Kendall Keeling and the poster for THOSE WHO DESERVE TO DIE. All photos are provided by Kendall Keeling and used with permission.
From festival judge to producer screening her first feature, Kendall Keeling is no stranger to Buried Alive Film Festival, Nov. 13-17, 2019, at 7 Stages. The ‘60s giallo-fueled THOSE WHO DESERVE TO DIE screens Sunday Nov. 17 at noon. Based on a novella by Thomas de Quincey (CONFESSIONS OF AN ENGLISH OPIUM EATER) and written and directed by Kool Kat Bret Wood (THE UNWANTED [2014]), this incessant thriller subverts the formula of the revenge film, its “hero” Jonathan (Joe Sikes) enacting brutal crimes in the name of justice goaded by the cold-hearted spirit of his dead ten-year-old sister Berenice (Alice Lewis [MALICE OF ALICE photo series]) and also features scream queen Lynn Lowry (THE CRAZIES [1973], SHIVERS [1975] in a key villain role.
A longtime aficionado of horror film of the most vicious variety, Kendall Keeling cut her producing teeth with the extreme zombie short film ABED (2012), from director Ryan Lieske, who she met at Buried Alive 2010, and Bram Stoker Award-winning writer Elizabeth Massie. Next, she co-produced the horrific CRAZY2CRAZY, written and directed by Greg Daniel (currently in post-production). Keeling acquired a taste for producing, and then applied her lessons learned on these films (#1: don’t be afraid to show it, squeamish people can look away if they need to) on THOSE WHO DESERVE TO DIE. She also contributes movie reviews for new horror releases to STOMP AND STAMMER magazine.
So basically Kendall is a natural/unnatural ATLRetro Kool Kat of the Week, and we were dying to ask her how she discovered horror, why she has a special fondness for Buried Alive, go behind the bloody curtains of THOSE WHO DESERVE TO DIE, her recent recommended films, and what’s next for this cutting edge horror movie producer!
ATLRetro: What’s the secret origin story of how little Kendall got hooked on horror movies and what are a few films that had an early impact on you?
Kendall Keeling: As far back as I can remember, I have always loved horror movies and scary things. When I was about 6 or 7, I watched Friday Night Frights every week on [Atlanta’s] Channel 17. They played tons of Hammer and AIP films. I remember being obsessed with HOUSE OF USHER [1960] and the other Roger Corman Poe movies. About a year later, my dad found out that Vincent Price was going to be speaking at Emory University. He took me to see Price speak and then took me backstage to meet him after the show. He was just the most wonderful person. After that, the horror compulsion just continued to gain steam.
Kendall Keeling and Bret Wood at Buried Alive Film Festival.
You’ve attended a lot of Buried Alives and even been a festival judge. What stands out about this festival and why should horror fans be sure to attend?
I think of BAFF as family, almost. The horror community in Atlanta is just fantastic and everyone is really supportive of each other. Buried Alive is like the Christmas Dinner of horror. I have met so many amazing people at the festival over the years, most who have become friends. Blake [Myers] and Luke [Godfrey] really have a passion for the subject matter and it shows. They work very hard to keep the line-up fresh and interesting.
We’ll get to your film in a moment, but what else are you most excited about in this year’s festival line-up? Anything you think readers should definitely not miss?
What I look forward to the most every year are the shorts blocks. They are, without a doubt, my favorite thing about Buried Alive. There are always one or two that really stick with me. The features are always badass, but there is something special about seeing a 7-minute film that blows you away.
You’ve said that you only work on “films that leave you feeling gut-punched.” Can you explain what you mean by that?
I watch a lot of horror movies. I like about 70% of what I see. The 10% that I adore are the ones that stun me in some way. If I find myself saying “holy shit!” at any point in a movie, that’s a keeper. A great example of that would be Gaspar Noé‘s work. For all of the work that goes into filmmaking, I wouldn’t want to bother with something that doesn’t at least aspire to disturb or upset people.
Bret now has a number of features under his belt. Did you particularly want to work with him on a project?
Definitely. I first met Bret at a Splatter Cinema screening of Takashi Miike‘s ICHI THE KILLER [2001]. A few months later, we both ended up on the jury for BAFF. We became friends, and it was clear that we shared a taste for subversive films. We first discussed working together when he was beginning THE UNWANTED [2014]. It just wasn’t the right time or fit, so we decided to do something else once that was completed. We talked about a number of different ideas and themes, and then he showed up with a script! And here we are!
Alice Lewis and Joe Sikes in THOSE WHO DESERVE TO DIE (2019).
The giallo aspects of the movie (cinematography, bloodletting, music!) imbue it with that retro quality that we love while also being very contemporary, delving into returning vet Jonathan’s memories of the Iraq War and Middle East terrorism. Can you talk a little about that aspect and balancing then and now in the film?
Well, the revenge facet of the story lends itself perfectly to the giallo style. But Bret did a great job weaving in Jonathan’s war memories and their role in the obligation he has to fulfill to his sister. Jonathan wrestles with both his decisions during the war and his inability to resolve his family crisis.
The casting also was spot on—especially Alice Lewis and ‘70s horror demi-goddess Lynn Lowry in the pivotal roles of mercurial little girl Berenice and aging, bitter Justice Merrill. Any anecdotes about how they got cast and working with them on set?
This was Alice’s first real acting role. Bret found her a on a casting website and she was the only young girl who was scowling, so that was exactly what he was looking for in Berenice. With Lynn, that was a decision made after we started the film. In fact, the role was originally written for a man. Bret decided to rewrite the character for Lynn after meeting her during an interview, if I remember correctly. They were both fantastic to work with. On set, Alice would be laughing and playing cards with Joe (who plays Jonathan) one minute, and then snap right into Berenice and be creepy as hell the next minute. She never got tired or bored or complained. Totally professional out of the gate. Lynn really brought it for every scene she performed. She delivered a nasty, unlikeable villian and I can’t even imagine that role being filled by anyone but her now. And Lynn is so nice in real life that it makes it even more impressive.
Lynn Lowry and Kendall Keeling on the set of THOSE WHO DESERVE TO DIE (2019).
Loved your cameo. How did you keep your cool, sipping wine casually in the foreground while the film’s two young…er…protagonists…get to know each other?
I was totally unprepared for that, as you can probably tell from what I am wearing. We had shot the scene with Joe and Rachel a couple of times already when Bret said he needed something in the foreground. That something ended up being me. He handed me his phone to read and I remember being appalled that he had 1000 unread emails—I am pretty neurotic, so that drives me crazy! I also remember that I drank almost two glasses of wine before he was happy with the shot.
How was the film funded and what’s next after it plays Buried Alive?
Most of it was funded through Bret’s company Illustrated Films, LLC. We also raised about $10k through Kickstarter to complete it. We are submitting it to festivals through next spring and then expect a commercial release next summer, if everything goes as planned.
You’re also a film reviewer and you watch an astounding number of horror films annually. What trends and directors are pushing the envelope now, in your opinion? A few film recommendations for our readers?
I mentioned Gaspar Noé earlier, and his film CLIMAX was my favorite one so far this year. And although it was released last year, I have gotten a lot of traction out of Coralie Fargeat‘s REVENGE. I have shown it to a ton of my friends and everyone is always cheering before it’s over. It has a lot of “holy shit!” moments. I still really like anything that smells like French Extreme, but I have also enjoyed some domestic films this year. CRAWL by Alexandre Aja was so much fun. Well, he is French, but the film isn’t.
Kendall Keeling and Angus Scrimm.
You’ve attended a lot of horror cons and met so many of the actors and filmmakers behind horror classics. What one or two encounters stand out and surprised or delighted you the most?
I love going to horror cons and I am a total fangirl. Two of the absolute sweetest guests I have met are [actor] Angus Scrimm (PHANTASM[1979]) and [director] George Romero (NIGHT OF THE LIVING DEAD[1968]). Angus had each person he met sit down with him and just talk for about 10 minutes. It was so lovely and so wonderful seeing him enjoy all the fans. Romero is such a legend that I was about to pass out by the time I met him. He said that I had a great name and that I should be an anchorwoman. I don’t remember anything else about our conversation, but I was floating on air after that.
George Romero and Kendall Keeling.
What’s next for Kendall Keeling, film producer?
I am currently working on a screenplay for an idea I have had hanging around for about a decade now. I am also thinking about directing a music video for a kind of a horror song I wrote. I play survival horror video games whenever I can, so I am trying to work on these other things when I get the chance.
Find the full schedule and purchase tickets to Buried Alive Film Festival 2019 here.
Subscribe to ATLRetro
Join us on Facebook
Follow us on Twitter