Kool Kat of the Week: Sexual Healing: Kitty Love Celebrates the Goddess in Every Woman at Monthly Burlesque Sultry Sundays at Red Light Cafe

Posted on: Jan 9th, 2013 By:
Step right up to Kitty Love’s Sultry Sunday at Red Light Cafe. Atlanta finally has a monthly burlesque event again, which means that January is suddenly a lot warmer and less boring. This lovely Kitty is rustling up some mighty fine national and local performers for her next show this Sunday January 13 at 7 p.m. Headlining will be Russell Bruner, the Reigning King of Burlesque from the Burlesque Hall of Fame, plus the exotic Mistress Kali of New Orleans performing fire dance, Ursula Undress, Talloolah Love, recent Kool Kat Stormy Knight, bellydancer Haideh of Jahara Phoenix Dance Company, Madame X and Kitty Love herself. Syrens of the South‘s Katherine Lashe will be emcee, and also on the bill are song stylings from Lah Lah Luscious and magic from Chad Sanborn.

 

But what really jazzes us about Sultry Sundays and her other creative burlesque outlet, Cheeky Belles, is Kitty Love ‘s spiritual side. She reads Tarot cards and has been teaching sacred rituals and goddess mysteries since 2000. Given that she believes that “the healing of the world depends on the celebrating the goddess in every woman,” it kind of sounds like a church in celebration of the female body and spirit! Which makes her sound like the purr-fect Kool Kat of the Week!

 

ATLRetro: What’s Kitty Love’s Sultry Sunday? How did you get the idea, how does it differ from other local burlesque shows and how often is it going to happen?

Kitty Love’s Sultry Sunday is a monthly burlesque show on Second Sundays. I met the owner of the Red Light Cafe who invited me to produce burlesque shows on Sunday nights. Sultry Sunday is different in that it is in a cafe and intended to replace dinner and a movie. We are also an early show and hoping to appeal to people that can’t necessarily go out late night or on Friday and Saturday.

How did you personally get into burlesque, and what appeals to you about the art form?

I started as an exotic dancer in 1991. I have always loved to dance. I was not allowed to dance or have any dance training as a child, and stripping was the only dance career that was open to me.

My favorite part of a show is seeing excited women in the audience. I love burlesque because it is so empowering for women and not just the performers. I believe that a woman owning her sexual power in public is a revolutionary act! In 2007, I met Katherine Lashe and Talloolah Love at a burlesque meet-up and soon after attended every burlesque show that  I could find. I admired that Syrens of the South was so inclusive and fun, so I joined their first burlesque classes.  I made my debut with Syrens of the South in August 2008 as my comedic character Rosie Palms.

Can you name a favorite classic and a favorite contemporary performer who inspires you, and why?

My favorite classic performer is Gypsy Rose Lee because of her wit and sophistication. My favorite contemporary performer is The Lady Miss Vagina Jenkins.  She exudes sensuality and power.  She makes the audience feel the heat all the way to the back row.

What’s the story behind the stage name of Kitty Love?

“Kitty Love” is a metaphor for female pleasure.  I am a passionate advocate for female self pleasure. I have coached women as an “orgasm coach,” and my first advice is to practice!

This week’s performance features Reigning King of Burlesque Russell Bruner, Mistress Kali and an all-star cast of local performers. How do you decide who’s on the roster and can you share anything about what they’ll be doing?

I do not travel much, so this will be first time seeing Russell live and I am really looking forward to it!  It only took one video to convince me that he would create an amazing experience for our audience. Soon after I changed the date to January 13, Mistress Kali contacted me about performing in the show because she would be traveling this way with Russell. That’s why I am calling it my “Lucky 13” show.  Mistress Kali will be giving up the fire show.

I choose acts according to how they fit together to make a well-balanced show. But it’s not easy for me to decide; I’m a Pisces! In this show I am showcasing a lot my local friends that I met through Syrens of the South. For Cheeky Belles shows, which will be back in February, I like to showcase new performers from my classes and independent performers who really bring the heat!

Will you be performing yourself? If yes, without giving too much away, can you give us a tease of what your act will be like?

I will be performing.  I hope that my act inspires a lot of female pleasure!

What’s your favorite performance to date and why? 

My favorite performance to date was at the first Sultry Sunday. I did an improv with Paul Mercer and Regeana Campbell [The Changelings] performing live music. I love performing with Paul Mercer because it is always magical. I made my burlesque stage debut with Paul at an event in 2008.

At the last show, I had a very memorable moment! I love my mind and stepped onto a table and started dancing up there! Then I realized that I didn’t have a plan on how to get down. Fortunately, I picked a table full of friends and a gentlemen stood up to help me.

You also have been teaching sacred rituals and goddess mysteries since 2000 and believe that the healing of the world depends on celebrating the goddess in every woman. Have you always been drawn to this way of thinking or was there a specific incident or aha moment?

I have always been unconventional. In 1997, I read a book called APHRODITE’S DAUGHTERS about temple dancers in ancient India. Shortly after that, I dedicated my life to service of the sacred feminine.

How does this spiritual side dovetail with your burlesque?

I feel the most spiritually connected when I am dancing. Dance has been used in worship for thousands of years. I hope that I represent that Goddess energy when I am performing. I try to bring out the inner Goddess of my students so that they can learn to access that energy when they want.

Kitty Love. Photo credit: Kellyn Willey, PinUp Girl Cosmetics.

I teach my students to use the elemental energy in their bodies to enjoy their dancing. There are no choreographed routines or required dance moves. I call it sensual dance because it is about feeling good, not just looking good. My next classes start on January 13 at the Red Light Cafe. To register, contact me at misskittylove@gmail.com.

You also read Tarot cards. What’s your philosophy of approaching the cards, and how can someone get a reading from you?

I look at the cards as postcards from God. Everyone is here to learn on their journey, and the cards are like a map of what lessons are coming next and how to best approach them. I do readings at The Shelter for the monthly Ritual parties [the next, themed Gangster Speakeasy, is this Fri. Jan. 11] and at the Georgia Renaissance Festival in the spring. I am also available for private readings by appointment and at special events.

What’s next for Kitty Love?

I am developing Cheeky Belles into a community of like-minded performers that use dance as a spiritual expression.

Admission to Kitty Love’s Sultry Sunday is $20 at the door or $15 in advance (available on the Red Light Cafe website. And in case you wondered, the Red Light Cafe just got their liquor license!

Editor’s Note: The first photo also should be credited to Kellyn Willey, PinUp Girl Cosmetics. All artwork is courtesy of Kitty Love.

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Tis the Season to Be Sexy: The Second Annual Southern Fried Burlesque Fest Shimmies Into Decatur This Weekend

Posted on: Mar 8th, 2012 By:

Southern Fried Burlesque Fest; Thursday, March 8–Sunday, March 11, 2012; Courtyard Marriot and Conference Centre, 130 Clairemont Ave, Decatur, Georgia 30030; Weekend passes and show tickets available online and at the door. For more info, click here.

The Second Annual Southern Fried Burlesque Festival again is bringing the best performers from all over the world to Atlanta for a weekend full of sparkle, sizzle and spectacle!

Thursday night, the festival kicks off with Just Hatched, performances by new and promising performers (doors at 7 p.m.; show at 7:30 p.m.) Then at 9 p.m. Burlesque Legend Satan’s Angel takes the stage for “Have Tassels Will Travel, a One-Woman Improvisational play about the life and times of the star nicknamed “The Devils Own Mistress,” the Queen and originator of fire tassel twirling.  She has performed this act for over 40 years, lighting her tassels approximately 25,000 times all over the world.  The show chronicles Angel’s career from how she began stripping in 1961 in San Francisco, to a peek at how hers was no ordinary life. From following Bob Hope and the USO in Vietnam, appearing on the Gypsy Rose Lee television show, dating Clint Eastwood, Bobby Darin, Hedy Lamarr, and Janis Joplin, defying the convention of The Folies Bergéré in Paris, working with Ann Corio, Harold Minsky, Barry Ashton and running with The Rat Pack in Vegas, and two near death experiences.

Satan's Angel.

Friday Night brings The Free Range Burlesque International Showcase, featuring performances by Burlesque Legends Satan’s Angel, Shannon Doah and Gabriela Maze; neo-burlesque star such as Perle Noire, and headlined by Miss Exotic World 2002, Kitten De Ville (this week’s Kool Kat) as well as other amazing performers from all over the world! Last year’s Free Range was one of the best burlesque shows ever to grace an Atlanta stage, so in ATLRetro’s humble opinion, this show is not to be missed.

Saturday Night is the main event: The Southern Fried Burlesque Pageant has performers competing for Best Duet, Group, Variety and the Southern Fried Burlesque King and Queen!  The Pageant will also include a farewell performance by the first-ever Southern Fried Burlesque Queen, Siren Santina!  After the awards ceremony, let your hair down at the Southern Scorcher Showcase with performers from all over the Southeast, a special performance by Sadie Hawkins from Blast-Off! Burlesque, and headlined by Atlanta native, The Lady Ms. Vagina Jenkins!

Perle Noire.

Be sure to stop by Sunday, however, for a Burlesque Legends Panel at 1 p.m., with neoburlesque star Kitten DeVille and classic performers Satan’s Angel and Shannon Doah.

From Friday to Sunday, you can also sign up for lectures and classes for all skill and interest levels. Whether you are a history buff, into crafting costumes, want to learn the basics, or fine tune your performance, this festival will have activities for all levels and aspects of burlesque. Learn entirely from seasoned burlesque performers, teachers, and legends, and leave the festival with all the tools you need to be the next Burlesque Aficionado! Don’t worry guys – all genders are welcome to attend classes!

As lovely and talented festival producers Katherine Lashe and Ursula Undress of Syrens of the South remind us, Burlesque is the art of the striptease, with a focus on the tease.  Performers occasionally strip to pasties, but there is no nudity in any festival productions. This festival is dedicated to the preservation of an art form that has become an international movement.

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Kool Kat of the Week: Let Her Entertain You: Fonda Lingue Teases Us With a Snow-Glamorous Fan Dance and Embarks on a Grand European Tour

Posted on: Nov 28th, 2011 By:

Fonda Lingue. Photo credit: Rah Benton.

Place a wide ostrich feather fan in the hand of Fonda Lingue, and she’ll tease you with an act that captures the classic beauty of vintage  Sally Rand. She’s mastered “Let Me Entertain You,” the signature striptease number of Gypsy Rose Lee, and she’s even developing a tribute to Lili St. Cyr. But as you watch her graceful moves that recapture the glamour of burlesque’s golden era, chances are it may take you a while to realize Fonda’s ultimate tease. While burlesque has its share of boys, Fonda is one of the very few who dances as a woman and not just that, but as the awards and accolades she’s accrued in just a few years of professional performance in the field attest, with all the skill and sex appeal of today’s top female burlesque revival performers.

Atlanta’s burlesque scene has had its share of rising stars, but when we heard that Fonda was heading to Europe to compete against some of the best international performers for the prestigious Milan Burlesque Awardas well as a whirlwind performance tour through England, France and Italy, we knew it was high time to declare her Kool Kat of the Week. This Fri. Dec. 2, she’ll also be one of the Snow Queens of Burlesque in Santa Baby, a special wintry holiday edition of Mon Cherie‘s Va-Va Voom series at The Shelter featuring special guest celebrity emcee Devin Liquor and Stormy KnightBiloxi BrownKatherine LasheScarlett Page and more of Atlanta’s best dancers. Then on Sat. Dec. 17, she’ll be performing in the Syrens of the South-produced Tits for Toys for Tots show at The Five Spot. Headlined by burlesque legend Gabriella Maze, returning after almost 30 years, that holiday-themed spectacular features a glitzy all-star line-up of local performers including Talloolah Love, Katherine Lashe, Ruby Redmayne, Kittie Katrina, Kisa Von Teasa and Lola Lesoleil.

ATLRetro caught up with Fonda to find out what flamed her passion for classic burlesque and to see what we could tease out of her about her December performances and that upcoming European tour!

ATLRetro: Before you became a classic burlesque performer, you were a ballet dancer and female impersonator for 20 years. How did you get started in burlesque and what captivated you to embrace recreating the golden era of burlesque?

Fonda Lingue: I got started in burlesque when Devin Liquor and I had a show at The Stage Door in Tucker called “The Dirty South Dukes and Dolls Show.” It was primarily a drag king show, and I was the only “female” in the show. I never wanted to do traditional drag acts of just standing there and lipsyncing to popular songs so I would create these dance numbers to use all of my talents. I did a number to “Let Me Entertain You” from GYPSY where I did the first part as the young Gypsy, then ran off the stage, quickly changed and became Gypsy in her striptease years and stripped down to pasties and panties. The audience loved it! I began adding those numbers more and more into my act and was asked by The Lady Miss Vagina Jenkins to participate in one of her burlesque shows. That was the start.

Fonda Lingue. Photo credit: Derek Jackson.

As far as the Golden Era of Burlesque, I am a purist, almost to an OCD extent. I figure if I am going to do it, I am going to do it right and do it accurately. I have studied videos, read books—I am reading GILDED LILI [about] the life of Lili St. Cyr right now—and talked to legends, and to me, that time was the height of what burlesque used to be. You were a star back then and you were paid well to do your craft. You were taken care of and respected for what you did as an artist. I love the glamour, and I love the social aspects of the burlesque scene. I also think it is important to keep that part of our history alive. Right now there is a more contemporary approach to burlesque throughout the country, and my goal is to keep classic burlesque alive. There is room for both and many performers do both styles. For me, it is a preference, and I think it suits my movement style and my look.

It strikes me that the burlesque world is very open-minded and embracing, but did you have any challenges as a boylesque performer among your fellow performers or with audiences?

I can’t believe how well I have been received in the burlesque world. Much more than in the drag world. I am one of only a few males that perform as a woman. In fact, I know of no one else who does what I do. That’s not saying there isn’t someone, I just don’t know of anybody. I am different in that my goal is to fool the audience until the final reveal, then they realize I am a man. Really, I am the definition of the word “Burlesque.” I love to challenge people’s sensibilities and prove to them that they can enjoy my performances from an entertainment standpoint and not necessarily a sexual one. I also like the fact that I may challenge their sexual tendencies as well. The only real problem I have is when I apply to a festival or competition, they don’t always know where to put me. They want me, but they just don’t know if I am to be placed with the boys or the girls. In the Great Southern Exposure pageant last year, I won King of Burlesque. Some other competition might place me as a female. If it is not a competition, there is no problem.  I don’t care myself where I go, i just want to be able to perform.

Who are a few of the performers—both classic and from the contemporary burlesque revival—who most inspire you?

Lili St. Cyr is my absolute favorite. I have been compared to her in my performances, and I take that as the highest compliment. I have been inspired the most by Kisa Von Teasa, Sally Rand, Gypsy Rose Lee, Dirty Martini, Catherine D’Lish and Michelle L’Amour. Each of them inspire me in different ways.

You’ve won quite a few honors in just a few years in the profession, including King of Burlesque in the Great Southern Exposure Burlesque Competition. Do you feel that ballet and drag experience gave you a leg up, so to speak?

Drag not so much. I would like to say that it had, but I have to be honest. Other queens told me my make-up was wrong, my numbers weren’t current, and they all tried to “correct” me. Even my partner at the time tried to change my make-up. It was only when I went back to following my own instincts that I got any recognition. Plus, it’s all too political in Atlanta, but that is another interview!

Ballet has definitely helped me with my burlesque career. I would not have the carriage and vocabulary I have if it weren’t for my experience as a ballet dancer. Also my ability to portray different characters can be attributed to my ballet training. In ballet, you have to convey the story to your audience through your movements. Your voice is your body. It’s the same in burlesque. Burlesque is just another form of dance. People argue with me on that, but aren’t we called burlesque DANCERS?

Without giving away too much, what can you tease us with about your performance in this Friday’s winter-themed Va-Va-Voom?

Well, I have been asked to do a fan dance by Mon Cherie herself, so that I will do. It will be set to classical music, it will be very sparkly—of course—and I hope it will be very beautiful!

You’ve done a lot of performances at Mon Cherie’s events, including the Rockabilly Lounge. She’s really gone a long way towards making burlesque a regular activity in Atlanta and nurturing so many performers. Can you talk a bit about Mon Cherie’s impact on the local burlesque scene and why folks should come out to her events?

Well, Mon Cherie has done a lot for me personally as far as my performing here in Atlanta. She has allowed me to perform in front of audiences that I didn’t know if they were going to like me or hate me. Fortunately they have all been favorable experiences, and I have opened some peoples eyes through her. Mon brings in performers from all over the south and also tries to give “Newbies”—that’s a term I have learned through my dealings overseas—a chance to perform as well.

Money is tight these days, and there are not a lot of outlets for burlesque performers right now. I am very lucky I perform as much as I do. She has had a HUGE impact on Atlanta’s burlesque scene in that she makes it possible for us to work consistently. Just about every independent burlesque performer in Atlanta has graced her stages at one time or another. I admire the fact that she tries to keep us employed and often reaps no benefits herself. I know her day will come. You can’t give of yourself like she does and not be rewarded somehow. Her events are professional, she has high standards, and the atmosphere is that of those early years of burlesque when it was just as social as it was performance. I always feel like I have stepped back in time!

We just heard the exciting news that you’re about to set off on a European tour. Where are you going and what acts are you taking on the road?

Right now I am going to London, Rome, Paris, and I am still waiting confirmation on Milan. There are other things in the works but not confirmed. I am taking six acts with me! Am I crazy? Yes! I am performing three nights inParis, and they want two numbers each night! I am taking “Zip Strip” (the act I won Great Southern Exposure with) my “funny fan dance,” “Cry Me A River” (my signature piece), “Moon Indigo” (a new act that is in rehearsals now), “Lili,” my tribute to Lili St. Cyr (in rehearsal now, especially created for this tour) and another new number that I have chosen the music but haven’t started yet.

Is it true that Ruby Redmayne is coming with you?

We are working on that! If she does, she will accompany me on part of my trip only. She is my best friend, and she wants to be there to celebrate with me and to help me backstage. And who wouldn’t want to go to Europe?! We can make a great time out of walking through the grocery store, so I know we will have fun. I hope it works out that she can go because I would love to share this experience with her. She has done so much for me to keep me motivated and help me get things done. I have booked this whole tour on my own—researched my own contacts, pursued producers and corresponded with all of them. It has turned into almost a full-time job, and Ruby has been invaluable in helping me get things accomplished! She needs to reap the benefits of her hard work as well! It’s not easy keeping me motivated!

It’s hard to make a living as a burlesque performer here in the US, but you’ve said that the situation is easier in Europe. I was struck, for example, at the huge burlesque scene in London—there’s so much going on that there’s even a “burlesque map.” Would you ever consider relocating to Europe?

Absolutely! In fact, that is my intention when I go over there. I am not sure where I want to live yet. Most likely it will be the UK or Paris. I want to see if it will be possible to make a living at being a burlesque artist. From what I have been told, there are not many male performers in Paris and none that perform as a woman.  The London burlesque scene has exploded. Europeans treat their Artists like Artists. And they pay them what they are worth. I have worked since I was 12 years old and never stopped. I loved my career as a ballet dancer, don’t get me wrong, but I was never a star. I was, and still am, well-known but I want more. I know it sounds cliche but that is what I want. I feel that I am on a path right now, and this is where it is leading. I have had a rough year. My relationship ended, and the day before I was to move into my new apartment I was in a car accident that has left me with some physical problems.  Everything bad that has happened has happened for a reason and has led to this tour. Far be it from me to stop listening now!

Do you have any other performances scheduled in Atlanta during the holiday season?

Yes, on December 17, I will be doing my “Suzy Snowflake” number at Syrens of the South’s Tits For Toys for Tots at the Five Spot in Little Five Points. I have also been asked to perform again at The Pond in Nashville with Ruby Redmayne for their annual New Year’s Eve Party.

You feel passionately about teaching burlesque as well. Can you talk a little bit about why even accomplished performers can benefit from classes to keep up their craft?

Your body is an instrument and it needs to be maintained. Regular movement classes keep you supple and in shape. They also keep your mind working. You are a dancer, and a dancer needs to take class at least a couple of time a week. I try to do my own class everyday. You owe it to your audience to be in the best shape both mentally and physically. The only way to do that is through constant training. People argue this with me, but the performers that do this are the ones getting the jobs and keeping them. You can always learn something from someone else. That is why I try to take as many classes as I can when someone new comes in to town or I go to a burlesque festival. It is always nice to hear someone else’s perspective on the same thing—especially someone that makes their living doing it! Ninety-nine percent of the time you get something out of it.

Finally, if I recall correctly, you recently purchased an amazing, beautiful headdress from Miss Torchy Taboo. Have you worn it yet in an act or what plans do you have for it?

I have not worn it yet. Rumor has it that I did wear it for a photo shoot, but that is not true. That beautiful piece of art will hopefully make it’s debut if I am accepted into the Southern Fried Burlesque Festival here in Atlanta the week before I go to Europe. If not, you will have to come to Europe to see it! I will be applying to the Burlesque Hall of Fame Weekend. Torchy and I both agree it needs to end up there. “Moon Indigo” is the music I have selected for the number. I have designed my costume with a kind of Erte feel to it, and I have matched the fabric to the headpiece. It includes a fur wrap, and it will be made of dupioni silk! My costume is being constructed by Cat Harrison, a big Steampunk costume designer, so my corset will be especially awesome. I am using vintage beads combined with non-vintage Swarovski crystals. Costuming my body is not easy because I have to create body parts and curves that I just don’t have. My hat is off to her and she is doing a great job!

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Kool Kat of the Week: 2011 Burlesque Queen Indigo Blue Shimmies South from Seattle for a Southern Fried Burlesque Fest Fundraiser

Posted on: Nov 9th, 2011 By:

Burlesque royalty is coming to Atlanta as 2011 Miss Exotic World Indigo Blue performs at this Friday’s Southern Fried Fundraiser Spectacular at 9 p.m. at Bart Webb Studios, a bargain $10 for the all-star line-up. All proceeds support the second annual Southern Fried Burlesque Fest (SFBF), scheduled for March 8-11, 2012, and the show also features the first Miss Southern Fried Burlesque Fest Queen Miss Siren Santina from Knoxville, TN, Fonda Lingue, Ruby Redmayne, Blast-Off Burlesque‘s Sadie Hawkins, Talloolah Love, Lola LeSoleil, Katherine Lashe and Ursula Undress (Syrens of the South Productions) Founded by Lashe and Undress, the first SFBF not only showcased some of the best local and regional performers but treated Atlanta to such national stars as Dirty Martini, Jo “Boobs” Weldonand Jonny Porkpie, as well as classic greats Tiffany Carter and Gyna Rose Jewel. The 2012 festival will be headlined by burlesque legends Satan’s Angel and Shannon Doah; The Queen of the Quake, Kitten De Ville; Perle Noire, the Black Pearl; The Lady Ms. Vagina Jenkins and Siren Santina!For the lowdown on SFBF’s fabulous first year, read our preview here and a post-event review by Talloolah Love here.

Back to the lovely Miss Indigo Blue. She’s been heating up the Seattle “nouveau burlesque” scene since the early ‘90s with a style that’s not just sexy but exudes an edgy sense of humor. Known for clever, racy routines; authentic 1930s-60s costumes and ribald reformulations of pop culture icons like Holly Golightly and Wonder Woman, she has performed across the nation and in Europe. While she has just taken the top crown, she is a three time award-winner at the annual Miss Exotic World competition at the Burlesque Hall of Fame in Las Vegas – the top honor in neo-burlesque, and also holds the First Runner Up title from the Jennie Lee Tassel Twirling Contest. Her BurlyQ Cabaret, founded in 2002 in Seattle, now has satellites in New York and London. She performs solo and with the Emerald City All-Stars and the Atomic Bombshells; is president and chief twirling officer (CTO!) of TwirlyGirl.net, a maker of creative pasties; and is the founder and headmistress of the Academy of Burlesque in Seattle.

Indigo Blue looks vivaciously vintage. Photo credit: Paule Saviano.

ATLRetro caught up with Indigo Blue recently, and she teased us with a few juicy details about her journey south, which also includes teaching gigs on Sat. Nov. 12 at the Artifice Club’s Mechanical Masquerade: A Paranormal Fantasy and at SpinArela, as well as her career, thoughts on her secret to success and what it’s like to be reigning queen of burlesque!

Without giving away any big secrets, what can you share about your plans for the Southern Fried Burlesque Fest fundraiser this Friday night?

I’m really excited to perform at the fundraiser! I’ll be bringing the sash & tiara for all to see!

I understand you’re also teaching a workshop on “Steampunk Burlesque: Being in Character” at the Mechanical Masquerade? Are you a big follower of steampunk, and what distinguishes steampunk burlesque from traditional burlesque?

I love the anachronism, whimsy, and creativity of Steampunk. It’s a style, a philosophy, and a culture; burlesque is a performance art form and a culture. The workshop is intended to integrate the two and enable those who like to play with an alter-ego to develop ways of creating  more dramatic and effective characters using burlesque techniques.

Finally you’ll be teaching “The Art of the Tease” at SpinArela. Can you tease us with a sneak preview of what students will learn in that class?

I love the Art of the Tease! My favorite parts are hearing from the students what they most crave to learn, and watching them understand how to implement the tools of the tease. We will play with gloves & boas!

Jeepers, Creepers, Where'd she get those Indigo Blue peepers?! Photo credit: Karl Giant.

You’re headmistress of the Academy of Burlesque in Seattle. Why is it important to you to teach burlesque versus just being a performer, and what do you enjoy most about teaching?

I feel called to be a teacher. I love sharing what I know, and I love the process of watching students evolve and grow through the study and practice of burlesque. My personal mission is to exemplify embodied femininity, and to support people’s personal transformation through burlesque.

Many burlesque performers can only dream of winning the title of Queen/Miss Exotic World at the Burlesque Hall of Fame. What did you do to earn the title; what’s the secret to your success, in your opinion; and what did it mean to you personally to win?

The secret? Hard work! I have been dancing since I was 5, stripping since I was 21, and competing in the Miss Exotic World pageant for 10 years. It doesn’t take that long for everyone… But it did for me!

Winning was a wonderful acknowledgement of my professional career this far in burlesque. It has given me the opportunity to represent the Burlesque Hall of Fame, an organization I deeply believe in and am committed to.

Can you share a little bit about what’s so special about the Burlesque Hall of Fame (BHOF) as an event with folks (performers and mere spectators) who may never have attended? 

The BHOF Weekend is an incredible opportunity to develop meaningful connections with performers of all generations, as well as The Place to see the pinnacle of international burlesque performance. The Friday Night show featuring vintage vixens is an inspiring and powerful glimpse into our shared artistic history.

Indigo Blue performs at the 2011 Burlesque Hall of Fame. Photo credit: Diane Nagel.

When did you first start performing burlesque and what inspired you to this vintage art form?

I began creating comic erotic skits “burlettas” in 1994 for Tamara the Trapeze Lady‘s Fallen Women Follies. After attending Tease-o-Rama in 2001 in New Orleans, and then Exotic World in Helendale shortly afterwards, I knew I had found my people.

How did you come to choose the name Indigo Blue, and how does your “blue” persona inspire your acts and costuming?

When I was a peep-show stripper in the ‘90s, my name was Indigo!  Blue has always been my favorite color, since I was a child.

Seattle's glamorous Indigo Blue. Photo credit: Don Spiro.

What’s the burlesque scene like in Seattle, and do you have any recommendations for travelers on how to tap into what’s going on there?

Seattle’s burlesque scene is second only to New York in size, and has produced some of the most stellar, high-production value shows in the world. The active Seattle Burlesque Google calendar lists most shows, and the Seattle Burlesque Press blog has regular previews and reviews.

What other burlesque performers (legendary or contemporary) have inspired you the most personally and why?

As far as the vintage ladies, I am inspired by the coy elegance of Toni Elling, the bawdy curtain-humping of Marinka and the fierce intensity of Wild Cherry. My contemporary inspirations continue to be Dirty Martini, Julie Atlas Muz, Miss Astrid and Tigger. I am also constantly impressed by the stellar Seattle scene, including in particular Inga Ingenue, Waxie Moon, The Shanghai Pearl, Lily Verlaine and Ernie Von Schmaltz.

Will you be returning to Atlanta for Southern Fried Burlesque Fest 2012?

I’ll be there in 2013!!!!

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