Retro Review: Fire, Feline and Frivolity Make for Sexy, Sassy Second Annual Southern Fried Burlesque Fest Pageant

Posted on: Mar 16th, 2012 By:

Orchid Mei, the reigning Southern Fried Burlesque Queen, performs at the 2nd annual festival's Pageant. Photo credit: Kevin McConnell.

By Talloolah Love
Contributing Writer

This past weekend I had the divine pleasure to write an article for ATLRetro on Atlanta’s biggest burlesque event to date, the second annual Southern Fried Burlesque Fest, presented by local honeys Katherine Lashe of Syrens of the South Productions, and Ursula Undress. Not only did I get to review a show, I got to review THE show, the Pageant to crown the next Southern Fried Burlesque Festival Queen! The other exciting addition to this year’s pageant was the advent of the very first Southern Fried King of Burlesque.

What I love about these festivals is the opportunity to attend what feels like class reunions all over the country. You get to see beautiful people, friends and colleagues for an entire glorious weekend. Sometimes I wish the shows began later than advertised, but alas, we all had to hit our seats right on time. No small wonder with the good Bishop involved. David Bishop, known as “The Bishop of Burlesque,” who hails from New York, makes all festivals he is involved with run smooth as silk. He is always a joy to work with and I look for him to be involved in every festival I attend. For two years now, the ladies behind Southern Fried have made David a part of their event. They truly are smart cookies for ensuring that he’s a part of their festivities; he really knows how to make it happen!

As the lights went down, I sat firmly in a seat next to the spotlight, and out came John Carney. I haven’t seen John grace the stage in what feels like years, and it gave me a tingle of nostalgia as he sang his rendition of “The Burlesque Show” (set to THE MUPPET SHOW theme music). Atlanta’s “worst comic in the world” did not disappoint with his bad puns and offbeat humor about his clothes. The judges were announced: Satan’s Angel, Gabriella Maze, Shannon Doah, Perle Noire, Tim Mack and Siren Santina. You can’t get a better panel than that, folks; you just can’t!

Kittie Katrina exchanges a kiss with Stephan, King of the Southern Fried Burlesque Festival. Photo credit: Kevin O'Connell

The whole show was a lot of fun, and John Carney built up a nice sense of suspense for the category and results of who the next Queen would be, without short-changing the rest of the categories. My personal highlights of the show include Donna Touch; I have seen the cat burglar act before, and I thought this was truly the best. She was on fire. Stage Slave Gavin was a very pretty little hoot, and Üla Überbusen brings me to tears with her cat lady number without fail every time!

Next, there was some banter between a very cranky but pink Bourgeois Betty who played with sock puppets while putting John Carney in his place. I am not sure he knew what hit him. Siren Santina did a rousing booty shaker to “I Like Big Butts and I Cannot Lie,” by Richard Cheese, and we all had a great laugh for the experience.

Then, the moment of truth, we got to see Satan’s Angel perform. Never have I seen her so electric as she was that evening! The whole room was positively on fire, along with her pasties, in her signature act. If you’ve never seen Satan’s Angel perform her fire pasties act, the one that made her famous in the world of burlesque, then you’ve no idea what you are missing. She lives up to her name in everything that she does, and we all love her for it.

By the time the Angel’s act was over, we had forgotten we were there for a competition! Here are the final results for the Second Annual Southern Fried Burlesque Festival:

Siren Santina sings a farewell song before passing on her crown. Photo credit: Kevin O'Connell.

Best Group: Slow Burn Burlesque from New Orleans;

Best Duet: Bourgeois Betty and Katarina Von Dutch from Augusta, Georgia;

Best Variety: Safety 3rd from Atlanta

King: Stephan from San Antonio.

Then we had a song from Siren Santina, who was soon to be the former Queen of Southern Fried. I can’t put in writing the name of the song she sang, as it is not exactly all ages friendly, so suffice it to say that it was a gift for all who came out that night, and it was utterly blush-worthy. Now, the final results of the night:

Second runner up: Donna Touch from Chicago

First runner up: Lola Le Soleil from Atlanta

Queen of 2012 Southern Fried Burlesque Festival: Orchid Mei from Denver.

Satan's Angel sets the audience on fire. Photo credit: Kevin O'Connell.

And let’s not forget the Subcategories:

Miss Congeneality: Sunny Midnight

Audience Choice: Stephan

Most Innovative: Orchid Mei

Most Funny: Lola Le Solei

Best Costume: Donna Touch

Most Classic:  Orchid Mei

Category: Retro Review | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Tis the Season to Be Sexy: The Second Annual Southern Fried Burlesque Fest Shimmies Into Decatur This Weekend

Posted on: Mar 8th, 2012 By:

Southern Fried Burlesque Fest; Thursday, March 8–Sunday, March 11, 2012; Courtyard Marriot and Conference Centre, 130 Clairemont Ave, Decatur, Georgia 30030; Weekend passes and show tickets available online and at the door. For more info, click here.

The Second Annual Southern Fried Burlesque Festival again is bringing the best performers from all over the world to Atlanta for a weekend full of sparkle, sizzle and spectacle!

Thursday night, the festival kicks off with Just Hatched, performances by new and promising performers (doors at 7 p.m.; show at 7:30 p.m.) Then at 9 p.m. Burlesque Legend Satan’s Angel takes the stage for “Have Tassels Will Travel, a One-Woman Improvisational play about the life and times of the star nicknamed “The Devils Own Mistress,” the Queen and originator of fire tassel twirling.  She has performed this act for over 40 years, lighting her tassels approximately 25,000 times all over the world.  The show chronicles Angel’s career from how she began stripping in 1961 in San Francisco, to a peek at how hers was no ordinary life. From following Bob Hope and the USO in Vietnam, appearing on the Gypsy Rose Lee television show, dating Clint Eastwood, Bobby Darin, Hedy Lamarr, and Janis Joplin, defying the convention of The Folies Bergéré in Paris, working with Ann Corio, Harold Minsky, Barry Ashton and running with The Rat Pack in Vegas, and two near death experiences.

Satan's Angel.

Friday Night brings The Free Range Burlesque International Showcase, featuring performances by Burlesque Legends Satan’s Angel, Shannon Doah and Gabriela Maze; neo-burlesque star such as Perle Noire, and headlined by Miss Exotic World 2002, Kitten De Ville (this week’s Kool Kat) as well as other amazing performers from all over the world! Last year’s Free Range was one of the best burlesque shows ever to grace an Atlanta stage, so in ATLRetro’s humble opinion, this show is not to be missed.

Saturday Night is the main event: The Southern Fried Burlesque Pageant has performers competing for Best Duet, Group, Variety and the Southern Fried Burlesque King and Queen!  The Pageant will also include a farewell performance by the first-ever Southern Fried Burlesque Queen, Siren Santina!  After the awards ceremony, let your hair down at the Southern Scorcher Showcase with performers from all over the Southeast, a special performance by Sadie Hawkins from Blast-Off! Burlesque, and headlined by Atlanta native, The Lady Ms. Vagina Jenkins!

Perle Noire.

Be sure to stop by Sunday, however, for a Burlesque Legends Panel at 1 p.m., with neoburlesque star Kitten DeVille and classic performers Satan’s Angel and Shannon Doah.

From Friday to Sunday, you can also sign up for lectures and classes for all skill and interest levels. Whether you are a history buff, into crafting costumes, want to learn the basics, or fine tune your performance, this festival will have activities for all levels and aspects of burlesque. Learn entirely from seasoned burlesque performers, teachers, and legends, and leave the festival with all the tools you need to be the next Burlesque Aficionado! Don’t worry guys – all genders are welcome to attend classes!

As lovely and talented festival producers Katherine Lashe and Ursula Undress of Syrens of the South remind us, Burlesque is the art of the striptease, with a focus on the tease.  Performers occasionally strip to pasties, but there is no nudity in any festival productions. This festival is dedicated to the preservation of an art form that has become an international movement.

Category: Tis the Season To Be... | Tags: , , , , , , , , , , , , , , , , , , , , , , , ,

Kool Kat of the Week: Like a Burlesque Girl Should: Shaking, Rattlin’ and Rockin’ Out with Kitten DeVille on Neoburlesque’s Underground Roots, Lux Interior and Headlining Atlanta’s Southern Fried Burlesque Fest

Posted on: Mar 7th, 2012 By:

Kitten DeVille. Photo credit: Neil Kendall.

Anyone who’s spent any time watching Atlanta’s burlesque scene knows we have some amazing performers and troupes, but Southern Fried Burlesque Fest finally put Atlanta on the map as having its own weekender featuring nationally known stars, legends and local and regional performers. At last year’s premiere event, we had an amazing time watching some of the most creative acts ever to hit local stages and mixing and mingling over cocktails in between. So needless to say, ATLRetro can’t wait for the second annual festival this weekend (March 8-11) at the Courtyard Marriott/Decatur Conference Center.

Look out for a full preview soon, but in the true spirit of tease, we couldn’t wait to titillate you with an exclusive interview with headliner Kitten DeVille, Miss Exotic World 2002 and the Queen of the Quake. Kitten is the shake-rattle-and rock ‘n’ roll 3-D embodiment of the cat’s meow, the quintessential Kool Kat, and one of the key founders of the neo-burlesque revival. So listen up, kids, as she divulges some sexy secrets about the pioneer days of the early ’90s (to find out how Atlanta’s own burlesque revival began, check out Torchy Taboo‘s tale of the city’s first show here.), as well as what she’ll be up to this weekend. Oh, and we  just couldn’t resist asking her what it was like to shoot the “Ultra Twist” video with The CrampsLux Interior, Kitten and we miss you more than you could ever imagine!

ATLRetro: When you got started in burlesque, the art form was mostly dead. Yet around the country in the early-mid ‘90s, it seemed like there was almost a simultaneous energy to bring it back. Can you talk a little bit about the early days of the Burlesque revival and what inspired you to perform?

Kitten DeVille: At the time  I was go go dancing along with Michelle Carr at an underground gay club inLos Angeles called Club Fuck. I was collecting vintage men’s magazines and had always been inspired by the photos of burlesque dancers. Their photos seemed to capture  incredibly, fierce and glamourous women having  fun on their own terms. Their costumes inspired me to make all my go-go costumes in their style . When Michelle and Elvia ( the creators of [Los Angeles burlesque troupe] The Velvet Hammer) started talking about putting together a burlesque supper club I was sold on the idea. The first Velvet Hammer was held on Valentines Day 1995. Lux & [PoisonIvy (of The Cramps) were in the  sold-out audience. I was hooked from the very start – one-upping my costumes, always in search of the next song. Backstage was like a girls night out – champagne, laughter, catching up on the latest stories. (I still feel this way backstage today.)

Kitten DeVille Miss Exotic World 2002 Promo shot. Photo credit: Don Spiro.

Some things that were different in the start that maybe girls do not think about today [include]:

In the 1990s, there was really nowhere to go for  8x10s. There were no modern pin up photographers like there are today. We had to make it up as we went along, designing our shoots, telling them we wanted a certain mood and lighting. Most photographers did not ‘get it right off the bat.

There was no place to buy costumes. The lingerie industry was pretty boring, very plain compared to what is out there now (also pretty burlesque-inspired if you ask me). There are so many things that seem so common now that were really hard-to-find objects in the ’90s, from hair ornaments [to] shoes, clothing. Most things we could only obtain in vintage form; now there is so much off the rack .

At the 2000 Miss Exotic World & Tease-O-Rama in 2001 there were only a handful of neoburlesque girls. It was an exciting world to ourselves. Each year our numbers grew. We returned with new stories and adventures. Our world expanded. We helped each other along; we were inspired by the legends. We witnessed the burlesque explosion. It is pretty amazing to watch a scene grow, to be a part of it from the very beginnings. Because when you are in the midst of it, you do not understand that you are part of this history, that people will one day be inspired by you, that we were creating and forming this thing that has become modern burlesque. It is quite an honor.

What kinds of people came to those early Velvet Hammer shows?

Gays, straights, hipsters. We had an underground mixed crowd right from the start. It was its own scene. People dressed up. It was an event, a real night out on the town affair.

Today’s burlesque performers can learn their craft in classes through schools of burlesque such as yours. How did you develop your stage style and did you have any mentors/early inspirations/role models in the art of burlesque?

In 1994, when I started creating my first burlesque act, there was no YouTube and very little vintage burlesque easily available on video. I took what I saw in vintage burlesque  photos and blended it with what I believed they must have been doing on stage with their bodies and created my own style of burlesque. My main inspirations for my movements are Lilie Christine‘s photos and Lux Interior’s and Iggy Pop‘s no-holds-barred stage presence.

Kitten DeVille & Lux Interior.

What was it like working with the Cramps? 

Working and performing with the Cramps has been amazing and intimidating. I had been a huge fan of Lux and Ivy for years. At first, I felt so meek sitting in the same room with them. But they are such wonderful people, very friendly and funny.  At one point Lux was asking our opinion on which heels he should wear for the shoot and if we would mind doing an extra scene riding in a back of a convertible with them. Lux also liked to take 3D photos, and backstage at the Key Club, he was doing an impromptu photo shoot of Michelle and me when we opened for their show. Now that was a mix of horror and amazement because the event was over-sold so people were packed in standing room only from stage to exit and here we were opening for The Cramps!  Not really a burlesque show audience, people had only one thing on their minds and that was Lux & Poison or so it felt to me. I remember walking onto stage and looking into their faces. It seemed as if  half the audience was super into what I was doing  and half had that look of, “OK, now bring on The Cramps!  But the best thing from that night was what the DJ and some people in the booth overheard Lux saying to Ivy as they watched me perform. Lux had leaned over to Ivy and said  “now how are we going to follow that!”

What about being shot by Bunny Yeager and David LaChapelle?

Bunny Yeager is such a pro, such an eye and very easy to work with. I only wished I would have filmed the shoot so I could remember all the little tricks she was telling me, just an inch here or a hand held there. Her direction and photos came out flawless. I remember she kept wanting me to be naked and in the end I was. Ha ha, she has her ways of getting what she wants, and, well, it’s Bunny and who else should be the first photographer to shoot nude photos of me?!

David LaChapelle is so fun to work with. It is always a crazy party; you never know what to expect out of the day. I had first met him with a mutual friend  in the Hollywood Forever Cemetery watching movies being projected on the wall. He said that he liked the dress I was wearing and asked if he could put my number in his phone. I have done a few photos, videos and commercials with him. He is such an artist and very sweet.

What’s your favorite performance thus far and why? 

I cannot choose only one. Many of my performances have a special place in my heart for different reasons, but the one that shines is “The Casting Couch” that Dixie Evans personally taught to me back at the Ranch.  I love Dixie. She is the most enthusiastic, knowledgeable and kindest lady I have ever met in the field of burlesque. She is the glue that binds this whole scene from the beginnings to the modern day. When I was asked to perform a tribute number at the Burlesque Hall of Fame, I instantly chose Dixie.

I spent a couple  days with her teaching me her routine, filming her, taking down notes on what songs she had used. And in the end she was insistent that I finish the routine with something of myself, with my bumps and grinds, because she had said “no one can shake the way you shake and you have to make this your own.” So I added “The Man with the Golden Arm” song to the end and made her routine have a bit of myself mixed into it.  This is the only time I have ever performed someone else’s choreography and such a well-known routine.  Although it went off wonderfully, it was such a challenge of nerves to perform it in front of her and my peers at BHoF that I put the routine away for about five years. I brought it back out again for Viva Las Vegas and spent the next two years touring with it because I loved doing it so much. Funny how things go sometimes .

Kitten DeVille. Photo credit: Luca Rome.

For us East Coast Southerners, what’s the Rock & Roll StripShow, how did you get the idea and is that still happening?

The Rock & Roll StripShow is a joint effort of Joseph Brooks, Annie Sperling and myself. It came about because of a few different reasons. First, there are no large-venue burlesque shows in Los Angeles. Second I wanted to co-produce something with Joseph Brooks who is hugely responsible for the underground club scene in LA starting in the late 1980s which I loved dancing at. And thirdly I wanted to combine my two favorite worlds – rock  & roll and burlesque – something most people were not doing back in 2005. Rock & Roll StripShow features our own band and guest singers which have included David J of Bauhaus fame, Pearl Harbor, Kitten on the Keys and other wonderful  performers. We handpick a headliner roster of performers, and the night is filled with burlesque performances set to live Rock & Roll in a proper venue with amazing sound and lightin . It is a main event attracting everyone from Dita [Von Teese], David LaChapelle and a who’s who in LA  to attend. Right now we are looking to take StripShow on tour. We also want to attach it to larger burlesque or Rock & Roll festivals .

Kitten DeVille Onstage in New Orleans.

What will you be up to at Southern Fried Burlesque Fest?

I am performing on Friday night [at Free Range Burlesque] and judging the [Southern Fried Burlesque] Pageant on Saturday. I am also teaching two classes. I have a movement class [Sat. 3:15] that is guaranteed to have the students feeling their bodies,  and also a question/answer [Sat. 4:30 p.m.], ask-me-anything sort of a class that should be really fun because I never know what I will be asked and they maybe surprised by my answers.

What else, other than your own performance and classes, are you looking forward to the most at SFBF?

Watching the other performances. I love Perle [Perle Noire, the Black Pearl] and Angel [ Satan’s Angel]. They are both always so inspiring. I am excited to watch and meet all the wonderful  performers. My favorite things about festivals are meeting and making new friends. I have never been to Georgia before so I am also excited to be in a new place, to soak up my surrounding and sample the food.

You’re quite the multitalented Renaissance woman of burlesque. What else are you up to right now in movies, music, modeling?

I have been doing some interesting modeling work with Annie Sperling. I am in talks with a producer about doing  a TV show. I am thinking about doing some writing, and I am working on setting up another European tour for late summer early fall. I am also traveling the states doing festivals. I have Viva Las Vegas and the Texas Burlesque Festival in April and The Windy City Burlesque Festival in July .

What question does no one ever ask you that you wish someone did? And what’s the answer? 

Wow, what a great question! I think I am too much of a Scorpio to give away all my secrets, but now you have my mind spinning for the perfect question. I will have to get back to you on that one.

In addition to Kitten DeVille’s main Website, she invites you to enjoy more pics and clips at http://kittendeville.tumblr.com/.

Category: Kool Kat of the Week | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Kool Kat of the Week: 2011 Burlesque Queen Indigo Blue Shimmies South from Seattle for a Southern Fried Burlesque Fest Fundraiser

Posted on: Nov 9th, 2011 By:

Burlesque royalty is coming to Atlanta as 2011 Miss Exotic World Indigo Blue performs at this Friday’s Southern Fried Fundraiser Spectacular at 9 p.m. at Bart Webb Studios, a bargain $10 for the all-star line-up. All proceeds support the second annual Southern Fried Burlesque Fest (SFBF), scheduled for March 8-11, 2012, and the show also features the first Miss Southern Fried Burlesque Fest Queen Miss Siren Santina from Knoxville, TN, Fonda Lingue, Ruby Redmayne, Blast-Off Burlesque‘s Sadie Hawkins, Talloolah Love, Lola LeSoleil, Katherine Lashe and Ursula Undress (Syrens of the South Productions) Founded by Lashe and Undress, the first SFBF not only showcased some of the best local and regional performers but treated Atlanta to such national stars as Dirty Martini, Jo “Boobs” Weldonand Jonny Porkpie, as well as classic greats Tiffany Carter and Gyna Rose Jewel. The 2012 festival will be headlined by burlesque legends Satan’s Angel and Shannon Doah; The Queen of the Quake, Kitten De Ville; Perle Noire, the Black Pearl; The Lady Ms. Vagina Jenkins and Siren Santina!For the lowdown on SFBF’s fabulous first year, read our preview here and a post-event review by Talloolah Love here.

Back to the lovely Miss Indigo Blue. She’s been heating up the Seattle “nouveau burlesque” scene since the early ‘90s with a style that’s not just sexy but exudes an edgy sense of humor. Known for clever, racy routines; authentic 1930s-60s costumes and ribald reformulations of pop culture icons like Holly Golightly and Wonder Woman, she has performed across the nation and in Europe. While she has just taken the top crown, she is a three time award-winner at the annual Miss Exotic World competition at the Burlesque Hall of Fame in Las Vegas – the top honor in neo-burlesque, and also holds the First Runner Up title from the Jennie Lee Tassel Twirling Contest. Her BurlyQ Cabaret, founded in 2002 in Seattle, now has satellites in New York and London. She performs solo and with the Emerald City All-Stars and the Atomic Bombshells; is president and chief twirling officer (CTO!) of TwirlyGirl.net, a maker of creative pasties; and is the founder and headmistress of the Academy of Burlesque in Seattle.

Indigo Blue looks vivaciously vintage. Photo credit: Paule Saviano.

ATLRetro caught up with Indigo Blue recently, and she teased us with a few juicy details about her journey south, which also includes teaching gigs on Sat. Nov. 12 at the Artifice Club’s Mechanical Masquerade: A Paranormal Fantasy and at SpinArela, as well as her career, thoughts on her secret to success and what it’s like to be reigning queen of burlesque!

Without giving away any big secrets, what can you share about your plans for the Southern Fried Burlesque Fest fundraiser this Friday night?

I’m really excited to perform at the fundraiser! I’ll be bringing the sash & tiara for all to see!

I understand you’re also teaching a workshop on “Steampunk Burlesque: Being in Character” at the Mechanical Masquerade? Are you a big follower of steampunk, and what distinguishes steampunk burlesque from traditional burlesque?

I love the anachronism, whimsy, and creativity of Steampunk. It’s a style, a philosophy, and a culture; burlesque is a performance art form and a culture. The workshop is intended to integrate the two and enable those who like to play with an alter-ego to develop ways of creating  more dramatic and effective characters using burlesque techniques.

Finally you’ll be teaching “The Art of the Tease” at SpinArela. Can you tease us with a sneak preview of what students will learn in that class?

I love the Art of the Tease! My favorite parts are hearing from the students what they most crave to learn, and watching them understand how to implement the tools of the tease. We will play with gloves & boas!

Jeepers, Creepers, Where'd she get those Indigo Blue peepers?! Photo credit: Karl Giant.

You’re headmistress of the Academy of Burlesque in Seattle. Why is it important to you to teach burlesque versus just being a performer, and what do you enjoy most about teaching?

I feel called to be a teacher. I love sharing what I know, and I love the process of watching students evolve and grow through the study and practice of burlesque. My personal mission is to exemplify embodied femininity, and to support people’s personal transformation through burlesque.

Many burlesque performers can only dream of winning the title of Queen/Miss Exotic World at the Burlesque Hall of Fame. What did you do to earn the title; what’s the secret to your success, in your opinion; and what did it mean to you personally to win?

The secret? Hard work! I have been dancing since I was 5, stripping since I was 21, and competing in the Miss Exotic World pageant for 10 years. It doesn’t take that long for everyone… But it did for me!

Winning was a wonderful acknowledgement of my professional career this far in burlesque. It has given me the opportunity to represent the Burlesque Hall of Fame, an organization I deeply believe in and am committed to.

Can you share a little bit about what’s so special about the Burlesque Hall of Fame (BHOF) as an event with folks (performers and mere spectators) who may never have attended? 

The BHOF Weekend is an incredible opportunity to develop meaningful connections with performers of all generations, as well as The Place to see the pinnacle of international burlesque performance. The Friday Night show featuring vintage vixens is an inspiring and powerful glimpse into our shared artistic history.

Indigo Blue performs at the 2011 Burlesque Hall of Fame. Photo credit: Diane Nagel.

When did you first start performing burlesque and what inspired you to this vintage art form?

I began creating comic erotic skits “burlettas” in 1994 for Tamara the Trapeze Lady‘s Fallen Women Follies. After attending Tease-o-Rama in 2001 in New Orleans, and then Exotic World in Helendale shortly afterwards, I knew I had found my people.

How did you come to choose the name Indigo Blue, and how does your “blue” persona inspire your acts and costuming?

When I was a peep-show stripper in the ‘90s, my name was Indigo!  Blue has always been my favorite color, since I was a child.

Seattle's glamorous Indigo Blue. Photo credit: Don Spiro.

What’s the burlesque scene like in Seattle, and do you have any recommendations for travelers on how to tap into what’s going on there?

Seattle’s burlesque scene is second only to New York in size, and has produced some of the most stellar, high-production value shows in the world. The active Seattle Burlesque Google calendar lists most shows, and the Seattle Burlesque Press blog has regular previews and reviews.

What other burlesque performers (legendary or contemporary) have inspired you the most personally and why?

As far as the vintage ladies, I am inspired by the coy elegance of Toni Elling, the bawdy curtain-humping of Marinka and the fierce intensity of Wild Cherry. My contemporary inspirations continue to be Dirty Martini, Julie Atlas Muz, Miss Astrid and Tigger. I am also constantly impressed by the stellar Seattle scene, including in particular Inga Ingenue, Waxie Moon, The Shanghai Pearl, Lily Verlaine and Ernie Von Schmaltz.

Will you be returning to Atlanta for Southern Fried Burlesque Fest 2012?

I’ll be there in 2013!!!!

Category: Kool Kat of the Week | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Kool Kat of the Week: Time-Traveling with Torchy Taboo to the Roots of the Neo-Burlesque Revival in Atlanta

Posted on: Mar 10th, 2011 By:

Ask anyone in Atlanta’s neo-burlesque scene who started it here, and one name inevitably comes up— Eve “Torchy Taboo” Warren. She’s been dubbed the “Godfather of Atlanta Burlesque” and nothing seems more natural than her hosting the Dirty South Burlesque Showcase, a late-night cabaret on Saturday night for some of the best regional performers, one of several star-studded performance events at this weekend’s Southern Fried Burlesque Fest [read ATLRetro’s preview here].

With all the burlesque troupes and production companies performing here now, it’s hard to imagine that just 16 years ago, none of that existed. While Atlanta was home to one of the nation’s largest collections of adult entertainment venues, those venues had long ago left behind any appreciation of the art of the tease. Among all the stagnant bump and grind for big bucks, however, one dancer had a dream.

This red-haired 5-foot-nothing Rita Hayworth lookalike never had been an ordinary stripper. When she wasn’t dancing, she was vagabonding across Europe, performing at drag shows at The Sports Page, studying art history, sipping Polynesian cocktails, waxing poetically about corndogs and jitterbugging to rockabilly bands at the Star Bar. That’s how I met her in 1995 through my friend “Go-Go” Max Bernardi, another Star Bar regular and a singer, painter and performance artist whose artwork and acts were often seen at 800 East, an Inman Park warehouse that at the time was a haven for the city’s alternative creative scene.

The cast of Go-Go and Torchy's Taboo Revue including Eve "Torchy Taboo" Warren, "Go-Go Max" Bernardi, Wanda Baker, Tim Monteith, Ivy Godiva, Dave Olsen and the Queen Bee. Photo credit: April Stevens

Together, Eve and Max cooked up this crazy idea to put on a tribute to the burlesque variety shows of the mid-20th century which they would come to call GO-GO AND TORCHY’S TABOO REVUE. It took place at the Catch City Club, next to Center Stage in Midtown, on October 14-15, 1995, and included many top players in Atlanta’s burgeoning rockabilly, lounge and performance art scene. Useless Playboys former front man “Big Mike” Geier even returned to Atlanta from Richmond, Va., to emcee. Later on he’d found some band called Kingsized and perform with a neo-burlesque company called Dames Aflame, which incidentally also was founded by Torchy Taboo. Another reason why it’s only fittin’ that Big Mike will be hosting and the Dames Aflame are special guests at the FreeRange Burlesque Show Friday night at Southern Fried.

“Go-Go” Max Bernardi clowns in her cowboy boots before her Taboo Revue opening number as Cleopatra.

Kelly Hogan (The Jody Grind, Rock*A*Teens), Wanda Baker (Bleu Velveeta) and Dave Olsen (Atlanta rockabilly swing icons The Lost Continentals) sang solo numbers, and almost every number was performed live by a seven-member lounge band, featuring Olson and other members of The Lost Continentals. Dashing up-and-coming illusionist, Christopher Tracy, provided magic, and Ivy Godiva, the weekly guest star of the then-infamous Go-Go Rama dances at the Star Bar, delivered laughs as his ravishingly redneck assistant, as well as a red-hot striptease to a revved-up rockabilly version of Dion and the Belmonts’ “Ruby Baby.” Puppeteer Tim Monteith boogied woogied as all three Andrews Sisters; he still regularly performs at Syrens of the South and other local shows and is competing in the first annual Southern Fried Burlesque Pageant earlier on Saturday night. In an artistic interlude, modern dancers Anik Keuller and Sonya Sconiers re-interpreted the Greek myth of Persephone without removing a stitch. And a certain ATLRetro writer/editor danced and sang as a 1920s art deco Bumble Bee Queen, with Bee-ettes “Saasha Foo” Wilson, hostess to many of 800 East’s zany variety shows, and her friend and fellow disco dancer Faith Farley. Continue reading “Kool Kat of the Week: Time-Traveling with Torchy Taboo to the Roots of the Neo-Burlesque Revival in Atlanta” »

Category: Kool Kat of the Week | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

© 2014 ATLRetro. All Rights Reserved. This blog is powered by Wordpress