ATLRetro’s Throwback to the 20th Century St. Valentine’s Day Guide 2016 – Our Top Picks for Gettin’ Comfy With Cupid, Retro-Style!

Posted on: Feb 10th, 2016 By:

by Melanie Crew
Managing Editor

Hey all you dapper fellas and glitzy gals! Cupid got your tongue? “Be Mine”, vintage-style this year and celebrate all that is vintage and Valentine’s in Retro Atlanta! Get romantic, retro-style and see what we have in store for you during this week of love and saucy seduction!2.14Venkman's

1. Crooners and Red Hot Jazz. Swing on by The Earl Smith Strand Theatre for Douglas Cameron’s 17-piece Big Band at 8pm (Feb. 12)! Rat Pack Now croons on down to the Red Clay Theatre (Feb. 12 at 8pm; Feb. 13 at 1:30pm)! Or jazz it up during the Emory Jazz Fest’s Big Band Night at the Schwartz Center for Performing Arts, featuring the Gary Motley Trio (Feb. 13) and includes free admission; performance at 8pm. Get lovey-dovey at Rialto Center for the ArtsValentine Love Concert featuring Michael Henderson, The Dramatics and Jean Carne, from 7-9pm (Feb. 14)! Venkman’s begins the day with their Valentine’s Day Brunch with the Higher Ground Jazz Duo, and follows that up with a Valentine’s Day Dinner featuring classical jazz with Le Grand Fromage and an a la carte menu prepared by Chef Nick Melvin (Feb. 14)! The Fox Theatre gets some soul and jazzes it up with their Valentine Celebration for Lovers & Friends featuring El DeBarge and Ken Ford (Feb. 14)!

12509808_10153171444695044_6348372291262665029_n2. Blackhearts Unite. It’s a night of murder ballads made popular by Nick Cave, Tom Waits, Nirvana and a whole lotta’ bloody maniacal mayhem at The Earl with their second annual Bloody Valentine’s event, featuring Kool Kat Aileen Loy with Till Someone Loses an Eye; circus shenanigans with The Thimberling Circus and more bloody romantic fun (Feb. 11)! Boogie down at The Star Bar’s Blackheart’s Ball, featuring The Midnight Larks, Shantih Shantih, Coma Girls, and Emily Marie Palmer & Kool Kat Jeffrey Butzer (Feb. 13)! Hey all you Kool Kittens and Kinky Kats! Grab your favorite guy or gal and rock on down to The Earl for their Sadie Hawkins Dance: Valentine’s Day Rock Show/Women’s Shelter Benefit featuring performances by Hymen Moments, Hank & Cupcakes, StarBenders and Kool Kat Kate Jan with SEX BBQ (Feb. 14)!12509526_950773688321079_8299033307681823085_n

3. Oh là là! Get sinfully seductive at 7 Stages during Kool Kat Katherine Lashe and the burly-Q gals of Syrens of the South’s 9th Annual Vixen’s Valentease Vaudeville & Variety Show (Feb. 12)! The Famous Pub welcomes you to the Spectacular! Come see what’s behind the red curtain at RITUAL’s Moulin Rouge Valentine’s Day Ball featuring The Black Sheep Ensemble and more! $10 gains entrance to this exciting extravaganza starting at 10pm (Feb. 12)! Or shimmy on down to the Shakespeare Tavern for Hearts A’Blaze Entertainment’s Pantheon of Divini-TEASE with Kool Kat Talloolah Love, Kool Kate Persephone Phoenix and more! (Feb. 13). Get a little naughty this Valentine’s Day at Paris On Ponce with Valentine’s Mischief with Madeline featuring a little jazzy cabaret with Suzy Sazerac & the Peels and Cat Vigor’s burly-Q troupe, Cat’s Kittens (Feb. 13)!

4. It’s Boogie Time. Boogie down because FUNKY GOOD TIME is coming to Aisle 5 for their Funky Good Time Valentine’s Dance bringing you the best Funk, Soul, Disco, Latin, Boogie, and R&B love songs on some piping 2.11Highlanderhot vinyl (Feb. 13)!

5. Art, Comedy & Theatre, OH MY! Blackhearts and anti-V-day miscreants, rock on down to The Highlander for their Broken Hearts & Bloody Valentines Art Show, delivering a night of multi-media art, including our pal Kool Kat Chris Hamer of Urbnpop and so much more (Feb. 11)! The Highwire Comedy Co. presents their Happy Valentine’s Day Mr. President comedy show at the Highland Inn Ballroom Lounge (Feb. 12)! The Red Light Café presents two THE VAGINA MONOLOGUES Valentine’s performances, benefitting One Billion Rising at 8pm (Feb. 12 & Feb. 13) at 8pm! Dig up some swell goodies for your sweet/blackheart and make your way to My Parents’ Basement for The Valentine’s Day Bizarre Bazaar featuring 13 local artists and designers, including Kool Kat Chris Hamer of Urbnpop, from 1-5pm (Feb. 13)! The Center for Puppetry Arts presents their Valentine’s Date Night (adults-only) with puppet shenanigans and complimentary desserts (Feb. 13)! The Cobb Energy Performing Arts Center transforms into a Parisian bohemian cabaret as the Atlanta Ballet presents “Moulin Rouge: The Ballet”, shaking a tail at 8pm (Feb. 13)!2.12ParkTavern

6. Medieval & Classic. And for all you knights in shining armor, get really retro and romantic with the royal one in your life and joust on down to Medieval Times for their Valentine’s Day Couples Package! $99 gets you 2 admissions, a photo, Valentine’s scroll, champagne in keepsake glasses, a light up rose and 2 admissions to the dungeon! Get classically romantic at Atlanta Symphony Hall as they present their Be Mine performance, featuring songs from the greatest young romances in classical music; Bizet’s “Carmen”; Puccinni’s “La Boheme” and more!

7. Groovin’ Up Slowly. Be a smooth operator and sail on down to Park Tavern in Piedmont Park for Valentine’s Day Eve-Eve (Feb. 12) with Yacht Rock Schooner! It’ll be an evening of smooth 70s and 80s love songs, so put on Casablancayour dancin’ shoes and come aboard! Doors at 7 pm! ATL Collective presents Sade’s “Love Deluxe” at Venkman’s (Feb. 13)! $15 advance/$20 door. Doors at 9:30pm.

8. Lovin’ on the Silver Screen. ‘Here’s looking at you kid!’ Take a peek at love and romance Old Hollywood-style at The Strand Theater as they screen Michael Curtiz’s classic romantic drama, CASABLANCA (1942), starring Humphrey Bogart and Ingrid Bergman at 8pm. Live organ pops variety show and sing-along featuring The Strand’s Mighty Allen Theatre Organ at 7:30 p.m. Tickets are $8 for adults and $7 for students, seniors, and military (Feb. 13).

9. Cupid’s Culinary Delights! Hula on over to Trader Vic’s and escape into the island atmosphere of love with their Tropical Valentine’s Day special entrée, Hong Kong Sea Bass at $35/person (Feb. 13 & 14). Have a bloody fantastic time and snag a few tasty morsels during Blast-Off Burlesque’s Cardiac Arrest: Eat Your Heart Out Bake Sale at the Euclid Avenue Yacht Club from 1-5pm (Feb. 14). 2.14EAYC

10. We Goth You Covered. For the darkly romantic, The Oakland Cemetery offers their Love Stories Tour, complete with tales of loves past led by a Victorian-era clad docent. Tours last an hour, just long enough to meet a kindred spirit or even a new love! Get loved to death while traversing the land of passionate souls longing for love. Tours haunt 3-5pm! $16 adults/$10 students (Feb. 13 & Feb. 14)! Or for a pre-Valentine’s event (Feb. 11) get your bloody heart ripped out at Mary’s for their Goth Nite St. Valentine’s Massacre event! It’ll be a Goth throw down featuring classic Goth rock, synth pop, post-punk and even tunes from the New Romantic era!

 

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Rockin’ Retro Guide to Dragon Con 2015

Posted on: Sep 3rd, 2015 By:

dragonconBy Claudia Dafrico
Contributing Writer

As the famed pop culture extravaganza that is Dragon Con takes over downtown Atlanta once again this Labor Day weekend, one has to think: where to even begin? In between countless meet and greets, discussion panels, vendors, and amazing cosplays to ogle at, it seems impossible to do everything Dragon Con has to offer in just four days. ATLRetro is here with our top picks to help you get your nerdy Retro fix without short circuiting from overstimulation.

GUESTS

carollspinney_2CAROLL SPINNEY. The legendary muppeteer behind everyone’s favorite SESAME STREET resident, Big Bird, will be speaking at the Imperial Ballroom in the Marriott Marquis Atlanta on Saturday at 2:30 P.M.  This is a must-do for any con-goer, child or adult, that grew up with Big Bird and his neighbors.

PETER MAYHEW. With STAR WARS: THE FORCE AWAKENS approaching at near-light speed, the hype for the new film has reached peak levels. Be at the Mariott Imperial Ballroom Sunday at 4:00 P.M. to hear Peter Mayhew, the actor behind beloved Chewbacca, talk about the new installment in the saga and his experience appearing in all three STAR WARS trilogies.

brianBARRY BOSTWICK. If you’re one of many that have spent weekends past midnight with Dr. Frank N Furter and freinds, you’ll definitely want to make your way over to the Hyatt Regency Atlanta on Friday at 1:00 P.M. to catch up with Barry Bostwick, aka Brad Majors, from THE ROCKY HORROR PICTURE SHOW (1975), and see why he  was compelled to audition for the film. Also catch him at Lips Down on Dixie’s live performance accompanying RHPS at 1:30 A.M. on Sunday in the Hyatt Centennial Ballroom.

TERRY JONES. Terry Gilliam has been a guest at a couple of DragonCons. Now we get the other Monty Python Terry. What’s he best known for? Well, here’s a hint: “Spam! Spam! Spam! Spam! Spam! Spam!” Here him share his Python memories and more on Sunday at 11:30 A.M.. and he presents Terry Jones: A Very Naughty Boy Live!” about the making of LIFE OF BRIAN (1979) on Monday at 10 A.M., both in the Sheraton Atlanta’s Grand Ballroom.

300208_271920342839242_789821841_nCOMIC & POP ARTIST ALLEY

DEREK YANIGERIf the art of perpetual Kool Kat Derek Yaniger looks familiar, it’s probably because you can see it at the top of this article. Derek designed ATLRetro’s fabulous logo. Stop by his booth to get your fix of rockabilly, tiki and more in a sea of fantasy and steampunk.

PANELS

2001THE HISTORY OF PULP FICTION. Science fiction, fantasy, horror, weird fiction, adventure, noir. They all appeared in the pages of pulp magazines so it makes sense that Pulp Fiction has its own panel. Join fellow pulp lovers in a discussion of Pulp’s fascinating past and exciting future. (Sun. 10 AM; Augusta 3, Westin Peachtree Plaza Hotel)

PEE-WEE’S BIG ADVENTURE: WE KNOW YOU ARE. There is perhaps no movie that is quite as quotable as Tim Burton’s classic PEE-WEE’S BIG ADVENTURE (1985) With a reboot rumored to be in the works, be sure to celebrate  the original on its 30th anniversary. Tell ‘em Large Marge sent ya! (Sun 10 PM; M303-M303, Atlanta Marriott Marquis)

2001: A SPACE ODYSSEY REUNION. Since its premiere in 1968, Stanley Kubrick’s sci-fi epic has bewitched viewers of all generations. Two of the film’s stars, Keir Dullea and Gary Lockwood, reunite to reminisce on the unbelievably unique experience they had performing in this landmark film. (Fri. 1 PM, Sat. 5:30 PM; Grand Ballroom East, Hilton Atlanta)

CHRISTOPHER LEE & LEONARD NIMOY: CLASSIC SCI FI LEGENDS. 2015 saw the loss of two of the most talented actors the Sci-Fi and Horror genres have ever known. Join other fans to celebrate the lives of Leonard Nimoy and Sir Christopher Lee, whose contributions to pop culture will never be forgotten. (Sat. 5:30 PM; M303-M304, Atlanta Mariott Marquis)

hieberCTHULHU: NEW SPINS ON OLD MYTHOS. Everyone’s favorite Elder One has resurged in popularity in the past few years, and it looks like it is here to stay. Stop by to hear the experts explain how and why Cthulhu “works” in today’s world of pop culture, and where he’s headed in the years to come. (Fri. 7 PM; Peachtree 1-2, Westin Peachtree Plaza)

EXPLOITATION! In what might end up being the most entertaining and liveliest panel at Dragon Con, panelists and fans will gather to celebrate exploitation and cult films and all the revelry they bring. A late night panel for a late night crowd. (Fri. 10 PM; Peachtree 1-2, Westin Peachtree Plaza)

HISTORICAL HORROR. ATLRetro’s own Anya Martin will be moderating this panel, which will discuss and analyze the role history plays in horror fiction and how historical settings can bring new life (or death) to a story. Other panelists include Chelsea Quinn Yarbro, Leanna Renee Hieber, Kenneth Mark Hoover and L. Andrew Cooper. (Sun. 11:30 AM; Peachtree 1-2, Westin Peachtree Plaza)

PARTIES

9.6(2)PIN UPS BY THE POOL. Who doesn’t love mermaids? Come see Dragon Con’s finest sea sirens compete for the grand prize, and join in on the fun by channeling your inner pin up for some poolside glam. (Fri. 8:30 PM; Sheraton Atlanta)

SUITS, SINATRA & STAR WARS. In wonderful Dragon Con fashion, two fabulous themes (the STAR WARS saga and the Rat Pack) have been combined to create what promises to be a swingin’ night for all. Dancing with a wookie to a Sinatra song is the best kind of night one can have, after all. (Fri. 10 PM; A601-A602, Marriott Marquis Atlanta)

MONSTER MASH FOR CHARITY. Halloween may be over a month away, but that doesn’t mean you can’t break out your Dracula fangs and Frankenstein bolts early. And the best part of this classic monsters graveyard smash? It’s all for a good cause! (Fri. 10 PM; Regency VI-VII, Hyatt Regency Atlanta)

MECHANICAL MASQUERADE. Go really retro Steampunk style at the Artifice Club‘s annual four-hour bash, orchestrated by Kool Kat Dr. Q and always a Dragon Con highlight. The theme this year is “Dystopia A Dark Future to Remember.” ( Sun. 10 PM;Peachtree Ballroom, Westin Peachtree Plaza)

BURLESQUE

9.5(2)DRAGONCON BURLESQUE: A GLAMOUR GEEK REVENUE-Burlesque is a Dragoncon staple; no Labor Day weekend would be complete without at least one show. Stay up late Saturday night to get a chance to check out Kool Kat Taloolah Love and the rest of the lovely ladies and mayhaps lads, too, of D-Con burlesque; they’re sure to put on a show that brings down the house. (Sun. 12:00 AM; Reg. VI-VII, Hyatt)

To check out the complete Dragon Con schedule, download the Pocket Program and/or app at www.dragoncon.org

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Kool Kitten of the Week: One Gorgeous Gamble: Roula Roulette Puts Theater Back Into Tease in PASSIONS: A BURLESQUE DEVOTIONAL and Beyond

Posted on: Jul 30th, 2014 By:

Roula Roulette. Photo credit: Ginger Snaps Photography. Hair and make-up by Roula Roulette.

At PASSIONS: A BURLESQUE DEVOTIONAL this Saturday Aug. 2 at  11:30 p.m. at the New American Shakespeare Tavern, audiences will have the opportunity to worship the female body through the lens of a divine Retro art form. The show is the first production from Hearts Ablaze Entertainment, a collaboration between two of the Atlanta burlesque scene’s most notorious stars, Talloolah Love and Persephone Phoenix (read their own Kool Kat profiles here and here). The line-up also includes Kool Kats Southern Fried Burlesque Fest Queen of 2013 Lola LeSoleil (check out her Kool Kat here) and Ursula Undress, headmistress of the Atlanta School of Burlesque (Kool Kat here), and Roula Roulette, this week’s Kool Kitten. Yes, so much happening this weekend in ATLRetro that we couldn’t resist double trouble in Kool Katland!

Roula is a great example of the new talent graduating from The Atlanta School of Burlesque. But she’s no stranger to live performance. Prior to moving to Atlanta in 2013, she earned an MA in theatrical production and traveled the East Coast working behind the scenes at well known Opera houses and theater festivals. Her burlesque resume already includes acts for Kool Kat Katherine Lashe‘s Syrens of the South Productions, Glittering Moon Productions and Southern Fried Burlesque Fest, as well as teaching at the Atlanta School of Burlesque. And she also will be gracing the stages of the Syrens’ 7th Anniversary Show on Sunday Aug. 3 at 7 Stages and at DragonCon this year!

ATLRetro caught up with her recently to find out more about her own passion for burlesque, as well as what she has planned for PASSIONS and beyond!

ATLRetro: What’s your secret origin story and how did you get your name?

Roula Roulette: I’ve always been involved in the theater community and what is burlesque if not theater? I traveled a lot after I got out of grad school, so when I moved to Atlanta I really wanted to create but on my own terms. I work, so joining a theater and doing live shows was not something that I wanted to commit my time to. I remember telling my friends that I was really interested in trying to get into burlesque. Then a few weeks later the school opened literally across the street from me. It was kismet!

My name is really a conglomeration. I’ve always loved alliteration, and I also wanted to be cognizant of picking a name that defined me without labeling me. Roulette was perfect for obvious reasons, it gives me the freedom to explore all facets of my art, it’s a game of chance for my audiences. Roula is akin to Mary, which was my mother’s name and so it holds a special place for me. Depending on the translation, it can also mean rebellious. And we’re all here to defy the norm, right?

Who are three burlesque performers, legends and/or contemporary, who inspire you and why?

Historically I was always enamored of Gypsy Rose Lee and Lydia Thompson. Both were women who were pioneers of their own right in the theatrical arena, and I knew and loved them long before I understood burlesque in such a personal sense. But it’s hard to really label any particular legend a single inspiration as they all inspire me to some degree with their innovation, class and relentless drive to make art. Locally I find myself inspired by the women that I teach with at the Atlanta School of Burlesque. There is such a diverse community that they each inspire me in their own way. I know I cheated that question a little bit.

Photo credit: LegsUp! Pinup, Winston Jeffrey, with hair and make-up by Roula Roulette

That’s so hard! But I think up to this date my favorite performances have been the birthday parties of our local performers. Never have I felt so safe to explore my art than I do when we are doing a private party for another sparkle sister/brother. There is so much love and support in the room, it’s intoxicating!! It really provides a safe environment to really explore who you are and to give your sparkle family a glimpse at your vulnerability.

Can you tell us a little about PASSIONS this weekend and why are you personally excited to be performing in it?

The show this weekend is packed with some of the best talent that Atlanta has to offer. These women inspire me everyday to think bigger, be better and try harder. For me, a lot of  it has to do with the venue. I feel like burlesque is going back to its roots. The Shakespeare Tavern is as close as we’re going to get to what it was like to be a burlesque or variety performer in the formative years when there was still a vaudeville feel . So to be doing our art in a space that can be viewed as historical to our art is really very exciting.

What can you tease us about your own performance?

For most of the show I’ll be backstage running operations, but you will see me onstage at the end of the show. All I can say about that is that I’m so fortunate to be sharing the stage with some of the most beautiful women I know. It’s also very musical theateresque, which I LOVE. So you really don’t want to miss it. Ursula Undress is an amazing choreographer.

The burlesque revival really seems to have come of age, and there’s a very vibrant scene in Atlanta. Do you find it an dynamic and energizing time to be performing? What excites you the most?

I do! I know I’ve said it so much through this, but I am really so inspired by the creativity of my fellow artists. They push me to be a better, more expressive performer. I think what excites me the most are all the newcomers to the art. I love seeing these new girls come through the school that are so excited about the art and so expressive of their sexuality. It’s really wonderful for them and for me to be in a community where we accept women of all ages, shapes, sizes and  sexuality. But there is also something really satisfying about helping women embrace their sensual side and showing them that it’s okay to be sexy, [that] everyone can be sexy.

Where would you like to see the burlesque revival and the scene in Atlanta go in the future?

I would really love to see more male performers in Atlanta and I’d love to see more performers take advantage of the school and the collaborative advantages it has. You can never stop learning, you know? I find that some of my best work comes after I’ve immersed myself in classes for weeks at a time. It opens your vocabulary as a dancer and choreographer. I’d also love to see more love for our burlesque community in the press! We will always be fighting for the best show nights. I’d love to see more regular burlesque shows on prime weekend spots. Soon, hopefully! With every show and every fan we get, we’re that much closer to having the ability to book bigger venues and better times.

Photo credit: Pin Up Girl Cosmetics, with hair and make-up by Kellyn Wiley.

What do you do when you are not performing? I understand you also are a pin-up model?

I am! I have been dipping my toes in the modeling world for a few years now. I’m actually hoping to get published soon; you’ll have to check out my Facebook for more information on that! Outside the sparkle world, I’m in the lighting entertainment industry. I work with theaters, event spaces, schools and television production companies on their lighting. I’m all around immersed in the entertainment industry, and I really wouldn’t have it any other way!

What’s next for Roula Roulette?

There are some exciting things on the horizon for me in my burlesque life. I really can’t say too much about a lot of it right now, but I’m hoping that it comes to fruition soon. I think burlesque in Atlanta is on the cusp of something big, that can be a game changer for us as a community. But for now I’d love to see you at PASSIONS: A BURLESQUE DEVOTIONAL at the Shakespeare Tavern on Saturday. I’ll also be performing at 7 Stages on Sunday for the Syrens of the South Anniversary Show. And of course you can find me almost every evening at the Atlanta School of Burlesque teaching women to love their bodies and explore their sensuality!

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Kool Kat of the Week: Lola LeSoleil Talks Feathers, Fun and Frolic at Southern Fried Burlesque Festival 2014

Posted on: Mar 19th, 2014 By:

Lola LeSoleil. Photo credit: Your Mojo by Jojo.

The Southern Fried Burlesque Festival is back for its fourth sizzling year March 20-23, bringing the best performers from all over the world to Atlanta for a weekend full of burlesque classes, panels and performances  at the Wyndham Atlanta Galleria.  Founded and presented by Syrens of the South Productions, it’s not just bringing a high standard of burlesque entertainment to the city but also getting Southern performers noticed on the national scene.

One of these is Lola LeSoleil, who won the crown of Southern Fried Festival Queen 2013 in last year’s pageant competition. Lola will be giving a special farewell performance on Saturday night before this year’s queen receives her crown, but in the last year, she’s come a long way, baby. It’s our royal pleasure therefore to declare her Kool Kat of the Week and find out more about what she’s been up, her plans for the future and what she’s looking forward to the most about Southern Fried 2014!

How did you get started in burlesque? 

In 2001, my mom and I went to Las Vegas. While there we saw Gladys Knight, Charo– in all of her “Coochi-Coochi” glory – and the signature JUBILEE show at Bally’s. JUBILEE is the quintessential glamorous Las Vegas floor show  – huge feather headdresses; elegant, statuesque ladies dripping in rhinestones; and lighted staircases. I was in love and realized come hell or high water, I needed a big feathery headdress. And sequins. And rhinestones.

It took a few more years before I saw a few burlesque shows in Atlanta – Big City Burlesque, Dames Aflame – and realized this art was in my city! I just needed a way in. After detouring to pole dance class and a one-off burlesque choreography class, I attended a Blast Off Burlesque show with a friend who introduced me to Talloolah Love -at the time of Syrens of the South [Read our Kool Kat profile of Talloolah here]. They offered a burlesque class series. I couldn’t get my butt to class fast enough.

Lola LeSoieil. Photo credit: Derek Jackson

Is there a story behind the name Lola LeSoleil?

Burlesque names can be a challenge. I wanted a name to reflect my abundant energy and honored who I am, but also paid tribute to beauty icons I grew up with. LeSoleil is my heat, my sun. Lola was for Lola Falana who was a black actress and entertainer in the 1970s, and who also appeared on THE MUPPET SHOW.

Who are a few of your role models in burlesque, both classic and from the burlesque revival, and why?

To be honest, Carol Burnett was my first comedic variety role model. She was silly, endearing, dynamic and versatile. I didn’t really know conventional burlesque tease artists until I started taking classes and began  research. Toni Elling and Jean Idelle are two special ladies whom I’m delighted to have met, and their lives as entertainers resonate with me and I have immense respect for them. Contemporary artists share my Gen X/Y perspective on balancing art and work and creativity. It’d take more space than I have here to name them, but suffice to say I’m delighted to have perfomed with and for revivalists whose opinions mean a lot to me.

A few years ago, you were interviewed about being an African American performer in the burlesque revival. Traditionally there haven’t been as many but at least on Atlanta stages, I’ve been seeing more. Can you talk a little about why this has been so and do you see a change or not?

Having more faces that look like mine in the burlesque revival I believe comes down to exposure to the art, and a desire to participate. The burlesque community in Atlanta is welcoming and supportive of everyone’s artistic journey. The change is gradual, and what I’ve seen is encouraging!

Lola LeSoleil. Photo Credit: Marc Turnley

What did winning the Miss Southern Fried Burlesque crown mean to you, and how has it affected your career over the past year? 

The joke of my winning Southern Fried Burlesque Queen was that my third time was the charm. I competed in 2011 and 2012 winning awards, but not the BIG one. Turns out there were a lot of people who were excited to see a nerdy/fandom-inspired act win a burlesque pageant title. I had the opportunity to be invited to perform in cities I may otherwise not have. It’s been a damn fine year!

Without giving away any big spoilers, can you give us a little tease about your farewell performance?

If I told you, I’d have to exterminate you.

Are you teaching any classes at SFBF?

In year’s past I’ve taught, but this year at SFBF, you’ll see me volunteering and being a student because I heartily believe there’s always room to improve as an artist. And I like helping.

What else are you looking forward to personally about SFBF?

I am really excited to have my Beginning Burlesque Choreography class perform in the Newcomer’s Showcase on Thursday night! And of course, I’m abuzz to see friends I’ve met at other festivals and shows come in to town for a gigantic glittery weekend! It’s like the start of “Burlesque Summer Camp” season.

What’s next for you?

I’m fortunate to be performing at the first Nerdlesque Festival in New York in a few weeks, and I’m opening my travel horizons to other festivals and events outside the South. Windy City [Burlesque Fest], here I come! I’m really looking forward to teaching more at  The Atlanta School of Burlesque.

Anything else you’d like to tell ATLRetro readers about Lola LeSoleil?

Follow your strengths as a performer, but don’t limit yourself. Take all the classes. Learn anything/everything and don’t allow yourself to stagnate. As long as you have breath in your body, you can improve.

To read ATLRetro’s preview of the Fourth Annual Southern Fried Burlesque Festival, click here.

 

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Kool Kat of the Week: MidCentury Home for the Holidays: Persephone Phoenix Cooks Up Some Domestic Mischief with Fat Cat Cabaret

Posted on: Nov 12th, 2013 By:

Persephone Phoenix. Photo credit: Tim Fox Photography. Used with permission.

Oh, Happy Days! Fat Cat Cabaret, one of Atlanta’s newest Retro entertainment troupes, is sneaking a peek behind closed doors to home life in the post-World War  in their 1950s Burlesque Holiday Show this Saturday Nov. 16 at 8 p.m. at Andrew’s Upstairs. The sassy shenanigans set to the music of the birth era of rock n roll include iconic foods, props and include special guest and recent Kool Kat Talloolah Love, the Sweetest T in the South, as the hottest neighbor on the block, and Nashville self-proclaimed Dieselpunk Prophet of Pop Culture Big Daddy Cool, as the Ultimate Entertainer. Also on the roster are Sketch Macquinor as the comedic neighbor and bearer of all things funny; Ben Gravitt, as Jerry, your humble narrator and all-around hip cat; and another Kool Kat, Ruby le Chatte, as Jerry’s other half and the life of the party!

To find out more, we caught up with Fat Cat’s Creative Director Perspehone Phoenix, a true Kool Kat’s Meow in her own right. So yeah, we asked her a bit about her path to fabulous frivolity, too!

First off, tell us a bit about yourself. What’s the secret origin story of Persephone Phoenix?

As the Head Haunchess of Hell and the Princess of Purgatory, I emerged from a previously mundane, muggle existence, and with a fiery glory, was reborn as a creature of the dark side known as burlesque performance. I am currently an aerial instructor with Play Hard Gym and creative director for Fat Cat Cabaret, as well as freelance performer, splitting my time between performance, organization and community involvement.  An aerialist for nearly four years, I initially took burlesque classes with Syrens of the South, and after my debut combining both aerial arts and strip tease, I have not looked back. I have performed all over the Southeast and am a member of or have performed with such groups as Fat Cat Cabaret, Syrens of the South, Musee du Coeur, Cheeky BellesBible Belt Burlesque (Perry, GA), Spooky LeStrange and Her Billion Dollar Baby Dolls (New Orleans) and recently, in front of an audience of over 1000 people at DragonCon’s Glamour Geek Revue.

What about Fat Cat Cabaret?! The troupe is relatively new to the burlesque/variety/Retro scene in Atlanta. What sets it apart?

One of the things that initially attracted me to this group was that, unlike many other troupes whom I have worked with, Fat Cat attempts to tell a story with their productions. Each number is thoughtfully placed, with consideration being given to how it advances the story, explains the characters, or provides more era-related background for the audience. Using costumes, music and dialogue, you will follow a central character through a semi-period-accurate environment, and will be entertained the whole way through. It’s an intellectually challenging project, and it really takes burlesque/variety productions to a new level in my opinion.

The ‘50s is the heart of all we love at ATLRetro. What does that decade personally mean to you? What are your personal favorite things about it?

I have a penchant for A Line skirts, crinolines and short gloves. For someone who is often wearing little to no clothing, I have never felt more feminine, sexy and empowered than I did wearing these pieces. I see the ladies fashions from this decade as the delicate veil over what was the rising sexual revolution.

The show follows Jerry, the narrator, through adventures of 1950s home life. Is it a play or a series of burlesque vignettes? Why home life and not, say, the birth of rock n roll or haute couture?

It is both a play and a series of burlesque/variety vignettes. Each number is played out by characters who are in some way related to Jerry: a neighbor, a friend, a coworker, family member. The production tightly organized to bring continuity to the storyline and to entertain the audience.

As Jerry was a character first introduced in Fat Cat’s Holiday Show last year and this is a continuation of his storyline, home life was the natural subject to explore in this show, since the characters naturally fit as members of his community. But that doesn’t mean that other ’50s concepts aren’t touched on in this show.

Persephone Phoenix. Photo credit: Tim Fox Photography. Used with permission.

Will it be the ‘50s through the lens of the present day or is Fat Cat trying to create something contemporary to the time in humor, etc.? Or a combo of both? If the latter, then how did you research? What was most challenging?

Since the ’50s wasn’t a particularly sexually liberated era, and there will be copious dirty jokes and sexual humor, the production will not be entirely period accurate. However, using music, costumes and dialogue, we attempt to immerse the audience in a comical cross-section of 50’s home life. Research was conducted on music which fits the time, phrasing and subjects for comedy which were true to the era. The most challenging aspect of this show, which continues to be challenging, is sloughing off modern terminology and incorporating antiquated phrases. Since we’re adlibbing quite a bit, it’s likely a struggle that our audience will find comical.

Can you tease us a little about what you are doing yourself in the show?

Lets just say that relationships can be very messy. Especially when there’s food around..

What else is happening? We’ve heard there will vendors, a period deejay after the show and drink specials?

The fantastic artists of 2the9’s Retro and Jezebel Blue handmade jewelry will be hawking their unique wares at our show.  Also Deep Eddy Vodka will be on special, and DJ Huda Hudia will be spinning modern tunes into the wee hours of the morning.  The party doesn’t stop after the show is over, so we encourage everyone to stick around and enjoy the fantastic venue!

Photo courtesy of Persephone Phoenix.

Anything else you’d like to add?

The team creating this show are some of the most talented, professional, creative folks I have ever had the joy of working with. They are committed to bringing this shared vision to life, and have made personal sacrifices to devote the time necessary to make it happen. I am grateful for that, and can’t wait to show the audience all of our hard work.

Also, I took over creative directorship from my predecessor, who I count amongst one of my best friends. The theme and concept of this show was very much dependent upon her inspiration, and I’m thankful to have worked with her on this and previous projects.

What’s next for Persephone Phoenix and Fat Cat Cabaret?

Well, I have recently devoted my entire professional life to art and artistic endeavors, so I look forward to seeing where that will take me. The transition from a full-time professional muggle career to freelance artist is an intimidating one. However, I’m really lucky to be surrounded by an amazing community with lots of opportunities and support.  I am hopeful to travel some for performance, volunteer more in the performance community, and continue building my aerial student base.

As for Fat Cat Cabaret, we will begin formulating our next show, to be revealed early next year. All of the players in Fat Cat will no doubt be seen around the Atlanta community, so keep your eyes and ears out!

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Kool Kat of the Week: School of Va-Va-Voom: Ursula Undress Teaches Atlanta a Tassel or Two About Burlesque

Posted on: Sep 5th, 2013 By:

Photo courtesy of Ursula Undress. Credit: Derek Johnson.

Curious if you have what it takes to tease? This Saturday Sept. 7, the Atlanta School of Burlesque is offering a sneak peek behind its doors for a Grand Opening Launch Event Day with a chance from 10:30 a.m.-2:30 p.m. to sample a variety of classes for just $5 each (see list of classes and times at the end of this article) followed by a party from 2:30-5 p.m. with refreshments, prizes, vendors and discounts on School merchandise. The burlesque revival has been thriving here for over 15 years now, but unlike other major cities, Atlanta has not had its own academy for this art form until Studio Burlesque opened last winter. Unofrtunately, it was shortlived but the demand was so great that The Atlanta School of Burlesque has quickly taken its place, and veteran performers have a place where they can share their techniques, both classic and contemporary, with aspiring dancers and anyone who just wants to spice up their love life or enjoy a fun, different exercise program.

ATLRetro wasn’t surprised to learn that the headmistress and founder was none other than the dynamic Ursula Undress, regular performer with Syrens of the South Productions and co-consprirator at the first Southern Fried Burlesque Festival, which will celebrate its fourth year next spring. We’ve been eyeing Ursula as a Kool Kat for a very long time, so this week seemed like the purr-fect time to check in with this self-proclaimed “naughty girl next door” to find out more about the school, as well as her own secret origin story and what else she has up her sexy sleeves.

What drew you personally to the burlesque revival and when/what was your first performance?

I was a performer in musical and dramatic theatre for about 15 years. Personally, I was trying to find my identity again after returning to school and sort of immersing myself in classes and projects, etc., not to mention finding friends I could connect with when I first moved here and didn’t know anyone. So, burlesque – something I was already excited about – seemed a good fit.

Did you have any early role models, either classic or contemporary, who helped shape your approach to the art form?

Yes – Dirty Martini. The first performance I saw of hers was a YouTube video of her performance at the HOWL festival in 2007. I could not take my eyes off of her. She was the one who gave me the confidence to get on stage. But as for my performances being shaped by something, I would have to say that it was the music that did it.

Photo courtesy of Ursula Undress. Credit: Nimh.

Some said that Atlanta just wasn’t suited to an annual burlesque festival, but you helped Katherine Lashe prove them wrong. How do you feel the Southern Fried Burlesque Festival (SFBF) has changed the burlesque community here and Atlanta’s burlesque reputation around the nation?

In some ways, SFBF has pulled down some walls that divided a lot of performers here in the city and showed performers that there is a fairly strong community here. I think nationally that it has put Atlanta and burlesque in the southeast on the map, and helped to inspire other cities around us to do the same. I am continually amazed at the talent and innovation that comes from Georgia and the surrounding states, and am so glad to have a place to bring it all together on one stage.

It seems like you’re now putting the bulk of your energy into the Atlanta School of Burlesque. Why are you so passionate that we need an actual school here?

Well, I was actually running the first full-time burlesque school that had a previous owner – Studio Burlesque – and the passion for this project comes from the hordes of emails and phone calls when it closed. It was apparent that we had created this community and this amazing place for women where they could come and explore other sides of themselves and just have fun. So, I pulled my resources and did what I had to do to re-open a school for not only these students, but for all of us performers to learn from each other and keep fuel on the creative fires we tend every day.

Photo courtesy of Ursula Undress.

I understand the School’s students are a mix of aspiring performers and ladies who just want to get more fit in a flirty way. Can you talk a little about that? 

It is amazing – we don’t have a real target audience. We have women of all shapes, sizes, ages, backgrounds. Of course, we have students that want to go all the way and be performers, but I think the common thread is that they all just love feeling glamorous and graceful and sexy, and most of all – CONFIDENT. I think all of the instructors provide an environment that really fosters all of those things.

Who’s teaching at the School and how do you select your instructors?

I am very adamant about people learning the art of burlesque from actual burlesque performers who have studied the history and actively tour, compete, and perform. I select performers to teach based on their love for constantly learning and working on their craft, along with their ability to lead a class and make it fun and interesting. I am very fortunate to have performers of the caliber of Talloolah Love, Lola LeSoleil, Katherine Lashe, The Chameleon Queen, Fonda Lingue, Rebecca DeShon [hula hoop] and Sadie Hawkins [aerialist]. I also love that I have the opportunity to bring in outside talent and their knowledge and expertise in with workshops and specialty classes.

What are you teaching personally this Fall?

I am teaching both Beginning Burlesque Choreography and a class called Slow and Steamy Bedroom Burlesque that is for intermediate students.

Is this Saturday’s event for current and aspiring students only? Who should come and why?

Anyone who is interested should come – it is going to be a blast! The first class – Burlesque Fundamentals is actually co-ed, so I do mean ANYONE.

I know you don’t want to play favorites, but is there one of your students who you’d especially recommend our readers to watch out for?

Wow – I think the awesome thing is that ALL of our previous graduates from the Spring are amazing on stage, and have continued to perform regularly. Greta Von Trollop is so charismatic. Nina Charrise and Roula Roulette are both competing at the Shakespeare Follies this weekend, and then Rena Rhinestone has some incredible stuff planned for her next number. Oh! And I am really looking forward to what A to Z does next; he seems to be this glue that keeps them all wanting to work together on fun stuff. So yeah,it is impossible to play favorites!

Photo courtesy of Ursula Undress.

Will you be involved with next year’s Southern Fried, and if yes, can you share anything about it?

I think I will always be involved in some capacity. I really enjoy working with the legends and being a sort of liason with them and the headliners. It takes a village, and I am proud to assist Katherine with that.

What’s next for Ursula Undress performance-wise?

Well, I recently took a workshop with [burlesque legend] Gabriella Maze and am seriously in love with the cape! I have one number where I work with a large duster, and I am now looking to expand on that with what I learned from her. Combine that with some secret talks with burlesque legend Satan’s Angel, and well, that is all I am going to say. Yep, even in interviews, I have to tease!

Finally, what’s one thing about the school or about you that readers might be most surprised to find out?

Hrm….I think that people find out in our classes exactly how non-intimidating burlesque actually is.

Grand Opening Day Class and Event Schedule:

10:30 – 11:20AM – Burlesque Fundamentals with Syrens of the South & Southern Fried Burlesque Fest Producer Katherine Lashe.

This CO-ED class is designed for absolute beginners! Learn how to walk, bump, grind, and shimmy in easy, broken down steps, and then perfect them in drills and short combinations.

11:30 – 12:20PM – Classic & Glamorous Burlesque with Southern Fried Burlesque Queen Lola LeSoleil

This beginner class will help you to learn the grace and elegance of the early Burlesque style from the 1930s and 40s. This class begins with a simple, graceful warm-up, and then switches into the sultry but elegant moves of a Burlesque Queen. This class will also help you be a little more graceful in your everyday life.

12:30 – 1:20PM – Beginning Burlesque Choreography with Studio Owner & Performer Ursula Undress

This is the perfect class to get a taste of what burlesque can do for your inner and outer self while learning fun choreography to boot! Learn the basic standing and walking movements to start your journey into burlesque along with bumps, grinds, shimmies, and arm movements.

1:30 – 2:20 PM – Dance like a Mermaid with Professional Bellydancer and Mermaid Karma Karmelita.

As a professional mermaid and aquatic entertainer, Karma has gained extensive knowledge and experience in working in the water. This has given her a unique perspective on three dimensional movement when on the stage. This class focuses heavily on her original and innovative technique and teaches part of a breathtaking choreography. Recommended for people with previous dance knowledge in belly dance, but not restricted to.

2:30 – 5PM – Open Shopping and Grand Opening Soiree!

Join us for light eats, drinks, shopping, and hobnobbing with other students and performers!

Note: Wear comfortable low heels or flexible dance shoes to any class. Prices will be $5 per class, and advance reservations are not required. Due to the dramatically reduced class price, social deals will not be honored on this day. The Atlanta School of Burlesque is located at 1745 Defoor Place, Ste. D Atlanta, GA 30318. For more information, visit www.atlantaburlesqueschool.com

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Kool Kat of the Week: Ooh-la-Love! Talloolah Love Embraces Her Inner Geek Girl Power and Finds It Gloriously Glamorous at Dragoncon 2013

Posted on: Aug 27th, 2013 By:

Hair, makeup and photography by Pin Up Girl Cosmetics.

By Gretchen Jacobsen
Contributing Writer

Burlesque and pin-up culture have been a part of Dragoncon back to the Bettie Page Contests of the 1990s. But this week’s Kool Kat, Talloolah Love, is taking it to another level as producer of DragonCon Burlesque, A Glamour Geek Revue and other titillating events throughout the weekend.

Talloolah has long been a force in Atlanta’s burlesque revival, cabaret and Retro scenes. Known across the United States and even internationally, for her burlesque performances, the “Sweetest T in the South” is an instructor at the newly opened Atlanta School of Burlesque. She is also one of the founders of the retro arts organization, The Artifice Club, known for splendid steampunk events extraordinaire including Mechanical Masquerade: The Retropolis, Sunday Aug. 31 at 8:30 p.m. at the Westin Peachtree Plaza, as well as bringing the growing electro-swing movement to Atlanta.

The lovely Ms. Love somehow managed to find time out of her crazy schedule this week to talk to ATLRetro and share a bit about her fascinating career, her perspective on the burlesque revival today, and how she’ll be entertaining us this weekend at Dragoncon. We couldn’t be happier!

ATLRetro:What drew you to burlesque?

Talloolah Love: I grew up watching musicals, blue comedy, Carol Burnett and THE MUPPET SHOW.  My idols were Betty Grable, Rosemary Clooney, Mae West and, of course, Marilyn Monroe. But it all started with belly dancing. I had taken classes in Colorado, but when I moved here, I found the community difficult to move around in as a newcomer. Burlesque embraced me with both arms, and I haven’t looked back since.

Who inspires you as a performer?

Besides the aforementioned stars of yesteryear, my modern inspirations are Amber Ray, Immodesty Blaize and Russell Bruner [Editor’s note: read our Kool Kat on Russell, the 2012 King of Burlesque here]  All three are ferocious on stage. They leave indelible marks of inspiration on my soul when I watch them. Amber and Immodesty both for their fierce stage presence and mind-blowing costumes. Russell for his incredible timing, charisma and musicality. All of them have a devotion to their craft that really takes my breath away.

What is your philosophy as a performer?

To me, it doesn’t matter what style of burlesque you do. It doesn’t matter what size, shape, color, sex or race you are. As long as what you bring to the stage is polished, cared for, speaks from the heart, and makes you happy to do it, I call it burlesque.

Hair, makeup and photography by Pin Up Girl Cosmetics.

Does it look like they are having fun? Does it look polished? Are you having fun watching them? Burlesque is so subjective. What I love about it is you cannot like that first act, but the second one lives with you for years. All you have to do is wait five minutes, and the channel gets switched to something new and different. You may love it, you may hate it, but wait till you see what’s going on in the next five minutes. Variety is the spice of life, you know?

Do you think burlesque is “girl power”?

I do. I grew up being told I wasn’t right for one part or the next. Burlesque gives me the power to say, “Oh yeah? Well, I think I was stellar for that show, so I am going to do it and there’s no one who can tell me I can’t.” You have to have some brass balls to get up on stage and own everything you do in spite of the fact that not everyone will love you. Burlesque has given me the ability to say, “Well, I hope some of you liked my form of art.” It’s how I express myself. When I am on stage, or even rehearsing a number in my unitard, I feel empowered because I make the decisions on my hair, my costume, song, choreography, absolutely everything. Sure I want opinions on things, but I have the final say on what goes on stage. There’s something exhilarating and very empowering about that.

You’re the one of the founders of The Artifice Club. What is the club all about?

The Artifice Club is a group that DJ Doctor Q and I founded together. It’s a coalition of artists who support artists. Besides my need for passion in one’s art, I believe in collaboration of minds. In the past, the Club did this by doing shows and displays of peoples’ art in hopes for exposure. Now, it is so much more than that. It is a not-for-profit organization that facilitates grants, helps promote, donates back to the community, and holds fundraisers to assist artists in keeping their mind on their creations rather than how they are going to pay for their space, or for a trip to the next festival to show their wares.  It is now an organization with a board of directors and will be doing more good on a bigger scale for anyone who applies to the guidelines of the club.

What events are you involved in at Dragoncon? 

Thursday Aug. 29, 8:30 p.m. at the Pulse Lounge in the Atlanta Marriott Marquis, I will be strutting out in my bunny ears with the ladies at The Annual Bunny Hutch. This isn’t my event, but I am very excited about it.

Hair, makeup and photography by Pin Up Girl Cosmetics.

Friday Aug. 30 8:30 p.m. The Sheraton Atlanta pool will be the location for the Second Annual Pin-ups by the Pool Party. Presiding over the show will be the returning and illustrious New Orleans Jon (see his recent Kool Kat profile here). There will be a pin-up competition and a mermaid competition, so please come see and be seen. I expect it to be quite a spectacle.

Saturday Aug. 31 11:59 p.m. in the Regency Ballroom at the Hyatt Regency Atlanta is DragonCon Burlesque, a Glamor Geek Revue. This is the second year I have been in charge of the show, and I couldn’t be more elated! This year has some really out-of-the-park acts. For example, fresh off his world tour the KING of Steampunk Funk, Montague Jacques Fromage, will be the Master of Ceremonies weaving a story of intrigue and sexy interludes throughout the entire show, along with the 2013 Queen of the Southern Fried Burlesque Festival, Lola Lesoleil, and other prestigious award-winning performers. This promises to be the show not to miss!

What is unique about Atlanta’s burlesque scene?

I feel like the scene has changed so much in the past ten years. When I first started out, Atlanta was unique because the troupes were really the only way anyone could perform regularly, and there really wasn’t a lot of cross-pollination.  Each troupe did what they did and that was it. It’s so different now. We all work together, and the independents seem to outnumber the troupe members. Personally, I think that is a great thing. It means a patron can go to a show and really not know who they are going to see. I think that a golden age in Atlanta Burlesque really is on the horizon thanks to Ursula Undress and the efforts being made with The Atlanta Burlesque Alliance and The Atlanta School of Burlesque. Plus, with social events like my Atlanta Burlesque and Cabaret Society and Sadie HawkinsCougar Crawl, we all have a real good time with each other. Kind of like a burlesque SEX IN THE CITY, only we get high on E-6000 rather than sip cosmos together.

What do you think about Atlanta being named the nerdiest city in America?

Oh, I love it. It’s appropriate too. DragonCon is huge, and it’s run privately for geeks by geeks. Besides DCon, Atlanta plays host to at least five other major fan fueled conventions. Add to that the vast LARPing communities and bookstores/comic book shops out here, then throw in that Cartoon Network is deep in the heart of Atlanta’s arteries, and you have a cultural cornucopia of Nerd-dom! I think it’s great.

What are you working on for the future?

I am always looking for what’s next. Fascination was an [electro-swing] event the good DoctorQ and I worked on together this past year, and I really loved the format. The venue was just an issue. Venues tend to be the big issue when it comes to producing big shows. My hope is that we find the RIGHT venue and that we start doing one big bang-out show – a little of the Fascination format with a few other big ideas I have cooking on the back-burner. Otherwise, I plan to do a Midwest tour next year. It’s still in the planning stages, but once it gets off the ground, you can bet I am going to social network the bajeezus out of it!

Who would you like to perform for or with?

I started to list them all out, but that would take all day. I want to perform with everybody. Then perform with them again because once is never enough!

Hair, makeup and photography by Pin Up Girl Cosmetics.

Where can we see you next?

After Dragoncon, I am going on a much deserved vacation, but I will be back at the beginning of October at The Shelter. I am going to be shaking it up as an airship pirate for this new mash-up music club night called Bootie Atlanta on October 5 – $5 admission before 11 and $10 after that.

Anything you’d like to add?

If you are interested in getting into burlesque, I have a few suggestions for you. If you already have an act and just need a venue to perform it in, I suggest auditioning. There are  a lot of troupes and even a production company in Atlanta where you can audition, and then, you’re there!  The best way to get involved in the Atlanta Burlesque community is to come out to Atlanta Burlesque and Cabaret Society meetings at The Elliott Street Pub in Atlanta. We meet the first Thursday of the month at 8 p.m., we go till 10, and at these meetings, you will meet other burlesque performers, photographers and fans of the local scene, you may even get to catch an act on the stage down there for a workshop on new and established performers. It’s a great way to market yourself. Speaking of marketing yourself, you will want to do your research and attend burlesque shows, figure out who the important people are and make sure you let them know you are serious. All of the troupes are very different and have a lot to offer the right person if they fit into their dynamic. If you don’t like how one show runs, that’s ok, check out another troupe!

If you do not have an act, and just really want to be involved, then I suggest classes at The Atlanta School of Burlesque. Check out their teaching schedule and come to a few classes. There’s a fundamentals class for the very very basic, and then beginning choreography classes. I recommend that you look at videos of the different teachers. They are also active performers in the scene; go catch them out at a show. I guarantee you that going up to a teacher after they have performed to tell them that you will be taking a class from them in the near future is better than bringing an apple to them any day!

 

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Kool Kat of the Week: Born to Tease: Retro Fatale Katherine Lashe Puts the Sizzle into Southern Fried Burlesque

Posted on: Jun 10th, 2013 By:

Katherine Lashe. Photo credit: PinUp Girl Cosmetics.

Atlanta’s burlesque scene right now is hot, hot, hot, and one lady is right at the sizzling heart of it – Kool Kat Katherine Neslund, aka Katherine Lashe. This week alone, Syrens of the South, her production company, is giving Atlanta a new monthly burlesque showcase with Tease Tuesdays at The Shelter on June 11 (specific Tuesdays will vary per month). She’s also a key player in the city’s first Debut-Tease Ball, featuring Katherine and a mix of experienced and new talent either teaching or taking classes at Studio Burlesque, Atlanta’s own burlesque school which launched just last winter.

Perhaps most of all, Katherine is the driving force behind the Southern Fried Burlesque Festival, which celebrated its third anniversary this year. Finally Atlanta has an annual event that brings together local, regional, national and even international burlesque revival stars and legends. Tease Tuesdays are fundraisers for SFBF. And that’s not even beginning to talk about Katherine’s own talents as a performer who has graced nationwide stages including the Burlesque Hall of Fame in Las Vegas.

ATLRetro caught up with Katherine recently to find out more about this week’s events; her own path to burlesque via theater; what else she has coming up, including a significant partnership between Syrens and 7 Stages theater in Little Five Points; and much more.

ATLRetro: What’s the one thing that happened to you during childhood that made it your destiny to be a burlesque performance artist?

Katherine Neslund/Lashe: When I was younger my Mom made costumes and clothing for drag queens in Knoxville, TN.  I ended up wanting to be a drag queen when I grew up because they had the best clothes! Later it was explained to me that, being a girl, I couldn’t technically be a drag queen. I was pretty disappointed  with this childhood realization. I’ve obviously since realized my passion and have been doing theater in some capacity my entire adult life. I’ve always felt pretty at home on the stage. Burlesque seemed to unite the whole drag queen dream with my theater experience.

I understand you kicked off your burlesque career in Atlanta by opening for Dita Von Teese. That’s a pretty exciting beginning. How did that happen and can you share something about that experience? Did Dita impart any words of wisdom that have stayed with you.

I used to be the head performer at The Chamber, and one day Howie, the manager, told us we were opening for Dita von Teese in two weeks and we should do something burlesquey.  I had no idea what that meant since I had very limited experience with burlesque having only seen The Doll Squad and Torchy Taboo perform a few times at that point.  We ended up putting together a Fosse-style group number that incorporated burlesque, dancing and a little bit of that Chamber touch.  It’s kind of funny that out of that group came myself, Renea’le Roux and Gia Nova as professional burlesque performers.

Katherine Lashe. Photo credit: PinUp Girl Cosmetics.

The Syrens of the South is a production company, not a troupe. A lot of people don’t know the difference, so can you clarify what this means in the burlesque world?

A troupe is traditionally a group of people that works together on a regular basis; going through routines and rehearsals, every member focused on a common vision of what the group should embody as a whole, and then also on what every member will perform exclusively.  Syrens of the South treats all of our performers as independent contractors, and I have always encouraged everyone to have their own identity – to perform whenever and with whomever they want.  Each performer creates their own personal vision of what they want to be, and they own and control their personal performance.  Syrens is like a playground on which these amazing folks can show their talent. Thanks to this freedom, performers can feel free to include everything from classic, to comedy, to just plain weird stuff.  I also try to make sure that we have a good variety of acts, including, of course, vaudeville type acts to break up the boobies, making it an interesting evening for everyone!

It’s been long overdue for Atlanta to have an annual burlesque festival, and Southern Fried really seems to be putting the city on the map. SFBF has made it to its third year and seems to be really hitting its stride. What did you personally enjoy the most at year’s festival and can you give us a little preliminary tease about your goals are for next year?

My favorite part each year is the Legends.  I have a passion for burlesque history, hence why I teach a very in-depth class on it, and have been collecting burlesque legend interviews for a very long time now.  My goal is to gather as much information as possible before the information is no longer available.  I was lucky enough to interview Tura Satana before she passed away, and I am so very grateful I was able to do so.

This particular year I was really excited with how many people from the local Atlanta burlesque community became involved.  In between volunteers, performers and even those that just showed up in the audience to come and see us, plus so many regular Syrens of the South performers, members of Hot Toddies Flaming Cabaret, The Imperial OPA Circus, Minette Magnifique and Musee du Coeur showed up both on stage and off.  The hope is that Southern Fried can help show Atlanta a taste of what goes on in the rest of the world, as well as showing the rest of the world the amazing talent we have here in Atlanta and the Southeast.  Many performers don’t travel, so this is a great way to show off all that we have to offer here!

Funding a festival must be challenging. Where does Tease Tuesday fit in?

The goal of Tease Tuesday is to help raise money so we can continue putting on this amazing festival.  It costs around $20,000 to put on each year, and we make less than half of that from ticket sales each year.  The rest of the money comes from our vendors, sponsors, application fees, Syrens of the South shows and out of my pocket.  We need approximately $2,500 to pay off the remaining bills from last year before we can start moving on to next year.  Tease Tuesday events, at 10 acts for only $10, gives us  a nice inexpensive monthly show to help us get the remaining bills paid off and then hopefully help us get the deposit for the hotel next year so we can continue going forward with the festival.

Another thing we love about Tease Tuesday is that it’s going to be monthly. In New York there are multiple monthly and even weekly burlesque events, but Atlanta audiences have had to wait several months between shows by the same troupe or producer. Can you tease our readers about the Syrens first Tease Tuesday and how you plan to keep a monthly show fresh and exciting? Will shows be themed and will you just feature local performers or regional and national performers as well?

Our first Tease Tuesday show was in May as a straight up fundraiser and test show.  We were lucky enough to have the current Southern Fried Queen, Lola le Soleiland two time SFBF winner Bourgeois Betty, Little 5 Points Rockstar Orchestra founder Rob Thompson doing an acoustic set, as well as Talloolah Love, Nipsy Tussle from Knoxville’s Salome Cabaret, Tora Torrid, Persephone Phoenix, Edie Akimbo, Tru Bliss, and my Wednesday night Beginning Burlesque class from Studio Burlesque.  Fritzengreuben was our Master of Ceremonies with Tupelo Honey as our stage kitten.

Our show on Tuesday, June 11, will have some amazing burlesque – Florida’s Tokyo Bell incorporates fire into her stripping, Atlanta favorite Ursula Undress will be there, Jed Drummond will be singing and playing his ukulele, there will be sexy juggling, some sultry singing and many more burlesque dancers.  Remember -10 acts for $10, so it’s a surprise as to who the other performers will be!  The next one on July 16 is so secret I can’t tell you anything other than it’s gonna be awesome!

Katherine Lashe. Photo credit: PinUp Girl Cosmetics.

Studio Burlesque is another milestone for the Atlanta burlesque community. How did that get started and what was your role in its fruition?

I have been teaching burlesque classes for almost six years in borrowed/rented spaces. It was really only a matter of time before someone realized the popularity of burlesque was on the rise and that there should be a studio dedicated to it.  An investor approached multiple members of the Atlanta burlesque community until he found the right fit which happened to be the valedictorian of the very first Syrens of the South graduating class: Ursula Undress.  She and I had a long talk about it after she was approached, and her mission statement was beautiful and her heart was in the right place, so I decided to move my regular classes to Studio Burlesque.  I’ve given a little advice just because of the six years of previous experience, but with the festival taking off, it’s really nice to get to just show up as a teacher rather than organizing all the classes like I used to.  Many of my former students became teachers in the Syrens of the South class series and now teach at Studio Burlesque.  I am very proud of all of them and love that there’s a home for everyone in Atlanta Burlesque to be able to come to learn and to teach.

Are classes just for aspiring burlesque performers? Could any of them be an alternative to a conventional boring exercise class?

The regular weekly classes are for anyone at any level of dance experience.  My Beginning Burlesque class on Wednesday at 6:30 p.m. has people who have never danced before and a few seasoned performers, however, they all work great together in learning the new choreography we do each month.  For those who want to try performing, I’ve been offering a performance spot for that class at each of the Tease Tuesdays.  Students get a little firsthand taste of the performance experience and can then decide if it’s something they want to try.  The performance track classes are for those that are interested in becoming burlesque performers or at least getting a solo opportunity on stage.  It consists of three months of classes; we focus on getting them on stage for a student showcase at the end of the three months.  The next performance track series will be starting in July after July 4th.

Debut-Tease is coming up this Saturday. Some people might be reluctant to come to a beginners’ show. Tell us why they’re wrong.

I love student showcases!  There is that excitement of it being their first time, and you can see the nerves, the joy, the fear and the overwhelming feeling of accomplishment when they walk off the stage.  It’s like watching someone be born without all the gross parts!  However, even if you’re not a big fan of watching newbies, myself and many of the other teachers will be performing as in this show, so many professional performers will be gracing the stage as well as all the newbies.  Ursula Undress, Talloolah Love, Fonda Lingue and The Chameleon Queen will be performing, just to name a few!

Are any of your students performing? Any star student in particular to watch out for?

Every student that is debuting on the 15th is part of the Studio Burlesque Performance Track Classe Series so I have gotten to teach them all as I teach the History of Burlesque and Tassels and Gloves classes in that series.  Many of them also come to my Wednesday night class so I’ve gotten to know a few of them fairly well.  If I had to pick one to watch I’m going to have to say A to Zee as he is the only boy making his debut that night.  I’ve seen his work in progress, and I think everyone will have fun with it. Being the only guy, I think he’ll succeed in inspiring other gentlemen to come out and learn the art of boylesque!

Finally, burlesque is just one of your talents. You have a background in theater and were heavily involved with 7 Stages‘ hit DRACULA: THE ROCK OPERA. Anything you’d like to share about that experience and what’s next for that production? Or anything else you’re up to?

Yes, I was honored to be the stage manager for DRACULA: THE ROCK OPERA!  The finished recording of the awesome soundtrack from our show will be finalized and out for sale on CD sometime soon.  We’ll be doing a concert version in February so do keep your eyes peeled for that!  I went to school for musical theater and am now finishing up a degree in technical theater to balance out my onstage and off-stage experience, which is good since I was just the lighting designer for LADY LAY, a great play at 7 Stages Theater that closed out the 2012-13 season.  I’ve also been a stage manager for The Imperial OPA Circus for a few years, and look forward to continuing at 7 Stages in the 2013-14 season.  After Dracula, I really just found my home at 7 Stages as I love everyone who works there and what they are trying to do through art and community building.

Katherine Lashe. Photo credit: PinUp Girl Cosmetics.

I’ve recently been made a member of their fundraising committee and am helping to put together a brunch at Our Way Cafe on June 23.  Brunch will include a concert by the awesome local band Till Someone Loses an Eye, and benefits will go to 7 Stages.  Mark your calendars!  Also, our Syrens of the South 6th year anniversary show will be held on the main stage at 7 Stages on Aug 3.  I’m splitting the profits with the theater to help them with their fundraising goals.  As 7 Stages is now going to be our new home for our big shows, for instance our Anniversary, Tits for Toys for Tots (Nov 23) and our Vixen’s Valentease show, we want to make sure to start our new marriage by giving them a decent dowry!

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Third Time’s The Charm: Revival Stars, Legends and Rising Ingenues Add Spice to Southern Fried Burlesque Festival

Posted on: Mar 18th, 2013 By:

Stars both of the Burlesque Revival and of classic tease arrive in Atlanta this week for the third annual Southern Fried Burlesque Festival Thurs. March 21-24 at  the Wyndham Atlanta Galleria. Bras off to Syrens of the South Productions, and in particular Katherine “Lashe” Neslund, with assistance from Ursula Undress, who had a dazzling dream to start a festival in Atlanta.As a lover of classic burlesque but appreciative of the creativity that revival performers show, ATLRetro has to say that the big evening shows at the first two SFBFs were among the best in Atlanta. We loved the chance to see some of the nation’s and Southeast’s best, including legends that sizzled stages in the ’60s and ’70s, without traveling to New York, the West Coast or the Burlesque Hall of Fame. Aspiring performers can take classes taught by these talents on topics ranging from costuming to performance to the history of the art form, as well as shop from a host of vendors selling everything from pasties to vintage items.

Just a quick glance at the line-up suggests this year will be just as good performance-wise, if not even better. First, we have to admit that we’re pretty excited to see Portland, Oregon’s Russell Bruner, reigning King of Burlesque, after getting a peek at him during our own Kool Kat Kitty Love‘s first Sultry Sunday of the year back in January. Male exotic dancers may be notoriously boring, but dressed in a pin-stripe seersucker suit, top hat and debonair moustache, let’s just say Russell wasn’t just sexy but sassy–really capturing the spirit of the tease in ways that most male dancers simply don’t. Of course, that underlines the essential difference between burlesque, or in this case “boylesque,” and striptease/exotic dance. Burlesque comes from vaudeville and variety and is all about having fun–which, well, they say gals love a guy with a sense of humor.

Russell Bruner

OK, yeah, that was a lot of getting hot and bothered about Russell. SFBF 2013 also features a bevy of lovely ladies. Friday night’s all-star Free Range Burlesque will be headlined by Miss Exotic World 2010 Roxi D’lite, who also stars in BURLESQUE ASSASSINS, a Canadian comedy/action indie feature film which will have its Atlanta debut at SFBF. Set in a 1950s Burlesque theatre, it stars top burlesque performers from around the world and and follows a trio of sexy super-spies as they seduce their way within killing distance of a trio of villainy hell bent on global Cold War domination. How can one not want to see a movie whose description provocatively teases: “WITNESS the fatal fan dance of Koko La Douce! BEHOLD the brutal boa striptease of Bombshell Belle! SEE Bourbon Sue, a bad girl with a taste for booze, boys and Rock & Roll. Experience the carnage and the cleavage as the enemies of The Burlesque Assassins discover that when it comes to these women, LOOKS CAN KILL!” Catch the trailer here.

Known for having the “mouth of a sailor” and the “voice of an angel,” Cora Vette will be on hand as pageant mistress of ceremonies on Saturday night. She performed for more than one million guests over three years as Tanya in MAMMA MIA! at the Mandalay Bay Hotel and Casino in Las Vegas. She now runs a burlesque company called Black Box Burlesque and also has a troupe of male burlesque performers called Cora Vette’s Hot Rods. In fact, she may be one of burlesque’s most diverse talents, having also written two burlesque musicals, the critically acclaimed Victorian comic burlesque operetta, LEADVILLE OR BUST! and a pot opera called REEFER MANIA: DENVER’S GONE TO POT.

Cora Vette.

Notorious for her costumes, 2012 Southern Fried Burlesque Queen, Denver’s Orchid Mei, returns. She gracefully combines traditional Chinese dance with influences from classic burlesque femme fatales and has performed with the Dresden Dolls. Also back are last year’s best group, New Orleans’ Slow Burn Burlesque! Atlanta’s own lovely Talloolah Love and Knoxville’s Kisa Von Teasa will be featured performers at the Southern Scorcher showcase, hosted by Minette Magnifique‘s Baroness vonSchmalhausen which also includes Fonda Lingue, Ursula Undress and many more talented performers  from all over the Southeast!

late night Saturday. SFBF’s legends this year are Canada’s Judith Stein and Detroit’s Toni Elling, who will both be performing Friday. And that’s not even counting Atlanta’s New Orleans Jon, who emcees on Friday; all the way from Stockholm, Sweden, Adoria Amoria – if you had any doubt that the revival had reached Scandinavia; Knoxville’s Sweet Little Psycho Kisa Von Teasa, and many more.

Here’s a quick rundown of SFBF daily highlights:

Thursday March 21

SFBF kicks off with a happy hour mixer, which also will double as the monthly meet-up of the Atlanta Burlesque & Cabaret Club from 6 p.m. to 8 p.m., then get a sneak peek at burlesque’s future stars at the Just Hatched Newcomers Showcase and watch the Atlanta premiere of BURLESQUE ASSASSINS at 10 pm.

Friday March 22

The festival teases into full gear with classes and vendors during the daytime, the Free Range International Showcase headlined by Roxi D’lite and featuring performances by local and national stars at 9 p.m. and an after-party at 11:30 p.m with music by Till Someone Loses An Eye featuring Kool Kat Aileen Loy and Good Golly Svengali.

Judith Stein.

Saturday March 23

Take classes and shop the vendors’ market during the daytime, then see some of the south’s and nation’s finest compete in the Southern Fried Burlesque Pageant, at 8 p.m. It’s hosted by Cora Vette with farewell performances by last year’s winners Orchid Mei and New Orleans’ Slow Burn BurlesqueThen close out the night with the Southern Scorcher Showcase at 11:30 p.m. featuring Talloolah Love, Kisa Von Teasa, Fonda Lingue, Ursula Undress and many more talented performers  from all over the Southeast!

Sunday March 24

Get your final shopping done and catch up with the performers before they leave town.

To purchase advance tickets and peruse the full class and event schedule with performer bios, visit www.southernfriedburlesquefest.com/. And for the latest updates and extras, be sure to friend SFBF on Facebook and follow on Twitter

All photographs are courtesy of Southern Fried Burlesque Festival and the performers pictured.

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Kool Kat of the Week: Sexual Healing: Kitty Love Celebrates the Goddess in Every Woman at Monthly Burlesque Sultry Sundays at Red Light Cafe

Posted on: Jan 9th, 2013 By:
Step right up to Kitty Love’s Sultry Sunday at Red Light Cafe. Atlanta finally has a monthly burlesque event again, which means that January is suddenly a lot warmer and less boring. This lovely Kitty is rustling up some mighty fine national and local performers for her next show this Sunday January 13 at 7 p.m. Headlining will be Russell Bruner, the Reigning King of Burlesque from the Burlesque Hall of Fame, plus the exotic Mistress Kali of New Orleans performing fire dance, Ursula Undress, Talloolah Love, recent Kool Kat Stormy Knight, bellydancer Haideh of Jahara Phoenix Dance Company, Madame X and Kitty Love herself. Syrens of the South‘s Katherine Lashe will be emcee, and also on the bill are song stylings from Lah Lah Luscious and magic from Chad Sanborn.

 

But what really jazzes us about Sultry Sundays and her other creative burlesque outlet, Cheeky Belles, is Kitty Love ‘s spiritual side. She reads Tarot cards and has been teaching sacred rituals and goddess mysteries since 2000. Given that she believes that “the healing of the world depends on the celebrating the goddess in every woman,” it kind of sounds like a church in celebration of the female body and spirit! Which makes her sound like the purr-fect Kool Kat of the Week!

 

ATLRetro: What’s Kitty Love’s Sultry Sunday? How did you get the idea, how does it differ from other local burlesque shows and how often is it going to happen?

Kitty Love’s Sultry Sunday is a monthly burlesque show on Second Sundays. I met the owner of the Red Light Cafe who invited me to produce burlesque shows on Sunday nights. Sultry Sunday is different in that it is in a cafe and intended to replace dinner and a movie. We are also an early show and hoping to appeal to people that can’t necessarily go out late night or on Friday and Saturday.

How did you personally get into burlesque, and what appeals to you about the art form?

I started as an exotic dancer in 1991. I have always loved to dance. I was not allowed to dance or have any dance training as a child, and stripping was the only dance career that was open to me.

My favorite part of a show is seeing excited women in the audience. I love burlesque because it is so empowering for women and not just the performers. I believe that a woman owning her sexual power in public is a revolutionary act! In 2007, I met Katherine Lashe and Talloolah Love at a burlesque meet-up and soon after attended every burlesque show that  I could find. I admired that Syrens of the South was so inclusive and fun, so I joined their first burlesque classes.  I made my debut with Syrens of the South in August 2008 as my comedic character Rosie Palms.

Can you name a favorite classic and a favorite contemporary performer who inspires you, and why?

My favorite classic performer is Gypsy Rose Lee because of her wit and sophistication. My favorite contemporary performer is The Lady Miss Vagina Jenkins.  She exudes sensuality and power.  She makes the audience feel the heat all the way to the back row.

What’s the story behind the stage name of Kitty Love?

“Kitty Love” is a metaphor for female pleasure.  I am a passionate advocate for female self pleasure. I have coached women as an “orgasm coach,” and my first advice is to practice!

This week’s performance features Reigning King of Burlesque Russell Bruner, Mistress Kali and an all-star cast of local performers. How do you decide who’s on the roster and can you share anything about what they’ll be doing?

I do not travel much, so this will be first time seeing Russell live and I am really looking forward to it!  It only took one video to convince me that he would create an amazing experience for our audience. Soon after I changed the date to January 13, Mistress Kali contacted me about performing in the show because she would be traveling this way with Russell. That’s why I am calling it my “Lucky 13” show.  Mistress Kali will be giving up the fire show.

I choose acts according to how they fit together to make a well-balanced show. But it’s not easy for me to decide; I’m a Pisces! In this show I am showcasing a lot my local friends that I met through Syrens of the South. For Cheeky Belles shows, which will be back in February, I like to showcase new performers from my classes and independent performers who really bring the heat!

Will you be performing yourself? If yes, without giving too much away, can you give us a tease of what your act will be like?

I will be performing.  I hope that my act inspires a lot of female pleasure!

What’s your favorite performance to date and why? 

My favorite performance to date was at the first Sultry Sunday. I did an improv with Paul Mercer and Regeana Campbell [The Changelings] performing live music. I love performing with Paul Mercer because it is always magical. I made my burlesque stage debut with Paul at an event in 2008.

At the last show, I had a very memorable moment! I love my mind and stepped onto a table and started dancing up there! Then I realized that I didn’t have a plan on how to get down. Fortunately, I picked a table full of friends and a gentlemen stood up to help me.

You also have been teaching sacred rituals and goddess mysteries since 2000 and believe that the healing of the world depends on celebrating the goddess in every woman. Have you always been drawn to this way of thinking or was there a specific incident or aha moment?

I have always been unconventional. In 1997, I read a book called APHRODITE’S DAUGHTERS about temple dancers in ancient India. Shortly after that, I dedicated my life to service of the sacred feminine.

How does this spiritual side dovetail with your burlesque?

I feel the most spiritually connected when I am dancing. Dance has been used in worship for thousands of years. I hope that I represent that Goddess energy when I am performing. I try to bring out the inner Goddess of my students so that they can learn to access that energy when they want.

Kitty Love. Photo credit: Kellyn Willey, PinUp Girl Cosmetics.

I teach my students to use the elemental energy in their bodies to enjoy their dancing. There are no choreographed routines or required dance moves. I call it sensual dance because it is about feeling good, not just looking good. My next classes start on January 13 at the Red Light Cafe. To register, contact me at misskittylove@gmail.com.

You also read Tarot cards. What’s your philosophy of approaching the cards, and how can someone get a reading from you?

I look at the cards as postcards from God. Everyone is here to learn on their journey, and the cards are like a map of what lessons are coming next and how to best approach them. I do readings at The Shelter for the monthly Ritual parties [the next, themed Gangster Speakeasy, is this Fri. Jan. 11] and at the Georgia Renaissance Festival in the spring. I am also available for private readings by appointment and at special events.

What’s next for Kitty Love?

I am developing Cheeky Belles into a community of like-minded performers that use dance as a spiritual expression.

Admission to Kitty Love’s Sultry Sunday is $20 at the door or $15 in advance (available on the Red Light Cafe website. And in case you wondered, the Red Light Cafe just got their liquor license!

Editor’s Note: The first photo also should be credited to Kellyn Willey, PinUp Girl Cosmetics. All artwork is courtesy of Kitty Love.

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