Kool Kat of the Week: Bad Girls and One Benedict: An All Villains Burlesque Review Is Elementary to Sketch MacQuinor

Posted on: Mar 4th, 2014 By:

Sketch MacQuinor as "Sherlock" and Harleen Cassidy as "The Woman." Photo courtesy of Sketch MacQuinor.

Some of Atlanta’s best burlesque salute the really bad girls in VILLAINOUS SCHEMES AND ADULT THEMES on Fri. March 7 and Sat. March 8 at the Academy Theatre in Hapeville. The showcase of sexy skits saluting show business’s villainesses is produced by Hysteria Machines, a collaboration between Fat Cat Cabaret Creative Director Persephone Phoenix  and Sketch MacQuinor, whose day job may be our dream job is an animator whose credits include AdultSwim’s SQUIDBILLIES (read an interview with him about that here).

Persephone was an ATLRetro Kool Kat last fall, so we decided to get the male perspective this time around. Sketch has been performing in Atlanta in various guises for a long time as an animator, artist, and idea man, who, he says, “does a little of everything on stage but sing.” That includes improv, puppetry, stand-up, sketch comedy and impersonating Benedict Cumberbatch‘s SHERLOCK, with whom he shares an uncanny resemblance.
With all that in mind, we thought it would be elementary for Sketch to be this week’s Kool Kat. Here’s what he had to share about this weekend’s show, the imminent return of Fat Cat Cabaret, and his own – shall we call them gloriously geeky – escapades around town and on film.
ATLRetro: How did you and Persephone get the idea for a villains-themed burlesque show come about?
Sketch: I originally just wanted to do a geeky variety show with burlesque elements. When I started asking burlesque performers if they had a geeky number they wanted to dust off or try out, they all asked “What’s the theme?” Apparently, most burlesque shows have themes.  “Geeky comedy!” I replied. “Yeah,” they countered, “but what’s the theme?” Since I had some material I wanted to do involving villains and since I knew that most of the people I approached had some Catwoman, Poison Ivy or Harley Quinn costume in the back of their closet, I just said “Villains.”  From there it blew up, snowballed, took on a life of its own, and other mixed metaphors.
I understand the second half will be all Disney Villains? Why spotlight Disney in particular?
That’s another organic aspect of the show that just happened on its own. Disney-inspired numbers kept getting offered. Violetta Lugosi had an existing number about Snow White.  Venus deMeow had a gorgeous Queen of Hearts number she’d wanted to try out. I saw the preview for the new MALEFICENT movie and ran an idea for a peel to the tune of the sexy new cover of “Once Upon a Dream” by Candi leCoeur, and she jumped at the idea with glee. I asked Facebook, “What Disney villain would you like to see do standup?” and everybody shouted “Hades” [HERCULES]  The routine just wrote itself. My old friend Maggie Dale hasn’t been on stage in years because of an extended case of children, but volunteered to break back out onto the scene with a belting rendition of “Let it Go” with a partial peel.  Others soon came along with other numbers inspired by the empire of Uncle Walt.
Who are some the villainesses that we’ll encounter in the show? 
As mentioned, you’ll see a magnificent Maleficent, an Evil Queen, or two, favorite felonious feline femme fatale Catwoman, and Irene Adler [SHERLOCK], the woman so clever and devious, she earned the name, “The Woman.”

Sketch MacQuinor as "Sherlock." Photo courtesy of Sketch MacQuinor.

Without giving away any big spoilers, what can you tease about your special mystery comedy sketch?  You’re playing the role of Sherlock Holmes, right?

Yes, I am, but I’m really just a prop. The piece itself stars performer Harleen Cassidy as Irene Adler from BBC’s SHERLOCK.  I’ll be acting and capturing his mannerisms with some amount of competency and flair, but you won’t notice me as you’ll be mesmerized by Harleen as she successfully delivers an Adler emulation that with hit you in those parts of your brain that can still be surprised by subtle sensuality. The Woman is amazing, and I envy the audience. I’ll be forced to take my eyes off of her to play the role of Sherlock, but you won’t be able to look away from her powerful stage presence.
This isn’t the first time you’ve done Sherlock and you bear a striking resemblance to Benedict Cumberbatch. How did that get started?
With my long face, small, blue eyes, deep voice and large teeth, I’ve been compared by many to Mr. Cumberbatch, especially in those moments when his characters get goofy. Naturally I started milking the similarity to make some fairly well-executed costumes. I exploited this similarity in a video I put together called “Ladies’ Night at Moriarty’s Pub,” wherein a bunch of villains that you may have seen women express their desires for on Pinterest and on T-shirts gather at a special bar for ne’erdowells.  In it, I play the STAR TREK: INTO DARKNESS Khan character, trying to achieve the right balance of growling and purring that the character requires. Fun fact, all four of the female Droog characters in the background are leading their own acts in this production.
Many people may not be familiar with the Academy Theatre in Hapeville. Tell us a little about the venue.
It’s a gorgeous, intimate setting. The Academy Theatre is the longest-running theater in the Atlanta area, though it’s had to change venues a few times. Last year when they lost their last space in Avondale Estates, the Arts Centers of Hapeville and Stockbridge both gave the Academy homes to perform in. The Hapeville location has just a great setup and is [set] to undergo a remodeling in the coming year.
When will Fat Cat Cabaret will back?
Currently we’re planning a return in May, venue permitting.
What else are you up to?
I’m the wrong guy to ask, because I’m up to everything. Redesigning my webcomic, THE MACWINNERS, do more stand-up, do more experimental puppetry, trying to do more illustrated poems, trying to put together more video productions with THE BROTHERHOOD OF DAMN SASSY MUTANTS, get my children’s book HEARTS AND CRAFTS published, produce a second full-cast audiobook, start a family with my incredibly supportive wife, get back into acting, do more audio work with my friends at the Atlanta Radio Theater Company, and spend more time with my aforementioned wife while working my day job as a professional animator.  I sometimes wish I could be one of those guys who just plays ASSASSIN’S CREED when they get home.
What question did I not ask that I should have and what is the answer?
You could ask follow-ups on the children’s book the audiobook, the webcomic, and such, but since they’re not relevant to the article, one could just ask, “When can we meet for Korean tacos in Midtown during the week?”  I like any excuse to do taco lunch, especially on tempeh avocado day.
For more about Sketch, he has a really fun Pinterest page which you can check out here.

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Kool Kat of the Week: A Spirited Endeavor: Filmmaker Ashley Thorpe Conjures the Ghosts of BORLEY RECTORY, The Most Haunted House in England

Posted on: Aug 22nd, 2013 By:

Ashley Thorpe. Photo courtesy of Carrion Films.

British filmmaker Ashley Thorpe’s trilogy of terror, SCAYRECROW, THE SCREAMING SKULL and THE HAIRY HANDS, earned a Visionary Award at Atlanta’s Buried Alive Film Festival in 2010. All three shorts produced by Ashley’s Carrion Films were set in the fascinating mythos of Dartmoor in Devon, a place so layered in fog and legend that people literally were known to disappear into its mists and never be seen again until they returned as ghosts. But it wasn’t just the rich subject matter that turned heads here in Atlanta, it was the unique look achieved through rotoscope animation, which particularly in SCAYRECROW, the tale of a haunted highwayman who rises from the dead to avenge his lover, also evoked Hammer Films’ horror movies of the ‘60s and ‘70s in its texture.

Ashley wasn’t able to attend the last Buried Alive but sent a trailer for his next film BORLEY RECTORY, a documentary short on a Suffolk manor that has a reputation as the “Most Haunted House in England.” Since then, he’s attached veteran actor Julian Sands (WARLOCK, GOTHIC and a guest at DragonCon 2013 next week) as the narrator and Steven Severin, one of the founding members of Siouxsie and the Banshees and now an acclaimed composer/accompaniest for silent films, to create the score, and is in the midst of an Indiegogo crowd-source campaign to fund the project which has the potential to launch Ashley to the next level. Meanwhile he’s also writing and painting some cool covers for Fangoria magazine, and yes, he has several features in preproduction as well – HELL-TOR, an Amicus-inspired portmanteau, and SPRING HEELED JACK, based on the Victorian London legend.

Beyond his talent as a filmmaker, Ashley’s one of the nicest chaps we know and the Indiegogo campaign is in its final push through Aug. 31, so well, we just couldn’t resist making him Kool Kat of the Week.

ATLRetro: Your past films are based on legends of Dartmoor near your home town of Exeter in Devon. Can you talk a little about how growing up in such a haunted area has influenced the arc of your filmmaking?

Ashley Thorpe: I was surrounded by local myths and ghost stories and specifically elderly couples eager to tell them! It seemed like an inevitability that most social get-togethers – especially at a country pub – would end with a grisly ghost story or two. Though I initially dreaded these chilling stories – in fact I’d often go and hide in the toilet until they were over – I now feel very lucky to have been “exposed” to these diverse tales of ghosts, demons and devilry at a young age as they’ve absolutely inspired and influenced pretty much my entire body of work, in there in my mind, a nest of tiny scorpions breeding in my cranium!

I think it’s because it’s a landscape that is simultaneously very beautiful and yet potentially very dangerous. It’s romantic and it’s deadly. And what’s more. Dartmoor has always felt to me like a region that has been precariously tamed. We may have civilized the outskirts by posting churches on the boundaries, but it’s really still a wilderness out there. Tales of the devil are common in this region and are more often than not pre-Christian. For instance, the actual tale of the demonic Huntsman and his pack of hellish Whisht hounds that I referenced in THE DEMON HUNSTMANGlass Eye Pix’s TALES FROM BEYOND THE PALE radio theater series] is based upon a genuine Dartmoor myth that I’d heard as a kid, and its origin I suspect is probably prehistoric. It’s an ancient legend bound in the conflict between Celtic and Christian religions; the benevolent horned gods of one age becoming the malevolent devils of another.

I didn’t really appreciate how important the stories were to me until I’d moved away and lived in various cities and abroad, but it’s a land very close to my heart. I remember being told as a child that if all the unclaimed bodies, scattered in their shallow graves, rose from the moor, the dead would outnumber the living. Wonderful stuff! The earth out there is alive with their stories. The land has a thousand ghosts; all you have to do is listen.

Borley Rectory is in Suffolk, taking you away from Devon, but it’s also a story you discovered as a child. Can you talk a little about what drew you to it and made you want to make your next film about it?

I had the USBORNE BOOK OF GHOSTS as a boy, and although a great deal of the book frightened me, it was that moniker “The most haunted house in England” that really caught my imagination. I’d seen images of Harry Price debunking other supernatural phenomena in other mystery books, so for him to all but declare this as the pinnacle of ghostly phenomena made it seem all the more fascinating and scary. So the story has been with me again since childhood.

I spent a couple of years working on radio scripts and developing a feature script and it had all become very laborious. I wanted to make a new short to remind myself why I loved doing this in the first place, and I chose Borley Rectory because I could picture it very visually and it seemed like a nice summation of what I’d attempted to do thus far. I’ve always loved vintage ghost photography, not just because of the subject material but primarily because they are often very beautiful images. I wanted to see if I could make a film that evoked similar sensations that are evoked by such photographs. It’s a story that is rich in gothic archetypes, so visually very strong with plenty of scope for the various apparitions.

BORLEY RECTORY has a rich history of hauntings from headless coachmen to a bricked-up nun, a screaming girl, and being built on the grounds of a Medieval monastery, the British equivalent of an ancient American Indian burial ground. Will you be portraying the house’s story more generally or focusing on a specific legend?

Very generally. The funny thing about Borley is that the Nun is the only ghost that seems to have any “back story” as such, with the other apparitions almost functioning as satellite phenomena. This film is going to be an introduction, a primer if you will, very much like the Usborne book that sparked my interest. It’s a “way in” to the legend. The historical data on Borley and the hauntings are incredibly rich and layered and dense, often contradictory and beset with duplicity, so I think to make something “definitive,” you’d have to do an HBO series on it. You could make an entire film just on Marianne Foyster, for instance! What I’m really interested in is trying to evoke the place, and explore what it was that attracted people to the Rectory and its legends – manifestations of desire, loss or some fatal flaw in character.

The animation in your previous films, especially SCAYRECROW, owes an aesthetic debt to Hammer films, which you also grew up with. In the Indiegogo pitch, you talk about being fascinated with ghost photography. Will viewers of BORLEY RECTORY also see a Hammer influence or is this an indication that you will be taking a different direction?

Yes, SCAYRECROW is the one that is most obviously a love letter to Hammer horror, although I think  THE HAIRY HANDS has aspects of an episode of the HAMMER HOUSE OF HORROR TV series. BORLEY RECTORY will be created in the same fashion as SCAYRECROW’ and THE SCREAMING SKULL, but visually will be quite the different animal. I’m really aiming for vintage ghost photography – glowing black and white imagery, images that conceal as much as they reveal, yet texturally very beautiful. On occasion, it may even veer into abstraction with only the narration keeping it grounded. Consider it my ultrasound of a haunted house!

You met Julian Sands through interviewing him for Fangoria, for which you’ve recently been a correspondent and cover artist. How did this blossom into Julian as narrator, and I understand he’d like to work with you on future projects as well?

Yes, indeed. I interviewed Julian for a retrospective I wrote on Ken Russell’s GOTHIC. Julian saw the films, loved them and asked me if I was working on anything. I’d literally just finished the first draft of BORLEY RECTORY, and so I asked him if he’d be interested in performing the narration and thankfully he said “yes.” Julian and I have loosely discussed working together on other projects, but future work will absolutely depend on the success of this campaign. If BORLEY RECTORY goes well, I’d love to develop the Dartmoor portmanteau feature HELL TOR, as there’s definitely a role in there for Julian.

Julian Sands shares a laugh with Ashley Thorpe while recording the narration for BORLEY RECTORY. Photo courtesy of Carrion Films.

What about Steven Severin? Talk about a score in landing him to do the score. How did you get him on board?

That was Fangoria again, although believe it or not, I initially turned him down! Steven performed in Exeter, and I interviewed him about his score for Carl Dreyer’s VAMPYR. We kept in contact regarding the article [recently published in Fangoria #325], and then Steven asked me out of the blue if I’d had anyone in mind for the BORLEY RECTORY score. I was stunned. At the time, every film I’d made up to that point has been scored by my old friend Mick Grierson, so I initially said no! The Banshees are one of my favorite bands, but I explained that Mick was as much a part of Carrion as I am and that it would  feel like a betrayal. Mick is a department head at Goldsmiths College in London, and as the year wore on, it became obvious that he just wasn’t going to be able to dedicate so much of his time to the film. However, Steven remained dead keen even after the long production hiatus, and a combination of circumstances and Mick’s academic responsibilities just really made the partnership at this time an obvious choice. I couldn’t be happier really. It’s very exciting to be working with Steven, and I’m looking forward to seeing what we can create together.

 

The entrance scene from THE SCREAMING SKULL. Photo courtesy of Carrion Films.

Reece Shearsmith also has joined the cast recently. I know not everybody over here knows who he is, but for those of us lucky ones who discovered the weird and wonderful LEAGUE OF GENTLEMEN, that’s quite exciting, too. How did he get involved and what role does he play?

Reece is amazing! He’s mainly known for his comedy grotesques, but he is an incredibly gifted actor. What’s more he’s also, like most of the League of Gentlemen team, an absolute dedicate of classic horror films. He’s a sincere fan, and we share many points of reference. His involvement came via a number of supporters like Derren Brown and Andy Nyman. I noticed that Reece had been tweeting support for our campaign so I tweeted a note of thanks. We got chatting, and he expressed real excitement for the project and the subject. So I just came out and asked him, and Reece, to my amazement, said yes. His involvement has really elevated the project. His fanbase are ravenous!

Reece will be playing the Daily Mirror journalist V.C Wall who was the journalist that really broke the story to the world in 1929, so a key role, and he’ll get to speak some wonderful and genuine news reports written by Wall from the period. I’m excited and simultaneously terrified to direct him! It’ll be fun. I have a feeling there’ll be a lot of horror nerd-outs!

You’ve also attracted some pretty amazing supporters such as Stephen Volk (screenwriter, GOTHIC), British mentalist Derren Brown, Robert Young (director, VAMPIRE CIRCUS) and comics writer Steve Niles. Have any in particular surprised or delighted you as the Indiegogo campaign progressed?

The support has been amazing actually and really quite diverse. Local support has been strong, but I’ve been slightly overwhelmed by the response internationally across the horror community. I’ve never been a fan of scenes as such, but the horror community have restored my faith in humanity after the film and TV industry gave it a good kick in last year! Stephen Volk and Johnny Mains have been incredibly supportive and generous with their time, and Chris Alexander [editor] at Fangoria has been there since the beginning. The support from Derren was great as he said a number of lovely things about SCAYRECROW when it came out back in 2008, so it’s a nice feeling to know that he’s still supportive, still watching. Indie filmmaking is tough so it’s invigorating, energizing to know that someone out there cares about what you’re doing or trying to do. Can’t do it without you!

Crowd-sourcing has its rewards but also its challenges. You have more than 80 supporters and have raised over 5,000 pounds, but you did extend the fundraising period and reduce the target of the campaign from 20,000 pounds to 10,000 pounds. Will you have to turn to another source to make up the difference, or will you just be tightening the production’s belts.

Yes, the extension was inevitable. I got hit with a very time-devouring contract to animate some feature titles shortly after the campaign launched, so as I was AWOL for a few weeks, I pushed the deadline back to the end of August. I reduced the target, too, as it became clear that we were going to struggle to reach 20K. We still may have to turn to other sources to make up the additional budget, or we may get started with what we raise and reevaluate later next year. Either way the budget has always affected me far more in terms of “time” rather than “quality.” Less money means less crew and more for the core to do. It will be distinctive and original whatever happens. “Don’t panic lads, we’ve been saved from casual mediocrity by lack of money again!” If we can’t afford horses, we’ll get the coconuts out again, ha ha. You know at no point during SCAYRECROW did any of us get on a horse. I spent much of it riding a tree trunk! You’ve gotta have that Terry Gilliam spirit to survive.

You have some pretty cool perks for contributors. What’s your favorite and why?

I spent a long time working out the rewards, but I think my favorite HAS to be the limited edition vinyl of the Severin soundtrack. I mean that has to be the best fundraiser perk ever, hasn’t it? It was Steven’s idea actually. I made a mock-up for fun of what the soundtrack would look like if it had been released in the 70s with a very Pan Horror / Amicus style sleeve, and Steven went crazy for it, loved it and suggested that we try it for real, make it a super limited edition very special reward for investors. It’s going to be a beautiful thing. A real collectors’ item. Even if I don’t make a penny from BORLEY RECTORY, at least I’ll get one of those! The tour of Borley with author and publisher Johnny Mains is pretty amazing, too, plus you’ll be “written into” a Robert Aickman tribute collection to be published next year. That’s pretty amazing, too.

THE CONJURING, an old-fashioned haunted house movie, has been a big hit stateside. Does that encourage you that there’s a market for a return to atmospheric ghost stories in the horror film genre?

I think it’s great that a decidedly – perhaps archly – old-fashioned ghost story has made such an impact, but the audience has always been there, it’s just taken the market an age to catch up with what people really want as is so often the case. I think the market becomes less and less important as time goes on. The audience will find or indeed make its own entertainment. I didn’t start making the animations about neglected myths to get noticed; it was an attempt to tell the stories I wanted to hear. If you can find a way of telling your stories whilst bridging a cultural void, you’re onto a winner. Fingers crossed, eh?

Finally, would you like to share anything else about upcoming projects, such as HELL-TOR and SPRING HEELED JACK or your recent work with FANGORIA?

I’ve always loved the Amicus portmanteau, and when I initially started developing a feature, my first notion was to create one of my own. HELL-TOR is a collection of Dartmoor legends woven together. THE HAIRY HANDS was originally the book-end story, but ended up being developed into the short I produced with the Arts Council. ‘THE DEMON HUNTSMAN was mooted to be in there, too. The other three stories haven’t seen the light of day yet, although the kelpie / exorcism story, “Crows Mere,” was one of the first pitches for the second season of TALES BEYOND THE PALE. It’s definitely something I’d love to make. It would be a wonderful opportunity to get a British Horror portmanteau back on the screen. I should probably chat to Reece about this!

My long term project is SPRING HEELED JACK – a Dickensian horror story – as opposed to the more familIar later period that sired Sherlock Holmes, Jekyll & Hyde and the Ripper crimes – and is inspired by the “genuine” boogeyman from the early 1800s. The tale of a rooftop bounding demon that could appear and disappear at will caught hold of the public imagination, becoming in time a popular character in Victorian fiction, in particular the Penny Dreadfuls [popular working class fiction] of the period who took the figure and transformed him from a shilling shocker phantom into an embryonic super-hero. With his crime -ighting exploits bedecked in bat-like cloak and horned cowl, it is difficult not to see him as anything other than the template of what would become Batman.

I have been fascinated by the myths of Spring Heeled Jack and have often wondered why his presence on film has been so negligible. Apart from it being a delicious bit of British esoterica, the story fascinates me because it occurs in a period that has thus far pretty much only been defined by Dickens. It presents itself not only as an opportunity to explore early Victoriana – at a time when genre templates for horror and detective tales were coalescing in popular fiction – but a chance to make something akin to a classic “Hammer Horror” with a real underworld edge. The script is currently in development, and I have started pre-production character and concept art. I suppose if I could pitch it, I’d have to say it’s “Victorian Batman meets Sweeney Todd meets THE FLY!” It’s quite melodramatic, psychologically disturbing, a tale of a super hero becoming a super villain.  It’s easily the darkest thing I’ve written, dark and dastardly – and deliciously deviant. I’d love to make it, a dream come true, but I have to be a midwife to history first!

To support or share the Indiegogo campaign for BORLEY RECTORY, click here. Watch SCAYRECROW for free on Vimeo here. 

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Kool Kat of the Week: Watson, The Game Is Afoot! Investigating 221B Con with Founder Heather Holloway

Posted on: Apr 10th, 2013 By:

Dr. Watson and Sherlock Holmes. Painting by Mark Maddox and used with permission.

By Anthony Taylor
Contributing Writer

This weekend (April 13-14) marks the inaugural edition of Atlanta’s own “all Sherlock Holmes” convention, 221B Con at the Holiday Inn Select Atlanta-Perimeter at 4386 Chamblee Dunwoody Road. The name is a reference to the famous detective’s address at 221 B Baker Street, London, which is a few blocks from one of H.G. Wells’ apartments as well.

Making his debut in 1887’s A STUDY IN SCARLET, Holmes is one of the most well-known fictional characters in history. Sir Arthur Conan Doyle’s consulting detective appeared in four novels and 56 short stories written by Doyle, and countless dramatic and derivative works. Holmes fans are legion worldwide, with clubs and societies extant in just about every major city. Currently there are two popular television series airing featuring Holmes and his sidekick Watson in modern settings; the BBC’s SHERLOCK, starring Benedict Cumberbatch as Holmes, and CBS’s ELEMENTARY starring Johnny Lee Miller.

ATLRetro spoke with convention organizer Heather Holloway about the lasting impact of Doyle’s creation and to investigate what to expect this weekend.

ATLRetro: Tell me about your personal relationship with Sherlock Holmes. How did you first meet him? What’s your favorite story? Favorite film/television adaptation?

Heather Holloway: Sherlock Holmes and I met about three months into Mrs. Bright’s ninth grade English class.  I was 14, and the assignment was to read “The Adventure of the Speckled Band.”  Mrs. Bright told us how Sir Arthur Conan Doyle always knew the ending of the story before he wrote it so he could properly lay out the deductions and clues. That particular point struck me, as I had never given much thought to the plotting and structure of a story. Afterwards, I decided to read the Canon on my own and was pretty much hooked from there on out!

It is so very difficult to pick a favorite story.  I was recently rereading everything with two of the other directors of 221B Con, and it was pointed out that about two minutes into every discussion I would say ”This is one of my favorites!”  I suppose if I’m made to pick I would go with “The Adventure of the Musgrave Ritual.”  It’s so gothic and creepy, complete with a wronged woman and a man, possibly, buried alive.

Heather Holloway. Photo courtesy of Heather Holloway.

Every time someone asks who is my favorite Holmes, I always say “the one in my head.”  It’s very difficult for me to completely get on board with a TV or film Holmes, because I was first introduced through the stories. I have a platonic Holmes and no one has ever completely lived up.  I suppose that is why my favorite film versions are YOUNG SHERLOCK HOLMES (1985) and WITHOUT A CLUE (1988).  They aren’t really supposed to be Holmes, so I have no cognitive dissonance.

What about the Holmes stories appealed to you, and what about them has made a lasting impression ?

I think the most important thing I have ever taken from the Holmes stories, and what sticks with me the most, is that prejudice is the death of mind.  Holmes observes, he doesn’t prejudge or allow petty beliefs to interfere with his process.  He takes what he sees at face value and interpolates from there.  If you believe you know the answer before weighing the evidence, you have already lost.  I think it’s a lesson many people today could stand to learn.

It’s been said that Mickey Mouse, Superman and Sherlock Holmes are the most widely known fictional characters in history. More than 100 years later, what makes Holmes relevant to a modern audience? Why has he not only survived, but thrived?

Sherlock Holmes is, to me, the great modern hero. There is nothing immortal or superhuman about his abilities. He has an approachable genius. He never claims others can’t mimic his abilities. While you might not see it at first, after a possibly condescending, explanation you realize that you could have seen it.  Sherlock Holmes will be beloved so long as society admires effort and genius.

Why a Holmes convention?

Sherlock Holmes fans have been banding together for years. The only thing unique about 221B Con is the fact that it is a con.  Most gatherings, while a ton of fun, are more academic in nature; big catered dinners and keynote addresses. The other convention directors and I wanted an event with a more relaxed atmosphere.  We wanted regular fans to be able to speak, not just professors and biographers. Hopefully, we’ve hit a happy medium between fandom and academia.

What will happen at 221B Con? Who are the guests and speakers? How can people get more information?

We have over 40 hours of programming scheduled, including a live podcast by The Baker Street Babes, a performance by the Atlanta Radio Theatre Company and dozens of wonderful panels.  We will be joined by several author guests including the Edgar Award-nominated author Lyndsay Faye.  You can visit www.221bcon.com for more information, or follow us on Twitter, Tumblr and Facebook.

Lucy Liu as Watson and Jonny Lee Miller as Holmes in CBS's ELEMENTARY.

Finally, it all comes down to this, doesn’t it – Benedict Cumberbatch or Johnny Lee Miller?

Benedict Cumberbatch FTW.

Anthony Taylor is a writer and an expert on retro-futurism, classic science fiction and horror films and television, and genre collectibles. He is the author of ARCTIC ADVENTURE!, an official Thunderbirds™ novel based on the iconic British television series by Gerry and Sylvia Anderson. His website is http://Taylorcosm.com.

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