Shop Around: Silver Disks: CD Warehouse Delivers the Ghosts of Multimedia Past for a Season to Remember

Posted on: Dec 19th, 2015 By:

cdw5By Geoff Slade
Contributing Writer

For those of you with Christmas shopping left to do, CD Warehouse in Duluth has something for all but the Scroogiest Retro media fan on anyone’s list. And Scrooge himself didn’t even get any gifts until he lightened up. Besides, who doesn’t like either music, movies or video games? No one reading this, I’m sure. They also have tons of TV series box sets, new and old.

David Kirk and business partner Dennis Harrington opened the flagship store on April 24, 1994 (a location in Roswell and one in Kennesaw came later), when MP3s were still science fiction and vinyl records were relics.

And consider the state of popular music in April of 1994. THE DIVISION BELL by Pink Floyd was the bestselling album in the country the week CD Warehouse first opened. It was also the same month Kurt Cobain died and Frank Sinatra performed for the last time publicly. Jerry Garcia, Tupac Shakur and Selena were still alive. And future used-bin staples Hootie & the Blowfish, Korn and Bush had yet to release their debuts.

Dave took a few minutes recently to chat with AtlRetro about the store and how CD Warehouse has survived an unpredictable era in the music industry.

ATLRetro: Do you remember the first CD sold from the store?

Dave Kirk: Our first customers were three guys from Ohio.  They were driving to Atlanta for Freak-Nik and were in need of the Biz Markie CD.

cdw4How did you get into the retail music business in the first place? Is it something you always wanted to do?

Dennis and I were both working for large corporations and couldn’t see ourselves doing the same thing for another 30 years.  So, we cashed in our 401ks and opened the first store.  We both had a love of music and would spend our lunches hanging out in record stores.

Why Duluth?

The CD business was replacing the album and cassette as the main sales force. There were some used CD stores inside the perimeter but not many outside, so that is where we concentrated our efforts.

How close to reality is HIGH FIDELITY?

It’s probably the movie that gets closest to the actual happenings in a record store. The constant conversations of which album is the best. What group was the more influential? Top 10 lists. “Have you heard the song from this new group from England?” Those are the kind of things we hear all day. And then of course we head out to the local venues to check out the shows.

cdw2Most ATLRetro readers are no doubt familiar with secondhand music stores, but could you describe the process of buying and selling items at CD Warehouse? How has the business evolved in 20 years?

We started out as a used CD store that also sold posters.  As the technology has changed, we have adapted to buying and selling DVDs, Blu-Rays, games and vinyl.  Our selection of new releases is limited to the top sellers, but we will gladly make a special order if you cannot find what you need in the store.

cdw3While album sales in every other medium, including digital downloads, have fallen significantly over the past 15 years (seriously, check this out), vinyl sales continue to rise, with fans of all ages and tastes. Why is it so popular?

We are an independent store and have the privilege to participate in Record Store Day. The bands produce some very unique and collectable merchandise that creates a lot of buzz among our customers. The excitement for this event continues to grow every year.

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Kool Kat of the Week: Scott Walker Making Love to Joy Division: Jack Shaw of Atlanta’s The Head Talks About What It’s Like to Come Home to MILLIPEDES

Posted on: Nov 24th, 2015 By:

millipedesBy Geoff Slade
Contributing Writer

Atlanta trio The Head are wrapping up their 20-date tour and return from the road just in time for Thanksgiving. Come out and join them to celebrate the release of their new five-song EP MILLIPEDES at the Drunken Unicorn this Saturday, Nov. 28.  Sydney Eloise & The Palms and Chelsea Shag are also on the bill.

Jack Shaw (drums), Mike Shaw (lead vocals/bass) and Jacob Morrell (guitar) have been playing together since they were teenagers at Holy Spirit Preparatory School, and list among their influences The Smiths, Echo & the Bunnymen and R.E.M. This knowledge and appreciation of pop music’s past led Blurt magazine to call them “Atlanta’s youngest rock ‘n’ roll veterans.”

The youngsters have already worked with legendary R.E.M. producer Mitch Easter, Jody Stephens of Big Star and John Vanderslice, but decided to produce their latest batch of songs themselves, a first for the band. “I feel like we’re still learning, now more than ever,” said Mike Shaw. “And we’re enjoying every bit of what we’re learning.”

AtlRetro caught up with Kool Kat of the Week Jack Shaw to find out more about the new EP, the tour and what’s ahead for The Head.

ATLRetro: First of all, I’m sure you guys are sick to death of this question, so let’s get it out of the way: Why “The Head?”

Jack Shaw: We wanted something short, sweet and weird sounding. We thought “The Head” captured all of that. It’s simple enough and makes people scratch their chins.

According to your bio, the three of you are still in your early 20s. How did you come together?

Mike and I are twins, so we’ve been playing music together our whole lives. We met Jacob during our freshman year of high school. We decided to form a band with him once we found out he played guitar and listened to the same bands as us.

The Head [L-R]: Jack Shaw, Mike Shaw, Jacob Morrell Photo by Valheria Rocha.

The Head [L-R]: Jack Shaw, Mike Shaw, Jacob Morrell Photo by Valheria Rocha.

What music were you listening to when you decided to form a band? Do you think this was/is different than what others your age listen to?

We were listening to a whole bunch of stuff ranging from The Stone Roses and Pavement to Frank Sinatra and the Velvet Underground. Most of our classmates at the time were listening to P. Diddy and The Fray, so, yes, there was definitely a big difference. We find a lot more common ground with people our age now, though.

How would you describe your music to the curious?

Scott Walker making love with Joy Division.

Is this your first major tour? How’s life on the road? Is it what you expected?

We’ve done a few seasonal legs of touring before, but this is our first time being out on the road for months at a time. We’re having a blast and couldn’t imagine doing anything else.

Since the end of October, you’ve played Chicago, New Orleans, Philadelphia, Brooklyn and Boston. How are you being received? Are the crowds different than in Atlanta?

We’ve been met with great reception. The crowds all over really dig what we’re doing and dance a lot, especially to our newer songs. Some of the crowds are a little different from Atlanta in their own ways. All of them, regardless of the city, are on the younger side. We’ve enjoyed every city, but New Orleans and Boston are definitely among our favorites.

The Head could very well be the next Atlanta band to enjoy serious national attention for years to come. Do you have any favorite local acts?

Yeah, we really love what Tedo Stone and Sydney Eloise & The Palms are doing. We also really dig Chelsea Shag. All of those guys put on great live shows. There are, of course, several other local bands we respect. The list can go on.

The Head play the Drunken Unicorn on Sat. Nov. 28. Check out three tracks from MILLIPEDE here.

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Retro Review: THE DARK CRYSTAL: Returning to “Another World, Another Time – in the Age of Wonder” at the Plaza

Posted on: Jun 7th, 2011 By:

By Geoff Slade
Contributing Blogger

Art Opening & A Movie Presents THE DARK CRYSTAL (1982); Dir: Jim Henson and Frank Oz; Conceptual Designer: Brian Froud; Starring Jim Henson, Kathryn Mullen, Franz Oz; “The Small Game of Revilo”art exhibition featuring works by Brian Colin; also appearing will be Heidi Arnhold, artist, LEGENDS OF THE DARK CRYSTAL. Tues. June 7, opening reception 8-11 PM with movie at 9:30 pm; Fri. June 10 at MIDNIGHT; Sun. June 12 at 3 PM; Plaza TheatreTrailer here.

Jim Henson was at his creative peak when THE DARK CRYSTAL first hit theaters the week before Christmas in 1982. His Muppets were already firmly established cultural icons thanks to over a decade on SESAME STREET, five seasons of THE MUPPET SHOW, numerous television specials and two feature films. The song “Rubber Duckie” (sung by Henson as Ernie from SESAME STREET) had spent seven weeks in the Billboard Top 40 in 1970. Kermit the Frog had even filled in for Johnny Carson as guest host of THE TONIGHT SHOW in 1979, for God’s sake. And despite the mass-market, multigenerational appeal of the Muppets, Henson’s bearded genius was still, and always would be, artistically sound. This is likely because he never considered what he did as an entertainment exclusively for children. The original producers of SATURDAY NIGHT LIVE agreed and featured “adult” Muppets in their own skits during the show’s inaugural season.

Jen the Gelfling pauses in a beautiful place on his quest to restore THE DARK CRYSTAL. Sony Pictures Home Entertainment.

There would be additional triumphs on television and in film before his unexpected death in 1991, but THE DARK CRYSTAL stands as Henson’s greatest achievement. The movie tells the story of Jen, the world’s last hope to end a thousand-year reign of evil and bring harmony back to the universe by returning a lost shard to the cracked Dark Crystal. “Of all projects that I’ve ever worked on, it’s the one that I’m the most proud of,” he said at the time.  Sure, he probably said something similar at LABYRINTH press junkets four years later, but THE DARK CRYSTAL achieves more without the benefit of a single human performance on-screen. Not to mention the charisma of David Bowie.

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