ATLRetro

Atlanta’s only Halloween haunted attraction inside the Perimeter, Gorehound Productions‘ Chambers of Horror doesn’t settle for the usual scares. Definitely not for everyone, the adults-only haunt behind The Masquerade, open every night in October and the first weekend of November, aims to be the most extreme in ultra-violence, depravity and gore, and from our recent visit, we can testify they succeed and then some.

Grab a drink at the Splatter Bar, then head down the hill to see a short news clip by intrepid Atlanta reporter Monica Coffin, which reveals that a black van bearing the logo of Chambers of Horror has been spotted near the mysterious disappearances of several locals. All of which is meant to wander if you’ll be taking a one-way journey through the meat-locker-metal doors of Torture Co. And beyond, indeed, the emphasis is on realism of the sickest kind, nothing supernatural but torture of all kinds—fire, assorted blades, chainsaw, firearms and even a gynecological scene so sensationalistic that it makes Cronenberg’s DEAD RINGERS seem like a Disney movie. Inside it’s more vignettes of increasingly shocking and gory body mutilation than monsters jumping out of dark corners. The acting is unnervingly good from torturers to victims, but it’s no fun to reveal too much. Much of it draws from contemporary splatter—though that has its roots in the limits pushed by Fulci, Argento and Clive Barker. A nod to the dungeons of Hammer and AIP’s Poe pictures, though, can be found in the Torture Museum, exhibiting Medieval gadgetry that Vincent Price’s WITCHFINDER GENERAL might have employed with gruesome glee in a dank dungeon. And then there’s a certain minister of mayhem, but hush, we can’t tell you any more except everything is meant to make more than uncomfortable and maybe, like a certain movie also playing this week, scream DEAR GOD NO!

ATLRetro managed to chain up Luke Godfrey, one of the mad masterminds behind Chambers, to get a sneak peek inside. And while we had him talking, we got him to confess a little about some of his other creepy contributions to Atlanta’s thriving horror scene as one of the co-creators of the Zombie Walk Atlanta (Sun. Oct. 16); Splatter Cinema, which won the Creative Loafing readers’ award for Best Film Series again this year, and is presenting a Halloween bonus screening this month of Lucio Fulci’s 1979 cult classic ZOMBIE (Fri. Oct. 21) at the Plaza Theatre; and the Buried Alive Film Fest, which rises again at the Plaza, Nov. 10-12.

Photo Credit: Thomas Kerns.

ATLRetro: How and when did Chambers of Horror get started?

Luke: In 2009 After doing horror events like Zombie Walk, Atlanta Horrorfest, Splatter Cinema, and an adults-only haunted house in the basement of the Graveyard Tavern called Crypt of Terror, I received a phone call from a good friend, Rene Arriagada, a local artist and event producer, asking me if I would like to start up a haunted house with him. I brought in my partner in Gorehound Productions, Ian O’Brien, and we began the creation of the sickest thing this city has ever seen.

What separates Chambers from Atlanta’s other haunts? 

Chambers is about as sick and twisted as you can get. It’s unlike anything you’ve ever seen—pushing the limits and boundaries to an extent that really sets peoples nerves on edge. We are an adults-only attraction with a full bar and there are many reasons for that. We kicked all the monsters—ghouls, goblins and zombies—out the f—ing door to make room for real horror. It’s like being dropped right in the middle of a SAW or HOSTEL-type movie. All well-trained actors delivering skits that will have you on the floor screaming in fear or crying in laughter. We hold hard to the 18+ policy due to extreme situations, simulated nudity and vulgar language. It’s real. It’s just like what you would expect at an R-rated movie—no censoring here.

Photo Credit: Thomas Kerns.

Definitely more of the SAW/ HOSTEL/ torture porn genre. We want to keep with the times and do something none else is doing. I love the classics and zombies and the such, but there’s a place for that and we are not it. No rednecks in overalls here; we have people in suits and ties cutting titties off.

What’s new and different in this year?

Lots of new actors, some seriously amazing new additions to our cast that really bring our show together, as well as many new rooms and additions. We amped up the gore and skin throughout the entire place. I mention simulated nudity before, yeah…there’s a lot more of it this year.

Without giving too much away, do you have a favorite scene or one that you’d like to especially warn visitors about?

Three words….”I got peed on”

How long did it take to create the sets? Any behind-the-scenes trivia or secrets?

Myself and Rene have been at it since February of this year—building most of the props ourselves and coming up with some ridiculous ideas. Many people ask us “how the hell do you come up with this shit?” Our constant reply is “lots of drunken nights sitting in rooms and spurting off some of the most ridiculous ideas ever.” I really wish someone was around recording some of our impossible and bad ideas.

How many zombies participated in last Sunday’s walk and how did that go?

I would say we probably had around 750 zombies this year. We did over 1000 last year and it was way outta control. I warned everybody that I would punch them in the face if they stepped out of line and its seemed to work. Everybody was really cool and respectful to both Wonderroot where we started and Oakland Cemetery. I was very pleased with the walk this year. It was awesome.

Splatter Cinema is presenting a bonus show this month of Fulci’s ZOMBIE. What do you love about that movie and what else is coming up for Splatter?

Whats not to love. It’s gory as hell. I think my favorite scene is the eyeball splinter scene. I love Fulci’s eye torture gags. They are ridiculous. The one from THE BEYOND always gets me, too, with the spiders,

The Buried Alive Film Festival is also right around the corner. What can you share about this year’s line-up and is there anything Retro or Retro-inspired?

We do have an film called CHILLERAMA that has a bunch of grindhouse/retro shorts from different acclaimed directors. It’s a pretty awesome flick. Definitely the highlight of the fest this year. As CHILLERAMA’s Website states, “In the spirit of classic anthology films like CREEPSHOW and TWILIGHT ZONE: THE MOVIE and containing films that not only celebrate the golden age of drive-in B horror shlock but also span over four decades of cinema, CHILLERAMA offers something for every bad taste. With titles like Wadzilla, I Was a Teenage Werebear, The Diary of Anne Frankenstein and Zom-B-Movie and featuring appearances by Joel David Moore (AVATAR), Lin Shaye (INSIDIOUS), Ray Wise (X-MEN: FIRST CLASS), Kane Hodder (FRIDAY THE 13TH), Eric Roberts (THE DARK KNIGHT) and more cameos than you can count, CHILLERAMA is sure to have you screaming for more. From the depraved minds of Adam Rifkin (DETROIT ROCK CITY), Tim Sullivan (2001 MANIACS), Adam Green (FROZEN), and Joe Lynch (WRONG TURN 2).

Finally gotta ask, you’ve built an entire career/lifestyle around horror. How did you get into horror and what’s the appeal to you?

I was exposed to horror at a pretty early age. NIGHTMARE (ON ELM STREET) and Freddy Krueger were a pretty regular occurrence. My mom is a huge horror fan, too, and was always letting me watch the stuff. Or I would sneak up after hours to catch some cheesy after hours horror flicks. I just love the rush I get from horror films. They don’t scare me anymore, but they still get me pumped when I find a good flick that somehow manages to surprise me with something new.

Chambers of Horror is open seven evenings a week for the entire month of October and the first weekend of November and offers many ticket options from $17 general admission to a limited $45 VIP Pass (which includes getting to skip the line and a free drink) to satisfy even the most discerning torture connoisseur at Ticketmaster.com. No one under 18 admitted.

By Mark Arson, Contributing Writer

Splatter Cinema Presents NIGHTMARE ON ELM STREET 2: FREDDY’S REVENGE (1985); Dir: Jack Sholder; Starring Robert Englund, Mark Patton, Kim Myers; Tues. April 10;  9:30 pm; Plaza Theatre; $10. Trailer here.

Ah, Poor NIGHTMARE ON ELM STREET 2. Essentially retconned out of the mythology, given a redundant subtitle (FREDDY’S REVENGE, as if every single other Elm St. movie wasn’t about Freddy getting revenge), it has Freddy on screen for less time than any other film from the series and is infamous for its homoerotic subtext. Of course, I hadn’t seen the movie for about 20 years, and I wondered if the Internet had maybe exaggerated the gay thing. Well, the answer is no. Holy crap, no. The entertainment value for those immature enough to laugh at such things (that includes me, by the way) is through the roof. Unfortunately it doesn’t work so well as a NIGHTMARE ON ELM STREET movie, for most of the film anyway.

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