ATLRetro

“Dancing is like dreaming with your feet,” goes the famous quote by Constanze. If that’s true, David Spencer has spent his life in dreams. Since he was a little boy, he let his feet guide him, and they haven’t led him astray from becoming a sought-after high school date to professional ballroom dancing shows and competitions. For the past 30 years, he’s also been a ballroom dance instructor, and he currently shares his secrets to fantastic footwork at Allure Ballroom Atlanta, near Cumberland Mall, and at the Atlanta Ballroom Dance Centre in Sandy Springs.

However, aspiring and seasoned ballroom dancers wanting to hone their moves will get to practice in top-hat style this spring as David leads a pair of Thursday night 10-week classes for beginners (7 PM) and continuing dancers (8 PM) starting March 24 at Callanwolde. For those not versed in vintage Atlanta, this magnificent Gothic-Tudor-style mansion in Druid Hills was completed in 1920 and once belonged to Howard Candler, president of The Coca-Cola Company and son of its founder Asa Candler. Now it’s a cultural arts center and special occasion venue listed on the National Register of Historic Places, but one can only imagine the Gatsby-like grand gatherings that happened here in days gone by.

ATLRetro recently caught up with David to find out why he has such a passion for ballroom dance and also get a preview of these special Callanwolde classes, which represent just a few of the visual and performing arts seminars at the mansion this spring.

1. How did you first get into ballroom dancing and is there any story behind that?

I was very fortunate to have a mother that would sit and watch all the old, classic movies with me as a child—everything from musicals to horror films. We would pile up on the sofa or the bed and watch with a big tub of popcorn. By the age of 7, I made the decision that when I grew up, I wanted to be Gene Kelly. It is no wonder that I teach dancing for a living now. Oddly enough, with Mr. Kelly as my role model, tap dancing is the only form of dance I have not studied—yet.

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