Shop Around: Atlanta’s Swankiest Retro Couple Jezebel Blue and Nathaniel Self Will Dress You Up 2the9s For the Holidays

Posted on: Nov 22nd, 2013 By:

Jezebel Blue and Nathaniel Self.

Some of Atlanta’s finest burlesque performers will be gracing the stage this Saturday night at Tits for Toys for Tots, the seventh annual holiday fundraiser for charity produced by Syrens of the South. But tassels won’t be the only reason not to miss the show, local artists/vendors Jezebel Blue and 2the9′s Retro, aka Nathaniel Self, will be selling everything you need to dress to the Retro max or wrap up under the tree for your honey this holiday season.

Jezebel crafts jewelry with vintage images from pin-up girls to movie idols to steampunk style. Nathaniel sells men’s vintage shirts, jackets and zoot suits, as well as ties, small suitcases and custom-designed Retro purses. Best of all, the couple’s prices are as sweet as they are. ATLRetro caught up with the dynamic duo to find out more about their way-cool wares, what they have planned for Tits for Toys for Tots and also where else you can find them vending this holiday season.

ATLRetro: You two are one of Atlanta’s swankiest Retro couples, hair and clothes to the 9s. There must be a swell story behind how you met, and don’t lie to me, you do own the actual cat’s pajamas, right? 

Nathaniel: First off, thanks for the compliments. I don’t know about how swank we think we are – pretty sure we consider ourselves to be two of the biggest goofy nerds in Atlanta. And as for owning the cats PJ’s, we don’t own them, but if 2the9′sRetro can find them for you, we will, and Jezebel will make the accessories to match.

How we met is sort of a trip to Jerry Springerville. A couple of years back we met at a great mutual friend’s event, The Rockabilly Lounge, put on by the wonderful Mon Cherie. We were both getting out of relationships, and I was actually sort of flirting with her sister at the time, but that didn’t work out, so I decided to step into the land of Jerry Springer and started chatting up Jezebel. Me being a photographer, I loved her look and her fun attitude, so we hit it off right away. I knew it was a good match on our first date when people at Cafe Intermezzo wouldn’t stop interrupting us to take our photo and to say how lovely she was. By the time we left, it was around the restaurant that we were professional swing dancers. Which is very entertaining, because I have two size 12 1/2 left feet and Jez has arthritis and can’t be on her feet for long periods of time, let alone swing dance.

Jewelry by Jezebel Blue.

How did each of you get started on your path to righteous Retro craftiness? 

Nathaniel: I’ve always been an artist, started out sketching as a kid, drawing fake tattoos on classmates. Then on to photography, which I do part time with my other business, Self Images Photography. After meeting Jez, I started selling clothes and vintage luggage. Her creativity rubbed off on me, so I started designing bags in sort of the same kustom kulture/pin-up vein as some of her jewelry. I’m still getting used to doing it. Jez has the hard job making her jewelry. I’m just her carnival barker. My bread and butter is getting lucky being able to find great Kustom Kulture shirts and suits for resale.

Jezebel: I actually took a beginner jewelry-making class when I was in high school, about 24 year(and now I feel old).  I had learned how to crochet from my grandmother when I was about five and always liked making things, but the minute I laid my hands on pliers, a spool of wire and some mandrels I was thoroughly addicted.

Jezebel, how do you select the images for your pieces?

Jezebel: I really have no rhyme or reason. I have a little over 3000 electronic images and folders full of old books, calendars, postcards and photographs. I look through them and wait for something to ‘strike’ me. It could be the colors or composition. It could be something as simple as I just really like the dog in it or the woman’s expression. I wish I knew myself sometimes.

Nathaniel, what are your top three tips for a man who wants to outfit himself as a true gent.

Nathaniel: If you’re serious about wanting to go all out and make an impression:

1.) Do your homework. There are so many variations on vintage style you can really stand out if you want. Make the style your own, do your own thing with it, but I’ve found if you arent comfortable in your own skin you’ll never be comfortable in a three-piece suit.

2.) Find clothing that fits you and the occasion. You don’t need your own personal tailor – it wouldnt hurt –  but you can look ace on a budget, trust me. Don’t step out in a suit that’s all bunched up at the feet and a suit jacket two sizes too large. I’m a hard fit, so I know it’s not always easy, but it can be done if you’re serious about looking ace. Nothing makes you stand taller than a good suit. Dressing for the occasion is a must. You don’t always have to be in a suit. You can look just as ace in a lounge-style button-down and jeans if i’ts a casual night out. It’s all in the details.

3.) If all else fails, go and see a couple of my friends, New Orleans Jon and Chad Sanborn as they perform and take some hints from their style. Those two fellas are the best dressed in Atlanta in my opinion. Jon was really like a mentor and not afraid to tell me what I needed to work on with my gear when I first started out with 2the9s: “Lose the creepers man, find yourself some real shoes.” Haha. He has it pegged down on every detail.

What’s a favorite piece or pieces that you have right now for sale for each of you, and why? 

Nathaniel: Hmmm, that’s a hard one. I can’t even get into all the shirts I have, because I typically like them all so much I want to keep them, but that wouldn’t bode well for my store. I’ve got a couple of pieces of vintage luggage that I have right now that I’ve never seen before. One of my best is a large round blue luggage. Those in such a large size and good condition are becoming hard as hen’s teeth to find. I recently just sold a 1950′s oxblood tuxedo jacket with gold thread throughout. It’s hard to explain, but it got a lot of looks. It was definately one of my favorites just because it was such a great showpiece.

Jezebel: For me, my absolute favorite pieces are the rings I have made with vintage chantons, a fancy word for a pointy-backed rhinestone. The sparkle is unreal; it rivals and, in my opinion, outshines Swarovski. My second favorite piece is an image I use often called “Til Death Do Us Part.”  It is a couple in Day of the Dead makeup done in a school tattoo flash style that I purchased the rights to. To me, it is just a beautiful synthesis of Victorian aesthetics with the couple facing each other but done in a modern rockabilly style – and it talks to my romantic side.

Jezebel, how much time does it take for you to make a piece of jewelry and how do you price your pieces? Always seems to us that your prices are very reasonable, so in other words, how do you do it?

Jezebel: Simple pieces like my $8 anchor earrings take about 20 to 30 mins. Some of the more elaborate pieces can take three to 18 hours depending on the techniques used. The jewellers grade resin I use takes three to four days to fully cur,e and that is after a minimum of three hours work. I try to keep my prices down by not overly marking up the pieces. I know jewelry is a luxury for most of us, as a single mom, even $10 can make a difference and I would rather make a little and make someone happy, than mark up a piece and put it out of reach of someone who would really truly appreciate it. It drives my family and Nathaniel insane. They constantly tell me I am under-pricing based on the amount of work I do.

Nathaniel, vintage luggage is making a comeback. Why do you think that is, and how do you select your pieces? 

Nathaniel: All things pin-up and Burlesque are making a comeback or so I find. Thanks to the tattoo shows, suicide girls and rockabilly hitting the mainstream, everyone is looking for that little something extra to set themselves apart in a group of girls trying to ape the Bettie Page style. For some it’s just nostalgia. I can’t count the number of times I hear “Ohhh my grandmother had one exactly like that!” when I’m vending at shows.

I try to stay away from the plain Jane pieces. I like a lot of character. Sometimes I have to pay more than I want to get them, but it’s worth it when you know that what you have is a cut above the ordinary. Whatever I can do to keep them from being turned into a boombox speakers.

Nathaniel Self and Jezebel Blue.

What can we expect to find at your tables this weekend at Tits for Toys For Tots?

Nathaniel: I’ve gotten a few more shirts and suits, from high-end Valentino suits to vintage double-breasted pinstripe gangster suits and an eclectic mix of shirts from garage, lounge, western and even some Hawaiian and tiki stuff. I still have the great vintage luggage and train cases, as well as a few hand-decorated bags with pin-ups and tattoo graphics and maybe even a couple of new Lux DeVilles if I can find the room.

Jezebel: I will have a little bit of everything: vintage chanton rings, negligee necklaces, pin-up and steampunk-inspired pieces, locker tag bracelets, honestly you never know.

Where can we expect to see you next, and also where can we find your products online? 

Jezebel: The easiest place to find me online is Facebook.  Single mommy-dom is time-consuming, but I can throw things up on FB and answer any questions as needed and it makes it more personal. I will be at Hayes Elementary on Dec 7 from 9-11 a.m. for a breakfast with Santa. I am not sure of anything after that, but I do post my itinerary on Facebook.

Nathaniel: We’re going to be at the Tits for Toys for Tots obviously. After that I’m looking into being a vendor at some of the East Atlanta Village craft shows and the EAV Santa Parade. After that, the future is unwritten. Matter of fact we’re open to anyone who might want to have us at their concerts, car shows or craft festivals. We don’t discriminate, so feel free to get in touch with us. The best place to find me is on 2the9′s Retro on Etsy.com or 2the9′s Retro on Facebook. We look forward to seeing you out and about. Stop on by our booth and say hello.

All photographs are courtesy of Jezebel Blue and 2the9s Retro and used with permission.

Category: Shop Around | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Kool Kat of the Week: Ooh-la-Love! Talloolah Love Embraces Her Inner Geek Girl Power and Finds It Gloriously Glamorous at Dragoncon 2013

Posted on: Aug 27th, 2013 By:

Hair, makeup and photography by Pin Up Girl Cosmetics.

By Gretchen Jacobsen
Contributing Writer

Burlesque and pin-up culture have been a part of Dragoncon back to the Bettie Page Contests of the 1990s. But this week’s Kool Kat, Talloolah Love, is taking it to another level as producer of DragonCon Burlesque, A Glamour Geek Revue and other titillating events throughout the weekend.

Talloolah has long been a force in Atlanta’s burlesque revival, cabaret and Retro scenes. Known across the United States and even internationally, for her burlesque performances, the “Sweetest T in the South” is an instructor at the newly opened Atlanta School of Burlesque. She is also one of the founders of the retro arts organization, The Artifice Club, known for splendid steampunk events extraordinaire including Mechanical Masquerade: The Retropolis, Sunday Aug. 31 at 8:30 p.m. at the Westin Peachtree Plaza, as well as bringing the growing electro-swing movement to Atlanta.

The lovely Ms. Love somehow managed to find time out of her crazy schedule this week to talk to ATLRetro and share a bit about her fascinating career, her perspective on the burlesque revival today, and how she’ll be entertaining us this weekend at Dragoncon. We couldn’t be happier!

ATLRetro:What drew you to burlesque?

Talloolah Love: I grew up watching musicals, blue comedy, Carol Burnett and THE MUPPET SHOW.  My idols were Betty Grable, Rosemary Clooney, Mae West and, of course, Marilyn Monroe. But it all started with belly dancing. I had taken classes in Colorado, but when I moved here, I found the community difficult to move around in as a newcomer. Burlesque embraced me with both arms, and I haven’t looked back since.

Who inspires you as a performer?

Besides the aforementioned stars of yesteryear, my modern inspirations are Amber Ray, Immodesty Blaize and Russell Bruner [Editor’s note: read our Kool Kat on Russell, the 2012 King of Burlesque here]  All three are ferocious on stage. They leave indelible marks of inspiration on my soul when I watch them. Amber and Immodesty both for their fierce stage presence and mind-blowing costumes. Russell for his incredible timing, charisma and musicality. All of them have a devotion to their craft that really takes my breath away.

What is your philosophy as a performer?

To me, it doesn’t matter what style of burlesque you do. It doesn’t matter what size, shape, color, sex or race you are. As long as what you bring to the stage is polished, cared for, speaks from the heart, and makes you happy to do it, I call it burlesque.

Hair, makeup and photography by Pin Up Girl Cosmetics.

Does it look like they are having fun? Does it look polished? Are you having fun watching them? Burlesque is so subjective. What I love about it is you cannot like that first act, but the second one lives with you for years. All you have to do is wait five minutes, and the channel gets switched to something new and different. You may love it, you may hate it, but wait till you see what’s going on in the next five minutes. Variety is the spice of life, you know?

Do you think burlesque is “girl power”?

I do. I grew up being told I wasn’t right for one part or the next. Burlesque gives me the power to say, “Oh yeah? Well, I think I was stellar for that show, so I am going to do it and there’s no one who can tell me I can’t.” You have to have some brass balls to get up on stage and own everything you do in spite of the fact that not everyone will love you. Burlesque has given me the ability to say, “Well, I hope some of you liked my form of art.” It’s how I express myself. When I am on stage, or even rehearsing a number in my unitard, I feel empowered because I make the decisions on my hair, my costume, song, choreography, absolutely everything. Sure I want opinions on things, but I have the final say on what goes on stage. There’s something exhilarating and very empowering about that.

You’re the one of the founders of The Artifice Club. What is the club all about?

The Artifice Club is a group that DJ Doctor Q and I founded together. It’s a coalition of artists who support artists. Besides my need for passion in one’s art, I believe in collaboration of minds. In the past, the Club did this by doing shows and displays of peoples’ art in hopes for exposure. Now, it is so much more than that. It is a not-for-profit organization that facilitates grants, helps promote, donates back to the community, and holds fundraisers to assist artists in keeping their mind on their creations rather than how they are going to pay for their space, or for a trip to the next festival to show their wares.  It is now an organization with a board of directors and will be doing more good on a bigger scale for anyone who applies to the guidelines of the club.

What events are you involved in at Dragoncon? 

Thursday Aug. 29, 8:30 p.m. at the Pulse Lounge in the Atlanta Marriott Marquis, I will be strutting out in my bunny ears with the ladies at The Annual Bunny Hutch. This isn’t my event, but I am very excited about it.

Hair, makeup and photography by Pin Up Girl Cosmetics.

Friday Aug. 30 8:30 p.m. The Sheraton Atlanta pool will be the location for the Second Annual Pin-ups by the Pool Party. Presiding over the show will be the returning and illustrious New Orleans Jon (see his recent Kool Kat profile here). There will be a pin-up competition and a mermaid competition, so please come see and be seen. I expect it to be quite a spectacle.

Saturday Aug. 31 11:59 p.m. in the Regency Ballroom at the Hyatt Regency Atlanta is DragonCon Burlesque, a Glamor Geek Revue. This is the second year I have been in charge of the show, and I couldn’t be more elated! This year has some really out-of-the-park acts. For example, fresh off his world tour the KING of Steampunk Funk, Montague Jacques Fromage, will be the Master of Ceremonies weaving a story of intrigue and sexy interludes throughout the entire show, along with the 2013 Queen of the Southern Fried Burlesque Festival, Lola Lesoleil, and other prestigious award-winning performers. This promises to be the show not to miss!

What is unique about Atlanta’s burlesque scene?

I feel like the scene has changed so much in the past ten years. When I first started out, Atlanta was unique because the troupes were really the only way anyone could perform regularly, and there really wasn’t a lot of cross-pollination.  Each troupe did what they did and that was it. It’s so different now. We all work together, and the independents seem to outnumber the troupe members. Personally, I think that is a great thing. It means a patron can go to a show and really not know who they are going to see. I think that a golden age in Atlanta Burlesque really is on the horizon thanks to Ursula Undress and the efforts being made with The Atlanta Burlesque Alliance and The Atlanta School of Burlesque. Plus, with social events like my Atlanta Burlesque and Cabaret Society and Sadie HawkinsCougar Crawl, we all have a real good time with each other. Kind of like a burlesque SEX IN THE CITY, only we get high on E-6000 rather than sip cosmos together.

What do you think about Atlanta being named the nerdiest city in America?

Oh, I love it. It’s appropriate too. DragonCon is huge, and it’s run privately for geeks by geeks. Besides DCon, Atlanta plays host to at least five other major fan fueled conventions. Add to that the vast LARPing communities and bookstores/comic book shops out here, then throw in that Cartoon Network is deep in the heart of Atlanta’s arteries, and you have a cultural cornucopia of Nerd-dom! I think it’s great.

What are you working on for the future?

I am always looking for what’s next. Fascination was an [electro-swing] event the good DoctorQ and I worked on together this past year, and I really loved the format. The venue was just an issue. Venues tend to be the big issue when it comes to producing big shows. My hope is that we find the RIGHT venue and that we start doing one big bang-out show – a little of the Fascination format with a few other big ideas I have cooking on the back-burner. Otherwise, I plan to do a Midwest tour next year. It’s still in the planning stages, but once it gets off the ground, you can bet I am going to social network the bajeezus out of it!

Who would you like to perform for or with?

I started to list them all out, but that would take all day. I want to perform with everybody. Then perform with them again because once is never enough!

Hair, makeup and photography by Pin Up Girl Cosmetics.

Where can we see you next?

After Dragoncon, I am going on a much deserved vacation, but I will be back at the beginning of October at The Shelter. I am going to be shaking it up as an airship pirate for this new mash-up music club night called Bootie Atlanta on October 5 – $5 admission before 11 and $10 after that.

Anything you’d like to add?

If you are interested in getting into burlesque, I have a few suggestions for you. If you already have an act and just need a venue to perform it in, I suggest auditioning. There are  a lot of troupes and even a production company in Atlanta where you can audition, and then, you’re there!  The best way to get involved in the Atlanta Burlesque community is to come out to Atlanta Burlesque and Cabaret Society meetings at The Elliott Street Pub in Atlanta. We meet the first Thursday of the month at 8 p.m., we go till 10, and at these meetings, you will meet other burlesque performers, photographers and fans of the local scene, you may even get to catch an act on the stage down there for a workshop on new and established performers. It’s a great way to market yourself. Speaking of marketing yourself, you will want to do your research and attend burlesque shows, figure out who the important people are and make sure you let them know you are serious. All of the troupes are very different and have a lot to offer the right person if they fit into their dynamic. If you don’t like how one show runs, that’s ok, check out another troupe!

If you do not have an act, and just really want to be involved, then I suggest classes at The Atlanta School of Burlesque. Check out their teaching schedule and come to a few classes. There’s a fundamentals class for the very very basic, and then beginning choreography classes. I recommend that you look at videos of the different teachers. They are also active performers in the scene; go catch them out at a show. I guarantee you that going up to a teacher after they have performed to tell them that you will be taking a class from them in the near future is better than bringing an apple to them any day!

 

Category: Kool Kat of the Week | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Kool Kat of the Week: Freaks, Geeks and Playing with Teeth: Aileen Loy Is Ready to Sing the Music of the Devil…Well, Till Someone Loses An Eye

Posted on: Mar 6th, 2013 By:

Aileen Loy, performing with Till Someone Loses an Eye at the Star Bar on Jan. 10, 2013. Photo credit: Jolie Simmons.

ATLRetro has had our eye on Atlanta visual and performance artist Aileen Loy for a long time, and now seems like the perfect time to catch up since her band Till Someone Loses An Eye will be playing Sunday March 10 in a three-month second Sunday series at the Corner Tavern in Little Five Points. The unique nine-person ensemble also will be opening for self-described “rockabilly-porno-metal with a country twist” Fiend Without a Face  and Ricer on Wed. March 6 at the Star Bar. Other band members include  Sam McPherson and Michael A. Robinson (L5P Rock Star Orchestra/DRACULA THE ROCK OPERA); Meredith Greer (The Chameleon Queen); Steve McPeeks (Art of Destruction)Frank Anzalone (Walk From the Gallows)Brigitte Warren (Wicked Geisha Ritual Theatre); and Dee Dee Chmielewski (DRACULA).

To call Aileen an eclectic talent would be an understatement for her passions definitely are eclectic and her talent unquestionable. Her singing voice is unexpectedly deep for a woman and has often been compared to Tom Waits. her costumes are always the very spirit of Bohemian and often feature bones, whether she is in full Mexican skull-face Day of the Dead regalia or  a skintight black pants fronted by a human pelvis and skeletal legs. Still to call her a goth would be selling her short. She certainly displays a passion for the macabre, but she also equally embraces the playful, including the recent Renaissance of carnival/circus culture and even a gypsy steampunk edge. Till Someone Loses An Eye lists its influences as Waits, Nick Cave and Gogol Bordello and its interests as “rusted metal, old time circus culture, cheese sandwiches, small rocks, freaks, geeks and miscreants.”

When she is not making music, Aileen crafts cool, creepy jewelry using prosthetic eyeballs and teeth, and she has experimented in film and just about every type of artistic media. If that’s not multi-talented, we don’t know what is. But enough talking about Aileen, let’s get talking to her.

ATLRetro: Seeing your artwork and listening to your music, we can imagine you being closer to Wednesday Addams than Cindy Brady as a little girl. How old were you when you started down the path to the darker side of creativity, and what pulled the trigger?

Aileen Loy: That’s a fair cop – I was a pretty serious and awkward little girl. I’m not sure how to answer the rest of that question but there was probably a library card involved.

Aileen Loy plays a mean harmonica with Till Someone Loses an Eye at the L5P Halloween Festival 2012. Photo credit: Stephen Priest.

Who/what were some of your early inspirations musically and visually that still influence your work today?

Johnny Cash, Tennessee Ernie Ford, a lot of classical music. My parents had a weird assortment of albums when I was growing up, so I’d go from listening to SONGS OF THE GUIANA JUNGLE, Lord Kitchener, those odd Reader’s Digest collected works of *insert western classical composer or awesome polka guy, here*, lots of Bollywood, Johnny Mathis and a good dose of Kitty Wells, Dolly, Willie Nelson. Rock and roll was kind of special because I got to discover that on my own. Those were the albums we played when the folks were at work or at my friend’s house. Dad went on a “Rock and roll is the music of the devil; we must burn all rock albums and rid the world of it’s horrible influence” phase, so most of my albums stayed in my room hidden safely behind the Mozart and Ravi Shankar. It was an odd time.

Why do you think circus and carnivale culture has made such a comeback and is seemingly in a renaissance in the independent arts scene from burlesque to steampunk to modern-day proud-to-be-freaks shows?

Good question and I don’t really know. I’ve always been drawn to it because it seemed like a magical amorphous place, where one can, not only be exactly what one is, but is encouraged and expected to be fully that – to gain power and reflect competence and heart through what others might view as “freakish.” It’s a place where no one expects tidy and convenient truths. Fantastic stuff. I think I definitely would have felt safer in there as a kid.

Your vocals have often been compared to Tom Waits, which is unusual for a woman. Did you work to create your unique singing voice or did it just come natural?

I’ve always had a little froggy voice, and the vocalists that I really loved had such huge resonance. You could feel them in your chest! So, yeah of course I wanted to sound like them. That would be me, age 5, trying my damnedest to sing Johnny Cash, and eventually I could. I had a voice therapist tell me that I have the physiology for it . My vocal cords are similar to a male’s. Otherwise I wouldn’t have been able to train that low.

Aileen Loy fronts Till Someone Loses An Eye at 7 Stages during Day of the Cupcake, Oct. 8, 2012. Photo credit: Jolie Simmons

Tell us about Till Someone Loses an Eye, your latest band. Why the name? And what makes this band special and unique musically?

I thought the name was funny. It could be a threat, an eventuality, or an aspiration. The band is personally interesting to me because everyone has such a widely different back story and vibe from one another, and it informs the music in a pretty cool way.

At an Artifice Club performance in fall 2012. Photo credit: James Curtis Barger.

You list some of your collaborators as “heads of mischief.” What do you mean by that?

I was being glib when I wrote that, just trying to fill a page and get it up. But now it’s very apparent to me that it’s absolutely true on its face, no explanation needed. Lovely troublemakers, all of them.

You’re playing twice this week. Wed. March 6 at Star Bar and then Sunday march 10 at Corner Pub, which is going to be a once-monthly event on second Sundays. Do you have any special plans for either show? Why should folks come out?

Wednesday’s show we’re playing with Fiend Without a Face and Ricer, two reasons right there to come. Second Sundays, we have the whole night to do whatever we want. We could play two full sets just us, or have another band open, or musicians sit in for a song or two. This Sunday, the band, Tulsa, is coming through from SXSW and will be doing an early opener set at 8:30.

A vintage stag pocketwatch sporting a prosthetic eye designed by Aileen Loy.

What are you up to in the visual arts right now? Last time I checked you were making beautiful jewelry involving teeth.

Still plugging away, trying to up the scope of the teeth jewelry a bit and take it to a logical conclusion, not sure what that is. I’ve got a few new projects brewing, but it’s still to foggy to talk about them with any kind of intelligence.

What artistic or musical accomplishment are you most proud of so far, and why?

I’m just happy I’m doing it. Neither was particularly supported when I was growing up, so I kind of always found my own way around. Definitely, a late bloomer.

Finally we had to ask. What’s your favorite whiskey and why?

Is there ever a bad whiskey?

Category: Kool Kat of the Week | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Kool Kat of the Week: Amanda Palmer Finds Peace and Perfection in The Cure, a Beating Fish Heart and Peeling Up Rugs

Posted on: Sep 15th, 2012 By:

Is Amanda Palmer a Goth Goddess? A Steampunk diva? Sally Bowles? Super-heroine? The publicity photos for her new band the Grand Theft Orchestra suggest Geisha meets AMADEUS. Atlantans will find out tonight (Sat. Sept. 16) when she steals into the Variety Playhouse.  A creative chameleon who has played in many Retro eras from costume to sounds, Amanda Palmer has reimagined herself again with a new album, THEATRE IS EVIL, released on Sept. 11. Some critics have dubbed this album poppier than previous projects such as the Dresden Dolls, but we’re intrigued by the list of many of our favorite ’70s and ’80s Goth/alternative bands, which she lists as influences yet how she makes the songs very much her own.

THEATRE IS EVIL also is testament to her savvy social networking skills and a passionate fanbase. It’s already music industry legend how she produced the LP without label support through a Kickstarter campaign in which she asked for $100,000 but raised $1.2 million. You have to imagine plenty of musicians are tilting their heads and analyzing the hows and whys of her success – could crowdsourcing be the golden ticket to being able to stay true to your artistic vision without interference by over-zealous marketing suits?! In any case, Amanda sure seems to be living the artistic dream life with enough money to follow her creative bliss and even married to Neil Gaiman, award-winning leather-jacketed punk rock author of dark fantasy best-sellers and creator of the ultimate dream-weaver comic, SANDMAN.

Yet all the while Amanda stayed true to her busking performance art spirit  including fun Kickstarter incentives that radiated a reciprocative passion for her fans including an artbook, personal sketches and private concerts. And she even took a time out during a busy week on the tour bus to zip out a last minute Q&A for readers of a humble local blog like ATLRetro, for which we have to say she’s a mighty Kool Kat

ATLRetro: On NPR’s ALL SONGS CONSIDERED, the two critics Bob Boilen and Robin Hilton  couldn’t get enough of THEATRE IS EVIL, even comparing it to Bowie’s THE LODGER. You’ve mentioned that you had The Swans, My Bloody Valentine, The Cars and VIOLATOR era Depeche Mode on your mind with particular songs. Since we’re ATLRetro, we have to ask which critic comparisons have pleased you the most and are there any other Retro musicians/bands who particularly influenced the work on this album?

Amanda Palmer: Oh, where can I start? Soft Cell. Gary Numan. The Cure, all over the place…I feel like some songs like “The Killing Type” are more early-era stripped down Cure whereas “Want it Back” is more KISS ME, KISS ME ,KISS ME me era, and “Smile” was directly an homage to “Plainsong” from DISENTEGRATION, right down to the fact that I chose it to kick off the record and the fact that we open the live show with it. One of my deepest and influential moments was the first 30 seconds of seeing The Cure live in around 1989, on The Prayer tour. They opened with Plainsong, and I felt like I was listening to the voice of god.

You embrace live performance with a passion and bravado unparalleled by many contemporary musical artists. Why the album title, THEATRE IS EVIL?

Because it’s hilarious.

Your songs not only tell stories but also always seem to have interesting stories behind how you came to write them. Pick one song on THEATRE IS EVIL that you’d like to tell Atlanta fans more about.

Wellllll - “Tour Heart Replica” has a good one. I was going through a really rough breakup, and I was visiting Neil Gaiman at his house with my whole touring crew, before we started dating. I was also really feeling the tour grind, the caged feeling. He took us to a trout farm. We piled into his car on a freezing Wisconsin day right before Christmas – a few of the actors in the tour, my opener and cellist Zoe Keating. The trout farm was this set of shacks where they had the trout swimming and swimming endlessly in circles in these big metal tubs. They clobbered a dozen of them to death and brought us into the fish surgery where they gutted them, and as the dude sliced into one of the fishes, he said “look” to us, and a fish heart was laying there in his hand, still beating. And for about 20 seconds, it kept going, in his hand, beating. “This happens sometimes,” he said. Then he put the heart on the counter and he left, and Neil followed him out. And Zoe and I stood in the room, looking at the fish heart on the metal counter. And it kept going, it kept beating. Everything about my life was reflected in that moment. And Zoe, Neil and I joked in the car that the moment was the perfect song, the perfect poem. And we all went off to write. Neil’s poem was published in a journal, and my song found its way onto the album.

Some of my favorite songs by you with the Dresden Dolls and solo have been those that have been angry/angsty but also clearly about empowerment and moving on. In other words, not getting derailed by relationships that end bitterly. Can you talk briefly about what those kind of songs do/mean for you or are you moving away from that thematically since you’re happily married to Neil?

Well, a lot of the album does feel like it’s about coming to peace with things. But in order to truly come to peace, you always have to peel the rug up and look at the truly rotting stuff. You can’t have one without the other, I think. To me songs are the perfect way of doing both things at once: the peeling up, and the coming to peace with what you find there. And then the best part: sharing what you find with everybody else, and seeing the heads nod in “you too?” agreement. You can find anything under the rug if you don’t feel alone in the finding.

Without giving away any crucial spoilers, can you share a little sneak peek into why no one should consider missing your show in Atlanta this Saturday whether or not they have seen you perform live before?

Well, I’m backstage in North Carolina right now, and we just had the audience split up into a “lamb of god” divide and wield disco balls and peace twigs at each other. ANYTHING is possible. But in seriousness: be prepared to dance. The dancing is key. Bring a tissue as well, for the sad bits.

Finally, we know that you are goddess queen of the Earth, so what secret weapon could we use to save us from your wrath?

A towel, obviously.

Category: Kool Kat of the Week | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , ,

STEAMFEST Brings the World (and the Moon) to Avondale Estates

Posted on: Apr 11th, 2012 By:

When the Academy Theatre, the Artifice Club and the City of Avondale Estates present the 4th annual S.T.E.A.M.Fest this Sat. April 14 and Sun. April 15, the Steampunk world will come together for one heck of a good time.  Musical and theatrical performers confirmed for the Festival include Philadelphia’s This Way to the Egress, Mister Joe Black from the UK, San Francisco’s Unwoman, Los Angeles’ The Peculiar Pretzelmen, Texan comedic styling of Mr. Saturday and Sixpence, Charleston’s Megan Jean and the KFB, Atlanta’s own The Extraordinary Contraptions and Play It With Moxie, plus The Awalim Dance Company bring steps from the Middle East and Thimblerig Circus giving us the wonders of their fictitious Moldavian homeland, and more.

But why stop with the world when S.T.E.A.M.Fest can hang the Moon? The Academy has acquired an exclusive screening of an amazing restoration of Georges Méliès’ masterpiece, A TRIP TO THE MOON (1902), 110 years after its first release of this hand-painted marvel of early cinema. Steampunk short films of various stripes will be on show all weekend in the fantastic Tea Parlor.

Moving from screen to stage, this year we will feature the world premiere of THE ADVENTURE OF CAPERCALLIE BRIDGE by Maegan Mercer-Bourne, which tells the tale of Mycroft Holmes and his adventures.

S.T.E.A.M.Fest, which stands for Steampunk Theater, Entertainment, Arts and Music Festival, is Atlanta’s only Steampunk arts festival (and, quite possibly the ONLY Steampunk Arts Festival in all the Solar System). Live performances and musical acts will be complemented by many artists, authors, illustrators, actors and filmmakers talking about their involvement in the Steampunk genre. Whether in the vendor/dealer’s room, workshops, panel discussions, a costumes contest, musical and theatrical performances, out by food trucks, or dancing with the DJ’s spinning until the wee hours of the morning, some of the best and brightest in the Steampunk scene will be mixing and mingling with all the guests at the event.

Costumes are encouraged, but not required!  Props are welcome and weapons must be peace-bonded.

Tickets range between $25 to $100 and can be purchased online and at the door, with VIP sales closing down this Saturday, April 7 at midnight.  Be sure to note that there is a discount for young people with a valid high school ID. To find out more, visit the S.T.E.A.M.Fest Website , the  S.T.E.A.M.Fest Facebook page or the S.T.E.A.M.Fest Facebook link Event page . Follow S.T.E.A.M.Fest on Twitter at @ArtificeClub.

Category: Really Retro | Tags: , , , , , , , , , , , , , , , , , , , , , ,

AnachroCon Performer Spotlight: A Bohemian Journey with Frenchy and the Punk

Posted on: Feb 23rd, 2012 By:

Photo credit: Anka Jurena

At first glance with all the top hats and bustles, steampunk seems more like a refined tribute to Victoriana congeniality, but at AnachroCon, a three-day alternate history convention Feb. 24-26 at the Holiday Inn Select Perimeter, don’t expect to see everyone waltzing. A diverse musical genre has grown up that’s every bit as imaginative and DIY as the books and costumes. And perhaps no band puts the “punk” into steampunk sound than an in-your-face feisty little duo named Frenchy and the Punk who take the stage at 10 p.m. Sat. night.

Samantha Stephenson (Frenchy) and Scott Helland (the Punk) started their musical collaboration as the Gypsy Nomads in 2005, but she being French-born and he having played guitar in several punk bands, the nickname stuck. As for their musical style, one could call it eclectic stirring up and twisting around elements of cabaret, gypsy, Celtic and steampunk. The resultant unique sound has won them fans across the US and Europe, and like gypsy performers of old, they are constantly on the road, touring and performing at some of the biggest steampunk and faerie gatherings, including DragonCon, Steamcon, The Steampunk World’s Fair, Wicked Faire, Sirius Rising, Faerieworlds and FaerieCon.

While driving their van down I-75 towards Atlanta, Samantha was kind enough to answer a few questions about what attendees can expect from their act and in general at AnachroCon. Which means, of course, that this interview was composed literally in motion.

How did you and Scott first team up as a duo?

Yes! We met in 1998 while we were both living in NYC. We started collaborating in 2000 when Scott was doing solo shows. He had left the band he was in back in 1996 and had launched a solo project switching from bass guitar to acoustic guitar. I had been heavily involved in the performance arts since childhood and was focused more on painting and sculpture when we met. I was using his music for art installations, and he used one of my paintings for a CD cover. From 2000 through 2004, I was booking his 70+ shows a year and promoting his music on the radio and other media. From my own previous performance background as a dancer and singer, in 2005, I joined him onstage to play percussion on some of his instrumentals and it all snowballed from there. We released several CDs, one entirely in French and another a mix of French, English and instrumentals, then in 2010 we released HAPPY MADNESS.

Frenchy and the Punk perform at the Time Traveler's Ball at DragonCon 2011. Photo credit: Mark Rossmore.

You’ve been compared to Siouxsie Sioux and your music could be said to have a punk energy about it that might be surprising to folks who think old-world and gypsy means polka retreads. Is that why you’re Frenchy and the Punk?

We started under the name The Gypsy Nomads but we were also dubbed Frenchy and the Punk early on. We thought about switching the name for a few years as it seemed more fitting and finally committed to it last year. I was born in France and come from French and British parentage. French was my first language although I started school in England. The song “Yes, I’m French” on the HAPPY MADNESS CD is a comical song of my coming to America. I get compared to Siouxsie a lot as I have a similar vocal style; ironically she is also of French and English parents and there is even a slight physical resemblance. Scott started playing in bands when he was 13 years old. He was the bass player of Deep Wound, the seminal Western Massachusetts hardcore punk band that he co-founded with Lou Barlow. The band also included J Mascis. Lou and J later formed Dinosaur Jr. Scott continued in the punk scene with the Outpatients. So his moniker of “the punk” comes from his musical beginnings.

Our music and performance style are high energy so we do get the gypsy punk label quite a bit, but there are so many different influences in our sound. The name really is a reflection of who we are as opposed to a music style. We do what we do, how people define us really boils down to their own interpretation based on their own frame of reference. The pervading consensus seems to be that we are spirited and fun, sonic anti-depressant! We are a visceral, theatrical band, we love to perform and we especially love to inspire people to move.

Did your music lead you to steampunk or was it vice-versa, you discovered steampunk and then embraced a musical style that fit into it?

We’ve always played the music that came naturally to us. Our sound is very eclectic with elements of cabaret, vaudeville, punk, rock, world, french chanson and folk. We also have a segment of our show that is all-drum instrumentals which can be described as a cross between Taiko and Blue Man Group. Scott has played drums since he was a kid,  and I was obsessed with the drumming and percussive sound of the samba school when I lived in Brazil for a short time as a child. We did not actively seek out the steampunk scene but rather we were embraced by it. Having lived in Europe as a kid and studied the visual arts – sculpture and painting – I was very drawn to the creative aesthetic and maker’s spirit of the movement. The people that populate the scene are crossovers from other scenes we were already a part of so it was a very organic process. I am the lyricist of the group,  and my personal history happens to blend well with the steampunk spirit. We also play faerie festivals which have strong roots in European folklore. Scott’s blending of old world melodies with the more modern live looping technique gels well with the steampunk idea of bringing the old and new together. The guitar looping also gives us a very full rich sound making it hard to believe there are only two people on stage.

Do you have anything special planned for your AnachroCon performance?

We will be sneaking in some of our brand new songs this weekend so we’re very excited about that, and you never know, there are lots of bands playing so there are likely to be some spur of the moment collaborations.

Other than your performance, what are you personally most excited about at AnachroCon?

These events are like reunions, we look forward to seeing the Atlanta crew again. We haven’t seen them since we played DragonCon last fall. Whether it be a convention or a festival, it is always fun to reunite with people that we may not have seen in quite a while. We do this musical life full-time, year round and we travel all over the U.S., as well as Europe, playing shows. The performers and attendees are equally nomadic so you never know who will show up. We’ve played shows with almost everyone on the bill before so it’ll be great to share the stage with them all again. It’s quite the cast of characters!

Photo credit: Frank Siciliano.

What about a steampunk convention is most likely to surprise someone who is new to the subculture and has never attended one before?

If someone hasn’t been to a convention like this before they will probably be surprised at the costuming as it can be quite elaborate and make you feel like you are in a different time period. That should not deter anyone from going though, even if they don’t have the steampunk costume, they should check it out. There will be lots of really cool vendors who have great accessories that they can throw on for some last minute steampunk flair! Also, I have heard mentioned from attendees that they are amazed at the wide age range at these events and also the sheer high spirited mood and vibe that seems to pervade. And of course, there’ll be tons of awesome live music, DJ’ing and other performances.

What’s next for Frenchy and the Punk?

We are working on a 2 CD release set for this spring thanks to a very successful Kickstarter campaign last Fall. We have lots of conventions and festivals coming up in April and May, as well as a European tour in June. All of our dates are on our tour page of [our] website. And we post our goings-on on our Facebook page regularly. Overall, we continue to build the world of Frenchy and the Punk with our music and art. And to your readers, don’t forget that there is nothing quite like seeing live music! There are lots of independent bands out there like us who drive all over tarnation to bring their sounds to you. By attending the shows you not only have an unforgettable experience you also keep independent music alive, and we thank you!

For the full scoop on the rest of what’s going on at AnachroCon, be sure to check out our Ultimate Guide here.

 

Category: Features | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Really Retro: Your Ultimate Guide to AnachroCon, Atlanta’s Steampunk/Alt-History Con

Posted on: Feb 21st, 2012 By:

Science fiction used to be all about the future, but in steampunk, it’s gone back to the past to create a steam-powered alternate Victorian era full of airships, goggles and rayguns where Tesla trumps Edison. If you think that steampunk is just about creative costumes, there will be plenty walking the halls of AnachroCon, this weekend (Feb. 24-26) at the Holiday Inn Select Perimeter, but there will also be so much more from literary to art to performances. Read more about the many facets of this fast-growing subculture in our recent interview with STEAMPUNK BIBLE co-author S.J. Chambers, then head on down to AnachroCon to experience the city’s biggest annual steampunk gathering live.

As Anachrocon’s Website says, it’s the “place in the South for Steampunk, History, Alternate History, Science, Music, Classic Sci-Fi Literature and the most amazing costuming you’ve ever seen!” Here’s our top nine coolest things to do at Anachrocon. For times and locations, check the full con schedule here.

Mad Sonictist Veronique Chevalier.

1. Costumes Extraordinaire

Men in top hats, boots and goggles. Ladies in their finest Victorian dresses with rayguns tucked into their beaded evening bags. Gizmos galore. In the case of steampunk, accessories make the outfit and it’s not just a look but a way of life for some followers who meticulously craft their eccentric wardrobes in home workshops. Expect to see an amazing array of hall costumes, but the best of the best compete in the Costume Contest at 5 p.m. on Saturday. Or learn to make your own from award-winning costumers in the Fashion and Fabrication programming tracks.

 

Frenchy & the Punk.

2. A Marvelous Menagerie of Musical Acts

If steampunk has a look, thanks to a motley menagerie of talented musicians, it also has a sound – a diverse blend of jazz, ragtime, gypsy, classical, goth and even a touch of rock n roll. At Anachrocon, you can hear some of the best in the region and nation including The Hellblinki Sextet (do we need to say more than pirate cabaret to pique your interest?!), The Extraordinary Contraptions, Frenchy and the Punk, Aeronauts, The Ghosts Project, The Gin Rebellion, The Vauxhall Garden Variety Players, Play It With Moxie and more. Dance the night away to several DJs including “self-described eccentric audio arranger and morally ambiguous scientist” Dr. Q, the mad mastermind behind The Artifice Club which stages quarterly steampunk shindigs and is the official sponsor of the Friday night main entertainment track provocatively titled Fallout Frenzy. Read an interview with Dr. Q here about The Artifice Club here.

Talloolah Love. Photo credit: Mark Turnley.

3. Trick or Tease: Burly-Q and Carnivale Steampunk-style

Burlesque arose out of vaudeville and sideshow hoochie-coo, all of which go back to the bawdy dancers, singers and comedians of the Victorian music hall. Circuses and carnival sideshows for general public pleasure also came of age in the 19th century. See steampunk versions of both this weekend. Award-winning Atlanta burlesque beauty Talloolah Love  invites you to Burlesque At the End of the World (Fri. midnight) featuring  flavors of Bertolt Brecht, The Muppets, and Hollywood heresy; “you’ve never seen a burlesque show like this!” Guest stars include Knoxville’s Rosey Lady, the Blooming Beauty of Burlesque; Katherine Lashe of Syrens of the South Productions; The Chameleon Queen; and Sadie Hawkins and Barbilicious of Blast-Off Burlesque. Meanwhile under the motto of “Doing the extrordinary with the ordinary,” the talented performers of Oklahoma’s Carnival Epsilon (Fri. 5 p.m.) test the limits the human body can be pushed to with sharp blades, burning fire and a silver fork. And Wicked Hips Bellydance, a professional troupe with members from the US and Europe, presents an art form once considered so risque that it would have inspired proper Victorian ladies to grasp their smelling salts (Sat. 7 p.m., Sun. noon).

4. History, Science and the End of the World, Oh My!

Nikola Tesla.

Yes, the whole idea of steampunk is based on an alternate history and a different direction in science and energy. Costumes are not mandatory to attend these bonafide actual history and science with fascinating panels on such topics as “the history of passive-resistance and non-violent protest” (Fri. 3 p.m.);  ”evolution of small arms” (Fri. 5 p.m.), “Sex in Classical Greece and Rome” (Fri. 11 p.m.), Van Gogh at Remy (Sat. 5 p.m.) and much more including culinary discussions, Vikings, shipwrecks and a Sunday-morning gnostic mass. Well, with the Mayan calendar’s abrupt end this year, we give them some slack for a few more apocalyptic (and maybe not so hard-factual) programs such as “This is the Way the World Ends; Eschatology 101″ (Fri. 2 p.m.), “Mayan Calendar 2012″ (if the world’s coming to an end, it only makes sense there’s also a mead-making 101 class out by the pool at the same time), and “Surviving Those Pesky Zombie Apocalypses” (Sat 8 p.m.). Does that mean we’ll see some Walking Dead Steampunks drunk on mead? Well, we can only hope.

The Traveling Revelers.

5. A Little Etiquette & Indulgence Can Do You Good

The Victorian Age was known for being prim and proper, unlike our uncouth contemporary era, so it seems only fitting that AnachroCon’s newest last-minute programming track is centered on Etiquette & Indulgence. Run by Peter Beer Slayer and Richard Carnival, “their mission [is] to make the world a better place by providing instruction on the Social Graces and how to truly enjoy life by using their combined powers to become the Traveling Revelers!” Take ConSociology classes on “how to meet people at cons” (Fri. 3 p.m.);  “the zen of flirting” (Fri. 7 p.m.); “the art of social cues, green lights/red lights” (Sat. noon),and enjoy a “morning refresher” course (ok, early afternoon, Sun. 1 p.m.). Or engage in proper Tea Dueling at 11 a.m. Sun. morning.

Bill Pacer as Benjamin Franklin.

6. Viva the Revolution – Meet the Founding Fathers

Tea Partiers and Ultra-Liberals, take note! OK, AnachroCon isn’t breaking out the Ouija Board (well, not right now anyway; we kind of think there has to be some Ouija-ing going on somewhere), but professional Thomas Jefferson and Benjamin Franklin impersonators (J.D. Sutton and Bill Pacer) will be on hand to share their wisdom on government, electricity and even provide a Q&A. Find out what the founding fathers really thought about freedom of religion, gay rights and sleeping with French prostitutes – we dare you to ask them!


7. Astounding  Alt-History Literature & Pop Culture Panels

At the end of the day, it’s sometimes forgotten that steampunk started not as an aesthetic movement but in the pages of books and now is a lively literary genre. Panels discuss classic influences from Edgar Allan Poe (Sat. 1 p.m.) to a Victorian Science Fiction Roundtable (Sat. 9 p.m.) where we imagine the names Jules Verne and H.G. Wells might get a few mentions. More topics include how to write alternate history (Sat 4 p.m.), modern steampunk literature (Sat. noon) and Growing Up Steampunk (Fri. 7 p.m.). Author guests include Mark P. Donnelly, Kathryn Hinds, O.M. Grey, Emilie P. Bush, Kimberly Richardson, Alan Gilbreath and Dan Hollifield.

Enhanced sonic phaser by Venusian Airship Pirate Trading Co.

8. Sensational Steampunk Marketplace

Need a pair of goggles, a trusty ray gun, a corset, jewelry, custom leather items? All of these and more are available in the Vendor Room, a veritable bazaar of steampunk-related merchandise, with a little Medieval-Renaissance-Celtic thrown in for fun. Well, steampunk does share some roots in modern fantasy which is often inspired by those eras. Be sure to also visit the Artisans Room where you can buy unique, one-of-a-kind creations by jeweler Corey Frison (Labrys Creations), art prints and jewelry by Kerry Mafeo (Fantastic Visions), chainmail by Thandor (and watch him craft it before your very eyes!), the geekiest T-shirts on the planet from Aardvark Screen Printing and works by award-winning artist and illustrator Mark Helwig.

9. Steampunk Boba Fett

Do we really have to say anything else but those three words? OK, you may have seen the Elvis Stormtrooper at DragonCon but Steampunk Boba Fett has taken this helmeted STAR WARS mercenary to a new level of eccentric creativity. Dubbing himself humbly, “the galaxy’s most feared Steampunk Bounty Hunter since 1878 (Earth Time),” to see him is to be inspired! Now go home and get to work on your costume so you’ll be ready to enjoy Anachrocon this weekend!

Category: Really Retro | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Shop Around: Hats On to Jaime Ladet of Hustle n Bustle!

Posted on: Jan 13th, 2012 By:

Photo credit: Rose Riot. www.roseriotphotgraphy.com

By Jennifer Belgard
Contributing Writer

With the playful charms of Charlie Chaplin and the seductive eyes of Theda Bara, Jaime Ladet is a modern gamine plucked out of a Western/science fiction/fantasy movie.  An artist and crafter, photographer, musician and beekeeper.  A fire performer with one foot planted firmly in Vaudeville, the other in a neotribal circus.  She is a gypsy weaving between eras. She thrives in this one, but there’s no question her heart lies in days gone by.  This blend of styles and eccentric personality is what sets her accessory line, Hustle n Bustle, apart from the rest.  I was lucky enough to steal a bit of her time this week to share with you.

ATLRetro:  Tell me a little about yourself.

Jaime Ladet:  I am a designer, performer and photographer.  I create fascinators, cocktail hats, tiny top hats, headdresses and floral hair adornments for Hustle n Bustle.  I grew up in the theatre.  Tagging along with my aunt to her rehearsals and shows, I’d tuck myself away in the balcony behind the spotlight to watch.  Costumes and hats were a huge attraction for me.  I loved to spend time in the costume room on the second floor of the theatre digging for treasure.  I first performed as a showgirl at the age of 15 in a Western saloon, clad in ruffles and stripes with a small shooter pistol tucked in my garter.  These days I perform circus and sideshow arts, fire-dancing, aerial and burlesque as a part of the Hot Toddies Flaming Cabaret.  The creations that do not make it to Hustle n Bustle are the one-of-a-kind costume pieces created for special events and Hot Toddies performances.

What led to the creation of Hustle n Bustle?

Hustle n Bustle was born to fill a need.  As I designed custom pieces for events, people would stop me and compliment me on my adornments.  They would often ask where I had acquired the creations I was wearing.  When I replied that I made them, they would ask for my business card.  Hustle n Bustle is for women drawn to vintage glamour, romance and shiny things.

You also do custom pieces.  Any exciting new projects?

Yes!  I love to work with people to bring their vision into reality.  From simple, elegant pieces to extravagant showstoppers.  I’m always working on new creations.  In the coming months, I have a variety of projects ranging from stilt costumes to bridal headpieces.

What keeps you inspired?

I am continually inspired by uncovering relics of the past through old photographs and movies.  I am also inspired by objects that I find.  I work a lot with floral elements, feathers, and things that sparkle.  Just yesterday my grandmother sent me a package containing old buttons, rhinestone pieces and a sequined applique from a dress made for her when she was a girl by her grandmother.

Photo credit: StunGun Photography. www.stungunphotography.smugmug.com/

Stefan’s Vintage Clothing in Little 5 Points.  I have found some of my favorite pieces there for both costumes and everyday wear.

Hustle n Bustle is available at Libertine in Little 5 Points or online at www.hustlenbustle.com. Visit www.fireonthemidway.com to view booking information for the Hot Toddies Flaming Cabaret and a schedule of their upcoming events.

 

Jennifer Belgard is Co-Conspirator at Libertine, Curator of Curios at Diamond*Star*Halo,  Barkeep at Euclid Avenue Yacht Club, and Co-Coordinator of Chaos for the Little 5 Points Halloween Parade & Festival.  In her spare time she enjoys Turnin’ TriXXX and playing Queen of Your Distraction.

 

 

Category: Shop Around | Tags: , , , , , , , , , , , , , , , ,

Kool Kat of the Week: Let Her Entertain You: Fonda Lingue Teases Us With a Snow-Glamorous Fan Dance and Embarks on a Grand European Tour

Posted on: Nov 28th, 2011 By:

Fonda Lingue. Photo credit: Rah Benton.

Place a wide ostrich feather fan in the hand of Fonda Lingue, and she’ll tease you with an act that captures the classic beauty of vintage  Sally Rand. She’s mastered “Let Me Entertain You,” the signature striptease number of Gypsy Rose Lee, and she’s even developing a tribute to Lili St. Cyr. But as you watch her graceful moves that recapture the glamour of burlesque’s golden era, chances are it may take you a while to realize Fonda’s ultimate tease. While burlesque has its share of boys, Fonda is one of the very few who dances as a woman and not just that, but as the awards and accolades she’s accrued in just a few years of professional performance in the field attest, with all the skill and sex appeal of today’s top female burlesque revival performers.

Atlanta’s burlesque scene has had its share of rising stars, but when we heard that Fonda was heading to Europe to compete against some of the best international performers for the prestigious Milan Burlesque Awardas well as a whirlwind performance tour through England, France and Italy, we knew it was high time to declare her Kool Kat of the Week. This Fri. Dec. 2, she’ll also be one of the Snow Queens of Burlesque in Santa Baby, a special wintry holiday edition of Mon Cherie‘s Va-Va Voom series at The Shelter featuring special guest celebrity emcee Devin Liquor and Stormy KnightBiloxi BrownKatherine LasheScarlett Page and more of Atlanta’s best dancers. Then on Sat. Dec. 17, she’ll be performing in the Syrens of the South-produced Tits for Toys for Tots show at The Five Spot. Headlined by burlesque legend Gabriella Maze, returning after almost 30 years, that holiday-themed spectacular features a glitzy all-star line-up of local performers including Talloolah Love, Katherine Lashe, Ruby Redmayne, Kittie Katrina, Kisa Von Teasa and Lola Lesoleil.

ATLRetro caught up with Fonda to find out what flamed her passion for classic burlesque and to see what we could tease out of her about her December performances and that upcoming European tour!

ATLRetro: Before you became a classic burlesque performer, you were a ballet dancer and female impersonator for 20 years. How did you get started in burlesque and what captivated you to embrace recreating the golden era of burlesque?

Fonda Lingue: I got started in burlesque when Devin Liquor and I had a show at The Stage Door in Tucker called “The Dirty South Dukes and Dolls Show.” It was primarily a drag king show, and I was the only “female” in the show. I never wanted to do traditional drag acts of just standing there and lipsyncing to popular songs so I would create these dance numbers to use all of my talents. I did a number to “Let Me Entertain You” from GYPSY where I did the first part as the young Gypsy, then ran off the stage, quickly changed and became Gypsy in her striptease years and stripped down to pasties and panties. The audience loved it! I began adding those numbers more and more into my act and was asked by The Lady Miss Vagina Jenkins to participate in one of her burlesque shows. That was the start.

Fonda Lingue. Photo credit: Derek Jackson.

As far as the Golden Era of Burlesque, I am a purist, almost to an OCD extent. I figure if I am going to do it, I am going to do it right and do it accurately. I have studied videos, read books—I am reading GILDED LILI [about] the life of Lili St. Cyr right now—and talked to legends, and to me, that time was the height of what burlesque used to be. You were a star back then and you were paid well to do your craft. You were taken care of and respected for what you did as an artist. I love the glamour, and I love the social aspects of the burlesque scene. I also think it is important to keep that part of our history alive. Right now there is a more contemporary approach to burlesque throughout the country, and my goal is to keep classic burlesque alive. There is room for both and many performers do both styles. For me, it is a preference, and I think it suits my movement style and my look.

It strikes me that the burlesque world is very open-minded and embracing, but did you have any challenges as a boylesque performer among your fellow performers or with audiences?

I can’t believe how well I have been received in the burlesque world. Much more than in the drag world. I am one of only a few males that perform as a woman. In fact, I know of no one else who does what I do. That’s not saying there isn’t someone, I just don’t know of anybody. I am different in that my goal is to fool the audience until the final reveal, then they realize I am a man. Really, I am the definition of the word “Burlesque.” I love to challenge people’s sensibilities and prove to them that they can enjoy my performances from an entertainment standpoint and not necessarily a sexual one. I also like the fact that I may challenge their sexual tendencies as well. The only real problem I have is when I apply to a festival or competition, they don’t always know where to put me. They want me, but they just don’t know if I am to be placed with the boys or the girls. In the Great Southern Exposure pageant last year, I won King of Burlesque. Some other competition might place me as a female. If it is not a competition, there is no problem.  I don’t care myself where I go, i just want to be able to perform.

Who are a few of the performers—both classic and from the contemporary burlesque revival—who most inspire you?

Lili St. Cyr is my absolute favorite. I have been compared to her in my performances, and I take that as the highest compliment. I have been inspired the most by Kisa Von Teasa, Sally Rand, Gypsy Rose Lee, Dirty Martini, Catherine D’Lish and Michelle L’Amour. Each of them inspire me in different ways.

You’ve won quite a few honors in just a few years in the profession, including King of Burlesque in the Great Southern Exposure Burlesque Competition. Do you feel that ballet and drag experience gave you a leg up, so to speak?

Drag not so much. I would like to say that it had, but I have to be honest. Other queens told me my make-up was wrong, my numbers weren’t current, and they all tried to “correct” me. Even my partner at the time tried to change my make-up. It was only when I went back to following my own instincts that I got any recognition. Plus, it’s all too political in Atlanta, but that is another interview!

Ballet has definitely helped me with my burlesque career. I would not have the carriage and vocabulary I have if it weren’t for my experience as a ballet dancer. Also my ability to portray different characters can be attributed to my ballet training. In ballet, you have to convey the story to your audience through your movements. Your voice is your body. It’s the same in burlesque. Burlesque is just another form of dance. People argue with me on that, but aren’t we called burlesque DANCERS?

Without giving away too much, what can you tease us with about your performance in this Friday’s winter-themed Va-Va-Voom?

Well, I have been asked to do a fan dance by Mon Cherie herself, so that I will do. It will be set to classical music, it will be very sparkly—of course—and I hope it will be very beautiful!

You’ve done a lot of performances at Mon Cherie’s events, including the Rockabilly Lounge. She’s really gone a long way towards making burlesque a regular activity in Atlanta and nurturing so many performers. Can you talk a bit about Mon Cherie’s impact on the local burlesque scene and why folks should come out to her events?

Well, Mon Cherie has done a lot for me personally as far as my performing here in Atlanta. She has allowed me to perform in front of audiences that I didn’t know if they were going to like me or hate me. Fortunately they have all been favorable experiences, and I have opened some peoples eyes through her. Mon brings in performers from all over the south and also tries to give “Newbies”—that’s a term I have learned through my dealings overseas—a chance to perform as well.

Money is tight these days, and there are not a lot of outlets for burlesque performers right now. I am very lucky I perform as much as I do. She has had a HUGE impact on Atlanta’s burlesque scene in that she makes it possible for us to work consistently. Just about every independent burlesque performer in Atlanta has graced her stages at one time or another. I admire the fact that she tries to keep us employed and often reaps no benefits herself. I know her day will come. You can’t give of yourself like she does and not be rewarded somehow. Her events are professional, she has high standards, and the atmosphere is that of those early years of burlesque when it was just as social as it was performance. I always feel like I have stepped back in time!

We just heard the exciting news that you’re about to set off on a European tour. Where are you going and what acts are you taking on the road?

Right now I am going to London, Rome, Paris, and I am still waiting confirmation on Milan. There are other things in the works but not confirmed. I am taking six acts with me! Am I crazy? Yes! I am performing three nights inParis, and they want two numbers each night! I am taking “Zip Strip” (the act I won Great Southern Exposure with) my “funny fan dance,” “Cry Me A River” (my signature piece), “Moon Indigo” (a new act that is in rehearsals now), “Lili,” my tribute to Lili St. Cyr (in rehearsal now, especially created for this tour) and another new number that I have chosen the music but haven’t started yet.

Is it true that Ruby Redmayne is coming with you?

We are working on that! If she does, she will accompany me on part of my trip only. She is my best friend, and she wants to be there to celebrate with me and to help me backstage. And who wouldn’t want to go to Europe?! We can make a great time out of walking through the grocery store, so I know we will have fun. I hope it works out that she can go because I would love to share this experience with her. She has done so much for me to keep me motivated and help me get things done. I have booked this whole tour on my own—researched my own contacts, pursued producers and corresponded with all of them. It has turned into almost a full-time job, and Ruby has been invaluable in helping me get things accomplished! She needs to reap the benefits of her hard work as well! It’s not easy keeping me motivated!

It’s hard to make a living as a burlesque performer here in the US, but you’ve said that the situation is easier in Europe. I was struck, for example, at the huge burlesque scene in London—there’s so much going on that there’s even a “burlesque map.” Would you ever consider relocating to Europe?

Absolutely! In fact, that is my intention when I go over there. I am not sure where I want to live yet. Most likely it will be the UK or Paris. I want to see if it will be possible to make a living at being a burlesque artist. From what I have been told, there are not many male performers in Paris and none that perform as a woman.  The London burlesque scene has exploded. Europeans treat their Artists like Artists. And they pay them what they are worth. I have worked since I was 12 years old and never stopped. I loved my career as a ballet dancer, don’t get me wrong, but I was never a star. I was, and still am, well-known but I want more. I know it sounds cliche but that is what I want. I feel that I am on a path right now, and this is where it is leading. I have had a rough year. My relationship ended, and the day before I was to move into my new apartment I was in a car accident that has left me with some physical problems.  Everything bad that has happened has happened for a reason and has led to this tour. Far be it from me to stop listening now!

Do you have any other performances scheduled in Atlanta during the holiday season?

Yes, on December 17, I will be doing my “Suzy Snowflake” number at Syrens of the South’s Tits For Toys for Tots at the Five Spot in Little Five Points. I have also been asked to perform again at The Pond in Nashville with Ruby Redmayne for their annual New Year’s Eve Party.

You feel passionately about teaching burlesque as well. Can you talk a little bit about why even accomplished performers can benefit from classes to keep up their craft?

Your body is an instrument and it needs to be maintained. Regular movement classes keep you supple and in shape. They also keep your mind working. You are a dancer, and a dancer needs to take class at least a couple of time a week. I try to do my own class everyday. You owe it to your audience to be in the best shape both mentally and physically. The only way to do that is through constant training. People argue this with me, but the performers that do this are the ones getting the jobs and keeping them. You can always learn something from someone else. That is why I try to take as many classes as I can when someone new comes in to town or I go to a burlesque festival. It is always nice to hear someone else’s perspective on the same thing—especially someone that makes their living doing it! Ninety-nine percent of the time you get something out of it.

Finally, if I recall correctly, you recently purchased an amazing, beautiful headdress from Miss Torchy Taboo. Have you worn it yet in an act or what plans do you have for it?

I have not worn it yet. Rumor has it that I did wear it for a photo shoot, but that is not true. That beautiful piece of art will hopefully make it’s debut if I am accepted into the Southern Fried Burlesque Festival here in Atlanta the week before I go to Europe. If not, you will have to come to Europe to see it! I will be applying to the Burlesque Hall of Fame Weekend. Torchy and I both agree it needs to end up there. “Moon Indigo” is the music I have selected for the number. I have designed my costume with a kind of Erte feel to it, and I have matched the fabric to the headpiece. It includes a fur wrap, and it will be made of dupioni silk! My costume is being constructed by Cat Harrison, a big Steampunk costume designer, so my corset will be especially awesome. I am using vintage beads combined with non-vintage Swarovski crystals. Costuming my body is not easy because I have to create body parts and curves that I just don’t have. My hat is off to her and she is doing a great job!

Category: Kool Kat of the Week | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Really Retro: STEAMPUNK BIBLE Co-Author S.J. Chambers Muses on the Appeal of Alt-History & A Paranormal Fantasy at This Saturday’s Mechanical Masquerade

Posted on: Nov 10th, 2011 By:

When The Artifice Club presents the 2nd annual Mechanical Masquerade: A Paranormal Fantasy this Saturday Nov. 12 at Blue Mark Studios, a renovated 110-year-old church, they couldn’t have picked a better judge for their ghost story contest than S. J. Chambers, co-author with Jeff VanderMeer of the critically acclaimed THE STEAMPUNK BIBLE (published by Abrams Image this spring). S.J., you see, suffers from Poepathy, a dread affliction whose symptoms include “daydreaming…reveries that include black birds, scents of an unseen censor or aberrant alliterative applications.”  She contracted it, she says mournfully (or enthusiastically, depending on your point of view), from excessive contact with the works of  seminal American horror author, Edgar Allan Poe, on whose works she has penned a frightful quantity of essays and journalistic works.

Lately though, S.J.’s journalistic adventures have sailed towards Steampunk, a fast-growing international movement whose participants dream of an alternate world powered by steam technology and resplendent with airships, corsets, goggles, mad scientists and other fantastical wonders of a Jules Verne-ian nature. Lavishly illustrated, THE STEAMPUNK BIBLE is the first definitive guide to the wildly, weirdly imaginative literature, art and costuming of the subculture, which has a vibrant chapter here in Atlanta. A Tallahassee resident (she also treated us to the Cute and Creepy art exhibit review here), SJ also will be signing that esteemed tome at the Mechanical Masquerade, The Artifice Club’s most elaborate event yet—planned to play out like a story itself in which a supernatural-themed masquerade ball is staged on a magical rift accidentally created by one infamous Montague Jacques Fromage whle experimenting with a curious invention in service of her majesty Queen Victoria. And yes, masks are not just encouraged but required (come unfashionably without one, and we’re told you may be asked to leave or to purchase one from the lovely Dread Sisters). The fantastical festivities start with afternoon seminars on topics such as Steampunk Burlesque (see this week’s Kool Kat feature on Indigo Blue here). Then the main event runs from 5 p.m. to way past midnight and features a bazaar, libations, costume contest and performances by an eclectic ensemble of talent including the Mezmer SocietyDoc Volz and his Steampunk TrunkThe Ghosts ProjectVauxhall Garden Variety Players and the Fantasia de Mode Fashion Show presented by The Steampunk Chronicle.

ATLRETRO asked S.J. to demystify steampunk for the uninitiated, tell us what she learned about steampunk abroad on her recent book tour to England and France, and tease us with a sneak peek into her role in the Paranormal Fantasy. She not only kindly obliged, but then some…

What’s the origin story behind THE STEAMPUNK BIBLE (Abrams Image) and how you personally became involved? 

It did some editorial work for Ann and Jeff VanderMeer with [surrealist flash-fiction anthology] LAST DRINK BIRD HEAD and some other miscellaneous projects, so my role with THE STEAMPUNK BIBLE began as an editorial assistant. However, Jeff loved what I was doing, and saw how much I was getting into the project, that he asked me to contribute to the writing. One thing lead to another and we were co-authors. I can’t say enough what a great experience it has been to work side-by-side with Jeff. He’s full of wisdom and one of the best writers alive, imho.

Why are you excited to be attending THE MECHANICAL MASQUERADE: A PARANORMAL FANTASY and what will you be up to while you’re here?

There are several reasons why I am excited about this event.  First, I have an extreme case of Dance Party deficiency, so I can’t wait for DJ Doctor Q to start spinning at midnight. Second, I’m excited about wearing a costume, which I don’t usually do.  The clothes I wore on tour are pretty much what I wear normally, even the more Pre-Raphaeliteish pieces, so this is my first true sojourn into Steampunk chic. Not sure how great it’ll be, as everything I touch seems to turn Regency, but it should be fun.

But vanity aside, what I am REALLY excited about is the ghost story contest that I am judging. From 8 p.m. to 9 p.m., I am challenging guests of The Mechanical Masquerade to scare me! Contestants will have five minutes to spin a paranormal yarn—doesn’t have to be gruesome horror, but must have something of the unexplainable and strange.  If participants are reading this, I’ll give them a clue as to what endears me most.  I love stories—and this goes for any type of story really—that strike me emotionally. So, if you make me split my petticoat with laughter, or drown my veil in tears, you’ll get a lot of bonus points. Being the Poepathist that I am, some of my favorite tales involve haunted houses and dead lovers, and the more monsters the merrier.

In any case, we will have lots of prizes for winners, including a first prize of signed copies of THE STEAMPUNK BIBLE and Ann and Jeff VanderMeer’s wonderful, new anthology THACKERY T.LAMBSHEAD’S CABINET OF CURIOSITIES, which I have a sundry tale in, and a $25 gift certificate to Octane Coffee.  Not bad for five minutes.  If you don’t want to vie for a copy of THE STEAMPUNK BIBLE via the competition, they will be available for purchase and signing throughout the night.

The Mezmer Society. Photo credit: Farad Rezei of Rakadu.

THE STEAMPUNK BIBLE seems to be thriving in a time when books and authors in general are having a tough time. You even had a whirlwind signing tour which took you through New England and to England and France. What’s the secret to its success and why is steampunk so popular right now? 

I would say publishing is in a state of transition right now, thanks to e-publishing, and in trying to figure out what that means in the grand scheme of things, on top of the recession, authors and books are having to work double-time to stay afloat. I definitely know that I, Jeff, our editor Caitlin Kenney, our publicist Amy Franklin, and the wonderful people at Abrams, as well as our contributors, believed very strongly and worked really hard on promoting this book. So, I attribute a lot of the success we’ve had to our collective sweat and tears.

The fact that, in this burgeoning world of two-dimensional and grey e-books, the THE STEAMPUNK BIBLE is very tactile and visually pleasing hasn’t hurt. This is a book with a lot of textual as well as visual content, and it invites people to peruse it in both ways, which really appeals to readers.  I think this attraction ultimately ties into the same technological fatigue that is making the Steampunk spirit very resonant: the world is tired of being spoon-fed culture and knowledge. We need Steampunk in our lives because it promotes imagination and ambition, it promotes awareness of how things work and also sustainability. People think of Steampunk as a fashion fad or a science fiction trend, but it is an umbrella term for a lot of reactionary and revolutionary philosophies on modern life, which we try to touch on in the book.

Speaking of England and France. You even went to a steampunk convention over there, didn’t you? How do English and French steampunks or steampunk fans differ from the American variety?

While I did an event in London, and an event in Paris, I am afraid I didn’t make it to the Weekend at the Asylum in Lincoln.  Towards the end of planning the Europe Tour, an assignment in Paris came up, so I had to take those few extra days to make sure I had time to work on it.  I was sorry to miss it, as I had just met Jema Hewitt and Kit Cox who were going, and I would have loved to spend more time with them, as well as meet some of the U.K. Steampunk luminaries like John Naylor and Professor Elemental.

The differences between U.K., French and U. S. Steampunk are subtle. U.K. tends to be more Victorian-oriented because that’s where she reigned and that’s their direct history.  However, I think we over here in the states misunderstand U.K. Steampunk as nostalgists ignoring skeletons in the Empire closet, and I found that to not be true. At the Last Tuesday Society event, there was a lot of interest in multicultural Steampunk, and I think that dialogue is just waiting to burst through the gates there.  French Steampunk was very interesting because a lot of its participants are interested in CosPlay, but there aren’t really any venues for that. The fine folks of French Steampunk, like Morgan Guery and Franck Gouraud are trying to promote conventions around France, and I think that will contribute to a very strong and cohesive scene there. Also, just like U.K. Steampunk operates within their history, so do the French Steampunks.  Queen Victoria and the Empire is irrelevant, and while we had our Civil War, they were dealing with their own strife with the Paris Commune and the reign of Napeoleon III. It has led to a lot of beautiful and innovative art like Sam van Olffen, Futuravapeur and Anxiogene.

The “Sultan’s Elephant” at The Machines of the Isle of Nantes exhibit, Nantes, France. Photographed in 2009 by Yann Langeard - Le Chatrou Electrique.

What makes a literary work, piece of art, costume steampunk at the most basic level and do goggles have to be involved?

Ha! No goggles do not need to be involved, nor necessarily cogs, nor gears. Tor editor Liz Gorinsky explained Steampunk best when she compared it to porn—“I know it when I see it”—which perfectly encapsulate the difficulties of defining this aesthetic. I know I should have an elevator pitch-like answer for this, but the real answer is too complex.  It is why we wrote a book about it.

As just flipping through the book will show, there are a lot of characteristics that bind artists together under the umbrella Steampunk—like the iconic goggles, a retro ambiance, gears, cogs, rayguns, hoop skirts, leather corsets, mecha animals, steel and steam—but it is also an ever-changing and evolving aesthetic that can feature a lot of versatile and disparate characteristics informed by cultural history, and even era. What was once a retro-futurist movement that looked only as far back as the 19th century has participants looking back even further, evaluating our present on all aspects of past failures and successes. The Steampunk of today will not be the Steampunk of tomorrow.

To the uninitiated person who wants to experience steampunk, what three authors could they read and get a good sense of what it’s all about?

Jules Verne, Cherie Priestand Scott Westerfield. I know I am cheating with Jules Verne, but I feel like if you don’t understand Verne’s world, you are missing a key part of Steampunk history and its context. Also, since I’ve already cheated once, it won’t hurt to cheat again. I would say Steampunk newcomers would find a lot of guidance in Ann and Jeff VanderMeer’s two STEAMPUNK anthologies, as they do a wonderful job of displaying the movement’s full literary spectrum.

What was your favorite part about researching THE STEAMPUNK BIBLE?

Getting to talk with artists, makers and writers about their craft, and finding contemporary work that I really identify with.  The past 10 years of my life can be characterized as observing Remodernism, but not quite understanding where I fit in with it. THE STEAMPUNK BIBLE changed that for me.

S.J. Chambers.

What did you learn about steampunk that surprised you the most?

That most people working within the Steampunk aesthetic, icons like Jake von Slatt and Libby Bulloff, did not begin doing so consciously. Steampunk adopted them. To me, the fact that all of these disparate figures were unknowingly working within a common aesthetic attests more to the aesthetic’s importance. It’s a zeitgeist, not a fad.

The art direction on the book was stunning. Were you involved with that part or what can you tell us about that side of the book’s development?

Jeff and I were very much involved with the art direction. Jeff had the wonderful idea of the Jules Verne Hetzel cover, and Abram’s designer Galen Smith did a wonderful job of that.  We were responsible for gathering the images, and organizing them with the text.  The nice nuances that really tied it all together, like the margins, the font and chapter covers were all Galen Smith’s genius.

How’s the popularity affecting you personally and your career? Do you have any time left for Poe, and where else can we read your work?

This has been one of the most stimulating and positive experiences in my writing life.  There are numerous outcomes that I am thankful for, including getting to go on tour and meet people that have quickly become kindred spirits and friends. I have been busier than I am accustomed too, but it has been a good busy, and I’ve been able to begin a few projects that I hope will really pick up steam next year. One of them does involve Poe, but on that for nonce, I’ll say nothing more.

I try to keep my blog The Flightless Philosopher updated, but lately my Twitter [@selena_jo] has become a more immediate marquee for my whereabouts and publications.  You can also find other work in the wonderful and very curious THACKERY T. LAMBSHEAD’S CABINET OF CURIOSITIES, in which I adapted my “Poe-Bug” essay into a short story, and I’ve been reviewing a lot lately for Bookslut.

Tell me more about THE STEAMPUNK BIBLE, VOLUME 2.0?

Volume 2.0 is our sister site that has been running extra content from the book, like raw interviews, dispatches and exclusive interviews.  There is a lot in our archives, and I had to construct an automaton, Mecha Underwood, to help me manage and man the helm of this beastly webship. Poor Mecha! She really has it hard since I built her with a Lachrymose 5000 chip, and seeing Jeff and I gallivant around the states last summer has made her a bit morose.  She yearns for sand in her gears, and forgets to post sometimes, but I have found that a gauntlet of oil and some Keats poems rolled into her printing case cheers her right up.

Finally, what question has nobody asked you yet which you wish they had? And what’s the answer?

Is Spongebob Steampunk taking it too far?  [The answer is] I don’t know. It would depend on whether the movie version incorporating Spongebob Steampunk, Geary Gary and Colossal Squidward in a battle against Corporate Nemo’s Krabby Patty takeover will successfully capture the Steampunk Spirit. Can’t be worse than THE THREE MUSKETEERS (2011), but you never know.

Category: Really Retro | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

© 2014 ATLRetro. All Rights Reserved. This blog is powered by Wordpress