Retro Review: FASTER, PUSSYCAT! KILL! KILL!: Ladies and Gentlemen, Welcome to Violence!

By Mark Arson, Contributing Blogger

FASTER, PUSSYCAT! KILL! KILL! (1965); Dir: Russ Meyer; Writer: Jack Moran; Starring Tura Satana, Haji, Lori Williams; Taboo-La-La Series hosted by Blast-Off  Burlesque at Plaza Theatre, Sat. May 22; 9:30 PM; pre-show antics include a Tura Satana costume contest, beefcake contest for guys, all-girl arm wrestling, live music by Grinder Nova, a chance to leave an offering at the Tura Satana shrine, a silent auction of Tura art and memorabilia to raise money for Varla Films to help complete a documentary on the recently deceased actress, and super special prizes & surprises; age 18 & over only.

When describing FASTER, PUSSYCAT! KILL! KILL!, I’m tempted to describe it as an orgy of fast cars and violence. I can’t really say that though, and those of you familiar with director Russ Meyer‘s other work will know why. Most of his films resembled incredibly well-made porn, but I believe the correct term is “Sexploitation.” This film, however, doesn’t have any nudity or actual sex, though the actual sexuality in the film is plenty ratcheted-up. The focus here is on action, treachery, and, of course, cars. For my money, this is one of the best exploitation films ever made, it’s never boring, and its (mostly) sleazy characters revel in their spider-web of bad intentions and revenge.

Varla (Tura Satana) leads a threesome of go-go dancers who are out in the desert to blow off some steam when one thing leads to another and they end up having to run from the scene of a murder. The first 20 minutes of the film are pretty much nonstop, and it only becomes more deliberately paced when the ladies find their way onto a farm with a creepy old man in a wheelchair (Stuart Lancaster) whose fortune they intend to acquire one way or another. This part of the story bears an interesting resemblance to TEXAS CHAINSAW MASSACRE, except there are bad intentions on both sides. To complicate things, the three have abducted a girl (Susan Bernard) whose boyfriend met an unfortunate end at the hands of Varla, and the old man might want her more than they do.

The entire cast does a great job (except for maybe the gas station attendant, but hey, he’s not supposed to be smart, right?), but make no mistake, this is Tura Satana’s film. As Varla, she not only is responsible for most of the (bad) things that unfold, but she has the screen presence to back it up. Gender equality is something that we’re more or less used to these days, even if it does have a ways to go, but in 1965, this film must have been pretty shocking. Varla does what it takes to get what she wants and won’t hesitate to kill a man with her bare hands in a fair fight, an unfair fight, or with her car. Her friction with the old man, himself a literal representation of male oppressiveness and lechery, is plenty poetic as well. Satana is both alluring and terrifying here, to the characters in the film as well as the viewer. When Billie (Lori Williams) gives her trouble, you can’t help but wonder when Varla is just gonna go ahead and kill her.

Russ Meyer was a master director and editor, and FASTER, PUSSYCAT! KILL! KILL! stands with his finest work. This was also one of the few times that he didn’t feel the need to include excessive sex in a film, and you will hardly miss it…..maybe. But there’s plenty of action, fast cars, and off-the-wall slang to satisfy your urges, and you probably will still want more. FASTER, PUSSYCAT! KILL! KILL! is both a relic of a bygone era and a timeless work of art. Movies that take place in the middle of nowhere are good like that. Now if you’ll excuse me, I’m gonna go watch it again.

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