By Geoff Slade
About a dozen punk and metal bands are performing at the two-day Hammerhead Fest V this weekend at Star Bar. The Goddamn Gallows swing in to headline Fri. March 12 and Ramming Speed will close the festival on Sat. March 12. The first bands hit the stage at 9 pm both nights, and the mostly local line-up includes returning acts The Vaginas, Death of Kings and Bigfoot (Read our interview with Bigfoot’s Jett Bryant here).
Also back this year is Athens based ass-kickers SHEHEHE. Catch em while they’re close because who knows when they’ll be back around. About their Friday night Hammerhead slot, the band posted the following on Facebook: “Last Atlanta show until we’re not sure when! Come out and rage with us!” So we figured we’d better get a move on making guitarist and singer Noelle Shuck our Kool Kat of the Week.
Like Hammerfest, SHEHEHE formed in 2011 and have long been favorites among fans of the current punk rock scene, here and in Athens. They sound like the bands, the best ones, that became popular just as “punk” exploded in the late 70s, when the genre was still loosely defined. Still, Shuck says she and bandmates Nicole Bechill (lead singer), Jason Fusco (drums, vocals) and Derek Wiggs (bass guitar) don’t mind stretching the boundaries of the genre to make room for creativity. They are a punk band after all. So in addition to the genre icons you might expect (Sex Pistols, The Ramones, The Stooges), they list as influences The Jesus and Mary Chain, The Kinks, Motorhead, even Tears For Fears and The Bangles.
Shuck took the time to chat with ATLRetro a few days ago about SHEHEHE’s specific punk pH, what the genre means to her, and the most punk rock thing she’s ever seen at one of their shows.
And why a clarification might be in order if ever asked if you’re an old school punk.
And briefly about dining locally.
How can people check out your music?
What’s the Hammerhead Fest?
A two-day festival that features regional rock bands put together by King/Tastemaker Amos motherfuckin Rifkin and Co.
How did SHEHEHE come together?
Lots of practice (grins).
How would you describe your music to those unfamiliar?
Describing SHEHEHE to people is difficult because we get so many different descriptions from people about what we sound like. But I would describe it as a mixture of early-’70s punk, kinda Ramones-core mixed with some glam. We get Joan Jett, Lita Ford, Pat Benatar, L7 and The Donnas as well. If you’re familiar with power pop, that’s something people tend to agree on. Punk ’n’ roll also works.
Who are your influences?
Who do you listen to now?
What is punk? Plenty of aging rock fans say “real” punk ended decades ago. Thoughts?
Part I: Originally, a prison term for a guy who was at the receiving end of anal sex.
Part II: Real punk is relative to each individual. The words “real” and “original” aren’t necessarily the same. Punk to me is a response to mainstream conformist tendencies that tend to stifle creativity and expression. I think punk is just about being genuine.
Musically of course it’s a little narrower than that. We all have ideas of what punk music should or does sound like, but it’s cool to find new ways to stretch that and play with it some. Our band is a weird amalgamation of four people with different influences and backgrounds coming together to make something we all agree is good. But I never would have known this would be the result if you’d asked me what I thought a band with these four individuals would sound like. So for me that’s that idea of being genuine. Musically or otherwise. There’s too much sheepherding and being told what to like these days. Fuck that—like whatever the hell makes you happy.
How are the Atlanta & Athens punk-rock scenes?
They are fantastic. 10/10 would recommend.
What acts do you like locally?
What’s the most punk rock thing you’ve ever seen or done at a SHEHEHE show?
I think the punkest thing was early on in the semi-original lineup when we still had a lead guitar player. Well, actually it was right after we lost our lead player. We got a guy to fill in for a show at Caledonia. He practiced with us once and everything seemed well enough. So we get to the show, and he shows up just completely wasted and proceeds to play leads in all the wrong places, something that would’ve been great if we were like Sonic Youth, Then he tries to sing along into Nicole’s mic even though he knows zero of the words. Jason unplugged him, but he kept plugging himself back in. Eventually Jason started throwing shit at him, a drumstick and a roll of duct tape, and told him to get off the stage before he beat his ass.
Some people in the crowd thought it was some sort of schtick up until this point, including our dudes from KarbomB. As soon as they realized it was real, they all helped keep the dude in the crowd so we could finish our set. People said we ripped it. Whether or not that was just in comparison to being an unintentional noise rock band or because we were all kinda pissed and full of adrenaline, I’m not sure.