Kool Kats of the Week: Joy Kills to the MCW! Having Their Cake and Eating It, Too, While Moshing!

Posted on: Dec 12th, 2013 By:

This weekend, unwrap a Monstrosity Championship Wrestling (MCW) double header at Club Famousstarting with a Silent Night, Deadly Night Friday the 13th Holiday Horror Show Dec. 13 at 9 p.m., followed by a special all-ages Holiday Matinee  on Dec. 14 starting at 2 p.m. We’ve heard rumors of a seasonal showdown between Santa and Krampus, as well as those rowdy redneck Wolfmen taking on the trio of Dragula, Natureboy Paul Lee and the “Leatherback of Notre Dame” End Zone in a two-out-of-three-falls match and ” The Lethal Dose ” Stryknyn defending the MCW Championship against The Dark Mon! Not to mention raffle prizes from the likes of Diamond*Star*HaloAtlanta Zombie ApocalypseChocolate F/X and more!

Providing the music between the mayhem is the The Joy Kills! We caught up with frontman Eric Haugh and guitarist Mike Westberg recently to find out more about what the fearsome four have planned for Friday night, as well as a sneak peek at their new EP, due out in February from  Blood Drunk Records. [FYI Spooky Partridge play the Saturday show; if you missed it, you can catch up with our Kool Kat interview with Atlanta’s rockin’est mom Katy Graves here.]

ATLRetro: What’s the secret origin story of the Joy Kills and how did you get your name?

Eric: If I told you, then you’ll be carrying a life-threatening secret you must guard from the likes of the FBI, the CIA and PETA.

Michael: Which is to say we met on OKCupid. The date didn’t work out, but we decided for form a band anyways.

Eric: The Joy Kills came out of our drummer’s mouth by mistake. It’s the best mistake he ever made. He’s to blame for such irony. After much amusement with the name I finally realized that the Joy DOES Kill. It kills us all. The Joy Kills mean life, and how brief and fun and scary it can be for everyone. The Joy will kill you too.

The Joy Kills in a urinal. Photo courtesy of The Joy Kills and used with permission.

We’ve heard the Joy Kills called  “garage-punk,” but that you also have a heavy blues edge and are influenced by Black Sabbath. In a few words, how would you describe your music to the uninitiated?

Eric: Music for the dining banquet of a mental health institution, in Hell! For tonight, you’ll be entertained by a lovely three-piece with an escapee from the institute leading them in the charge.

Michael: You’re so glib… I like to say we’re all over the place with our influences and can’t make up our mind.  I think one thing we can agree on, though, is we like to be in that little spot between punk and rock. That way we can have our cake and eat it too, while moshing.

What are three acts and/or bands which influenced you and why?

Eric: Iggy and The Stooges, Jay Reatard and Butthole Surfers have all equally scarred me with wild, intense sounds that attacked my pleasure senses of my brain in a way that seems inappropriate for the some viewers. All of them were known for being kick-ass live shows to see back in the day that was both revolutionary as well as fleeting.  All of them are now defunct. Something about the brief and candid explosiveness of their time(s) really inspires me to do more with music than just explode. So I hope to stick around.

Michael: Iggy and The Stooges still play!  Although their original guitarist, Ron Asheton, died not too long ago.

The Joy Kills Capturing Her First Prize in Charm City. Photo courtesy of The Joy Kills and used with permission.

You recently did a holiday song. Why you did you go for such a scary aspect of the holidays as “Black Friday”?

Michael: Because the holidays are scary! It’s such a petulant time; family you don’t really like, and an obligation to buy crap for other people who are just going to be disappointed you didn’t get them something better.  I remember one Christmas I got a STAR WARS action figure from a distant relative, but it was some crappy “B” character from the Mos Eisley’s cantina scene.  I will not see this relative again until their funeral, when I shall place the unopened figurine in their casket.

Eric: It’s really funny. All the songs on that compilation appear to carry the same tune of very jaded view of the December holiday. We didn’t realize this until AFTER the release on Blood Drunk Records. We must all hate the holidays! MERRY CHRISTMAS!!!

Short answer: Our singer Eric was born three days before Christmas Day. Since that day it he’s been competing with Jesus ever since to offer YOU low prices.

Why play a wrestling show?

Both: Why not? It’s America!

Which MCW wrestlers are you rooting for this Friday and why?

Eric: All of them. I will make them fight for my affection.

Michael: Eric is an only child, see?  We’re only here on this Earth for his amusement.

The Joy Kills' Eric flying! Photo courtesy of The Joy Kills and used with permission.

Do you have any special plans for this Friday’s gig?

Eric: Possible costume requirements: mask, silly string and a chainsaw… you do the math…

Michael: Is that why you asked to borrow my chainsaw and my plague doctor’s mask?

Can you tell us anything about your second CD? It’s coming out in February, right?

Michael: It’s a secret! The kill collar around my throat will activate if it senses me even muttering anything about the new rec…

Eric: But we can tell you it will be a four-track EP available only on vinyl and digital release. Keep an eye out with us and BloodDrunkRecords.com.  Oh, and if you want a taste, we had a prerelease of one of the songs, “Betsy,” on our Blood Drunk Compilation.  Which I highly recommend everyone go and get now! [Listen to 01 Betsy!]

Michael: I’d like to reiterate that as well!  It’s worthwhile to support your local music scene, and not just your friend’s band. There’s a lot out here in ATL and beyond, and a lot of these bands bust ass to make music for people to enjoy.  I suggest going to random shows and trying new things.

Eric: We always try to keep things interesting, not just in our live show, but with little videos and quirky updates.  Get people wanting to be fans, and keep the fans engaged is the name of the game!

For more on the Joy Kills:

Preview teaser for Friday the 13th Holiday Horror Show

Interview with Wrestling with Pop Culture’s Jonathan Williams

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Kool Kat of the Week: A Pop Culture Birthday to Remember: DeWitt Dawson on the Lost Art of Wrestling Management and Crowning the Champ of Monstrosity Championship Wrestling Fri. March 1 at Famous Pub

Posted on: Feb 28th, 2013 By:

Our BFF blog Wrestling with Pop Culture is celebrating its second anniversary with the biggest, baddest Monstrosity Championship Wrestling match yet this Fri. March 1 at 9 p.m. at Famous Pub in Toco Hills. The horror-movie-inspired league is crowning its first champion, Professor Morte and the Silver Scream SpookShow gang will be on hand for scary shenanigans and Metal Gaga will be providing unforgettable entertainment with heavy metal versions of Lady Gaga hits. Oh, and lest we forget, you’ll have another chance to win a Pine Street Market box of meat and other fun prizes in the raffle! All that and more for only $10!

The night’s fearsome and fun festivities include semifinal matches pitting the Phantom against “Bona Fide” Fred Yehi and Papa Marko against “The Undead Luchador” Supernatural! Witness a queer bar brawl where previous Kool Kat Johnny Danger and Dragula take their fight against the intolerant Alabama Wolfman and Kentucky Wolfman all over the bar! Quozzy Quozzbourne promises to bring a St. Patrick’s Day leprechaun to the party, Dark Mon vows to preach his own Easter sermon, and well, they tell us there’s much, much more.

We interviewed Jonathan Williams, the monster-mind behind Wrestling with Pop Culture, last year for WWPC’s first birthday, so this time we asked him who else will be the Koolest Kat in the bar. He suggested DeWitt Dawson, better known within wrestling circles as “Double D,” who will be managing Fred Yehi in the MCW tournament and also manages some of Georgia’s other top wrestling talents from Universal Independent Wrestling in Villa Rica, NWA Atlanta in Locust Grove, etc. After all, as Jonathan notes, “managers are kind of a lost art in wrestling.” So it was a special treat to ask DeWitt not just to go behind the scenes for a preview of this Friday’s action but also about what it takes to be a wrestling manager, what he loves about the sport and how he became a master at his craft.

ATLRetro: What role do you play as a manager?

DeWitt Dawson: Simply put. I am the eyes, the ears and the mouth for my charges. I am the best foot forward outside the ring, so all they have to think about is what goes on inside them ropes and turnbuckles. If they need to be somewhere, Double D gets ’em there early. If they need to leave somewhere, Double D gets ’em out before the first blue light hits the scene.

How do you select the men you manage?

I am looking for folks who can benefit from my counsel as much as I can benefit from their talent. Nothing under the sun is free but bad advice, and the ole Alabama Icon don’t give out nothing but golden nuggets of wisdom. So that must be repaid with championships. I am not here to manage folks who might get it, or who can get it done. I only open up my waiting arms to them that need that extra push to not just be good, but to be great.

Who do you manage?

Little darling, my clientele is not hard to validate, but I ain’t going to make it that easy on you. The bricks that are building Double D’s Empire are ever increasing. If you really want to know who I am managing, start taking stock of the titles that sit on the waists of the champions in this state, and I bet you won’t have to look far to see Dewitt Dawson somewhere close by.

What attracted you to professional wrestling?

Honey, you would have a whole heap less work if I told you what didn’t attract me to this business, ’cause I can honestly say that I can’t remember a time when I wasn’t in love with professional wrestling. One of my earliest memories is a young Double D huffin’ and weezin’ trying to catch his breath in the wee morning hours having my first asthma attack. I didn’t know up from down or Hell from Heaven, and the only way my lovin’ mama could get me to calm down was to tell me that she bet all the wrestlers that I loved so much were up getting ready to be on TV that Saturday morning. That settled me right down, and you can bet your last money that I went to the emergency room and got back home in time to see Ko Ko B Ware on the TV that morning.

I guess [as] a youngern,  it was the crazy characters that I loved – the Ultimate Warriors, the Stings and the Blue Blazers of the world. As I got a little older, I was infatuated with the talkers – the American Dreams and Nature Boys. After that it was the showmen – The Heart Break Kids, the RVDs and the Eddie Guerreros. These days, it is the driven ones who ain’t making a penny over the bare-ass minimum, but they still go out there and put on a hell of a show for the people – the Shane Marxes, the Jagged Edges and the Demigods of the world.

From whom do you draw inspiration?

My inspiration comes from the folks I mentioned just now and from the red clay and white fields of the great state of Alabama. Everybody wants to know why I sound the way I do and say things that they ain’t never heard before. Simply put, it is because these roots run right through the cotton fields and contradictions of Alabama the beautiful. I draw as much inspiration from my brother The Pretty Boy, and Donnie Tidwell, and my uncles, and my mama nem as I do Dusty Rhodes and Shawn Michaels.

How is wrestling different now than in your youth?

I know a lot of people will tell you how everything has gone plum to Hell with wrestling over the last few years, and they make some fine points. But when you get right down to it, good wrestling is the same as it ever was. You tell a good story, somebody gets their ass whipped, and you do it all again the next week.

Which crowds are your favorite?

A paying one. What other kind of crowd is there? Hell, I got a closet full of shotguns that ain’t as loaded as that damn question. But if you got balls big enough to ask it, I got balls big enough to answer it. The only thing that a wrestling crowd needs is passion and a little bit of sense. As long as they got their eyes focused on the action and their mouths open and yelling at who they don’t like and cheering who they do like, they will be just fine. They ain’t got to know every damn hold under the sun, and they ain’t got to be able to name all the damn Villanos to have a good time so long as they ain’t dumb enough to try to put their hands on me and they don’t [think] they’re smarter than everybody else there, then I bet they have a good time.

Why aren’t you a nicer man? Have you considered therapy?

I am as gentle as a pussy cat in the right environs. When I settle into here at the ole home place and I pull off my boots, pop the top on a Paul Bryant beer, cut on them ole Drive-by Truckers, I tell you I am as sweet as pumpkin pie. Because of that, I don’t have no reservation about raising pure hell every time I am anywhere near a squared circle, and the only therapy I need is to see my Empire bathed in the gold of champions.

What are your ambitions in wrestling?

My only ambition in wrestling is to give this business half as much as it has given me and to burn a trail in Georgia that makes General Sherman look like a lightning bug in a damn super nova.

What appeals to you personally about Monstrosity Championship Wrestling (MCW)?

On any night at a MCW show, you ain’t got clue 1 as to what in the blue Hell is going to come through that curtain next. It might be one of the best technical wrestlers you ever laid eyes on, or it might be some kind of half-dead zombie-assed sasquatch monster. You might not know whether to clap your hands or clinch pucker your assshole. It is just like ole Double D; you don’t what you are going to get, but you know good and well it is going to be entertaining as all get out.

What are you looking forward to the most about MCW this Friday?

Aw honey, that is simple. We are going to crown our first champion, and that is always a special occasion in any wrestling show’s history. When you look at the folks that are still kicking in this tournament, then you know it is going to be a champion who is plenty worthy.

Why should even someone who is not a big wrestling fan attend?

Well, if you like drinking cold beer, your ort to be there. If you like womerns who ain’t bashful about showing you a little of that thang, you ort to be there. If you like that damn banging and clanging or some kind of heavy metal outfit, you ort to be there. If you like boxes of meat, you ort to be there. And if you would like to hear the golden voice of the best damn commentator that you have ever heard in your long-legged life, you damn well better have you asses front and center.

A special thank you to Kool Kat Chuck Porterfield for his help with this article.

All photos are courtesy of DeWitt Dawson. All rights reserved.

Category: Kool Kat of the Week | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Kool Kat of the Week: Destroy All Wrestlers: The Epic Adventures of Johnny Danger, Rising Star of Platinum and Monstrosity Championship Wrestling

Posted on: Jan 3rd, 2013 By:

Steve Johnson, aka Johnny Danger of the PCW.

Presented by the unholy alliance of WrestlingwithPopCulture.com and the Silver Scream Spookshow, Monstrosity Championship Wrestling (MCW) takes over the Asylum East Atlanta on Friday Jan. 4 at 9 p.m. featuring such scary stars as Dragula, Papa Marko, Cru Jones and Stryknyn, as well as live music by Bigfoot. Then on Saturday Jan, 5 at 6 p.m., the entire slate of Platinum Championship Wrestling (PCW) fighters will spar for the Platinum Royal, while Shane Marx battles Supernatural, the Undead Luchador for their league title in their new HQ at 2001 Main Street in Porterdale, GA. PCW now has bouts on every first and third Saturday of the month there.

Everyone has a dream, but Steve Johnson, aka Johnny Danger, has scored the rare opportunity to live it, combining his twin passions for classic monsters and wrestling. In just a little over a year, Johnny has gone from a horror movie-loving geek and Silver Scream Spookshow/Atlanta Zombie Apocalypse performer with a special love for Godzilla to a regular with both Platinum Championship Wrestling and Monstrosity Championship Wrestling. Back in November, we caught up with regular MCW/PCW announcer and fellow monster fan Chuck Porterfield, but since both leagues have major bouts this weekend, we thought it would be the perfect time to revisit the growing world of Atlanta wrestling and get to know another of its most colorful characters as Kool Kat of the Week.

ATLRetro: You’re relatively new to wrestling. When/why did you decide to throw yourself into the ring?

Johnny Danger: It was something I always wanted to do ever since I was a kid, which I’ll talk more about later. I made the mistake of pretty much “phoning it in” during my high school years, getting pretty lackluster grades. I paid no attention to career counseling, had no hopes of going to college. I only wanted one thing in life. – the answer was always the same: “I’m gonna be a wrestler.” Well, when I graduated high school at 6’0 and 155 pounds, it was pretty obvious that my genetics did not agree with my plans, so, I put my dream aside and went to work.

Fast forward to 2011, and I’m planning to marry the woman I’d been with for the better part of the past 10 years. The traditional “bachelor party” held no appeal to me; women had been teasing me and taking my money ever since high school, so I’m not a fan of strip clubs! So I got the crazy idea to get trained to wrestle and have ONE professional match as my “last hurrah” before I settled down and became a responsible married man. Over a year later, I’m still knockin’ heads in the ring and loving it, baby!

Professor Morte officiates at the wedding of Johnny and Divine Danger, with bride and groom in wardrobe inspired by Mothra and wrestling superstar Randy Savage respectively.

I reached out to my various friends and contacts in the local entertainment industry, I think it was actually Sadie Hawkins, a burlesque performer [in Blast-Off Burlesque], who mentioned the name Stephen Platinum, the owner of a wrestling promotion in Georgia called Platinum Championship Wrestling. At the time, Steve was running shows every week at the Academy Theater in Avondale Estates. We contacted him, and he invited me out to see a show and to speak with him after the card. I was impressed by the wide range of talent and characters that wrestled that night, and even more so by Platinum himself; he was not at all the shady, bitter type you hear about running wrestling shows. He was into what I was trying to do and agreed to train me. When my plans changed from “wrestling one show with my friends” to “becoming a full-time wrestler,” he agreed to take a chance on an out of shape, out-of-practice nearly 30-year-old nobody, and try to make him into a star.

As for getting accepted, it was the hardest thing I’ve ever done in my life. From the first time I hit that ring in my first training class with Steve, I knew I was in for the fight of my LIFE. Just from a couple hours, my first class, I couldn’t walk normally for two weeks. I started at over 220 pounds, fat and slow. I couldn’t get through a single class without running to the restroom to vomit. I’d just roll to the floor and lay there, embarrassed, unable to finish a drill. Little by little, though, things started to click, and I got just a little bit better. Steve started to see improvement in my wrestling abilities, but I think what really impressed him was my talking ability. You have a lot of people in wrestling who are great, natural athletes, amazingly put together, but they can’t connect with the crowd emotionally; they can’t captivate them on the microphone. I’m not the most physically impressive guy, but I can grab ahold of you and make you believe.

As for being accepted in the ring with the other wrestlers, I had to prove myself, something I’m still doing. I changed my entire life for this. I’m in the gym most of the week, and the evenings I’m not there, I’m at PCW’s new home base in Porterdale, working in the ring with WCW veteran Fred Avery, who’s battled everybody in this industry from Sting to Cactus Jack to the British Bulldog. I’ve changed my diet, I’m down to about 170 pounds today. It’s all about holding up your end in the ring and proving you can go, to the fans and to the other wrestlers. To show that I have respect for the business, and for the people who got me into it – Mr. Platinum, the other wrestlers and the fans – I’m just always trying to get better.

Why Johnny Danger?

Why not? It’s a name I used for myself when I wrestled with my friends in high school and when I created myself in various wrestling video games. At his heart, Johnny Danger is a kid with a dream. He wants to be a superstar, a rock star, [and] more than that, a superhero. He wants to beat up the bad guy, get the girl, and fly off into the sunset, only to do it all again next week. I thrive on danger, the challenge that forces me onward. I can literally say Danger is my last name! That’s evident every time I step into the ring. I gained a reputation as a guy who’d charge into battle no matter the odds. There were literally nights I would fight three other guys, all of ’em bigger than me, all of ’em hating me, at the same time. And, as you’d expect, I got pretty beat up. But I never made it easy for ’em. Being the embodiment of danger means never backing down, using your entire body as a living weapon. I may destroy myself in the process, but if I have anything to say about it I’m taking you with me!!

Costumes can be a big part of wrestling. Can you talk a little bit about your look.

Sure. When I first started, I had a pair of shiny vinyl pants made, black with blue flames – which is kind of my signature look, inspired by Godzilla‘s blue atomic breath ray – with Godzilla’s face on one leg and “DANGER” down the other. I’d pair that with a T-shirt representing my various interests, everything from the Silver Scream Spookshow to the Teenage Mutant Ninja Turtles accompanied me into battle. It was a cool, grungy look fit for a brawler, but I didn’t quite look like a pro wrestler.

Well, the pants got pretty beat up during my wars, and as I started shedding the pounds I decided to drop the T-shirt to become quicker and harder to hang on to in the ring. I went to fellow wrestler Rick Michaels, who’s made gear for several huge names in the game; he actually once worked with the WWE making ring attire for their top stars. I pretty much just told him: “Make me something that’s black, with blue flames and kinda looks like an Elvis jumpsuit,” and he came up with my current look. I think he knocked it out of the park. I’ve got a lot of positive feedback on it, and I love it. I’ve also been wearing facepaint recently to show solidarity with my current biggest ally, the pound-for-pound Toughest Woman in Wrestling, Pandora, who always wears the war paint into battle herself. But perhaps what I’m most known for is my signature long black hair. It can be a liability in the ring, but Johnny Danger can’t rock out with a buzzcut, ya know?!

OK, there’s a lot of showmanship, but it’s got to hurt, right? Have you had any major injuries and do you ever question your sanity for getting into this crazy sport?

Constantly. Like I said before, the training process alone was a nightmare. My elbows and knees are constantly skinned up, lumpy and bruised from the rigors of the ring. My back, which was bad to begin with, hurts constantly. As I approach my one-year anniversary as an active competitor, my list of injuries reads something like this: bruised/cracked ribs; various cuts, scrapes and bruises; broken fingers; broken nose (twice); bruised throat; jaw knocked out of place; a concussion; and worst of all, in a battle royal on September 29 at our big show Sacred Ground Chapter III, I was thrown clear out of the ring to the floor – and keep in mind we don’t use mats at ringside, so I splattered on the damn floor – breaking a finger on impact and far worse, wrecked my back. It gave me two bulging discs and caused leakage of spinal fluid; the injury put me out of action for over two months.

I didn’t know if I’d ever be able to wrestle again. The first month was pure screaming agony. As for my sanity, honestly, I think you have to be a little bit nuts to be in this business. In football, you load up on protective gear and if you don’t want to take the hit, you can take a knee or run out of bounds. Boxers wear gloves. Now, all the respect in the world for those who partake in those forms of competition, but in pro wrestling, you have no choice but to take the hit, to get slammed down on that ring – and for those wondering, a pro wrestling ring is nothing but steel, wood, and just enough padding to keep you from being broken the first time you fall down – and then get up and do it again about 30 more times a night. You tell me what normal person thinks that sounds like a good idea?! Who looks at these guys beating the HELL out of each other and goes “That’s for me”?! But when I’m out there doing what I do, and I hear the people chanting my name or cursing it depending on what the situation is, it’s all worth it. It’s the greatest, most natural “high” in the world, and I don’t feel that pain until hours later when I finally come down.

What’s your most memorable bout so far and why?

I’ve had surprisingly many in my short time in the sport. I’ve battled Supernatural, the Undead Luchador, all over the state. We pretty much beat the crap out of each other till we became friends. We still do it from time to time for old time’s sake. I was part of the first steel cage match in Porterdale, GA, in 30 years. I was in a 12-man Revolutionary War Games match on July 4th that had hundreds of fans in attendance and took two rings and two cages to contain us all. I’ve had wars with my former allies, Marko Polo, Quasi Mandisco and Nina Monet. I was a half second away from winning the EMPIRE Title from Shane Marx in only my FOURTH pro match.

But I’ve got to go with a match I came up with, an I Quit Singapore Cane Match where I took on Dynomite Soul Eric Walker. Just to set the stage, I had been on a seven-month losing streak in PCW. Think about that. Every Friday for seven months, I ended up with my back on the mat, counting the lights. I started to doubt myself, if I should even get into the ring. Then it finally happened. Along with my partner in a team called The Surrealists, De La Vega, we joined up with the Washington Bullets to take on four members of The EMPIRE, the evil group that was attempting to take over PCW – attempting, hell, they DID take over and basically called the shots from November 2011 until they were finally defeated at Sacred Ground Chapter III. During the final moments of that match, Vega and myself hit a double team maneuver on Eric Walker, and I dove on top for the pin. I got that win I’d been chasing since January. Then the following week, Walker challenged me one on one, and I beat him again, all by myself.

Something inside Walker and the EMPIRE snapped. A bunch of EMPIRE members, including their 300+ pound monster bodyguard Antioch, charged the ring and beat the hell out of me for several minutes. Antioch injured my ribs with repeated big splashes. Walker bruised my back with repeated strikes from his singapore cane. They tried to put me out of wrestling, plain and simple. But the one thing Johnny Danger doesn’t do is quit. You may beat me, you may break me, but I will come back, I will get up. I didn’t take kindly to the attempt to put me out of the sport I love. So I came back with my own cane, and I challenged Walker to one last war to settle the score. Both our canes would be legal; hell, EVERYTHING would be legal, and the only way to win the match would be to get your opponent to say two words I’ve never said: “I Quit.” We beat the HELL out of each other that night. I hit that bastard with everything I could get my hands on – the ring bell, a fan’s soda can, a steel chain and, of course, my cane. Walker did the same to me. He assaulted my body. He knew where I was hurt, and he zeroed in like a rabid dog.

But I wouldn’t quit. Walker’s manager, Marty Freeman, produced a pair of handcuffs, and I was handcuffed to the top turnbuckle. Dynomite went NUTS with the singapore cane, he split my forehead wide open. You can see the scars to this day. He plastered me across the back of the head. I had a fist-sized lump at the base of my skull for over a week, but I would not quit. My wife and mother were in attendance for this match, and they couldn’t stand seeing me assaulted any longer. They KNEW I wouldn’t quit. My wife stood up and screamed for Dynomite to stop, and he set his sights on her. My vision was blurred from the head trauma I suffered and the blood in my eyes, but I saw him slide to the floor and grab my wife by the hair. I heard her scream. I grabbed the microphone from the referee, and I finally said the words he couldn’t beat out of me. I quit the match to save the woman I love. Classic, right? I wonder why Clubber Lang didn’t think of that?  Just beat Adrian retarded, maybe then Rocky would’ve quit? Hate to say it, but he outsmarted me. And after I’d received medical attention and calmed down a LONG time later, despite the mutual hate we have for each other, Walker and myself both admitted it was the best match of our respective careers.

Who will you be up against at the PCW match on Jan. 5, and what can you tell us in general about that night?

I’m up against the entire locker room! Seriously! It’s the return of the match that put me out of the sport with a back injury – the Platinum Royal. Every PCW wrestler is invited to participate. It starts out as a normal battle royal where you throw wrestlers to the floor to eliminate them. The last wrestler left standing at the end then faces the wrestler who threw out the most people to determine the ultimate winner, who is then guaranteed a title shot against the current champion, Shane Marx. Now, I won the battle royal portion of this match back on March 30,  2012, but came up short in the final battle. I’m tougher, I’m smarter, and I’m hungrier than ever now. And I’m putting the entire locker room on notice.

Now Pandora’s been watching my back since I came back, and I’m going to watch hers too. In a perfect world, it’ll come down to the two of us, and then one of us WILL get that shot against Shane Marx. But ANYBODY else who crosses my path in that match, friend or foe, I’m not going to risk injury again – and I’m not going to miss out on this championship opportunity – you’re likely to find yourself Danger-kicked out to the floor. This is the time to come out and see a Platinum Championship Wrestling event if you’ve been putting it off. You’ll see every top star in the company in the ring at the same time, except two.

The champion, Shane Marx, is putting his belt on the line against Supernatural. I’ll be very interested in that match as well, because if I win that Platinum Royal, I’ll be the first to challenge whoever the champion is after January 5. Like I mentioned earlier, I’ve got history with both men. Shane Marx is big, strong and possibly the very best wrestler in the locker room. Supernatural is lightning fast and hits harder pound for pound than anyone else I’ve been in the ring with. Either one of them makes a tremendous champion, but I think PCW could use a leader who’s a little more DANGERous, if ya catch my meaning.

Johnny Danger as Santa checks out the glamorous Ghouls of Silver Scream Spookshow to see who's been naughty and nice.

You’re also heavily into monster movies, especially Godzilla and kaiju eiga, and perform in the Silver Scream Spookshow. Thinking back to growing up, what were your first experiences with both, and do you see a connection between your love of monsters and your love of wrestling?

Oh, no doubt. Thanks to television growing up in Atlanta, watching Godzilla movies with Grampa Munster on Super Scary Saturday on TBS, and watching pro wrestling, are two of my earliest, most treasured memories. Ever since I could talk, I’d stand in front of my bathroom mirror, pose, and imitate the interview stylings of Hulk Hogan and Macho Man Randy Savage. I used to push the couches together in the living room, load them up with all my stuffed animals and have battle royals, throwing them out one by one. It always came down to me as Hulk Hogan facing off with an enormous teddy bear stand-in for Andre the Giant. And yeah I always won. Come on, I was Hogan!

There’s definitely a connection. Some of the best Godzilla movies are pro wrestling storylines at heart. Take GHIDOROAH THE THREE-HEADED MONSTER (1964). This new, evil, terribly powerful space monster, Ghidorah, attacks the Earth. In the previous film, MOTHRA VS GODZILLA (1964), another monster, Mothra, is the only thing that could stop Godzilla’s rampage. Godzilla actually kills the adult Mothra only to be driven away by her larval offspring. So when Ghidorah attacks, the people are powerless, and Mothra has to appeal to Godzilla and Rodan to team up with her to save the Earth. Godzilla and Rodan don’t care, humanity has always despised them, so Mothra goes to fight Ghidorah alone. Godzilla and Rodan are impressed by her bravery and run in to save her, turning “good” and driving off the evil space monster. That’s classic pro wrestling! I was a despised villain in Porterdale till I’d seen enough of my former team mates, The Priority Males, assaulting Pandora, and I stormed the ring to save her. Like I mentioned earlier, I had Godzilla’s face on my old wrestling pants, a Godzilla roar plays at the beginning of my entrance music, and I’ve dubbed my finishing move “Godzilla’s Revenge. You mentioned the Spookshow, that’s the perfect environment for me as well! I’ve played everything from giant monsters to Santa Claus in the show, and look forward to working with them again soon once renovations at the Plaza Theatre are complete and Professor Morte rises from his crypt once more!

Why Godzilla and how big a Big G collection do you have? Any tips on Godzilla collecting today?

Why not? What little kid wouldn’t love Godzilla growing up? NOBODY could tell him what to do; he didn’t have a room to clean, he’d wreck Tokyo, beat up another giant monster or two, and leave the poor saps of Japan to clean up the mess! And seeing as how I never stopped being a kid, it’s a love from my childhood I’ll never grow out of. The emotion of the monsters, the heart of the hand-made effects, you don’t get that in movies today. As for my collection, the only one I know that can compete with it is Professor Morte‘s alter-ego Shane Morton. I’ve got hundreds of toys, movie posters dating back to 1965, two Godzilla-related tattoos and plans for many more.

As for today’s collectors, the market is way different than it was in the ’90s when I started my collection. I have toys I paid $200 for that I struggle to sell for $80 today. You’ve got to realize, eBay wasn’t a thing back then. You had to find specialized dealers to get these things from. My only tip is to only pay what you personally feel something is worth. The “value” of these things fluctuates so much; just be smart and patient. There’s a few groups on Facebook devoted to Godzilla collectors, just look around!

Given that, I’m guessing Monstrosity Championship Wrestling represents the best of both worlds to you. Can you talk a little bit about what makes a MCW match different from a traditional one and what’s your favorite experience with MCW so far?

MCW is wild. We’ve got flamboyant vampires and intolerant redneck misanthrope lycanthropes. It lets a lot of us to expose our dark sides. The Zombie King, Papa Marko has managed to temporarily “zombify” PCW stars like the Washington Bullets and Worse Case Scenerio. He’s even allegedly resurrected deceased wrestling stars like members of the Von Erich family! Casey Kincaid, one of the toughest wrestlers in PCW history, lets his well-documented darkness consume him to become The Phantom once more, an alter-ego we thought he put behind him. We thought it was safe; we were wrong. Then you’ve got guys like Supernatural who fit right in with MCW as is! Not only that, word of mouth is spreading, and we’ve got even more of the top stars in Georgia coming out to be a part of the carnage at MCW’s next show on January 4. Me, I’ve actually struggled to find my place in MCW, which is kind of surprising. I spent a brief period of time as a Frankenstein Monster. I think my fondest memory was wrestling in front of a HUGE crowd at this past Rock ‘N Roll MonsterBash at the Starlight Drive-In. It was blazingly hot, as usual, but all the freaks and misfits and punks and everyone else that came out for the movies, music and mayhem surrounded the ring to see me as part of a team known as The Greasy Bastards take on Supernatural and some ridiculous Leprechaun he found lurking in the bowels of the drive-in.

Event organizer Jonathan Williams, of WrestlingwithPopCulture.com, told me that you’re going to reveal a big surprise at this Friday’s bout. Without giving away any secrets, can you tell us a bit about the overall festivities?

I’ll say this, when I was out injured earlier this year, I had a lot of free time on my hands. I had to find something to get my mind off wrestling. I didn’t know if I could EVER compete again. I thought I’d wasted the last year of my life and permanently crippled myself. I did some research into my family tree of all things. I honestly couldn’t believe what I’d found – didn’t think there was ANY way it could be true. I’ve got extensive knowledge of monster fiction I knew what I’d found, but didn’t think it could be real. But as we all know, truth can be stranger than fiction. It turns out a branch of my family once had a different name than the one we carry today. It also turns out I’m the last one from that family line – a heritage that I will reveal upon MCW’s return on January 4th at the Asylum. A pedigree that spells doom for each and every one of MCW’s nightmarish combatants – a bloodline I cannot deny.

You even got married in the costume of your favorite wrestler and your lovely wife Samantha wore a wicked awesome Mothra wedding gown at the Plaza Theatre. Can you say a few words about it for folks who weren’t there and how you had the dream wedding of all time?

Oh man, it was wild, and I have so many people to thank for being a part of it: Professor Morte for allowing us to be married by a monster; Gayle and Jonny Rej, who allowed us into the Plaza Theatre under their run as owners. If I was going to get married, it was going to have to be an event. I don’t do the whole church thing. I wanted to break tradition and do something memorable. Well, the Plaza has become our church. All the joy in my life over the past five years, the Spookshow, the Atlanta Zombie Apocalypse, even becoming a PCW wrestler, all possible through people I’ve met at the Plaza. I had someone make me a replica of the outfit Randy Savage wore for his pay-per-view wedding to Miss Elizabeth from SummerSlam 1991, and entered to the sounds of “Pomp and Circumstance,” the tune that signaled Macho’s arrival for his matches. My four best men came down the aisle to the entrance theme of The Four Horsemen. We exited the ceremony to AC/DC‘s “Highway to Hell.” Instead of a boring reception with dancing and embarrassing speeches, those who stayed after the ceremonies were treated to a big screen viewing of KING KONG VS GODZILLA (1962). Instead of a fancy catered lunch, we ate the best popcorn in the world from the Plaza’s snack bar.

What’s next for Johnny Danger?

Heh, even I don’t know. I’ve accomplished so much in my first year of wrestling. I’ve fought the best in the locker room. I’ve bled, sweat and cried in that ring. I’ve wrestled in a steel cage in front of 500 people, and I wrestled a match at 1:30 in the morning in front of five or six people. Tag team matches, street fights, battle royals, I’ve done ’em all. Even spent some time behind the announce table doing color commentary during my recovery. The only thing I haven’t done is win championship gold. Anybody who ever gets in the ring, they dream of one day holding a belt [and] I’m no different. 2013 is the year I show I’m for real. Yeah, at heart, I’m still a kid with a dream. But I want to show I have the ability to back up that dream. I’ll never be the toughest, the biggest, the fastest or the strongest.

I’m not the best technical wrestler in the locker room. But I’ve got the biggest heart, I’ve proved that time and time again. There is no better “feel-good story.” If I can win that title to sit atop the mountain, even just for ONE NIGHT, it’s a victory for everyone in the crowd that’s ever believed. There’s nowhere else on the planet where any fan that buys a ticket can be so intimately connected to an experience. And that’s something I’d love to share with all my fans. Wherever I go, PCW will always be my home, where it all started. I love that company and our fans; they are a second family to me. We give you our all, twice a month, the first and third Saturday in Porterdale, Georgia. Please come out and see us!

Note: All photographs are courtesy and copyright of Johnny Danger.

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Kool Kat of the Week: Chuck Porterfield Calls the Punches for a Pop Culture Nightmare Before Thanksgiving at Monstrosity Championship Wrestling This Friday

Posted on: Nov 14th, 2012 By:

Bummed that Halloween is over and scared that Christmas will be here way too soon? Never fear, our BFF blog WrestlingwithPopCulture.com and the Silver Scream Spookshow’s Professor Morte are stirring together two Retro standards, classic monsters and wrestling, for the ultimate Monstrosity Championship Wrestling (MCW) showdown this Friday Nov. 16, starting at 8 p.m. at Club Famous, inside Famous Pub in Toco Hills. MCW made its debut at the Atlanta Zombie Apocalypse in 2011, and the creatures clashed again at Wrestling with Pop Culture’s one-year birthday party in March and June’s Rock n Roll Monster Bash.

In addition to the monster mayhem, the eerie-inspired event will also feature live music by the Casket Creatures; body painting by Neon Armour; fiendish freebies and devilish drink speciuals courtesy of Cayrum Honeys; a raffle with such phantasmic prizes as a bag of edible body parts from Pine Street Market, a Dead Elvis flask from Diamond*Star*Halo and more. We can’t wait to raise a “To Hell You Ride” cocktail to Jonathan Williams, the creator of Wrestling with Pop Culture for his well-deserved Reader’s Choice Award for Best Local Blog in Creative Loafing’s Best of Atlanta 2012. [ATLRetro was too humble (well, busy) to court your votes this year, but watch out Wrestling with Pop Culture, we’ll be in the ring fighting for your title in 2013!]

To find out more about the spooktacular spectacle, ATLRetro caught up with ultimate monster movie and wrestling nerd (and proud of it!) Chuck Porterfield, who will be calling the action while monsters, maidens, and madmen go at it in toe-to-toe mayhem!

ATLRetro: I know you’ve been into both wrestling and monster movies, so I assume that’s what made you so excited about MCW.

Chuck Porterfield: Personally, I’m excited because it combines my pure adoration of monster movies, as well as seeing a lot of the INCREDIBLE athletes from Platinum Championship Wrestling (PCW) together. The Washington Bullets, probably the best tag team in the state of Georgia will be there, as will the Pound-For-Pound, Toughest Woman in Wrestling, Pandora. Also, my man, the “Demigod” Mason will show everyone why he’s the hero of PCW’s current homebase, Porterdale, Georgia!

This isn’t the first bout of Monstrosity. Are there any old scores from previous fights to be settled?

The match garnering the most attention is the return of Dragula, the most fabulous blood-sucker in wrestling as he takes on The Kentucky Wolfman!

Chuck Porterfield gets down with the Creature from the Black Lagoon. Photo courtesy of Chuck Porterfield.

Ever since I was a kid I’ve loved weirdo pop culture! I remember watching KING KONG on WGN one year on Thanksgiving, and my love of monsters was then inescapable. Hours of MUNSTERS and ADDAMS FAMILY reruns, Adam West as BATMAN and pretty much any wrestling I could find on TV defined my youth.

So your passion for wrestling goes back to childhood, too? 

I don’t remember the first wrestling I saw, but I watched any and all then-named WWF programming I could find. There weren’t many kids in the neighborhood so I’d jump off my sofa onto the cushions. Or at least I did until I undershot it and hit my head on my dad’s pool table!

How did you get into professional wrestling?

My first entry into professional wrestling was with Southern Extreme Championship Wrestling. For a couple of reasons, that didn’t really work out so well so I left to pursue other interests. I never stopped thinking about the wrestling business, so when I saw that PCW had brought wrestling back to Atlanta I knew there could be an opportunity with them. Stephen Platinum chose to take a chance on a guy he knew nothing about, and I think things have worked out to be mutually beneficial. Along with guys like Penn Jillette and Herschell Gordon Lewis (2000 Maniacs), I consider him to be one of the most influential people in my life.

What is it like collaborating with Wrestling With Pop Culture mastermind Jonathan Williams? It seems like his blog (our BFF blog) has really upped local coverage of wrestling and is helping to fuel the scene.

Jonathan is a tremendous supporter of independent wrestling in Georgia and the success of his blog speaks for itself. I wouldn’t ask him about his altercation with The Jagged Edge outside of the steel cage though…

You used to work at Video Store, one of Atlanta’s best psychotronic video rental stores in Little 5 Points [owned by Matt Booth, who now runs the super-cool Videodrome]. Do you ever miss those pre-Netflix/streaming days when a guy like you could be a salvation for local movie buffs?

With the exception of independent powerhouse Videodrome, it’s true that Atlanta is basically a video store graveyard. Part of me misses the days in college of going through the aisles of stores, particularly the dearly-missed Blast Off Video in Little 5 Points, but I also just see it as a reflection of life itself. None of us are promised a single day, a single smile, and I just try to be grateful for the days and opportunities I have. I try not to dwell too much on what is lost and think about what’s out there to be created.

Photo courtesy of Chuck Porterfield.

Who are your favorite monsters?

My favorite monsters? You’d think this would be a hard one because I love so many, but hands down it’s Frankenstein’s Monster, the Creature from the Black Lagoon and the big monkey himself, Kong! But from a purely sexual attraction level, no one can match the Bride of Frankenstein and Morticia Addams! Some crushes last with you forever…

What else are you up to?

Right now I’m working with Blake Myers, director of the heart-stirring gem of a documentary DISABLED BUT READY TO ROCK [Ed. note: read our Kool Kat interview with Blake here] to make a space fantasy web series called SASS PARILLA CONQUERS THE MARTIANS, that is ambitious to say the least. It’s going to take a LOT of time and energy to get it right, but I think it’s custom-made for fans of this blog. In fact, if there are any investors out there with a love of psychotronic movies and skepticism, we’re the guys you want to talk to!

Thanks so much for being our Kool Kat of the Week!

Thanks, Atlanta Retro! You’re the keenest, sexiest and coolest blog around! XOXO

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Kool Kat of the Week: Kickin’ It Out, Looking Tough with Jet Terror at the Star Bar’s NYC Punk Tribute Fri. July 27

Posted on: Jul 25th, 2012 By:

Jet Terror. Photo credit: Widdi Turner.

Think you are or ever were a punk rocker? The Star Bar is throwing a NYC Punk Tribute Night Fri. July 27 with some of Atlanta’s finest garage and punk bands headlined by none other than  Jayne County & The Electrick Queers and also including The Forty-Fives ( doingMC5 songs), The El CaminosRandy Micheal and the Sharp Dressed Lads and Ghost Bikini . They’ll be performing songs by the New York Dolls, Blondie, Ramones, MC5 and more that started a rock revolution in the early-mid 1970s before the Sex Pistols ever spiked their hair. Unfortunately too many  performers of that era have left this plane including a majority of Ramones and NY Dolls, but Atlanta is fortunate to be  home to the queen of Max’s Kansas City, Jayne County. Since we interviewed Jayne last October (catch up with that Kool Kat here), we decided to turn to Jet Terror, an Atlanta punk legend in his own right as one of the founding members of the recently resurrected and still refreshingly raunchy Dead Elvis (Ed. note: fellow band member Derek Yaniger designed the ATLRetro logo; read an interview with him and catch up some more on the history of Dead Elvis here.)

The last time I interviewed Jet was for Maximum Rock n Roll, the best newsprint hardcore punk zine ever (and still thriving on the Web here), along with the rest of Dead Elvis – Derek, Kevin Rej and Chris Mills, in Chris’s Grant Park living room. Let’s just say there was a lot of…er…colorful language. A few years later, Jet left Atlanta for San Francisco, so it’s great to see him back roughing up the Atlanta music scene. If you didn’t get to Greenwich Village in the 1970s, this Friday night is sure to be the next best thing…

Why a 1970s NYC Punk Tribute Night in 2012?

Well, we just want to celebrate the music of that era and give people a real taste of what it was like. It was really Jayne’s idea, and I put it together with the Star Bar’s help. We wanted to create an event, not just a show. It will be fuckin’ great.

Jayne County and the Electrick Queers. Photo credit: Jeff Shipman.

Is the show going to mostly be covers?

Yeah it will be a lot of covers of bands like, Ramones, Dead Boys, New York Dolls, MC5, Velvet Underground and so on. Each band may do an original or two.

Other than Jayne County, what are the three must-know performers/bands of that era in your opinion and why?

Iggy and the Stooges, Ramones, New York Dolls. If you have to ask why, go to YouTube.

How did you meet Jayne County?

I met her through my girlfriend’s business partner Tim Scott. She was wanting to play some shows and we clicked.

What’s the back story about the Electrick Queers? I understand they were first formed because Jayne needed a back-up band for a gig she had at a PAWS Atlanta fundraiser?

Basically we formed to support her on that gig, but always had planned to move forward as her current band. Here we are four years later. It’s been a blast and getting better all the time.

Any chance of a Jayne County and the Electrick Queers recording in the future?

We just recorded two brand new songs that we wrote with Jayne, and they came out very strong. She and I are always throwing around ideas and are working on more new songs currently with the band. She’s the most dynamic person I’ve ever played with.

Jet Terror. Photo credit: Jeff Shipman.

What’s up with Dead Elvis? Any more gigs planned this summer/fall?

Hey, Dead Elvis has been around for 27 years now. We never expected we would still be playing in 2012. To answer your question, I don’t know. We don’t plan it; usually some show is presented to us, and we figure we can go onstage and destroy it one more time for fun. It’s all about having fun acting like immature beer-swilling punks.

You relocated to San Francisco for a long time. What made you return to Atlanta?

Yep, I lived in San Francisco for most of the Nineties. SF is still just as much home to me as Atlanta is. I came back to Atlanta in 2000, mainly because of some family health issues, and I was also looking to form my dream band. Luckily I did meet the right guitar player (Jim Wright) and the right guys and formed The Evils.  We’re playing The Star Bar on August 24.

I hear you’re doing some work with WWE. Can you tell us about that?

I work full time for the WWE world television tour for the show’s MONDAY NIGHT RAW and SMACKDOWN. I’m the Stage Manager. I’m responsible for getting our show built, run and loaded out. I manage about 150 people a day and 14 semi trucks of gear. It’s a big crazy job. I’m on a plane twice a week to somewhere in the U.S., Canada or Mexico.

What else are you up to?

I have a wonderful girlfriend (Jen [Belgard of Libertine, and ATLRetro contributing writer]), a German shepherd, a crazy terrier and three cats. They keep me pretty busy when I’m home. Also, I’m working on buying a bar with my business partner.

Any other personal interests of note?

Yes, I love my 1947 Chevy Rat Rod truck and my Triumph Bonneville motorcycle. My favorite bands: Elvis, The Stooges, MC5, Motörhead, Eddie Cochran, Hank Williams Sr., The Kinks, etc. etc…

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Kool Kat of the Week: Jonathan Williams Wrestles with Pop Culture at One Rowdy, Rockin’ First Anniversary Party Wed. March 28

Posted on: Mar 21st, 2012 By:

Professor Morte puts a choke hold on Jonathan Williams. Photo courtesy of Wrestling with Pop Culture.

When our BFF blog Wrestling with Pop Culture (WPC) decided to throw a one-year anniversary party on Wed. March 28 at The Masquerade, ATLRetro couldn’t help but get excited because Jonathan Williams, the mad mastermind behind our second favorite Atlanta-based pop culture blog, is the absolute personifcation of one Kool Kat. Long before either of us took that leap of faith to pull the trigger on our own projects, we found ourselves hanging together at those media receptions, dinners and openings that us freelance writers call breakfast, lunch, dinner and happy hour – that fine line that   keeps us from being “starving” artists more often than we’d like to admit.

Now we’d support anything Jonathan & WPC did, but we’ve got to admit that he’s put together one helluva birthday party. One of the sweetest, glammest Kool Kats ever, Amber Taylor, is hosting! Death is a Dialogue and Needeep are rocking! Monstrosity Championship Wrestling hosted by our favorite Ghost Host with the Most, Professor Morte of the Silver Scream Spookshow! And it’s the official after-party of the Atlanta Film Festival‘s screening of Platinum Championship Wrestling documentary THE BOOKER! Luchador face and body-painting! Raffle! Chambers of Horror photo booth! Wrestling photographer Jay Taylor!

OK, we’d better shut up now and let Jonathan fill you in about WPC’s secret origins, more about the crazy party action and how it all came together, and what else he’s up to. All of which makes us think we need to get busy planning our own ATLRetro first birthday shindig – now that the bar has been set, stay tuned, kids…

Why did you decide to pull the trigger on Wrestling with Pop Culture?

I’ve been a freelance entertainment journalist for several years and have written for local publications like The Atlanta Journal-Constitution and Creative Loafing, as well as national publications such as Gothic Beauty and Pro Wrestling Illustrated. But the most fun I ever has as a writer was when I was interning as a college student for Sideshow magazine. That was a free monthly that Jon Waterhouse did, and it covered all aspects of pop culture, from music and movies to pro wrestling and comic books. While I have had the opportunity to write about some cool stuff since Sideshow folded up its tent, I’ve never found another publication that covers the kookier side of pop culture the way that magazine did.

A couple of years ago, when the economy started to tank and freelance work became more and more scarce, I started thinking about starting my own publication. With online media taking over much of the readership that used to rely on print publications, I thought starting a website would be the cheapest and easiest way to go. I also knew that I wanted to focus on professional wrestling in a way that I had never seen any other publication do. It seems like most mainstream publications usually poke fun at wrestling, and traditional wrestling magazines focus solely on what happens in the wrestling world without exploring wrestling’s connections to other forms of entertainment.

From its earliest days as a carnival sideshow attraction through its territorial days, when wrestling made a name for itself across the country with regional TV shows, to the current WWE-dominated scene that allows wrestlers to cross over into the mainstream as action heroes, musicians and other forms of entertainment, pro wrestling has been embedded in Americana and pop culture for decades. Wrestling with Pop Culture covers all these aspects of wrestling, as well as other forms of entertainment that appeal to people who are as fascinated with luchadores and the pageantry of this form of performance art as they are with B horror movies, rock ‘n’ roll, comic books and other like-minded aspects of pop culture.

Jonathan Williams with Stephanie Anderson from Neon Armour Body Painting. Photo courtesy of Wrestling with Pop Culture.

Who else is involved with Wrestling with Pop Culture?

I’ve had a lot of help getting WPC off the ground. Tessa Horehled from DriveaFasterCar.com really helped me with all the technical aspects of getting a website running. KRK Ryden, the artist best known for his work with Devo, designed the black-and-white version of the logo, which I think illustrates the wacky world I envisioned perfectly. Amber Taylor, who will be the host of my show, has provided continued technical support. And I have a few guest writers, including “The Human Hand Grenade” dany only, who also co-hosts Georgia Wrestling Now, to do movie reviews and things like that. Other than that, a large majority of the interviews and reviews you see on WPC are done by me. I’m also working on a comic strip, which will hopefully debut in the next few months, that will further explore the world Ryden helped create with his image.

It sounds like this party is going to be pretty awesome. How did everything fall into place?

I initially wanted to do something last August that incorporated live wrestling and a few rock bands, and concluded with a viewing of a WWE pay-per-view. That never materialized for various reasons, but as the first anniversary of WPC approached I thought about how I could try to pull off something like that again. I first contacted some potential sponsors and, thankfully, found some good ones early on. Pabst Blue Ribbon has been very supportive; then media outlets Creative Loafing and Scoutmob got involved. Things really started falling into place just a few weeks ago as the Atlanta Film Festival announced its screening of the Platinum Championship Wrestling documentary THE BOOKER on March 28. Since the Masquerade is right down the street from the Midtown Art Cinema, and since PCW runs shows there every month or so, I thought it would be a great venue for an event with wrestling and bands.

Can you tell us more about the bands and wrestling activities?

Death is a Dialogue and Needeep, [two] great bands who are also great at getting their names out there, both agreed to do the show. Although I wanted to take advantage of PCW’s fans being in the area that night, I actually wanted to do something a little different with the wrestling portion of the show. Last October, the Atlanta Zombie Apocalypse set up a wrestling ring in its parking lot to provide entertainment for the people waiting in the long lines to get in. I didn’t get to see either of those shows, but I heard from some of the PCW wrestlers that were involved that the promotion was Monstrosity Championship Wrestling and there were matches that included actual monsters, as well as a match that pitted a Bible-thumping Jesus freak against Satan himself. It turns out Prof. Morte from the Silver Scream SpookShow is somehow involved in this promotion, so I contacted him, and he agreed to do some monster wrestling matches at my event.

Also, Amber Taylor, whose band the Sexual Side Effects is playing another Atlanta Film Festival event at the Goat Farm the following night, where their new video will be premiering, also wanted to be part of the action. So since she’s sort of walking freak show unto herself, I decided to let her be the host of the whole thing. With additional sponsors like Criminal Records, Adrenaline Fitness and Ox’s Wrestling Ring Rentals, I feel like the event covers Atlanta’s pop culture scene in much the same way the website covers various aspects of pop culture. The Atlanta Film Festival has also made this event one of its official after-parties and PCW recently put out a challenge to MCW, so things just get more and more interesting by the day. And the Academy Theatre, where PCW has its matches every Friday night, is selling tickets for only $5 through this Friday. Otherwise, tickets are $8 in advance, $10 at the door or free for AFF pass holders.

And did we hear right that there’s face and body painting, artists, a raffle, something to do with those crazy maniacs from Chambers of Horror?

Other festivities include luchadore-inspired face and body painting from Neon Armour, raffle prizes from Adrenaline Fitness; Chocolate F/X; monster artist Dave Cook; Monster Joe Coffee, who also made the WPC T-shirts; and lots of other new stuff coming in each day. Chambers of Horror is also going to have a photo booth there, and local wrestling photographer Jay Taylor will be snapping pics.

Jonathan Williams of Wrestling with Pop Culture. Photo credit: Neda Abghari.

While Wrestling with Pop Culture is your big baby, what other writing projects are you up to right now?

In addition to keeping WPC from tapping out, I am also the Editor-in-Chief for The Creative Process, which is part of The Creatives Project. I still write a monthly art column for Stomp and Stammer called Sheer Art Attack, and I have weekly music contributions to Creative Loafing. I occasionally contribute to PWI and Drive a Faster Car, and I’m also working on some articles for the Miami New Times about all the WrestleMania festivities that will be taking place down there next week.

 

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Weekend Update, Aug 5-7, 2011

Posted on: Aug 5th, 2011 By:

Friday, August 5

All-time great wrestling promoter Jerry Jarrett will be at the Plaza Theatre to meet and greet, sign his recent book and introduce 7:30 p.m. screenings of MEMPHIS HEAT: THE TRUE STORY OF MEMPHIS WRASSLIN’ tonight, Saturday and Sunday. The new documentary tells the wild and wooly tale of mid-South wrestling, from the ‘50s carnival days of Sputnik Monroe and Billy Wicks to the raucous ‘70s and ‘80s with the rise of Jerry Lawler, Jimmy Hart and promoter Jarrett. Can’t make the 7:30 p.m. screening? It’s also on at 9:30 p.m. all three nights. Read an interview with Jarret by ATLRetro friend and Wrestling with Pop Culture blogger Jonathan Williams in this week’s Creative Loafing here.

Dracula's lovely brides take more than a few bites out of Jonathan Harker (Chris Love) in DRACULA:THE ROCK OPERA at 7 Stages.

Last February Atlantans had the marvelous macabre opportunity to get a sneak peek at HAUS VON DRACUL, the first act of DRACULA: THE ROCK OPERA, conceived by and starring Rob Thompson; performed by local talents such as Chris Love as Jonathan Harker and the Little Five Points Rockstar Orchestra; and featuring make-up and sets by Shane Morte of Silver Scream Spookshow fame. To refresh your memory, read ATLRetro’s feature on Love here and our review of the production at 7 Stages here. For just $15, you can support some of Atlanta’s top alternative talent in prepping this show for its world premiere next April, as well as scream to some one-of-a-kind performances tonight during Black Metal Burlesque: A Hell Raising Fundraiser at 7 Stages. A pre-party starts at 9 a.m., with show at 10 a.m. featuring performers from the show, the Little Five PointsRock Orchestra, The Chameleon Queen, body suspension by Loki Shane DeFrieceMacabre Puppets‘ Chris Brown (Scarlett’s Web) as Rotzo the Clown, and much more from body-painting to a raffle. For a scary sneak preview, check out our interview with Kool Kat of the Week actor/stuntman Justin Welborn here.

New York’s Felix and the Cats swing down to Fat Matt’s. Canadian rocker Bryan Adams takes audiences back to the ’80s in his Bare Bones Tour to Frederick Brown Jr. Amphitheater in Peachtree City. Rock further back to the ’70s with Revival: An Allman Brothers Experience with Lefty Williams and Benji Shanks at Vinyl at Center Stage. Catch an IMAX movie and listen to cool jazz and sexy soul by vocalist Sarah Belladae at Fernbank Museum of Natural History’s Martinis and IMAX.

Saturday August 6

Catch an opening reception for August and Everything After: A URBNPOP art show, a solo art show featuring the wonderfully quirky pop culture-inspired works of artist Chris Hamer at Rev Coffee (1680-B Spring Road, Smyrna, 30080) from 8 to 10 p.m. Read ATLRetro’s Kool Kat profile of Chris here.

Travel back to the late ’70s/early ’80s at Deja vu Discotheque – The Dance Party of the Decade, a reunion party for The Limelight, Atlanta’s Studio 54, at Center Stage tonight. In addition to grooving to favorite dance music of the era by original Limelight DJs, attendees will be treated to a recreation of the club’s spectacular Moving Lightshow and many other over-the-top experiences reminiscent of the legendary venue. Read our sneak preview with memories of the original Limelight from Scott Cloud and KP Hendry here. Doors open for VIPs at 8 p.m, general admission at 9 p.m., and a silent auction benefits the Starlight Children’s Foundation of Georgia. Tickets are available here.

Billie Holliday sings the blues in STRANGE FRUIT.

Explore the dark side of the South via the soundtrack of the haunting Billie Holliday song in STRANGE FRUIT, a documentary directed by Joel Katz that weaves together jazz geneaology, biography, performance footage and the history of lynching, in the latest entry in the High Museum of Art‘s Radcliffe Bailey Film SeriesTheophis “Thee” Smith, associate professor of religion at Emory, will lead a discussion following the 8 p.m. screening at the Woodruff Arts Center.

Ghost Riders Car Club headlines a very special Retro honky tonk evening at Star Bar with Anna Kramer & the Lost CauseAndy Vaughn & the Driveline, and New Orleans’ Dirty Bourbon River Show. If you missed ATLRetro’s Kool Kat interview with GRCC’s Spike Fullerton, here’s a link. It’s a trilogy of rockin’ country ’70s-inspired fun when Gasoline BrosLo Country and AM Gold invade VinylSteely Dan is at Classic Chastain. Maretta’s Dry White Toast plays funk rock at Fat Matt’s Rib ShackFelix & the Cats swing over to Northside Tavern. And of course, DJ Romeo Cologne transforms the sensationally seedy Clermont Lounge into a ’70s disco/funk inferno late into the wee hours.

Sunday August 7

Interstate plays blues “dunch” between 1 and 4 PM at The Earl. One of the best alternative bands with its roots in the ’80s, The Goo Goo Dolls, play with Michelle Branch at Verizon Wireless Amphitheatre. And ’70s rockets Steely Dan are at Classic Chastain. And don’t forget Jerry Jarrett and MEMPHIS HEAT at The Plaza! See Friday for details.

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Band on the Run: Burt & the Bandits Race Up to Marietta’s Earl Strand Theatre Sat. July 30 & Invade the Starlight Drive-In & Smith’s Olde Bar

Posted on: Jul 27th, 2011 By:

Burt and the Bandits, 8 p.m. Sat. July 30; $12 advance; $15 at the door; Earl Smith Strand Theatre, 117 North Park Square, Marietta.

When ATLRetro launched in January, we knew the first Kool Kat of the Month had to be Jon Waterhouse. In a city fortunate to have several strong contenders for its most Retro Renaissance Man (Or Woman), Waterhouse is an undisputed 20th Century Pop Culture King. And that’s not just because he hosts a radio show called THE POP CULTURE KING SHOW on AM 1690, though that show, along with a regular freelance gig with the Atlanta Journal-Constitution, allows him to interview many 20th century icons.

No, what’s so cool about Jon is the quantity and diversity of Retro culture that he’s tapped into. He’s done promo work for Van Halen and fronted Van Heineken, a Van Halen tribute band. He hosts all of Blast-Off Burlesque’s shows, transforming seemingly effortlessly into a succession of creative characters from a sci-fi nerd to Rip Taylor. For four years and over 100 Silver Scream Spookshows at the Plaza Theatre, he played Retch, Professor Morte’s lovable sidekick. He’s collaborating on a book related to the 1939 classic movie THE WIZARD OF OZ.

And just when you wonder what he could possibly do next, Jon’s latest adventure is Burt and the Bandits, which pays homage to the 1977 Burt Reynolds hit SMOKEY AND THE BANDIT. They’re playing the awesome art-deco Earl Smith Strand Theatre in Marietta on Sat. July 30, and after getting the lowdown from Jon, we can’t think of a better reason to dust off the old Trans Am, get loaded up and truckin’, never mind them brakes, put that hammer down and give it hell all the way to OTP…

Burt & The Bandits. From left to right: Jon Waterhouse, Barb Hays, Benny Boynton, Tim Price and Doug Williams.

ATLRETRO: How did you get the idea of a SMOKEY AND THE BANDIT tribute band?
JON WATERHOUSE: Well, as a child of the ’70s, I remember the days when Burt Reynolds was the biggest movie star going. There really hasn’t been another film celebrity like him since. He kind of cornered the market with a perfect mix of machismo and silliness. I have a special spot in my heart for his films, especially his earlier exploitation flicks like WHITE LIGHTNING and its sequel GATOR. Of course the original SMOKEY AND THE BANDIT is at the top of the heap. Anyway, many of his films featured great, fun music. You’ve got the Jerry Reed tunes from SMOKEY, and even the Ray Stevens title track from CANNONBALL RUN.

So about six or seven years ago I had the idea of a band that would play songs from Burt Reynolds movies dressed as the SMOKEY characters. And the set would be supplemented with what I call “classic country comfort food” from the same era, back when country was at its coolest. Willie Nelson, Waylon Jennings, Johnny Cash, Merle Haggard, Loretta Lynn, Dolly Parton. It would be a tongue-in-cheek, comedic presentation, while still showing respect for the music. Heck, they did it with HEE HAW. Even Jerry Reed, who was a Chet Atkins disciple and one of the greatest finger pickers of his day, laced his music with humor. So that was the basic idea.

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