Kool Kat of the Week: Sizzlin’ Dames Aflame Alum Josette Pimenta Gets Swanky and Shakes a Tail Feather While Singin’ For Her Life

Posted on: Dec 16th, 2014 By:

by Rex Reverb,9 poster Josette 12-18-14 show
Contributing Writer

Get entertained this Thursday, December 18, at Atlanta’s Jungle Club by our Kool Kat of the Week and one of Atlanta’s new young singers, Josette Pimenta (often just “Josette” or “Josette P”) during her and her co-headliner, Christy Clark’s Sing for Your Life performance at 8 pm! A noted dancer with several local Atlanta dance troupes (including the Dames Aflame), Josette combines cabaret, burlesque and high-energy dance with a powerful voice to create her own unique brand of entertainment. Josette will be doing at least five numbers at her upcoming show, which is part of the Sing for Your Life competition, where she’s a judge this year. Josette‘s shows are always full of surprises, and ATLRetro readers will get the chance to experience her unique rendition of Peggy Lee‘s song, “Black Coffee.” More information about the show can be found here.

For those too young to remember Peggy Lee, she might be best known today as the singing voice for Jessica Rabbit. For those who haven’t seen Josette perform, imagine Jessica Rabbit combined with Cher, along with another classic cartoon character, RED HOT RIDING HOOD from the ‘40s.

Josette’s tale is like something out of a movie. She was told as a child that she didn’t have a good voice and couldn’t sing, causing her to shy away from singing in public for almost a decade, but now suddenly has a singing career. Although Josette is only 23-years old, this diminutive dynamo brings fresh energy and excitement–and more than a touch of burlesque and cabaret–to songs ranging from retro classics to recent hits to her own compositions.

Before diving into Josette‘s story, check out her rendition of Peggy Lee’s “Coffee” here!

Josette wanted to be a performer since she was a small child. She remembers at age five, jumping on her parent’s coffee table in her underwear, putting on a show by singing at the top of her lungs like her idol, Cher. Her parents, grandmother (who’d been a vocalist with a band) and uncles filled the house with music from many eras, and Josette began a passion for retro music that continues to this day. Josette also loved to dance and becoming a singer/dancer became her main goal in life. Her supportive parents helped her begin dance lessons at age 9, but she soon faced her first obstacle.

"Black Coffee"

“Black Coffee”

Josette‘s ballet teacher took the youngster aside after class, and told her while it was clear she loved to dance, “you’re never going to be a dancer.” That was a hard thing for a child to hear, but she managed to get past it, and continue her dance training.

Josette never had voice lessons or vocal training, but when she was around 12, she took a class in musical theater. During one of her first classes, when all of the students were singing, the teacher singled her out, saying “Josette, can you just stop singing? You’re a lot louder than everyone else and you just don’t sound good.”

Such criticism, in front of the whole class, really stung the young Josette. She took it to mean that she didn’t have a good voice and couldn’t sing. It crushed her dream of becoming a singer/dancer like Cher, and for years afterward, she “shied away from singing.” For Josette, there was no chorus, no high school musical, no Glee Club, no singing lessons. She only sang at home with her family or close friends, or in the privacy of her own room. Instead, she focused on her dancing, working hard to pursue her scaled-down dream of becoming a (non-singing) professional dancer.

In high school, Josette experienced mostly success, but also some bullying, on the Dance Team.   She was so focused on her goal of becoming a performer after high school that she really didn’t have a back-up plan. She taught dance for a year, then became a bartender, to have the flexible schedule needed for dance auditions.

She first landed a spot with Davina and the Harlots, the local burlesque group with a flair for comedy, at which Josette also excelled. Josette then auditioned for the Dames Aflame, one of America’s premiere burlesque/cabaret groups, and was thrilled to be accepted. Josette‘s first public performance with the Dames Aflame took place at Trader Vics Atlanta in August, 2011, supporting the great “Big Mike Geier (See his Kool Kat feature here) and Tongo Hiti. The rookie Josette was joined by long-time Dames Aflame veteran Shockaboom, whose Polynesian dance performances at Trader Vic’s are legendary.

"Married to Medicine"

“Married to Medicine”Polynesian dance performances are legendary.

Josette wasn’t content to merely put on a good show, but worked hard to make sure that everyone had a great time. Shockaboom always goes all out for Mike’s finale, and I was surprised to see Josette keeping up with Shockaboom’s Samba-like gyrations, shake-for-shake and shimmy-for-shimmy.

Josette‘s performances with the Dames Aflame, and Davina and the Harlots, averaged only two or three per month (including a few seconds on Bravo’s MARRIED TO MEDICINE, shown in the accompanying photo). So Josette continued to audition for full-time, professional dance roles, in touring Broadway shows, cruise ship shows, and major theme parks. Sometimes, the auditions would go really well, but she would never get a call back–perhaps because Josette was only 5′ 2″, while most Broadway-type dancers are at least 5′ 7″ (the minimum height to even audition for a group like the Rockettes).

Away from those auditions, Josette gradually tried singing in public again. It had been nine years since she’d had her singing aspirations crushed, but once or twice a year she would work a comedy or novelty song into a burlesque skit, usually with a group or another singer.

By the fall of 2012, she’d sung a song in public less than a handful of times. When dared by fellow dancer Sarah Blackman to enter a new singing competition, Sing for your Life, Josette–perhaps helped by the bottle of wine they were sharing–said “sure, why not?” The next day, she realized she had less than 24-hours to pick a song, figure out how to perform it, film it and submit the tape by the contest deadline.

Josette had her mother tape her singing “Half Breed” by Cher, and gave it a comedy/novelty treatment by performing it on a rocking horse. Still plagued by doubt over her singing ability, she almost didn’t submit the tape, but finally entered at the last minute with no expectation of success. To Josette’s surprise, she made it into the contest. She performed “Valerie” by Amy Winehouse at Sing for Your Life‘s live auditions held at Atlanta’s Jungle Club. Halfway through the song, the judges told her to stop singing and summoned her to come down off the stage. Worried about what would come next, Josette was relieved when they asked her to sing a standard. Drawing on her love of retro music, she sang “Almost Like Being in Love” by Nat King Cole, and made it into the final 12 contestants.

"Diamonds Are A Girl's Best Friend"

“Diamonds Are A Girl’s Best Friend”

For the first week of the 12-week long competition, she chose “Someone to Watch Over Me” by George and Ira Gershwin. Josette planned an arrangement that showed her range in the middle of the song, and even though it was cut for time at the last minute, Josette advanced to next week’s round.

Josette began hoping she might have a future as a singer. Though she lacked the vocal training or singing experience of most of the other singers, from her dozens of dance recitals, she knew how to put on a show.

Week Two’s theme was “Divas” and Josette chose the “ultimate diva,” Marilyn Monroe. Josette planned to sing “Diamonds Are a Girl’s Best Friend” in an elaborate production. She’d sing the preamble while wearing a coat, then–when the main part of the song began–she’d drop the coat to reveal a sexy, jeweled costume. Josette planned to sing all over the stage and even go down the steep stairs into the audience. Despite all her planning, a huge problem arose once she began performing the song in front of the audience in the actual competition. She was so new to singing, that she didn’t know how to make sure the microphone was turned on!

The Jungle Club is a huge, warehouse-like space, so even her powerful voice could barely be heard past the first few rows. For most of those in the audience, she was almost inaudible, and not even as loud as a phone ringing. Finally, just after Josette dropped her coat to reveal her sexy costume, a sound technician went onto the stage to turn on her microphone, but her problems weren’t over. When the song started to replay from the beginning, Josette had to break character, explaining to the DJ that she wanted to resume where the song had originally stopped. The curtain even started to close on her, before someone pulled it back. Then, more agonizing seconds ticked by, as she stood in silence on stage, while the DJ tried to re-cue her music.

Many amateurs would have panicked at that point, but Josette’s dance training made her comfortable on stage. She slipped back into character, vamping for time until the music was finally ready. Still, Josette faced a daunting task: To avoid being the contestant sent home that night. She had only two minutes left of her song to impress the audience and the judges. A lifetime of hopes and dreams came down to those two minutes.

And then it happened! She started off good, becoming very good in a few more seconds. Soon, the amateur singer was performing the song as if she were a seasoned professional who’d sung it dozens of times. With the powerful delivery of a Broadway star, Josette unleashed a decade of pent-up singing talent in an amazingly confident performance. For the final note, her voice soared, as she sang longer and with more power than she

"I'm a Fool to Want You"

“I’m a Fool to Want You”

ever had before. It was as if she was determined to give the audience and judges something to remember instead of her microphone problems. And she did! See her performance here, which blurs the line between cabaret, burlesque and Broadway.

Needless to say, Josette advanced to the competition’s next round. It was as if that final powerful note had pierced her own personal sound barrier, because from that point on, she could seemingly sing anything. Her next song was an even more elaborate production of “Roxie” from CHICAGO, complete with two back-up dancers. Josette, the young woman who’d never sung in a musical, looked like an experienced pro.

For Week Seven, she chose “Bad Romance” by Lady Gaga, rendering an even more elaborately choreographed production, again with back-up dancers. But this time, the audience voted Josette down, into the bottom two. Whatever the reason, Josette found herself Singing for her Life against the other low-rated contestant (like Josette, also an excellent singer). Josette barely survived, and advanced to the next round.

As if determined to show that she could win on her voice alone, the next week Josette sang Pink’sGlitter in the Air” while seated. Using her body, hands and facial expressions, she still delivered an incredible vocal performance. In the coming weeks, she showed her increasing versatility (and growing confidence) by giving good performances of songs by Billy Joel, Pat Benatar and Willie Nelson.

"Black Coffee"

“Black Coffee”

In Week 10, she took the art of burlesque and cabaret to a new level, by singing the Billie Holiday classic “I’m A Fool to Want You” in a unique way. Not only did she not dance, she again didn’t even stand up! And near the end of the song–well, you’ll have to see for yourself. Take a peek at Josette’s rendition here.

Finally, it was down to Week 12, the final week, when Josette faced off against only one other contestant, Amber Renee. Each had to perform three songs, and for Josette‘s final song of the competition, she made a very unlikely choice: “Black Coffee” by Peggy Lee. In addition to being very obscure for most of the audience, it’s definitely a “downer” song and not an obvious crowd pleaser.

But she trusted her instincts. It was one of her favorite songs to perform alone in her room, in the not-too-distant past when she was afraid to sing in public. She always envisioned herself performing it in a sultry way, in a suitably lurid setting inspired by old movies and pulp covers she saw on the internet.

In her introduction to “Black Coffee”, the strain of the twelve grueling weeks of intense competition is evident. She knew all of her recently-revived hopes and dreams were riding on the outcome of that night’s performance. There was a cash prize, but more importantly for her, the first prize also included a producer and studio time to actually record three songs, plus a life solo show of her singing.

Josette found a way to make an obscure, downer of a song, the hit of the evening. You have to see her performance of “Black Coffee” for yourself. The effect on the audience was electric. I’ve studied burlesque for 25 years, and I’ve never seen a performance like that. Is it burlesque? Is it cabaret? I don’t know, but the audience loved it!

Still, Amber Renee was a formidable rival, and suspense filled the room as the last judge voted. When judge Barry Brandon finally announced that Josette had won the competition, she doubled over with emotion and burst into tears. Josette sobbed into the arms of her coach Michael Robinson, and she couldn’t have been more emotional or grateful if she’d won a million dollars or American Idol.

Josette told me that from the start, she hadn’t expected to win, and after three very stressful months, she couldn’t believe she’d actually prevailed. After regaining her composure, she tried to say a few words, telling the audience how she came to enter the contest. But when Josette started trying to explain about being told as a child that she couldn’t sing, she started to break down. Pulling herself together, she started to thank everyone, but broke down again. Pulling herself together again, she went out into the audience and gave a heartfelt, emotional thanks (and often a hug) to everyone she recognized or who came up to congratulate her.

Josette hadn’t just won a singing contest. She’d finally achieved the first step in a dream that had been shattered and shelved almost 10 years earlier.

But there was one final twist to her story, one that even Josette hadn’t seen coming. Impressed during the competition when a few contestants sang their own original songs, Josette wondered: Could she write her own songs as well?

"Here Kitty Kitty"

“Here Kitty Kitty”

Collaborating with Atlanta songwriter J. L. Rodriguez, Josette began writing her very first pop song. They worked on the musical parts together (since she doesn’t play an instrument or read music), and she wrote the lyrics, having been inspired by a drawing of cat women a fellow Harlots alum had created. Top local producer, Thomas Cary Walker Jr., pitched in and in October 2013, Josette‘s first single, “Here Kitty Kitty,” was released on iTunes.

Josette gave the first full performance of her very first song in front of 10,000 people at Piedmont Park, during Atlanta’s LGBT Pride Festival. This was a full production, with four professional backup dancers, great lighting and Josette on the huge Jumbotron screen next to the massive stage. As she admitted to the audience after the song, she was nervous when she first came out. But she quickly settled down and was soon delivering a powerhouse performance, singing and dancing all over the stage.

Remember Shockaboom‘s finale with Tongo Hiti at Trader Vics, that Josette emulated the first time she danced there for the Dames Aflame? What seemed like a Samba move to me a few years ago had another name by last fall: Twerking. On the big stage at Piedmont Park, Josette had taken what she learned from Shockaboom to a whole new level and was light-years beyond Miley Cyrus. The already-cheering crowd started to roar, and when Josette whipped her long hair around to the sound of a whip being cracked, 10,000 people went wild. Catch a video of the wild scene here!

At the end of the number, Josette paused to catch her breath and look out over the cheering crowd. Seeing 10,000 people cheering for her singing, her dancing, and her first song–less than a year after entering the singing contest–was like the improbable ending to an old Hollywood move.

Sing For Your Life Competition

Sing For Your Life Competition

While Josette is the living embodiment of Red Hot Riding Hood on stage and says she just naturally tends to dance in a sexy fashion, off stage she’s very much a down-to-earth, girl-next-door type, a kind and sensitive person. Instead of talking about becoming a star, she talks about being creative, the joy of seeing her artistic vision fulfilled, and how great she feels when she’s entertained (and surprised) an audience. Luckily, she’s got a very supportive network of people helping her, including parents, a large extended family, boyfriend, friends and fellow performers.

Josette continues to dance with the Dames Aflame, and on December 20, she’ll be performing with them as a dancer in “Big Mike” Geier’s Kingsized Holida Jubilee extravaganza at the Variety Playhouse. This past year, Josette has focused primarily on her dancing, after joining two additional dance troupes–the BELLES (from Belles Organics) and THE CHERRY BOMBS. The Cherry Bombs will be joining her for a performance at Josette‘s big December 18 show at the Jungle Club. That show marks a return to singing for the busy Josette, and she plans to get back into the recording studio in the new year.

Photos copyright 2012-2014 Whitney Fields Photography. Some have been cropped from their original appearance.

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Really Retro: Why MonkeyZuma Dubs Charles Darwin the Original King of the Swingers and Other Survival Tips for an Island Adventure Martinis & IMAX

Posted on: Sep 29th, 2011 By:

OK, Charles Darwin doesn’t look like all that swinging a guy with that big bushy beard and Victorian suit, but DARWIN, a new special exhibition which just opened last weekend and runs through Jan. 1, 2012 at Fernbank Museum of Natural History, reveals more than a few surprises about the 19th century naturalist who took a five-year sea voyage of discovery on the HMS Beagle and turned the scientific world upside-down with his theory of evolution. For example, his grandfather’s own radical writings helped inspire Mary Shelley to write FRANKENSTEIN, both his mother and wife hailed from the Wedgewood family of pottery fame, he got his stint on the HMS Beagle because Captain FitzRoy wanted “not just a naturalist but a gentleman,” on that trip he rode with gauchos in Patagonia and his letters home included such colorful language as describing an area “red-hot with spiders.” Excuse us, but eek!

Darwin’s most famous stop, of course, was the Galapagos Islands and the entire journey was an adventure, so it seems only fitting that Martinis & IMAX on Friday Sept. 30 has the theme of Island Adventure. Explore the exhibit, follow in Darwin’s footsteps via IMAX to GALAPAGOS, sip on a Galapagos Gimlet and strike a natural or unnatural pose at the Darwin Dress-Up Photo Booth. The evening’s ship of fun is captained by “Big Mike” Geier and notorious Atlanta tiki band Tongo Hiti. His crew inevitably includes some of the most glamorous gals you’d ever want to encounter on a jungle island – the Dames Aflame, featuring Atlanta’s closest connection to the missing link, MonkeyZuma.

We can only imagine what Darwin would have thought of that legendary simian-sapien, but you don’t have to imagine what MonkeyZuma thinks of old man Charles because, well, we asked her…

Are you the missing link, or what’s the origin of your species?

MonkeyZuma is half girl, half monkey-girl.

What do Charles Darwin and evolution mean to you personally?

Zuma loves Charles Darwin because he was known for bridging the gap between humans and animals.  He was the original king of the swingers, a jungle V.I.P.! His evolution theory means that someday, we’re going to have little bitty, really pointy fingers and thumbs so we can all clickity-clickity lickity-splickity on our smartphones and iPads and miniature-microwaves.

What do you hope to learn from the Darwin exhibition?

Zuma wonders: boxers or briefs?  Since he was a naturalist, probably neither!

What special plans do you have to get creative at this week’s Martinis & IMAX (with a little help from Kingsized and Dames Aflame, of course)?

MonkeyZuma never makes any plans. She is barely controlled chaos and will most likely be found sticking her finger in your nachos or knockin’ back several of Fernbank’s signature Pineapple Mojitos while Dames Aflame’s own Shockaboom and Chico teach all the local natives some exotic Island dances to the Tongo Hiti soundtrack.  It’s best not to look Zuma in the eye if she is approaching. Just bring some extra cash and buy the sexy simian some booze.  She’ll let ya “huele” her “dedo” and then be on her way, to destroy someone else’s date night.

All photos courtesy of Dames Aflame.

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Kool Kat of the Week: Shakin’ It Up with “Big Mike” Geier on His Burning Love for Elvis and Other Musical Matters

Posted on: Aug 11th, 2011 By:

"Big Mike" Geier don't need no jumpsuit to celebrate Elvis. Serenading the audience during last year's ELVIS ROYALE. Photo Credit: Laura Newman.

Over the past 14 years, Kingsized’s Elvis Presley tribute show has grown from a family affair at the Star Bar into ELVIS ROYALE, an always sold-out Vegas-style multimedia Retro extravaganza with a 15-piece orchestra and glamorous glittery dancing girls, aka the Dames Aflame, at Variety Playhouse. Forget Elvis impersonators. “Big Mike” Geier don’t need no jumpsuit—his deep baritone voice, wide smile and signature charisma are more than enough to rival the stage presence of the undisputed King of Rock ‘n’ Roll, that is with that signature Geier twist. You’ll hear all the Presley hits with a sense of homage and humor, and some surprises along the way that Big Mike believes Elvis woulda sung had his life not been tragically cut short in 1977.

If you’re from Atlanta, skip on to the questions. If you’re new here or not from here, Big Mike has been big in Atlanta’s Retro revival scene since before we even knew we had one, and that’s not just because he’s six-foot-eight. He started performing in Richmond, Virginia, fronting the Useless Playboys, in 1989. That “swing noir” band attracted a national following and toured with Reverend Horton Heat, Southern Culture on the Skids and El Vez. But the Playboys also used to play here at the Star Bar so often it was hard to know he didn’t live here.

Mike Geier and wife Shannon Newton of the lovely Dames Aflame. Photo credit: David Stuart.

Then Big Mike came to Atlanta in 1995 to host the city’s first full neo-burlesque show, Go-Go and Torchy’s Taboo Revue, and he never left. Instead, he launched Kingsized—arguably Atlanta’s  best known and most popular swing band. In 2004, he started a Polynesian pop lounge band, Tongo Hiti, who are now Thurs. night regulars at Trader Vic’s downtown. Along the way he hooked up with burlesque troupe, Dames Aflame, led by his wife Shannon Newton. And that’s not to mention a slew of side projects, such as voiceover and music work for Cartoon Network and Puddles Pity Party, a cabaret clown act that recently toured with AQUA TEEN HUNGER FORCE LIVE.

So what do Big Mike, Kingsized and the Dames have in store at this year’s ELVIS ROYALE. Heck, let’s ask him…

You moved to Atlanta in 1995 at a very pivotal time for the Retro revival here. Obviously the opportunities have grown immensely here for performers who embrace a vintage style, but do you ever miss those more pioneering days? And do you have a favorite memory you’d like to share with those readers who were too young or moved here later?

I miss being able to fill up my 1960 Cadillac Coupe De Ville for $21. Gas was $1 a gallon! My favorite memory would be filling up my 1960 Cadillac Coupe De Ville for $21, then driving out past The Starlight Drive-In to Rio Vista for mountains of fried catfish and sweet tea with my super hot girlfriend who is now my super hot wife.

Can you talk a bit about the Elvis Royale’s humble origins and how it grew into the Vegas-style multimedia extravaganza it is today?

Imagine 350 people crammed in the Star Bar. It’s August and 80 degrees at 10 p.m. Everyone is chain-smoking and guzzling Rolling Rock. PBR’s ironic comeback is just beginning. The Grace Vault is where ya go to pay your respects to the King, among other things. Tim Lathrop used to perform the séance at midnight. The show didn’t even start until 11 o’clock. I had to move the show or else it would have killed me.

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This Week in Retro Atlanta, Aug. 1-7, 2011

Posted on: Aug 2nd, 2011 By:

Monday August 1

From 3 PM on, savor tropical sounds and libations, as well as a Polynesian dinner during Mai Tai Monday at Smith’s Olde BarKingsized and Tongo Hiti lead singer Big Mike Geier is Monday night’s celebrity bartender at Sister Louisa’s Church of the Living Room and Ping Pong ParlorNorthside Tavern hosts its weekly Blues Jam.

Tuesday August 2

Grab your horn and head to Twain’s in Decatur for a Joe Gransden jazz jam session starting at 9 PM. Crosstown All Stars play Southern rock and blues at Fat Matt’s Rib Shack. Notorious DJ Romeo Cologne spins ‘70s funk and disco at 10 High in Virginia-Highland. Catch Tues. Retro in the Metro nights at Midtown’s Deadwood Saloon, featuring video mixes of ’80s, ’90s and 2Ks hits.

Wednesday  August 3

Tennessee Tease Burlesque Invades the Cult Movie! combines two great Retro traditions on one stage at The Shelter. Doors are at 9, show at 10, and tickets are $10 to see this sexy troupe from Memphis which features titillating dancers, vocalists, comedians and fire performers.

The Beach BoysBrian Wilson sings solo at Classic Chastain tonight. Spend An Evening with Dolly Parton at Verizon Amphitheatre at Encore Park. MOTO, aka Masters of the Obvious, plays punk New Orleans style at Star Bar with Barreracudas and self-described “Cooter” rockers Tornado Town. It’s a soulful night when Ruby Velle Trio takes the stage at Eddie’s Attic. Get ready to rumba, cha-cha and jitterbug at the weekly Swing Night at Graveyard Tavern. Frankie’s Blues Mission bring the blues to Fat Matt’s Rib Shack and Danny “Mudcat” Dudeck blues it down at Northside Tavern respectively. Dance to ‘70s, ‘80s and ‘90s hits during Retro in the Metro Wednesdays presented by Godiva Vodka, at Pub 71 in Brookhaven. 

Thursday  August 4

Whiskey Belt.

It’s another honky tonk night at Star Bar with Whiskey Belt. Dirty Bourbon River Show fuses roots, blues, jazz, zydeco and more into something they call New Orleans gypsy folk circus rock at Twain’s. Frankie’s Blues Mission is at The Five Spot. Go Retro-Polynesian to Tongo Hiti’s luxurious live lounge sounds, as well as some trippy takes on iconic pop songs, just about every Thursday night at Trader Vic’s. Party ‘70s style with DJ Romeo Cologne at Aurum LoungeBreeze Kings and Chickenshack bring on the blues respectively at Northside Tavern and Fat Matt’s Rib Shack.Bluegrass Thursday at Red Light Cafe features alt-bluegrass Judge Talford Band.

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This Week in Retro Atlanta, July 25-31, 2011

Posted on: Jul 25th, 2011 By:

Monday July 25

From 3 PM on, savor tropical sounds and libations, as well as a Polynesian dinner during Mai Tai Monday at Smith’s Olde BarKingsized and Tongo Hiti lead singer Big Mike Geier is Monday night’s celebrity bartender at Sister Louisa’s Church of the Living Room and Ping Pong ParlorNorthside Tavern hosts its weekly Blues Jam.

Tuesday July 26

What’s in a name? Catchy coolness if you’re self-styled D.I.Y. rock ‘n’ roll band Swank Sinatra, playing tonight at Smith’s Olde Bar. Although their sound, fury and lyrics are inspired by Frank than “homeless people, pirates, ladies, shoes, ships, our hate of disco and breakfast.” Minor Stars and Kevin Dunbar Band open. Grab your horn and head to Twain’s in Decatur for a Joe Gransden jazz jam session starting at 9 PM. JT Speed plays the blues at Fat Matt’s Rib Shack. Notorious DJ Romeo Cologne spins the best ‘70s funk and disco at 10 High in Virginia-Highland. Catch Tues. Retro in the Metro nights at Midtown’s Deadwood Saloon, featuring video mixes of ’80s, ’90s, and 2Ks hits.

Wednesday  July 27

The Temptations and The Four Tops make it a mini-Motown reunion at Classic Chastain tonight. Get ready to rumba, cha-cha and jitterbug at the weekly Swing Night at Graveyard TavernDeacon Brandon Reeves bring the blues to Fat Matt’s Rib Shack and Danny “Mudcat” Dudeck blues it down at Northside Tavernrespectively. Dance to ‘70s, ‘80s and ‘90s hits during Retro in the Metro Wednesdayspresented by Godiva Vodka, at Pub 71 in Brookhaven.

Thursday  July 28

It’s a cinematic night of pure (& twisted) imagination for the whole family as The Atlanta Opera screens classic 1971 movie WILLY WONKA AND THE CHOCOLATE FACTORY starring Gene Wilder at The Atlanta Opera Center (1575 Northside Drive, NW, Bldg 300, Suite 350, Atlanta, GA 30318). Attendees may win two (golden?) tickets to the company’s production of THE GOLDEN TICKET, also based on the Roald Dahl novel, in March, 2012.

Henry Porter, named after a legendary Dylan quote, bring their Western swing on DMT to Kathmandu Restaurant & Grill in Clarkston. Or is that post-rock mindset with 70’s AOR hooks? Or songs that Iggy Pop might could sing? Or the Eagles with credibility? Or CCR meets XTC? Heck if they even know for sure, but you can find out for free and eat some tasty Asian vittles at the same time.

Classic Tulsa Sound piano man Leon Russell opens for legendary folk rocker Bob Dylan at Chastain Park Amphitheatre. Go Retro-Polynesian to Tongo Hiti’s luxurious live lounge sounds, as well as some trippy takes on iconic pop songs, just about every Thursday night at Trader Vic’s. Party ‘70s style with DJ Romeo Cologne at Aurum LoungeBreeze King and Chickenshack bring on the blues respectively at Northside Tavern and Fat Matt’s Rib Shack.Bluegrass Thursday at Red Light Cafe features The Burning Angels.

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This Week in Retro Atlanta, July 11-17, 2011

Posted on: Jul 12th, 2011 By:

Monday July 11

From 3 PM on, savor tropical sounds and libations, as well as a Polynesian dinner during Mai Tai Monday at Smith’s Olde BarKingsized and Tongo Hiti lead singer Big Mike Geier is Monday night’s celebrity bartender at Sister Louisa’s Church of the Living Room and Ping Pong ParlorNorthside Tavern hosts its weekly Blues Jam.

Tuesday July 12

It’s a full moon movie Tuesday as two 35 mm classics featuring creatures on the prowl return to the big screens of Atlanta two most Retro cinemas. Elizabeth Taylor slinks like A CAT ON A HOT TIN ROOF at the Fabulous Fox Theatre. Read Dean Treadway‘s review of the 1958 film based on the Tennessee Williams play of the same title, also starring Paul Newman and Burl Ives here, and be sure to be there by 7 p.m. for the Mighty Mo‘ organ singalong, cartoon and vintage newsreel. Then at 9:30 p.m. at The Plaza, Splatter Cinema presents AN AMERICAN WEREWOLF IN LONDON, the 1981 John Landis-directed cult favorite that introduced audiences to the full-body monster transformation with special make-up effects. Read Philip Nutman‘s review here.

Sultry and sexy ’80s torch-singer Sade performs with John Legend at Philips Arena. Grab your horn and head to Twain’s in Decatur for a Joe Gransden jazz jam session starting at 9 PM. JT Speed plays the blues at Fat Matt’s Rib Shack. Notorious DJ Romeo Cologne spins the best ‘70s funk and disco at 10 High in Virginia-Highland. Catch Tuesday Retro in the Metro nights at Midtown’s Deadwood Saloon, featuring live video mixes of ’80s, ’90s, and 2Ks hits.

Wednesday  July 13

Sade plays a second night with John Legend at Philips Arena. Vocalist Boz Scaggs sings American classics from Gershwin to Rodgers and Hart at Classic Chastain with former Doobie Brother Michael McDonald. Get ready to rumba, cha-cha and jitterbug at the weekly Swing Night at Graveyard Tavern. Deacon Brandon Reeves bring the blues to Fat Matt’s Rib Shack and Danny “Mudcat” Dudeck blues it down at Northside Tavernrespectively. Dance to ‘70s, ‘80s and ‘90s hits during Retro in the Metro Wednesdays presented by Godiva Vodka, at Pub 71 in Brookhaven.

Thursday  July 14

The Craigger White Band bring back the spirit of ’70s rock at Kathmandu Restaurant & Grill in Clarkston. All Thursday shows at the Vietnamese restaurant are free and all-ages. Go Retro-Polynesian to Tongo Hiti’s luxurious live lounge sounds, as well as some trippy takes on iconic pop songs, just about every Thursday night at Trader Vic’s. Party ‘70s style with DJ Romeo Cologneat Aurum LoungeBreeze Kings and Chickenshack bring on the blues respectively at Northside Tavern and Fat Matt’s Rib Shack.Bluegrass Thursday at Red Light Cafe features Hunger Valley Boys.

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This Week in Retro Atlanta, June 27-July 3, 2011

Posted on: Jun 27th, 2011 By:

Just five months after quietly launching ATLRetro the last weekend of January, we’re up to our 100th post, blushing after a rockin’ review from Scoutmob, and averaging nearly 4,000 hits a month! Thanks, dear readers, for your support, and we hope you’ll stick around for an exciting site revamp in July featuring a mighty swell new logo courtesy of that swingin’ kat Derek Yaniger and new regular features on Retro restaurants, cocktails and vintage shopping.

Mike Geier and one of the lovely Dames Aflame.

Monday June 27

From 3 PM on, savor tropical sounds and libations, as well as a Polynesian dinner during Mai Tai Monday at Smith’s Olde BarKingsized and Tongo Hiti lead singer Big Mike Geier is Monday night’s celebrity bartender at Sister Louisa’s Church of the Living Room and Ping Pong ParlorNorthside Tavern hosts its weekly Blues Jam.

Tuesday June 28

Grab your horn and head to Twain’s in Decatur for a Joe Gransden jazz jam session starting at 9 PM. Fedora Blues is at Fat Matt’s Rib Shack. Notorious DJ Romeo Cologne spins the best ‘70s funk and disco at 10 High in Virginia-Highland. Catch Tuesday Retro in the Metro nights at Midtown’s Deadwood Saloon, featuring live video mixes of ’80s, ’90s, and 2Ks hits.

Wednesday  June 29

Get ready to rumba, cha-cha and jitterbug at the weekly Swing Night at Graveyard TavernThe Hollidays bring a little soul to Fat Matt’s Rib Shack and Danny “Mudcat” Dudeck blues it down at Northside Tavern respectively. Dance to ‘70s, ‘80s and ‘90s hits during Retro in the Metro Wednesdays presented by Godiva Vodka, at Pub 71 in Brookhaven.

Thursday  June 30

You don’t need a golden ticket to enter in a world of Gene Wilder‘s imagination courtesy of trippy 1971 kids classic WILLY WONKA AND THE CHOCOLATE FACTORY, this week’s movie at Piedmont Park‘s Screen on the Green.

Uncle Daddy & the Kissin’ Cousins get Twain’s a hoppin’, hillbilly style. Self-described Atlanta “modern retrobilly” band The Serenaders swing at Kathmandu Restaurant & Grill in Clarkston. All Thursday shows at the Vietnamese restaurant are free and all-ages. Go Polynesian to Tongo Hiti’s luxurious live lounge sounds, as well as some trippy takes on iconic pop songs, just about every Thursday night at Trader Vic’s. Party ‘70s style with DJ Romeo Cologne at Aurum LoungeBreeze Kings and Chickenshack bring on the blues respectively at Northside Tavern and Fat Matt’s Rib Shack.Bluegrass Thursday at Red Light Cafe features Kris Youmans & the DC-3’s.

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This Week in Retro Atlanta, June 20-26, 2011

Posted on: Jun 20th, 2011 By:

Monday June 20

Swing to Joe Gransden, trumpet player extraordinaire, and his 16-piece orchestra during Big Band Night at Cafe 290 on the first and third Monday of every month. From 3 PM on, savor tropical sounds and libations, as well as a Polynesian dinner during Mai Tai Monday at Smith’s Olde Bar. Kingsized and Tongo Hiti lead singer Big Mike Geier is Monday night’s celebrity bartender at Sister Louisa’s Church of the Living Room and Ping Pong Parlor. Northside Tavern hosts its weekly Blues Jam.

Tuesday June 21

Grab your horn and head to Twain’s in Decatur for a Joe Gransden jazz jam session starting at 9 PM. Fedora Blues is at Fat Matt’s Rib Shack. Notorious DJ Romeo Cologne spins the best ‘70s funk and disco at 10 High in Virginia-Highland. Catch Tuesday Retro in the Metro nights at Midtown’s Deadwood Saloon, featuring live video mixes of ’80s, ’90s, and 2Ks hits.

Wednesday June 22

It’s an all-star night of jazz and swing at the Star Bar with Nat King Coal Miners, a dynamic new jazz trio made up of three seasoned musicians, February ATLRetro Kool Kat Spike Fullerton (Ghost Riders Car Club) on guitar, Matt Wauchope (Blair Crimmins & the Hookers) on piano and blues man Dave Roth (Burnt Bacon). Read more about them in a sneak preview with Spike Fullerton posting soon.

Chris Isaak may not have that perfect pompadour anymore but you can see him still shaking up alt-rock with that modern Sinatra vibe tonight at in the Classic Chastain series. Get ready to rumba, cha-cha and jitterbug at the weekly Swing Night at Graveyard Tavern. The Hollidays bring a little soul to Fat Matt’s Rib Shack and Danny “Mudcat” Dudeckblues it down at Northside Tavern respectively. Dance to ‘70s, ‘80s and ‘90s hits during Retro in the Metro Wednesdays presented by Godiva Vodka, at Pub 71 in Brookhaven.

Thursday June 23

Expect “shimmies, shakes, glitter, glamour and, of course, tassels” as the burlesque beauties of Minette Magnifique take to the stage tonight in a new show titled Prohibition Exhibition *Making the Illicit Explict* at The Warren City Club. Read the ATLRetro Kool Kat profile of Shellie Schmals, aka Baroness VONSchmalhausen here.

In Conversations with Contemporary Artists: Radcliffe Bailey, the world-renowned artist discusses his work with diverse media in the new exhibition MEMORY AS MEDICINE, which opens Sun. June 26 and runs through Sept. 11 at High Museum of Art. Take a tour with the provocative artist in this week’s Kool Kat here.But you won’t find anything more effective than Buy Klonopin Online at all. Tickets to the talk at the Woodruff Arts Center’s Rich Auditorium are free but limited to two per person, and advance reservations are recommended at (404) 733-5000.

Tongo Hiti

Classic horror (James Whale’s 1931 FRANKENSTEIN featuring Boris Karloff vs Hitchcock’s 1963 THE BIRDS) is the theme for viewer’s choice night at Piedmont Park‘s Screen on the Green. Listen to Tongo Hiti’s luxurious live lounge sounds, as well as some trippy takes on iconic pop songs, just about every Thursday night at Trader Vic’s. Alt-country act McNary plays Kathmandu Kitchen & Grill (formerly Pho Truc) in Clarkston. All shows are no cover charge, no smoking and all ages. Party ‘70s style with DJ Romeo Cologne at Aurum Lounge. Breeze Kingsand Chickenshack bring on the blues respectively at Northside Tavern and Fat Matt’s Rib Shack.Bluegrass Thursday at Red Light Cafe features Curtis Jones & Friends.

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This Week in Retro Atlanta, June 13-19, 2011

Posted on: Jun 13th, 2011 By:

Monday June 13

From 3 PM on, savor tropical sounds and libations, as well as a Polynesian dinner during Mai Tai Monday at Smith’s Olde Bar. Kingsized and Tongo Hiti lead singer Big Mike Geier is Monday night’s celebrity bartender at Sister Louisa’s Church of the Living Room and Ping Pong ParlorNorthside Tavern hosts its weekly Blues Jam.

Tuesday June 14

Watch Dennis Hopper battle crazed redneck cannibals as Splatter Cinema presents THE TEXAS CHAINSAW MASSACRE 2 at the Plaza Theatre tonight at 9:30 PM. Read Geoff Slade‘s bloody review here.  Hear UK ’70s hard rock band Uriah Heap at Variety Playhouse. Attend the Atlanta launch of THE SWEETEST THING, a novel about two remarkable women during the Great Depression, by award-winning writer Elizabeth Musser, author of The Swan House, at the Atlanta History Center. Grab your horn and head to Twain’s in Decatur for a Joe Gransden jazz jam session starting at 9 PM. Notorious DJ Romeo Cologne spins the best ‘70s funk and disco at 10 High in Virginia-Highland. Catch Tuesday Retro in the Metro nights at Midtown’s Deadwood Saloon, featuring live video mixes of ’80s, ’90s, and 2Ks hits.

Wednesday  June 15

It’s only halfway through the work week, but Syrens of the South Productions are ready to make it go a little faster with Hump Day Honeys, a weeknight burlesque show at The Shelter featuring both local favorites, such as Katherine Lashe and Kittie Katrina, as well as hot out-of-town guests such as Burlesque Nouveau from Greensboro, NC. Shows start promptly at 10 PM, end at midnight, and include a raffle to benefit the Southern Fried Burlesque Fest. Get ready to rumba, cha-cha and jitterbug at the weekly Swing Night at Graveyard TavernThe Hollidays bring a little soul to Fat Matt’s Rib Shack and Danny “Mudcat” Dudeck blues it down at Northside Tavern respectively. Dance to ‘70s, ‘80s and ‘90s hits during Retro in the Metro Wednesdays presented by Godiva Vodka, at Pub 71 in Brookhaven.

Thursday  June 16

Slim Chance & the Convicts

Slim, Dangerous Dan and Tony Drummer reunite for the first time in five years and replay their very first set from June 4, 1986 to celebrate The 25th Anniversary of Slim Chance & the Convicts at Kathmandu Kitchen & Grill (formerly Pho Truc) in Clarkston. Opening for the Redneck Underground icons is Spooky Partridge. No cover charge, no smoking and all ages!

Beloved Atlanta chanteuse Libby Whittemore returns to Actor’s Express for a four-day run (June 16-19) of LISA & LIBBY’S SUMMER CAMP, joining singer Lisa Paige and musical director/accompanist Robert Strickland for a summer-themed new installment to the Libby’s at the Express series. The show combines standards, Broadway tunes, and more, and in the second act, the 31st Lady of Country Music Connie Sue Day. Shows start at 7:30 PM. Relive the pangs and pleasures of ’80s high school romance via John Hughes’ 1984 hit SIXTEEN CANDLES at Piedmont Park‘s Screen on the Green. Listen to Tongo Hiti’s luxurious live lounge sounds, as well as some trippy takes on iconic pop songs, just about every Thursday night at Trader Vic’s. Party ‘70s style with DJ Romeo Cologne at Aurum LoungeBreeze Kings and Chickenshack bring on the blues respectively at Northside Tavern and Fat Matt’s Rib Shack.Bluegrass Thursday at Red Light Cafe features He Sang She Sang and Hopfrog.

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Weekend Update, June 3-5, 2011

Posted on: Jun 3rd, 2011 By:

Be sure to check out this Weekend Update even if you read This Week in Retro Atlanta for even more great vintage-inspired things to do on a very busy Retro weekend.

Friday, June 3

The 4th Annual Psychobilly Freakout Revival swings into action at the Star Bar as Rev. Andy Hawley gathers up some of Atlanta’s best bands in the genre, including  Rocket 350, McPherson Struts, and Hard Luck and TroubleLoysville Atlanta will also be there selling her delightful Dia De Los Muertos-inspired wares.

Hey, hey, it’s The Monkees 45th Anniversary Tour starting up this summer’s Delta Classic Chastain Series. Reggae legends Toots and the Maytals plays Variety PlayhouseJoe Gransden and his 16-piece big band team up with blues chanteuse Francine Reed at Eddie’s AtticAtlanta Botanical Garden launches its Concerts in the Garden summer series with blues guitarist extraordinaire Jonny LangCallanwolde’s Jazz on the Lawn 2011 summer outdoor series begins with high-powered jazz by Nick Longo. Electromatics merge Chicago/West Coast Blues, Blue Eyed Soul and an essence of Standard Jazz and Sinatra at Fernbank Museum of Natural History’s Martinis and IMAX.

Plus the 15th Annual Atlanta Tattoo Festival gets rolling at Crowne Plaza Hotel Atlanta-Perimeter Northeast. The three-day event presented by Sacred Heart Tattoo attracts thousands to see world-class artists, live tattooing, seminars, contest, unique vendors, and live music.

Saturday June 4

During the day, browse and buy art, eat and listen to live music at Virginia-Highland Summerfest, a street festival in one of Atlanta’s historic neighborhoods. The whole family will enjoy a vintage Locomotive Celebration at the Southeastern Railway Museum. The 15th Annual Atlanta Tattoo Festival continues with a bikini contest at 6 PM and live music by Six Shot Revival, Killer and the Savage with Cool Breeze from the Dungeon Family, and Kadense.

At night, The Official Monster Bash Pre-Party rocks the Star Bar. Get revved up for a horror-ific Sunday at the Starlight Six Drive-In with bands MC45’s (The Forty-Fives all MC5 set)BitersBoozeThe CluttersThe Brimstones from New Jersey and Dusty Booze & the Baby Haters.

Andrew & the Disapyramids, featuring recent Kool Kat Joshua Longino, will be surfing it up with Fishhawk and Modern Paranoia at the Drunken Unicorn. Bluegrass meets rockabilly with a punk attitude at Highland Inn Ballroom Lounge tonight in a triple-header show featuring Hymn for HerI Want Whisky and Barebones BettiesBareknuckle Betties playing as a duo with pal Johnny McGowan. DJ Romeo Cologne transforms the sensationally seedy Clermont Lounge into a ’70s disco/funk inferno.

Andrew & the Disapyramids

Sunday June 5

Gates open at 10 am at Starlight Six Drive-In for the 2011 Rock ‘n’ Roll Monster Bash. The all-day party is a Retro horror fan’s righteous nightmare with live music, vendors and movies. Bands this year are Super X-13Brimstones, LUSTRadio Cult and Spooky Partridge. At dusk, the reels roll with GODZILLA 2000, RINGU and crazed J-horror classic HOUSE. Check out a scary sneak preview from Kool Kat of the Week and “Horror Host with the Most” Professor Morte himself Shane Morton here.

Legendary blues performers BB King and Buddy Guy begin the Georgia Natural Gas series at Chastain Park AmphitheatreNathan Nelson & His Entertainment Crackers headline blues “dunch” between 1 and 4 PM at The Earl. Also continuing today is Virginia-Highland Summerfest and the vintage Locomotive Celebration at the Southeastern Railway Museum.

Opening this weekend:

MODERN BY DESIGN, the High‘s newest special exhibition opening on Sat. June 4, celebrates three key moments in modern design and also the Museum of Modern Art, New York‘s (MOMA) collection history. The works on loan from MODA cover “Machine Art” (1934), “Good Design” (1950-55) and “Italy: The New Domestic Landscape” (1972), with the latter addressing modernism in the context of 1960s and ’70s counterculture.

The ever irreverent Dad’s Garage Theatre takes a stab at the ’80s horror genre of camp slasher films in SLAUGHTER CAMP about a homicidal maniac terrorizing a theatre camp. June 2-25 on the main stage.

Get a rare chance to view original manuscript pages from the last four chapters of ATLANTA’S BOOK: THE LOST GONE WITH THE WIND MANUSCRIPT at the Atlanta History Center. The new exhibit, which opens today and runs through Sept. 5, is part of a series of activities celebrating the 75th anniversary of the publication of the international bestseller and also includes foreign and first edition copies, the desk Margaret Mitchell used while writing it and select images.

Ongoing:

See the original images which inspired Ray Harryhausen‘s amazing stop-motion cyclops, centaurs and other mythological beasts in the special exhibition, MONSTERS, DEMONS AND WINGED BEASTS: COMPOSITE CREATURES IN THE ANCIENT WORLD at the Michael C. Carlos Museum at Emory University. The exhibition of monstrous art, drawn from the museum’s permanent collections, shows how the ancient Greeks were inspired by other Middle Eastern cultures in developing a vast repertoire of richly imagined creatures.

Tune back in on Monday for This Week in Retro Atlanta. If you know of a cool happening next week, send suggestions to ATLRetro@gmail.com.


 

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