ATLRetro

by Anthony Taylor
Contributing Writer

Eddie Owen presents Mary Fahl in concert Saturday, June 14 at the Red Clay Theater, in Duluth, GA at 8 pm. For tickets and additional information call (404) 478-2749 or go here.

Mary Fahl’s soaring contralto vocals first gained public notice with her debut album as lead vocalist and co-founder of October Project, with their self-titled album (“October Project”),  on Epic Records in 1993. The combination of Julie Flanders’ lyrics, Emil Adler’s melodies and Fahl’s controlled “banshee wail” created an unforgettable musical storm of an LP which spawned the hits, “Return To Me” and “Ariel.” October Project toured in support of Crash Test Dummies and Sarah McLachlan to positive reviews. The band’s second album, FALLING FARTHER IN, showed artistic growth and was well received critically, but failed to chart significantly. After a headlining tour of the U.S., the band was dropped by their label and parted ways. The band has since reformed without Fahl, and is now a trio with Flanders, Adler and original OP keyboardist and vocalist Marina Bellica.

Fahl went on to a solo recording career, releasing  THE OTHER SIDE OF TIME in 2003, FROM THE DARK SIDE OF THE MOON in 2011 and LOVE AND GRAVITY in late 2013. Though she frequently plays in the northeastern states, Saturday’s show at the Red Clay Theater in Duluth marks her first performance in Georgia since her days with  October Project.

ATLRetro: October Project played a great show at the Buckhead Theater and had a memorable live performance on 99x radio in 1994. What took you so long to come back to the south?

Mary Fahl: It was logistics mostly. Atlanta is a long way from home and with the loss of 99X I was not sure I was getting any airplay in the region. 99X broke October Project in a really big way and that show at the Buckhead Theater was amazing for us.

Is your show on Saturday with a backing band, or a solo acoustic setup?

This will be a solo acoustic show.

Tell folks about your songwriting process. What comes first, music or lyrics?

In most cases, the music comes first. That being said, I keep notebooks all over my house just in case I hear something interesting or have an idea. Those notes often end up in my songs.

You’ve talked of your love for Dusty Springfield, Pink Floyd and Bob Dylan in the past. What new music are you listening to?

I listen to a lot of film score composers mostly. My current favorite is Alexander Desplat. As for singer/songwriters, I love Laura Veirs, Sufjan Stevens, Gillian Welch and Ane Brun. There are so many!

First Aid Kit seem to be influenced by you and by your own influences (their song “Emmylou” covers similar ground to your “Like Johnny Loved June”). How do you see your legacy asserting itself?

Interesting you should mention First Aid Kit. I just discovered them! As for any legacy, that is so hard to say. I suppose time will tell. Sometimes all it takes is one person who listened to you when they were young. My sound grew out of the British Folk sound of the ‘70s with Sandy Denny, Linda Thompson, that sort of thing. Nobody sounds like that now.

Youtube is full of videos of you singing with OP and solo singing covers and originals as well. What will fans see at your show at Red Clay Theater?

I will do some OP, lots of my own songs, some covers and of course some DARK SIDE OF THE MOON. I like to give my audience the performance equivalent to a full, rich meal.

How did you get involved with Anne Rice and THE WOLVES OF MIDWINTER? “Exiles,” the song chosen for Rice’s audio book of the novel, is on your latest album, “Love & Gravity”. What else should we know about the album?

Anne wrote me a letter two years ago after she discovered that October Project had hoped to get a song into the movie version of INTERVIEW WITH THE VAMPIRE. When my album was nearly complete, I asked her if she wanted a copy and she said she did. She was going to be in New York City, so I sent my publicist over with a copy. Afterward, Anne handed her a galley of  THE WOLVES OF MIDWINTER inscribed to me, with, “Tell Mary she’s in the book.” My publicist immediately volunteered me to write a song for the audio book version of the novel. Only later did I find out that I only had 10 days to get the song written, recorded, mixed and mastered. Needless to say, much nail-biting and nausea ensued, but Anne’s writing is so powerful and vivid, it made it easy for me to immerse myself in the world of the characters and the song kind of wrote itself. I was also fortunate to have John Lissauer as my co-writer/producer. I brought the lyrics to him and he came up with a fabulous, very moody and dramatic melody that perfectly evoked the mystery and sensuality of the book. I haven’t heard anything about a film version of the book, but I think it would make a fabulous movie.

As for the rest of the album, most of the songs came out of the life I was living for the past six years. They were songs that I had to be able to render with just myself and a guitar if need be. You have to realize, I write a lot of songs, but I shelve a good portion of them. Any song I do on a regular basis has to be one that has stood the audience test and I have to find something new in a song every time I sing it. A song has to get to me every time or it just won’t make the cut. That being said, I love “How Much Love.” It’s one of the few songs on the record I didn’t write. It was written by Patsy Foster.  I heard the song in a record store in Philadelphia 20 years ago and always wanted to cover it. It’s really special when you hear a song for the first time and immediately fall in love with it. I also love “Gravity: Move Mountains, Turn Rivers Around.” There’s a line in the song “I’ve seen you move mountains, turn rivers around, defy the force of gravity with both feet on the ground.” It was written for my husband, who, in the words of the wonderful author/healer Caroline Myss, “defies gravity.”

Time heals all wounds. Any chance of a reunion with October Project?

Time does heal, but a reunion is difficult to fathom. We’ve all moved on. I sincerely doubt they’d want it and me with all the wonderful experience I’ve garnered since OP broke up, could never go back to that kind of a situation.

Step into the time machine and give some advice to eighteen-year-old Mary Fahl.

Hmmm, “Believe in yourself – and practice your guitar!!”

Anthony Taylor is a writer and an expert on retro-futurism, classic science fiction and horror films and television, and genre collectibles. He is the author of ARCTIC ADVENTURE!, an official Thunderbirds™ novel based on the iconic British television series by Gerry and Sylvia Anderson. His website is https://Taylorcosm.com

All photographs are courtesy of Mary Fahl and used with permission.

Monday July 25

From 3 PM on, savor tropical sounds and libations, as well as a Polynesian dinner during Mai Tai Monday at Smith’s Olde Bar. Kingsized and Tongo Hiti lead singer Big Mike Geier is Monday night’s celebrity bartender at Sister Louisa’s Church of the Living Room and Ping Pong Parlor. Northside Tavern hosts its weekly Blues Jam.

Tuesday July 26

What’s in a name? Catchy coolness if you’re self-styled D.I.Y. rock ‘n’ roll band Swank Sinatra, playing tonight at Smith’s Olde Bar. Although their sound, fury and lyrics are inspired by Frank than “homeless people, pirates, ladies, shoes, ships, our hate of disco and breakfast.” Minor Stars and Kevin Dunbar Band open. Grab your horn and head to Twain’s in Decatur for a Joe Gransden jazz jam session starting at 9 PM. JT Speed plays the blues at Fat Matt’s Rib Shack. Notorious DJ Romeo Cologne spins the best ‘70s funk and disco at 10 High in Virginia-Highland. Catch Tues. Retro in the Metro nights at Midtown’s Deadwood Saloon, featuring video mixes of ’80s, ’90s, and 2Ks hits.

Wednesday  July 27

The Temptations and The Four Tops make it a mini-Motown reunion at Classic Chastain tonight. Get ready to rumba, cha-cha and jitterbug at the weekly Swing Night at Graveyard Tavern. Deacon Brandon Reeves bring the blues to Fat Matt’s Rib Shack and Danny “Mudcat” Dudeck blues it down at Northside Tavernrespectively. Dance to ‘70s, ‘80s and ‘90s hits during Retro in the Metro Wednesdayspresented by Godiva Vodka, at Pub 71 in Brookhaven.

Thursday  July 28

It’s a cinematic night of pure (& twisted) imagination for the whole family as The Atlanta Opera screens classic 1971 movie WILLY WONKA AND THE CHOCOLATE FACTORY starring Gene Wilder at The Atlanta Opera Center (1575 Northside Drive, NW, Bldg 300, Suite 350, Atlanta, GA 30318). Attendees may win two (golden?) tickets to the company’s production of THE GOLDEN TICKET, also based on the Roald Dahl novel, in March, 2012.

Henry Porter, named after a legendary Dylan quote, bring their Western swing on DMT to Kathmandu Restaurant & Grill in Clarkston. Or is that post-rock mindset with 70’s AOR hooks? Or songs that Iggy Pop might could sing? Or the Eagles with credibility? Or CCR meets XTC? Heck if they even know for sure, but you can find out for free and eat some tasty Asian vittles at the same time.

Classic Tulsa Sound piano man Leon Russell opens for legendary folk rocker Bob Dylan at Chastain Park Amphitheatre. Go Retro-Polynesian to Tongo Hiti’s luxurious live lounge sounds, as well as some trippy takes on iconic pop songs, just about every Thursday night at Trader Vic’s. Party ‘70s style with DJ Romeo Cologne at Aurum Lounge. Breeze King and Chickenshack bring on the blues respectively at Northside Tavern and Fat Matt’s Rib Shack.Bluegrass Thursday at Red Light Cafe features The Burning Angels.

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