Kool Kat of the Week: Bad Girls and One Benedict: An All Villains Burlesque Review Is Elementary to Sketch MacQuinor

Posted on: Mar 4th, 2014 By:

Sketch MacQuinor as "Sherlock" and Harleen Cassidy as "The Woman." Photo courtesy of Sketch MacQuinor.

Some of Atlanta’s best burlesque salute the really bad girls in VILLAINOUS SCHEMES AND ADULT THEMES on Fri. March 7 and Sat. March 8 at the Academy Theatre in Hapeville. The showcase of sexy skits saluting show business’s villainesses is produced by Hysteria Machines, a collaboration between Fat Cat Cabaret Creative Director Persephone Phoenix  and Sketch MacQuinor, whose day job may be our dream job is an animator whose credits include AdultSwim’s SQUIDBILLIES (read an interview with him about that here).

Persephone was an ATLRetro Kool Kat last fall, so we decided to get the male perspective this time around. Sketch has been performing in Atlanta in various guises for a long time as an animator, artist, and idea man, who, he says, “does a little of everything on stage but sing.” That includes improv, puppetry, stand-up, sketch comedy and impersonating Benedict Cumberbatch‘s SHERLOCK, with whom he shares an uncanny resemblance.
With all that in mind, we thought it would be elementary for Sketch to be this week’s Kool Kat. Here’s what he had to share about this weekend’s show, the imminent return of Fat Cat Cabaret, and his own – shall we call them gloriously geeky – escapades around town and on film.
ATLRetro: How did you and Persephone get the idea for a villains-themed burlesque show come about?
Sketch: I originally just wanted to do a geeky variety show with burlesque elements. When I started asking burlesque performers if they had a geeky number they wanted to dust off or try out, they all asked “What’s the theme?” Apparently, most burlesque shows have themes.  “Geeky comedy!” I replied. “Yeah,” they countered, “but what’s the theme?” Since I had some material I wanted to do involving villains and since I knew that most of the people I approached had some Catwoman, Poison Ivy or Harley Quinn costume in the back of their closet, I just said “Villains.”  From there it blew up, snowballed, took on a life of its own, and other mixed metaphors.
I understand the second half will be all Disney Villains? Why spotlight Disney in particular?
That’s another organic aspect of the show that just happened on its own. Disney-inspired numbers kept getting offered. Violetta Lugosi had an existing number about Snow White.  Venus deMeow had a gorgeous Queen of Hearts number she’d wanted to try out. I saw the preview for the new MALEFICENT movie and ran an idea for a peel to the tune of the sexy new cover of “Once Upon a Dream” by Candi leCoeur, and she jumped at the idea with glee. I asked Facebook, “What Disney villain would you like to see do standup?” and everybody shouted “Hades” [HERCULES]  The routine just wrote itself. My old friend Maggie Dale hasn’t been on stage in years because of an extended case of children, but volunteered to break back out onto the scene with a belting rendition of “Let it Go” with a partial peel.  Others soon came along with other numbers inspired by the empire of Uncle Walt.
Who are some the villainesses that we’ll encounter in the show? 
As mentioned, you’ll see a magnificent Maleficent, an Evil Queen, or two, favorite felonious feline femme fatale Catwoman, and Irene Adler [SHERLOCK], the woman so clever and devious, she earned the name, “The Woman.”

Sketch MacQuinor as "Sherlock." Photo courtesy of Sketch MacQuinor.

Without giving away any big spoilers, what can you tease about your special mystery comedy sketch?  You’re playing the role of Sherlock Holmes, right?

Yes, I am, but I’m really just a prop. The piece itself stars performer Harleen Cassidy as Irene Adler from BBC’s SHERLOCK.  I’ll be acting and capturing his mannerisms with some amount of competency and flair, but you won’t notice me as you’ll be mesmerized by Harleen as she successfully delivers an Adler emulation that with hit you in those parts of your brain that can still be surprised by subtle sensuality. The Woman is amazing, and I envy the audience. I’ll be forced to take my eyes off of her to play the role of Sherlock, but you won’t be able to look away from her powerful stage presence.
This isn’t the first time you’ve done Sherlock and you bear a striking resemblance to Benedict Cumberbatch. How did that get started?
With my long face, small, blue eyes, deep voice and large teeth, I’ve been compared by many to Mr. Cumberbatch, especially in those moments when his characters get goofy. Naturally I started milking the similarity to make some fairly well-executed costumes. I exploited this similarity in a video I put together called “Ladies’ Night at Moriarty’s Pub,” wherein a bunch of villains that you may have seen women express their desires for on Pinterest and on T-shirts gather at a special bar for ne’erdowells.  In it, I play the STAR TREK: INTO DARKNESS Khan character, trying to achieve the right balance of growling and purring that the character requires. Fun fact, all four of the female Droog characters in the background are leading their own acts in this production.
Many people may not be familiar with the Academy Theatre in Hapeville. Tell us a little about the venue.
It’s a gorgeous, intimate setting. The Academy Theatre is the longest-running theater in the Atlanta area, though it’s had to change venues a few times. Last year when they lost their last space in Avondale Estates, the Arts Centers of Hapeville and Stockbridge both gave the Academy homes to perform in. The Hapeville location has just a great setup and is [set] to undergo a remodeling in the coming year.
When will Fat Cat Cabaret will back?
Currently we’re planning a return in May, venue permitting.
What else are you up to?
I’m the wrong guy to ask, because I’m up to everything. Redesigning my webcomic, THE MACWINNERS, do more stand-up, do more experimental puppetry, trying to do more illustrated poems, trying to put together more video productions with THE BROTHERHOOD OF DAMN SASSY MUTANTS, get my children’s book HEARTS AND CRAFTS published, produce a second full-cast audiobook, start a family with my incredibly supportive wife, get back into acting, do more audio work with my friends at the Atlanta Radio Theater Company, and spend more time with my aforementioned wife while working my day job as a professional animator.  I sometimes wish I could be one of those guys who just plays ASSASSIN’S CREED when they get home.
What question did I not ask that I should have and what is the answer?
You could ask follow-ups on the children’s book the audiobook, the webcomic, and such, but since they’re not relevant to the article, one could just ask, “When can we meet for Korean tacos in Midtown during the week?”  I like any excuse to do taco lunch, especially on tempeh avocado day.
For more about Sketch, he has a really fun Pinterest page which you can check out here.

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Kool Kat of the Week: MidCentury Home for the Holidays: Persephone Phoenix Cooks Up Some Domestic Mischief with Fat Cat Cabaret

Posted on: Nov 12th, 2013 By:

Persephone Phoenix. Photo credit: Tim Fox Photography. Used with permission.

Oh, Happy Days! Fat Cat Cabaret, one of Atlanta’s newest Retro entertainment troupes, is sneaking a peek behind closed doors to home life in the post-World War  in their 1950s Burlesque Holiday Show this Saturday Nov. 16 at 8 p.m. at Andrew’s Upstairs. The sassy shenanigans set to the music of the birth era of rock n roll include iconic foods, props and include special guest and recent Kool Kat Talloolah Love, the Sweetest T in the South, as the hottest neighbor on the block, and Nashville self-proclaimed Dieselpunk Prophet of Pop Culture Big Daddy Cool, as the Ultimate Entertainer. Also on the roster are Sketch Macquinor as the comedic neighbor and bearer of all things funny; Ben Gravitt, as Jerry, your humble narrator and all-around hip cat; and another Kool Kat, Ruby le Chatte, as Jerry’s other half and the life of the party!

To find out more, we caught up with Fat Cat’s Creative Director Perspehone Phoenix, a true Kool Kat’s Meow in her own right. So yeah, we asked her a bit about her path to fabulous frivolity, too!

First off, tell us a bit about yourself. What’s the secret origin story of Persephone Phoenix?

As the Head Haunchess of Hell and the Princess of Purgatory, I emerged from a previously mundane, muggle existence, and with a fiery glory, was reborn as a creature of the dark side known as burlesque performance. I am currently an aerial instructor with Play Hard Gym and creative director for Fat Cat Cabaret, as well as freelance performer, splitting my time between performance, organization and community involvement.  An aerialist for nearly four years, I initially took burlesque classes with Syrens of the South, and after my debut combining both aerial arts and strip tease, I have not looked back. I have performed all over the Southeast and am a member of or have performed with such groups as Fat Cat Cabaret, Syrens of the South, Musee du Coeur, Cheeky BellesBible Belt Burlesque (Perry, GA), Spooky LeStrange and Her Billion Dollar Baby Dolls (New Orleans) and recently, in front of an audience of over 1000 people at DragonCon’s Glamour Geek Revue.

What about Fat Cat Cabaret?! The troupe is relatively new to the burlesque/variety/Retro scene in Atlanta. What sets it apart?

One of the things that initially attracted me to this group was that, unlike many other troupes whom I have worked with, Fat Cat attempts to tell a story with their productions. Each number is thoughtfully placed, with consideration being given to how it advances the story, explains the characters, or provides more era-related background for the audience. Using costumes, music and dialogue, you will follow a central character through a semi-period-accurate environment, and will be entertained the whole way through. It’s an intellectually challenging project, and it really takes burlesque/variety productions to a new level in my opinion.

The ‘50s is the heart of all we love at ATLRetro. What does that decade personally mean to you? What are your personal favorite things about it?

I have a penchant for A Line skirts, crinolines and short gloves. For someone who is often wearing little to no clothing, I have never felt more feminine, sexy and empowered than I did wearing these pieces. I see the ladies fashions from this decade as the delicate veil over what was the rising sexual revolution.

The show follows Jerry, the narrator, through adventures of 1950s home life. Is it a play or a series of burlesque vignettes? Why home life and not, say, the birth of rock n roll or haute couture?

It is both a play and a series of burlesque/variety vignettes. Each number is played out by characters who are in some way related to Jerry: a neighbor, a friend, a coworker, family member. The production tightly organized to bring continuity to the storyline and to entertain the audience.

As Jerry was a character first introduced in Fat Cat’s Holiday Show last year and this is a continuation of his storyline, home life was the natural subject to explore in this show, since the characters naturally fit as members of his community. But that doesn’t mean that other ’50s concepts aren’t touched on in this show.

Persephone Phoenix. Photo credit: Tim Fox Photography. Used with permission.

Will it be the ‘50s through the lens of the present day or is Fat Cat trying to create something contemporary to the time in humor, etc.? Or a combo of both? If the latter, then how did you research? What was most challenging?

Since the ’50s wasn’t a particularly sexually liberated era, and there will be copious dirty jokes and sexual humor, the production will not be entirely period accurate. However, using music, costumes and dialogue, we attempt to immerse the audience in a comical cross-section of 50’s home life. Research was conducted on music which fits the time, phrasing and subjects for comedy which were true to the era. The most challenging aspect of this show, which continues to be challenging, is sloughing off modern terminology and incorporating antiquated phrases. Since we’re adlibbing quite a bit, it’s likely a struggle that our audience will find comical.

Can you tease us a little about what you are doing yourself in the show?

Lets just say that relationships can be very messy. Especially when there’s food around..

What else is happening? We’ve heard there will vendors, a period deejay after the show and drink specials?

The fantastic artists of 2the9’s Retro and Jezebel Blue handmade jewelry will be hawking their unique wares at our show.  Also Deep Eddy Vodka will be on special, and DJ Huda Hudia will be spinning modern tunes into the wee hours of the morning.  The party doesn’t stop after the show is over, so we encourage everyone to stick around and enjoy the fantastic venue!

Photo courtesy of Persephone Phoenix.

Anything else you’d like to add?

The team creating this show are some of the most talented, professional, creative folks I have ever had the joy of working with. They are committed to bringing this shared vision to life, and have made personal sacrifices to devote the time necessary to make it happen. I am grateful for that, and can’t wait to show the audience all of our hard work.

Also, I took over creative directorship from my predecessor, who I count amongst one of my best friends. The theme and concept of this show was very much dependent upon her inspiration, and I’m thankful to have worked with her on this and previous projects.

What’s next for Persephone Phoenix and Fat Cat Cabaret?

Well, I have recently devoted my entire professional life to art and artistic endeavors, so I look forward to seeing where that will take me. The transition from a full-time professional muggle career to freelance artist is an intimidating one. However, I’m really lucky to be surrounded by an amazing community with lots of opportunities and support.  I am hopeful to travel some for performance, volunteer more in the performance community, and continue building my aerial student base.

As for Fat Cat Cabaret, we will begin formulating our next show, to be revealed early next year. All of the players in Fat Cat will no doubt be seen around the Atlanta community, so keep your eyes and ears out!

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