ATLRetro

by Melanie Crew
Managing Editor

The Chattanooga Film Festival kills it again during its 6th year invading downtown Chattanooga (Chattanooga Theatre Centre (CTC), The Moxy Chattanooga and Miller Park) this Thursday-Sunday April 11-14. CFF has way more to offer than your average film festival and promises a weekend chock full of killer films (features and shorts blocks), workshops, presentations, podcasts and parties! CFF prides itself in sharing films with the masses that are “unique, challenging, critically significant, and a helluva lot of fun!” This year’s festival showcases films ranging from monsters, rockin’ tunes, geek magic, sinister good times and homages to classic films and bizzaro television series. Here are our top 10 reasons to high tail it on up to our wonderfully weird little sister city to the north for the Chattanooga Film Festival!

1) MALLORY O’MEARA & THE CREATURE. Delve into Mallory O’Meara’s recently released biography, The Lady from the Black Lagoon (Hanover Square Press, March 5, 2019). Take a peek into the life of Millicent Patrick, killer actress, make-up artist, special effects designer and creator of the head costume for Universal’s Gill Man, a.k.a “The Creature.” Patrick’s legacy was nearly forgotten, but O’Meara gives Patrick her due in this monstrous retrospective. O’Meara is scheduled to give a 30-minute talk, a reading and will sign books for all you Millicent Patrick fans. Catch O’Meara’s event from at 3pm on Friday, April 12 in the Classterpiece Theatre! And if you’ve never caught Jack Arnold’s monstrous classic CREATURE FROM THE BLACK LAGOON (1954) on the big screen, then you’re in for a special treat! Chill with the Creature at 8:30pm at Miller Park on Saturday, April 12!

2) CRISPIN HELLION GLOVER. Spend the night with cinema icon, Crispin Glover [BACK TO THE FUTURE franchise; television series “American Gods”; David Lynch’s WILD AT HEART (1990)] from 7pm – 11:3pm Friday, April 12, as he presents a “Big Slide Show 2,” screens IT IS FINE! EVERYTHING IS FINE (2007), which he co-directed with David Brothers and tells a psycho-sexual tale about a man with severe cerebral palsy who has a fetish for girls with long hair. According to Glover, screenwriter Steven C. Stewart “wanted to show that handicapped people are human, sexual and can be horrible” – a film you definitely will not want to miss! After the screening, stick around for a book signing and meet ‘n’ greet with Glover! An Evening with Crispin Glover takes place in the Bruce Springscreen Theatre.

3) GARY SHERMAN.  CFF Guest and horror film director/producer Gary Sherman [POLTERGEIST III (1988); DEAD & BURIED (1981)] brings you special treats at CFF this year! First, catch a screening of his ‘80s thriller film with mutilator pimps, Hollywood hookers and more, VICE SQUAD (1982) on Saturday, April 13 at 4:20pm with an introduction and Q&A afterwards with the director, screening in the Bruce Springscreen Theatre! On Sunday, April 14 at 10am, learn The Secrets of Poltergeist III with Sherman in the Classterpiece Theatre. You won’t want to miss Sherman dive deep into the “smoke and mirrors” behind the film’s practical special effects and more!

4) SO-CAL DESERT PUNK. CFF presents their Sonic Cinema Block screening of Stuart Swezey’s documentary DESOLATION CENTER (2018) and see the untold story of the Reagan-era anarchic punk rock desert events that have seeped into our culture by way of phenomena such as Burning Man, Lollapalooza, Coachella, etc. The film will be screened in the Bruce Springscreen Theatre on Saturday, April 13 at 12:30pm!

5) GEEK LOVE – EYE OF THE BEHOLDER. If you’ve ever wondered where the art for Dungeons & Dragons originated, look no further! Directors Kelley Slagle and Brian Stillman present their 2018 documentary, EYE OF THE BEHOLDER, which explores the history, influences and stories behind the artwork that helped create the world of Dungeons & Dragons. The film will be screened in Bruce Springscreen Theatre on Sunday, April 14 at 10:30pm!

6) BJORK IN THE JUNIPER TREE. Get medieval with Bjork with a 4k restoration screening of Nietzchka Keene’s debut Brothers Grim-esque film THE JUNIPER TREE (1990) on Sunday, April 14 at 8:40pm in the Bruce Springscreen Theatre!

7) METALPUNKOCALYPSE. CFF plans to rock your face of this weekend! Get hellbent during the Metal Madness After Party on Thursday, April 11 at 10pm at The Moxy, celebrating the Heavy Metal in cinema with themed cocktails, metal face painters and more! Or catch a screening of Eric Pennycoff’s heavy metal terror SADISTIC INTENTIONS (2018) on Friday, April 12 at 5pm in the Screena Turner Theatre, followed later that night by Jonas Akerlund’s LORDS OF CHAOS (2018) where an obsession with creating “true Norwegian black metal” turns truly sinister at 11:30pm! And who needs Saturday morning cartoons when you’ve got Destroy All Movies!!! The Punk on Film Panel with Zack Carlson and Bryan Connolly at 10am Saturday, April 13 at The Moxy, with a hilarious take on Hollywood vs. the Punk Rock Movement “when horror films and party comedies became infested with mohawks and mayhem!”

8) MEMPHIS ‘69. CFF presents a rare treat with a screening of Joe LaMattina’s documentary MEMPHIS ’69 (2019), which showcases the 1969 Memphis Country Blues Festival celebrating the 150th anniversary of Memphis, all thanks to Fat Possum Records’ acquisition of the nearly 50-year-old footage. LaMattina’s doc features a rare view of performances by Johnny Winter, Bukka White, Rufus Thomas and more, screening Friday, April 12 at 3:30pm in the Bruce Springscreen Theatre!

9) HELL-BENT AND BEWITCHIN’. Atlanta’s own Ben Winston’s feature debut, HELLBOUND (2018) world premieres at CFF! You won’t want to miss this witchy, satanic tribute to the classic films of the ‘70s, shot in B/W on 16mm, and described by CFF staff as giving off an “Easyrider/Texas Chain Saw Massacre/Race with the Devil vibe.” The film screens Saturday, April 13 at 2:30pm in the Bruce Springscreen Theatre! Winston and producer Tim Reis will be on hand for the film’s introduction and a post-film Q&A!

10) COWBOY WHO? Get weird as CFF presents a screening of the first season of Canada’s bizarre children’s show “Cowboy Who” which aired from 1990-1994 (condensed to 90-oddball minutes) curated and introduced by Peter Kuplowsky. Have a wacked out good time on Saturday, April 13 at 10am in the Screena Turner Theatre.

Chattanooga Film Festival main hours are Thur. April 11 from 4:30pm to 12am; Fri. April 12 from 10am. to 1am; Sat. April 13 from 10am. to 1:30am; and Sun. April 14 from 10am to 12am. For more info, visit the Chattanooga Film Festival official website here.

Photo courtesy of Sofia Talvik.

Singer/songwriter Sofia Talvik may hail from Sweden but she’s no stranger to America, with five full-length albums and nine EPs, having blown away audiences at Austin’s SXSW and holding the distinction of being the first Swedish artist to play Lollapalooza. In fact, she’s likely more popular here than in her native Scandinavia. Her current two-year American tour rolls into the Drunken Unicorn this sat. Jan. 21 where she’ll be opening at the release party for Divine Isis‘s new EP SCREAM, with Pocket the Moon also on the night’s bill.

Photo courtesy of Sofia Talvik.

You’ve been compared to Joni Mitchell, Nick Drake, Belle and Sebastion, The Cranberries and Aimee Mann, but who do you consider your influences—especially more classic Retro performers (i.e. ‘60s, ‘70s or before)?

It’s hard to pin down influences I think. All the things you listen to and experience become your influence. I did listen to a lot of ’60s music when I was a teenager and I love Janis Joplin, but I don’t think anyone will hear her as an influence in my music. I actually started listening to Nick Drake – who by the way is one of the big 60’s artists – after being compared to him and I love his music, but he was way better at playing the guitar than I’ll ever be (laughs).

You’ve said you’ve had a stronger response to your music in America than in Sweden. What’s the music scene like in Sweden and how do you fit into it? And how does it compare with what you’ve experienced here?

I think mainly because Sweden is so much smaller than the US, there’s not enough people to keep the diversity going. If say five percent of the Swedish population listens to my music, compared to if five percent of the American population does, that’s a huge difference. That’s the difference that will make you being able to live off your music or not. I also think Sweden is more of a trend-sensitive country, so when something is in trend all the radio stations will play it, and if it goes out of trend, no one will care all of a sudden. Here in the US, everything goes on at once. You have radio stations that just play folk or just play pop here. There’s always an audience here for your music, you just have to find it, and that’s what I’m doing with this tour.

How does a Swedish artist come to write a song about “Florida”?

Well, in 2009, my husband was on an exchange program on his job and we stayed in Orlando,FL for three months. As Sweden is kind of a cold and rainy country, I was looking forward to coming to “The Sunshine State.” But the first two weeks when we arrived it rained constantly. My husband was working so I was basically just sitting in the apartment writing songs. “Florida” is like a diary note from those two weeks, and the forecast in the beginning of the song on the album is actually a real one from that time.

Is there any story about how you became the first Swedish female artist to score a spot at Lollapalooza?

I was part of an online music competition called Famecast and got to the finals in my genre. So they actually flew me over to Austin, TX where I got to perform for a jury and an audience. I didn’t win, but the booker for Lolla saw me there and I got the gig. Playing the Lollapalooza was one of the coolest things I’ve done. That festival is huuuuge!

You’ve got a VW bus on one of your posters and you’re traveling around the US in an Old RV. That sounds mighty Retro to us – how’d you score those wheels, where did you start, how long have you been on the road and what’s your favorite on-the-road Americana experience so far?

My tour is called Drivin’ & Dreaming, because it’s all about touring and living the dream. We actually don’t tour in a VW bus even though that would have been really cool, however, it would probably also have been a lot colder than a newer RV. My husband and I started out the tour in Florida in December where [we] bought this old Gulfstream Conquest from ’94 which we fixed up. It looked pretty good until we started tearing off the wallpaper and discovered it had water leaks all over. But we just tore everything out and now it’s really nice inside – our little home on the road.

So far the tour has been amazing. We’ve met so many wonderful people who invited us into their homes, for dinner and brunch, helping out with stuff etc. We’ve also got to see a lot. We were around Florida in December which was nice and warm and then we headed up to GA, SC and NC. Savannah, GA was wonderful and we stayed there for a few days. In Charleston, I woke up in the middle of the night because someone tried to steal the bikes we had mounted on the back of the RV. That was scary. But mostly it’s been positive experiences. One of the best things is that I get to do this with my husband. He actually quit his dayjob back in Sweden to come with me on tour.

You’ve also been described as emerging like a Lady of the Forest, the slideshow accompanying your current shows brings the mystical world of Scandinavia to life, and your Website asks “do you believe in fairy tales?”  Now that sounds like your music also has roots in the rich folktales and traditional music of Sweden or do you mean something else and more universal?

I think I’d label my music as a mix between the melancholy of Scandinavia and the mysteriousness of the American South. You won’t find me singing about trolls and elves or anything, but I guess my music does have a bit of that overworldly feel to it. I think you can definitely tell that I’m not American in my way of writing lyrics and melodies, even though I am singing in English.

What would you like to share about this Saturday’s show at the Drunken Unicorn? We’ve heard that you’re performing with an acoustic guitar and some 3D video visuals.

I’m really looking forward to playing there, and I hope there will be a big crowd that will be there for the music. I’m solo on stage, and my music isn’t crafted to overpower drunk people talking and watching TV (laughs). I’ve been fortunate enough to be able to play a lot of listening rooms and coffee shops on the tour, and I always try to make my show the best one so far. A girl with an acoustic guitar – you may think you’ve heard it before, but I promise there’s more in this show than that.

What’s next for Sofia Talvik?

My new album, THE OWLS ARE NOT WHAT THEY SEEM, will be released January 31 and is up for pre-orders on my Website now. My tour will go on for two years so that will also keep me busy. In February, I’m doing an official showcase at the Folk Alliance International Conference in Memphis, so I’m really looking forward to that too. In the nearest future, thoug,h I think we’ll have to find a campground so we can charge our house battery in the RV a little.