockers Dinosaur Jr. at Variety Playhouse.

Ongoing

MODERN BY DESIGN, the High‘s newest special exhibition celebrates three key moments in modern design and also the Museum of Modern Art, New York‘s (MOMA) collection history. The works on loan from MOMA cover “Machine Art” (1934), “Good Design” (1950-55) and “Italy: The New Domestic Landscape” (1972), with the latter addressing modernism in the context of 1960s and ’70s counterculture.

Margaret Mitchell Typing - Courtesy Margaret Mitchell House

Get a rare chance to view original manuscript pages from the last four chapters of ATLANTA’S BOOK: THE LOST GONE WITH THE WIND MANUSCRIPTat the Atlanta History Center. The new exhibit, which opens today and runs through Sept. 5, is part of a series of activities celebrating the 75th anniversary of the publication of the international bestseller and also includes foreign and first edition copies, the desk Margaret Mitchell used while writing it and select images.

Tune back in on Friday for Weekend Update. If you know of a cool happening that we’ve missed, send suggestions to ATLRetro@gmail.com.