Seventies Slackers, Bikers & Psychedelic Japanese Animation: All That and Much More in Our Retro Guide to the 2016 Atlanta Film Festival

Posted on: Apr 2nd, 2016 By:

10294346_10153376281298424_3819900343571644880_nCinephiles rejoice! Now in its 40th year, the Atlanta Film Festival (ATLFF) is back in bloom from Friday April 1 through Sunday April 10. ATLFF has long been known for a huge line-up of more than 200 diverse and offbeat features, shorts and documentaries from local to international filmmakers, and this year has one of its most exciting line-ups to date with some gems to warm our Retro heart.

Because it can be challenging to wade through such a wide-ranging schedule, we’ve taken the time to sort out some productions that you, our Retro readers, might particularly find of interest including a number of cult and classic revival films screening for free. We’ll also be running social media coverage and reviews of some of our favorites, so be sure to check back. And because we can’t mention everything, be sure also to check out the full festival schedule because there are lots more great films you won’t want to miss.

All screenings below are at the festival HQ at the Plaza Theatre, unless otherwise indicated. 

dazed-and-confused-movie-poster-1993-1010327275 Friday April 1

Opening night brings a red carpet of stars at the Atlanta premiere of THE FUNDAMENTALS OF CARING directed by Rob Burnett and starring Paul Rudd, but we know our readers will be more ready to get back to the 70s with a rare chance to see Richard Linklater‘s hilarious comedy DAZED AND CONFUSED (1993) at 9:30 p.m., followed by Lips Down on Dixie as they present their extremely popular midnight performance of THE ROCKY HORROR PICTURE SHOW (1975). Although a Plaza staple for years, the show gets even better when seen with a festival crowd of fervent movie fanatics.

DudeDesigns_FCB_WEBSaturday April 2

Things get badass crazy with the world premiere of FRANKENSTEIN CREATED BIKERS (2016) at 9:30 p.m., which kicks off the MORPHINE DREAMS horror/weird series. The homegrown 1970s-style neo-exploitation feature promises to be even more over-the-top than its precursor DEAR GOD! NO! (2011) (Read our Retro Review here).  Just about everyone involved with this feature is a dear friend to ATLRetro and lots of the cast and crew will be there, including star Lawrence R. Harvey (HUMAN CENTIPEDE 2 & 3), so we wouldn’t miss it even if we might have to cover our eyes once or twice. Read our Kool Kat of the Week interview with Director James Bickert for a pretaste of the ultraviolent insanity (WARNING: not for everyone!). Just $10 but buy in advance as we betcha it’ll sell out. Facebook event page here.

Gwilliam_Poster_11x17_v03Also on Saturday: Get your bizarro horror fix started early at Noon with THE WOOL shorts segment which includes the award-winning GWILLIAM by Kool Kat Brian Lonano and more of what the ATLFF describes as “other-worldly fibers.” 1979 (do we detect a theme here?) is the setting for GOOD OL’ BOY (12:30 p.m.), about the challenges of assimilating into a new culture for a 10-year-old boy who moves with his Indian family to an American small town and has a crush on the girl-next-door. everybody-wants-some-posterThen EVERYBODY WANTS SOME! (2016), Richard Linklater’s new “spiritual sequel” to DAZED AND CONFUSED set in the world of 1980s college life, screens at 7 p.m. Actors Ryan Guzman, Tyler Hoechlin and Blake Jenner are scheduled to attend. Also at 7 p.m. and free with RSVP at the Hill Auditorium at The HighRUBY IN PARADISE (1993), Ashley Judd‘s film debut as a Florida girl struggling to escape her working class life and achieve her dreams during Pensacola spring break, gets a rare return to the big screen as part of a retrospective of director Victor Nunez‘s career. A PECULIAR NOISE (2015) at 7:30 p.m. (7 Stages), is a sentimental documentary of the DIY underground music scene in the college town that spawned such alt-favorites as The B-52s, R.E.M. and Pylon. Director Jorge Torres-Torres is scheduled to attend.

CcufcVTW8AER7JQSunday April 3

Festivities kick off at noon with a 25th anniversary screening of Southern foodie comedy classic FRIED GREEN TOMATOES (1991) (free with RSVP). If you’re hungry afterwards, for just $20, there’s a Food on Film after-party at the Callanwolde Fine Arts Center from 2-4:30 p.m. CONCERTO, at 5:15 pm (7 Stages), is a documentary about brothers Christopher Rex (Principal Cellist of the Atlanta Symphony Orchestra since 1979) and Charles Rex (a first violinist with the New York Philharmonic since 1981) who struggle to overcome a childhood at the hands of a disturbed but brilliant composer father. At 6 p.m., head to the Rialto Center for the Arts to revisit the explosive 1991 Clarence Thomas Supreme Court nomination hearings where Anita Hill accused him of sexual harassment in HBO Films’ docu-drama CONFIRMATION, filmed in Atlanta.

2012110720180322562_artikelThe second installment of the MORPHINE DREAMS series at 7:15 pm at 7 Stages, THE FORBIDDEN WORLD (2015), directed by Guy Maddin and Evan Johnson, is seriously crazed with a side of William Hope Hodgson : “A never-before-seen woodsman mysteriously appears aboard a submarine that’s been trapped deep under water for months with an unstable cargo. As the terrified crew make their way through the corridors of the doomed vessel, they find themselves on a voyage into the origins of their darkest fears.” Then rush back to the Plaza if you like crazy Japanese trippy Weird animated horror for MD#3, Eiichi Yamamoto‘s legendary BELLADONNA OF SADNESS (1973), a real event being that it was previous unreleased in the USA. Based on SATANISM AND WITCHCRAFT by Jules Michelet, young and innocent Jeanne is ravaged by the local lord and makes a pact with the Devil. According to the description: “The Devil appears in phallic forms and, through Jeanne, incites the village into a sexual frenzy. In a new restoration using the original camera negatives, this erotic and psychedelic trip of a film springs to life.”

CHEERLEADER

CHEERLEADER

Monday April 4

Get your dose of bubblegum, side ponytails, ’80s music and revenge in the 7 p.m. world premiere of CHEERLEADER, a witty satire of an all-American pastime.  Director Irving Franco and Producer Nathan Marcus are scheduled to attend. Then at 9:15 p.m., THE FOUNDERS goes back to the 1950s and the 13 women who fought male chauvinism to found the Ladies Pro Golf Association (LPGA). Co-Directors Charlene Fisk and Carrie Schrader, Producer Phoebe Brown and Actor Caleb Messer are scheduled to attend.

HandmadeVol6final_medTuesday April 5

At 7 p.m., the COTTON documentary shorts series at 7 Stages includes HOTEL CLERMONT, about residents of the notorious seedy and recently closed Atlanta landmark (yes, we said landmark), and THE NEW ORLEANS SAZERAC, about the quintessential Big Easy cocktail. Released first in 2005, HANDMADE PUPPET DREAMS (also 7 Stages, 9:15 p.m.) doesn’t date back to the 20th century in itself, but puppetry is a Retro art, right? This handpicked selection of puppet film shorts has received tons of international acclaim and just looks friggin’ cool, plus it’s introduced by Jim Henson‘s daughter Heather Henson. Read our Kool Kat of the Week interview with her here.

Bill Genovese in WITNESS.

Bill Genovese in WITNESS.

Wednesday April 6

At 7 p.m., THE WITNESS reopens the famous Kitty Genovese murder, which 38 witnesses watched from nearby apartments and did nothing. Forty years later, her brother Bill Genovese, who was 16 at the time of his sister’s death, digs into the case and “uncovers a lie that transformed his life, condemned a city, and defined an era.” Bill Genovese, Director James D. Solomon and Producer Melissa Jacobson are scheduled to attend.

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MANOMAN, directed by Simon Cartwright, UK

Thursday April 7

Head to the Center for Puppetry Arts at 7 p.m. for WOOD, a screening of international puppetry shorts, followed by a reception in the Atrium and free entry into the new Worlds of Puppetry Museum featuring the Jim Henson and Global Collections, which includes rare artifacts from Henson-related films such as THE DARK CRYSTAL (1982) and LABYRINTH (1986) and a selfie opportunity with Muppets Kermit and Miss Piggy.

LOA

LOA

Friday April 8

During COPPER, a special presentation by the always intriguing Contraband Cinema at 7 Stages at 7 p.m., see contemporary and classic avant garde and experimental shorts with some of the filmmakers in attendance. At 9:15 p.m. also at 7 Stages, director George Koszulinski and other members of his creative team will be on hand for a screening of the “mystical, experimental” Haitian documentary LOA about the life of the Extanta Aoleé, a local houngan or ‘Vodou man.” And ROCKY HORROR PICTURE SHOW screens again at midnight with Lips Down on Dixie audience participation floor show (see Fri. April 1).

MV5BOTA3Mjg2NDQ3NF5BMl5BanBnXkFtZTgwMjExNTU3NzE@._V1_UY1200_CR73,0,630,1200_AL_Saturday April 9

In HUNKY DORY, at 12:30 p.m., “Sidney—an artist of many things but an extraordinaire of nothing at all—struggles to live up to the expectations of his glam rock dream.” Director Michael Curtis Johnson, Producers Tomas Pais and Jacqueline Johnson and Actor Chad Hartigan (who also directed “closing night feature” MORRIS FROM AMERICA which screens Sat. at 7:30 p.m.) are scheduled to attendAt 2:30, the GOLD documentary shorts series includes SAULTOPAL, in which Atlanta-based artist Susan Cofer invites Georgia-born filmmaker John Henry Summerour (SAHKANAGA) to spend a year documenting Saultopal, an 1100-acre farm in northwest Georgia populated by Longhorn cattle, gigantic rock sculptures and Carl, her husband in his 80th year, and TOURIST about a Vietnam vet revisiting the nation where he once fought.

41cIba3SqsL._SY355_Sunday April 10

The last day of the ATLFF is pretty Retro-kickass, we have to admit. See David Bowie live again on the big screen as the iconic Goblin King in a 30th anniversary screening of LABYRINTH (1986). Then in the much-anticipated MILES AHEAD at 2:45 p.m., Don Cheadle directs and stars as legendary jazz man Miles Davis. Not a full biopic, it centers on the period of five years in the late 1970s when Davis was holed up in his home with chronic hip pain and a fictional encounter with a music reporter which leads to a quest for a stolen tape of his most recent compositions. There’ll also be some Encore screenings yet to be announced, so keep checking the schedule if you miss a screening and/or it sells out.

Of course, these films represent just a tiny portion of the events, shorts, seminars, screenings and receptions/parties taking place. For a complete list, again you need to check out the official Atlanta Film Festival Schedule. And keep an eye on ATLRetro throughout the fest for coverage on all the fun and films. Enjoy this year’s ATLFF, movie lovers!

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Hey All You Monster Kids, We Accept You One of Us! Our Top Ten Reasons to Go to MONSTERAMA CONVENTION 2015

Posted on: Sep 29th, 2015 By:

by Melanie Crew
Managing Editor

What are you doing this weekend? We’re monster mashing it up at the 2nd Annual MONSTERAMA CONVENTION, creeping and crawling into town this weekend, Oct. 2-4 at the 10.3-2Atlanta Marriott Perimeter Center!

1) Christopher Lee: A Villainous Tribute! Catch a horrorific line-up of Christopher Lee films on Saturday featuring Terrence Fisher/Frank Winterstein’s SHERLOCK HOLMES AND THE DEADLY NECKLACE (1962), Jess Franco’s COUNT DRACULA (1970); and Robin Hardy’s THE WICKER MAN (1973)! And you must hammer out some time to catch “In Memoriam: Christopher Lee” on Saturday at 2pm; a panel with discussions about Lee and his amazing career. Our favorite villain has a body of work that includes screen credits for over 250 films!

2) Ricou Browning! The Creatureextraordinaire and legendary underwater stuntman, director, actor and screenwriter will be lurking amongst the monsters this year (See our exclusive Kool Kat interview here)! Get aquatic with the infamousGill-Manat the Black Lagoon Tiki Luau on 18s3mkqkk4g3mjpgFriday! And you won’t want to miss out on Ricou’s panels covering his monstrous cinematic life and everything in-between with “Return to the Black Lagoon” and “Thunderball & Beyond”!

3) Black Lagoon Tiki Luau! Hula on down (If you dare!) to the hotel pool on Friday night at 7pm and luau with The Creature himself, Ricou Browning! And for an experience you’ll never forget, throw on your suit and take a daunting dip into the Black Lagoon with effects artist, Kyle Yaklin (See our Shop Around feature on Kyle here) who will transform into the Creature of the night with his very own CREATURE FROM THE BLACK LAGOON suit crafted from the original mold!

4) Silver Scream Spook Show!  Kool Kat Shane Morton, a.k.a. ghost host with the most, Professor Morte and the Silver KingkongposterScream Spook Show will be raisin’ hairs with a screening of Ernest B. Shoedsack/Merian C. Cooper’s KING KONG (1933) on Saturday at 3 pm! It’s no trick, but a special treat because Prof. Morte’s lovable sidekick Retch will be returning for a Spook Show presentation to remember. Read one of our very first Kool Kat interviews with Retch alter-ego Jon Waterhouse here.

5) FANGTASTIC FILM!  Friday’s frightening film feast includes a helluva offering of 16mm screenings including Sam Newfield’s THE MAD MONSTER (1942); Michael ReevesTHE CONQUEROR WORM (1968); and Charles Laugton’s THE ISLAND OF LOST SOULS (1932)! Saturday slaughters with horrorific classics including Nathan Juran’s JACK THE GIANT KILLER (1962); James Whale’s THE BRIDE OF FRANKENSTEIN (1935), Mario Bava’s BLACK SUNDAY (1960) and so much more! And Sunday gets sinister with Robert Siodmak/Erle C. Kenton’s SON OF DRACULA (1942); Antonio Margheriti’s CASTLE OF BLOOD (1964); and George Romero’s THE CRAZIES (1973)!

MV5BMjA3MDc3Mzk4OV5BMl5BanBnXkFtZTYwODM0MDg5._V1_SX214_AL_6) Spooktacular Guests! Spook it up with Larry Blamire (THE LOST SKELETON OF CADAVRA); horror novelist and filmmaker John Farris (THE FURY); horror history expert and documentarian, Kool Kat Daniel Griffith of Ballyhoo Motion Pictures, Kool Kat Shane Morton, ghost host with the most, a.k.a. Professor Morte, Victoria Price (daughter of the legendary Vincent Price. Get a taste of Vincent‘s cooking at a special Brunch with Victoria on Sunday!), legendary actresses, Lynn Lowry (THE CRAZIES; SHIVERS) and Candy Clark (AMERICAN GRAFFITI; THE MAN WHO FELL TO EARTH); glamour ghoul Kool Kat Madeline Brumby and so much more!

7) Twisted Television. Get terrified T.V.-style throughout the weekend and catch screenings of Gene Roddenberry’s made-for-TV movie, SPECTRE (1977); Kool Kat Daniel Griffith’s documentary, AS TIMELESS AS INFINITY: THE TWILIGHT ZONE LEGACY; THE OUTER LIMITS – “The Architects of Fear”; THE MAN FROM U.N.C.L.E – “The Abominable Snowman Affair”; STAR TREK – “The Man Trap”; and an episode of BORIS KARLOFF’S THRILLER!

8) Monster Makeovers! Get gore-gous with monster make-up galore as part of this year’s Makers Track! Effects man Kyle Yaklin and Kool Kat Shane Morton share the secrets of the monster trade with their “Casting the Creature” event, featuring a first generation pull from Jack Kevan’s master mold of “The Creature”! And Saturday gets spooktacular with a “Gore Gore Girls – Special Effects for Kids” event featuring mom/daughter duo, filmmaker Dayna Noffke (Tiltawhirl Pictures) and ultra spooky Vivi Vivian! And don’t forget to stick around for a creeping cornucopia of frightful faces and monster masks!vincent-price-cookbook-430x700

9) Deadly Dealers! Horror cons are the perfect place to stock up on both classic horror memorabilia, cult classics on DVD and creepy clothing, costumes and accessories. Vendors this year include Kool Kat Chris Hamer of UrbnPop; Horror in Clay (See our Shop Around feature here) and all the toys, collectibles and monstrous goodies you can get your grimy little hands on!

10) Monster Prom! Hey all you guys and ghouls, get frightfully funky at this year’s Monster Prom, dedicated to our favorite monster kid of all, Mark Schemanske! Dust off the old rat-infested tux, clear out the cobwebs, shine up your shoes and get ready to do the Monster Mash, and maybe even the Time-Warp into the wee hours of the morning!

Monsterama main con hours are Fri. Oct. 2 from 4 to 12 a.m.; Sat. Oct. 3 from 9 a.m. to 12 a.m.; and Sun. Oct. 4 from 9 a.m. to 5 p.m. For more info, visit www.monsteramacon.com.

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Kool Kat of the Week: The Legendary Ricou Browning and the Man Beneath the Suit, a.k.a. “The Gill-Man” Dives into the History of the Black Lagoon and Terrifies Monster Kids of All Ages at Monsterama 2015

Posted on: Sep 29th, 2015 By:

by Melanie Crew9.2
Managing Editor  

Ricou Browning, “The Creature”/ “The Gill-Man” extraordinaire and legendary underwater stuntman, director, actor and screenwriter will be lurking amongst the monsters at the second annual Monsterama Convention, founded by our classic monster-lovin’ fiend, friend and ATLRetro contributing writer, Anthony Taylor! Monsterama creeps into town at the Atlanta Marriott Perimeter Center this weekend, Oct. 2-4! Browning will be joined by a guest list filled to the blood-curdling brim with classic horror connoisseurs like independent filmmaker Larry Blamire (THE LOST SKELETON OF CADAVRA); horror history aficionado and documentarian, Daniel Griffith of Ballyhoo Motion Pictures [July 2014; See ATLRetro’s Kool Kat feature on Daniel here]; Shane Morton, ghost host with the most, a.k.a. Professor Morte [June 2011; see ATLRetro’s Kool Kat feature on Shane, here]; Victoria Price (daughter of the legendary Vincent Price); spooktacular actresses, Lynn Lowry (THE CRAZIES; SHIVERS) and Candy Clark (AMERICAN GRAFFITI; THE MAN WHO FELL TO EARTH); glamour ghoul Madeline Brumby [October 2011; see ATLRetro’s Kool Kat feature on Madeline, here] and so much more! So, haunt on down to Monsterama this weekend and prepare for a ghastly weekend of ghoulishly maniacal mayhem!

CFBL-1
Browning, the last of the original Universal Monsters is best known for his portrayal of “The Gill-Man” (underwater scenes) in Jack Arnold’s monster classics, THE CREATURE FROM THE BLACK LAGOON (1954); REVENGE OF THE CREATURE (1955); and THE CREATURE WALKS AMONG US (1956). He began his cinematic career at Wakulla Springs performing in underwater sports newsreels (alligator wrestling and more!) with Grantland Rice Films, and even played a role in bringing to life, with his “hose breathing technique,” the famous Weeki Wachee Mermaids, whose shows he later produced. Browning’s cinematic career spans many decades and genres, including underwater sequence work for Richard Fleischer’s 20,000 LEAGUES UNDER THE SEA (1954); Terence Young’s THUNDERBALL (1965); Harold RamisCADDYSHACK (1980); and an episode of BOARDWALK EMPIRE (2010). He is also co-creator, with Jack Cowden, of the beloved ‘60s television series (and films) FLIPPER, and so much more! In 2006, Browning was awarded Film Florida’s first Florida Legends Award, followed by his induction into the Florida Artists Hall of Fame in 2012 for his wide range of cinematic accomplishments.

ATLRetro caught up with Ricou Browning for a quick interview about the birth of and morphing into “The Gill-Man”; about his expansive experience in the land of film; and his take on special effects and monster kids of all ages! And while you’re takin’ a gander at our little Q&A with Browning, catch “The Creature” in action here!

ATLRetro: As the only actor to portray “The Creature” more than once, you will forever be known as “The Gill-Man” to monster kids worldwide. And of course, we at ATLRetro are “Creature” fanatics! Can you tell our readers a little about how Jack Arnold discovered you for the role of “The Gill-Man,” and what kept you swimming back for more?

Ricou Browning: I was attending Florida State University when I got a phone call from the general manager of the hotel at Wakulla Springs and a friend of mine, Newt Perry. He said that he had some people from California coming to the Springs to look at it as a location to make a movie. He asked me if I would pick them up at the airport and take them to the Springs and show them around since he would be out of town. I said sure. So I did. After they arrived at the Springs, they loved it: the beautiful river and the wildlife; the clear water of the spring. The cameramen Scotty

Ricou Browning and Ginger Stanley

Ricou Browning and Ginger Stanley

Welbourne asked me if I would swim in front of the camera so he could get some perspective of the size of a human being compared to the fish, the grass, the logs, etc. So I did. They enjoyed the Springs and they enjoyed the river. Afterwards I took them back to the airport and they left.

About a week later I got a call from Newt Perry again, and he said that they were trying to get a hold of me from California and that he gave them my phone number. That same day I got a call from Jack Arnold, who turned out to be the director of the film. He said, “We saw the photo footage that Scotty shot. We like the way you swim. How’d you like to play the part of an underwater monster?” I said, “sure, why not?” So I went to California and spent a number of weeks building the costume, and it turned out to be a bad one. So they remade the suit, and I came back to Florida and we started shooting the underwater sequences for the film.

Any special behind the scenes experiences you’ like to share with our readers?

One experience that I had is that while filming we shot in the wintertime and even though the water temperature was 71 degrees while the air temperature was around 49 degrees, we worked from a barge down in the middle of the spring and I was in and out of the water all day. After coming out of the water, they would take the head off my suit and my hands and my feet and I would be sitting there waiting to go over the next scene. I was shivering and the crew felt sorry for me. So every now and then somebody would come back to give me a little shot of brandy. After a few shots of brandy The Creature couldn’t swim very well, so they had stop that.

18s3mkqkk4g3mjpgYou got the joy of terrifying generations of unsuspecting audiences as a classic Universal monster, which of course spawned fan-driven conventions, such as Monsterama Con. What do you think it is that keeps generation after generation returning to classic monster movies? Tell us a little about your fans over the years.

I didn’t start getting requests for photographs until about 20 years after the film was made. I only had a few at that time, so I would mail them to the fans and then I’d get more requests. I gradually built up a large number of pictures and started attending shows signing autographs.

What do you think about the advent of computerized special effects and the more hands-off approach to filmmaking?

They talk about making a remake of THE CREATURE FROM THE BLACK LAGOON. Whether they will or not, I don’t know. But I hope they make it very similar to the way we did it, with human beings and not just computer special effects, because they overdo that. I think if it were done sparingly, it would be okay.

When you were growing up, did you dream of working on films? Or did the chance just happen upon you? Can you tell our readers a little about your introduction to the industry?MPW-10605

The first time that I worked underwater on films, it was for Grantland Rice Sports Films. They did crazy things at the Wakulla Springs like underwater picnics, underwater prize fights, etc.  They made a bunch of different crazy things that were used as short subjects at the end of movies in a theater.

Who were your favorite monsters as a kid?

My favorite monster was “The WolfmanLon Chaney Junior.

You have proven over many decades to be a well-sought after jack of all trades (underwater cinematographer, stuntman, actor, producer, director, screenwriter, etc.), and you’re still at it! What project would you say is your favorite?

I think one of my favorite movies that I worked on was FLIPPER. Jack Cowden and I created the television show FLIPPER, on air for four years (’64-’67), and then we made the two features (1963; 1996).

We read that you and your team were chosen over Jacques Cousteau to provide your services for several James Bond films, including THUNDERBALL (1966). Did you enjoy working on the Bond films?

I really enjoyed working on the James Bond films, THUNDERBALL and NEVER SAY NEVER AGAIN.

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A Spooktacular Spectacle! The Weird! The Wacky! The Horrifying! Our Top Ten Retro Reasons to Go to the 25th Annual WORLD HORROR CONVENTION

Posted on: May 5th, 2015 By:

by Melanie Crew 5.8WHC
Managing Editor

Get horrified, literary-style this weekend at the 25th Annual World Horror Convention, this year presented by the Horror Writers Association (HWA), haunting Thursday-Sunday May 7-10 at the Atlanta Marriott Marquis! Guests of Honor include legendary bestselling horror author and Marietta local, John Farris; author Kami Garcia (BEAUTIFUL CREATURES); author Christopher Golden; author Charlaine Harris (TRUE BLOOD); author Lisa Tuttle; and Godzilla artist extraordinaire Bob Eggleton, as well as toastmaster Jonathan Maberry and over 150 more writers, editors, filmmakers, publishers, and artists! This year’s World Horror Society’s 2015 Grand Master has been awarded to William F. Nolan, co-author of the novel LOGAN’S RUN, and it’ll be presented with awards for the year’s best in horror fiction Saturday night at the HWA’s Bram Stoker Awards Banquet!

World Horror Con is held in a different location every year, so we think it’s pretty spooktacular that the 25th anniversary con is back in the Monster Kid Capital of the USA. The 1995 and 1999 WHCs were also in Atlanta.

Here are our 10 scariest retro reasons to get downtown.

1) 25th ANNUAL WHC CREEPY COSTUME BALL! Kool Kat Shane Morton, a.k.a. ghost host with the most, Professor Morte and the Silver Scream Spook Show will have you shakin’ in your boots during the Creepy Costume Ball, Friday, May 8! Slither on down for this spooky spectacle which will have you monster mashin’ it up with DJ Extreme Gene and more at the creepiest party of the year! $100 cash prize for best costume, $50 for second place and a free Bram Stoker Awards banquet ticket for third. Party begins at 8:30pm and will rattle your bones through 12:30am!

2) MASS AUTHOR SIGNING! Come one, come all (free and open to the public) to the Mass Author Signing on Friday, which will be bookin’ it from 6:30-8pm! This is an event you won’t want to miss, because you’ll get the chance to catch more than 100 of your favorite horror/spec-lit/weird fiction (and more!) authors, including John Farris, local legendary author and all the other Guests of Honor; Grand Master William F. NolanJack Ketchum, Lifetime Achievement Award recipient and author of such novels as THE GIRL NEXT DOOR; renowned SF/F/H editor Ellen Datlow; New York Times bestselling splatterpunk pioneer and bizarro author John Skipp; Weston Ochse, author of SEAL TEAM 666, which is being developed into a major motion picture starring Dwayne “The Rock” Johnson; Shirley Jackson Award-winning author Nathan oconnor-wise_bloodBallingrudScott Nicolay, author of ANA KAI TANGATARue Morgue magazine’s Best Fiction Collection of 2014; many Bram Stoker Award-winning and nominated authors such as Yvonne Navarro, Usman T. Malik, Damien Angelica Walters and Stephen Graham-Jones; our very own wickedly weird kool kitten, ATLRetro publisher Anya Martin; and we kid you not – about 100 more! Atlanta’s Eagle Eye Books is the official bookseller of the WHC, and will be located in the Dealers Room, so stop by and pick up books by your favorite attending author to sign this weekend!

3) THE WEIRD SOUTH. Dig deep into horror’s heritage in Southern Gothic literature, with dark panels galore! On Friday, May 8, you won’t want to miss Voices of the Mountains: Manly Wade Wellman and Karl Edward Wagner at 9 pm, exploring the two pioneers of Southern Horror. The A Good Horror Isn’t Hard to Find: The Dark Side of Flannery O’Connor and Southern Gothic Lit panel gets grotesque Saturday, May 9, at noon!

4) FANGTASTIC FILM!  With the support of Atlanta’s own Buried Alive Film Festival (Nov 21-22, 2015) and the Tabloid Witch Film Festival, this year’s film program will spotlight some of the most exciting short and feature films created by Georgia and Southern filmmakers, as well as will showcase recent works by other attending professionals and exciting shorts from around the world. Freaky Friday includes Kool Kat Daniel Griffith of Ballyhoo Motion Pictures discussing his recent documentary endeavors surrounding Jeff Burr’s FROM A WHISPER TO A SCREAM (1987), with exclusive clips from the documentary and giveaways, during The Night(s) Indie-Horror Came to Georgia: An Hour With Daniel Griffith on Friday at 2pm! Get brutal and exploited during a screening of Kool Kat James Bickert’s throwback to ‘60s/’70s exploitation films, DEAR GOD! NO! (2011) is a bloody ruckus at 3pm, with an introduction by Prof. Morte! And stick around for the Filmmakers Lounge at 5pm, where you’ll get to witness film shop talk and learn the fun parts of making horror films! Sinister Saturday brings you a screening of Jason Brock’s THE ACKERMONSTER CHRONICLES (2013), revisiting the life and times of mega-fan Forrest J. Ackerman at 9am (includes a dear-god-no-posterQ&A with filmmaker and William F. Nolan)! Spend an hour with “Fun Boy” Michael Massee (THE CROW) at 11 am! Get sinister during Skipp’s Saturday Sinema Funtime featuring screenings of John Skipp and Andrew Kasch’s AN HONEST MISSTAKE (2014), Izzy Lee’s POSTPARTUM (2015) and Gigi Saul Guerrero’s EL GIGANTE (2015), beginning at noon! At 1pm, the Buried Alive Film Festival and Kool Kat Blake Myers, present Ryan Lieske’s ABED (2011), based on the Elizabeth Massie story and produced by Atlanta’s own late Philip Nutman (WET WORK, Fangoria), followed by their screening of Kool Kat Eddie Ray’s SATANIC PANIC 2: BATTLE OF THE BANDS (2014) at 2pm. And finally, the Buried Alive Film Festival presents Its Bloody Best, a block of the best shorts screened at past Buried Alive Film Festivals, at 3pm! And stick around for the Filmmakers Lounge where talking shop never gets dull, at 5pm!

5) MULTI-CULTURAL WORLD HORROR. What’s more fitting when exposing the diversity in the dark underbelly of spec-lit and horror than doing so in the city that was the center of the Civil Rights Movement? Catch Different Visions: African-American Spec-Lit from Afro-Futurism to Beloved on Friday, at 1pm, and get a peek through the lens of the African-American experience from slavery to the Civil Rights Movement to the first black president! On Saturday, May 9, you won’t want to miss Pushing the Diaspora Darkly: Horror from Multicultural Perspectives at 1pm, which explores diversity and an emerging global view of spec-lit and horror as it moves into the 21st century with a new generation of writers from different cultural backgrounds.

6) WHC LIFETIME ACHIEVMENT AWARD RECIPIENTS.  This year’s Lifetime Achievement Award recipients are Tanith Lee, author of more than 90 novels across the entire spectrum of speculative literature; and Jack Ketchum, author of 32 books to date, with five of his novels making their way to the big screen [The Lost, The Girl Next Door, Red, Offspring and The Woman]. Celebrate Tanith Lee’s achievement during Dancing With Darkness: A Tribute to HWA Lifetime Achievment Award Winner Tanith Lee on Friday, at 10am! And you won’t want to miss the HWA Lifetime Achievement Award Winner Interview: Jack Ketchum at 2pm, Friday!

The-Girl-Next-Door-2007-37) H.P. LOVECRAFT IN THE 21st CENTURY.  Learn about Lovecraft’s legacy in modern horror fiction, which has been cemented for more than half a century in his Cthulhu Mythos and his exploration of cosmic, existential horror. More recently, the tentacles of Lovecraft’s more troubling legacy—as a voice for some of the last century’s most vile expressions of racism and xenophobia—have found their way into the center of the discussion of his work, so creep on down, Friday at 3pm for the H.P. Lovecraft in the 21st Century: The Problematic Legacy of the Great Old One of Horror and the Weird panel!

8) THE STEPHEN KING HOUR. Are you Stephen King’s biggest fan? If so, you won’t want to miss The Stephen King Hour at 5pm on Friday, and catch the experts discuss the most important horror writer of this generation! (One lucky contest winner will get the chance to sit on this horrorific panel!)

9) READINGS, READINGS AND MORE READINGS! What’s better than reading the works of this century’s wickedly weird and catastrophically creepy writers, who have reaped what our horror forefathers of yore, sowed many murderous moons ago? Why, getting the chance to experience the horror spewing from their own lips! Friday, May 8, brings you readings by Charlaine HarrisWilliam F. Nolan (co-author of Logan’s Run and more), Kami GarciaUsman T. Malik, Joe McKinney, Nathan Ballingrud (North American Lake Monsters), Scott Nicolay (Ana Kai Tangata) and more! Saturday, May 9, brings you readings by Jack Ketchum; Christopher Golden, James A. Moore, Lisa Tuttle, Jonathan Maberry, Weston Ochse, Yvonne Navarro, Damien Angelica Walters, Molly Tanzer (A Pretty Mouth, Vermilion and more) and Jesse Bullington [The Sad Tale of the Brothers Grossbart, The Enterprise of Death and more]!

10) HISTORIC HORROR: FACT & FICTION! The written word has a way of bringing reality to life and vice-versa! Don’t miss out on a special presentation by Dacre Stoker, Bram Stoker’s great grand-nephew at 11am during the Bram Stoker / Dracula Travel Guide New Discoveries 11810429369_10202842198174817_2702201103170314613_n Years Later event, exploring his specialized travel guide surrounding Bram’s most famous novel, Dracula. Dacre’s one-hour PowerPoint presentation includes stunning photos of sites associated with Bram’s life in Dublin, his holidays in Whitby, Cruden Bay Scotland, Count Dracula and Vlad Dracula sites in Romania. At 2pm get monstrous during the Atlanta Radio Theatre Company’s presentation of “The Passion of Frankenstein” by Thomas E. Fuller. This classic radio theatre retelling of the classic story by Mary Shelley is sure to thrill and chill! And, what are the limits of horror’s human side? Catch the Horror’s Human Side: There Are NO Limits, Or Are There panel at 5pm, which explores Joyce Carol Oates’ take on horror fiction and realistic fiction, whether some subjects are too horrific to be horror, and what’s the line between realist literature and horror lit?

World Horror Con main hours are Thur. May 7 from 6 p.m. to midnight.; Fri. May 8 from 9 a.m. to midnight; Sat. May 9 from 9 a.m. to midnight; and Sun. May 10 from 9 a.m. to 2 p.m., with parties going late into the night on Friday and Saturday. For more info, visit www.whc2015.org.

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Kool Kat of the Week: Double the Exploitation! Double the Bloody Ruckus! DEAR GOD NO!’s James Bickert Dishes on His Trek into 35mm Film with a Monstrous of a Sequel, FRANKENSTEIN CREATED BIKERS!

Posted on: Mar 24th, 2015 By:

by Aleck BennettFRAN_poster
Contributing Writer

It’s been over three years since we first witnessed the infamous bloodthirsty biker gang, the Impalers going mano a mano with Sasquatch in DEAR GOD NO! (2011), James “Jimmy” Bickert’s lovingly crafted 16mm shrine to All-Things-Exploitation. Turns out that while Bickert has been busy doing things like helping resurrect the World Famous Drive-Invasion, he’s been working all the while on his film’s long-awaited sequel, FRANKENSTEIN CREATED BIKERS! Filmed in glorious 35mm, the sequel will find our anti-heroes reanimated and back on the trail of Bigfoot while also trying to elude rival gangs, the law, bounty hunters, mutants and a femme fatale with a thing for explosives. If the wild description and upgrade in film format hasn’t clued you in that Jimmy Bickert is aiming for a bigger spectacle than before, he’s also added genre favorites like HUMAN CENTIPEDE 2’s Laurence Harvey, HEADLESSEllie Church and AMERICAN MARY’s Tristan Risk to his ensemble of returning actors including Kool Kat Shane Morton (Silver Scream Spookshow, Gargantua, Atlanta Zombie Apocalypse), Kool Kat Jett Bryant (Bigfoot), Nick Morgan (Splatter Cinema), Bill Ratliff (Truckadelic), Kool Kat Madeline Brumby, Jim Stacy (Pallookaville, Get Delicious!, Offbeat Eats) and many more!

As with DEAR GOD NO!, FRANKENSTEIN CREATED BIKERS went directly to its potential audience for support through a Kickstarter crowd-funding campaign, and met its budgetary goals with time to spare. But the campaign still rolls on, with insane perks (ranging from the expected DVDs and Blu-rays to tattoos, personalized burlesque videos, on-screen appearances, decapitated heads and biker jackets) on offer for those willing to pony up and help move the movie through those heady days of post-production and distribution. Check out the full range of rewards here, because there’s still time to be a part of exploitation film history!

Kool Kat Madeline Brumby and James Bickert

Kool Kat Madeline Brumby and James Bickert

ATLRetro caught up with Jimmy Bickert for a quick rundown on what’s coming back for FRANKENSTEIN CREATED BIKERS, why going with crowd-funding made sense for this project and what you should be watching while you wait for this tale to unspool on a theater screen near you!

ATLRetro: First off, why a Kickstarter for FRANKENSTEIN CREATED BIKERS? Are there any inherent advantages with going this route over taking an indie co-production deal?

Jimmy Bickert: It’s very difficult to pitch an idea like FCB to anyone. No sane person would get involved with such a rotten picture. (laughs) That’s the beauty of crowd-funding. We can rebel against what is trendy in the marketplace, even micro sub-genres of horror, without worrying about someone’s return investment. It’s freedom to put what we want to see and experience on the screen without having to placate or conform to the expectations of the general public, too. Nobody on this production team has any interest in doing anything we’ve seen before or a hundred times over for that matter. If we can look at the screen and laugh together, the journey was a success.

You’ve assembled some great bonuses for investors, ranging from special DVDs and Blu-Rays to posters and international distribution rights (!!!). What can folks looking to invest via Kickstarter expect to get when they pony up their dough?

DEAR GOD NO!

DEAR GOD NO!

We’ve reached our goal but WE NEED MORE MONEY FOR POST PRODUCTION! (laughs) They will immediately know they’re dealing directly with like-minded cinema fans. Many Kickstarter rewards tend to distance themselves from the contributors by offering digital downloads. How lazy and impersonal is that? I’m going to address a package and physically mail it to you. I may even throw in something extra and if our paths cross, we can share a beer together. We’re not looking for something for nothing. Many of the rewards are designed to get people involved and let them be a part of this project. We’re building a community and not trying to step on people so we can hang at L.A. cocktail parties. There is a level of smugness you find in the Indie film festival scene that is absent among the horror Indies. We tend to embrace our audience and drag them along for the ride.

Okay, my two main fascinations growing up were anything related to Bigfoot and Frankenstein. DEAR GOD NO! did Sasquatch proud while taking on other sub-genres—biker flicks, mad scientists, etc. What new ingredients are you bringing to the Frankenstein template?

We’re reviving everything you mentioned. There is a plot device in FCB very similar to the Shaw Brothers’ Kung-fu films and Spaghetti Westerns where we introduce three “larger than life” bounty hunters. I’m most excited about incorporating elements from one of my favorite sub-genres—the Talking Head movie. Since the script has just about everything, I would love to incorporate a kitchen sink into a death scene. (laughs)

Last time out, you nearly burned down one of the screens at the Starlight staging a van explosion. Do you have anything new planned that has the potential for that kind of destruction with FRANKENSTEIN? We do. Much more controlled this time around but yes, there will be some explosions. Shhh! I’m trying to secure my production insurance policy! (laughs)

DEAR GOD NO!

DEAR GOD NO!

You’re shooting this on 35mm, which is both a step up from DEAR GOD NO!’s 16mm and away from the mainstream’s adoption of digital as the norm. What led to this decision and what qualities would you say 35mm offers you over the other two formats? In other words, how is this going to affect FRANKENSTEIN CREATED BIKERS’ look?

We’re shooting on 35mm to have that connection to cinematic history on the set. I like a hand-crafted aesthetic that doesn’t resemble a Marvel blockbuster. Visually I can tell the difference. It appears more natural to my vision – especially with some good lenses. The medium will definitely help convey the late ‘70s visual connotations we’re trying to achieve. Due to the lack of availability for independents, this is probably our last chance to shoot on film so we’re going to make it count.

In addition to the returning DEAR GOD NO! ensemble, FRANKENSTEIN CREATED BIKERS features contemporary genre notables like Ellie Church, Laurence Harvey and Tristan Risk. How did you wind up casting them?

They’re all great people that I’ve met at Horror conventions while promoting DEAR GOD NO! or was introduced to by friends like director Jill Sixx Gevargizian. Not only are they being brought in because they are talented and right for the roles, but they are also genuine people who will fit right into the homegrown talent we already have. I’m looking forward to seeing what they bring to their characters and watching our world-wide horror community get closer.

Any other people from behind the scenes coming back for this entry (music/crew)?

Pretty much everybody. We have a good group. If anything, we’re just adding more people. Bryan G. Malone and Adam McIntryre (The Forty-Fives) will be handling the soundtrack again with the brilliant Richard Davis (Gargantua) composing the score. Post-production sound doesn’t get a whole lot of direction from me. These are some of the most talented people I know and they deliver the goods.

720a

Lastly, you’ve got an encyclopedic knowledge of exploitation greats. Give us five things you’re into at the moment that we should be watching right now—directors or movies, past or present, well-known or obscure.

Brian Lonano‘s CROW HAND (2014) is big right now. It’s a bloody good mess of a short. I’ve been so busy writing that I’ve been avoiding my genre fan responsibilities. There is a ton of stuff I’m really looking forward to seeing like Astron-6’s THE EDITOR (2014), Arthur Cullipher’s HEADLESS (2015), Stephen Biro’s AMERICAN GUINEA PIG (2014), Adam Ahlbrandt’s HUNTERS (2015). Everything Richard Griffin and the Soska twins (Jen and Sylvia Soska, ed.) are doing. Just to name a few. There is a ton out there. On my down time, I keep digging up Joe Sarno films from the ‘60s and revisiting Mark Haggard’s THE ALL AMERICAN GIRL (1973). You can’t go wrong with PAYDAY (1973), HONKY TONK NIGHTS (1978), THE OUTFIT (1973), LAST NIGHT AT THE ALAMO (1983) or PRIME CUT (1972). If you’re just looking for a fun creature-feature, track down Michael Stanley’s ATTACK OF THE BEAST CREATURES (1985) or Richard Cunha’s GIANT FROM THE UNKNOWN (1958). Ugh! Don’t get me started! I have a shooting schedule to work out and flights to book. (laughs)

 

All photos courtesy of James Bickert and used with permission.

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Fear Potion #9: Buried Alive Film Festival UnEarth’s World’s Best Horror to Atlanta

Posted on: Nov 19th, 2014 By:

2014BAFFPOSTERThe Ninth Annual Buried Alive Film Festival; Saturday, Nov. 22, 3:00 p.m. – 12:30 a.m.; Sunday, Nov. 23, 1:00 p.m. – 10:30 p.m.; Fabrefaction Theatre; Tickets $50 (all access, both days), $10 per programming block, available here. Opening night party Friday, Nov. 21, 8:00 p.m. – 11:59 p.m. @ Joystick Game Bar.

By Aleck Bennett
Contributing Writer

Need a reason to be bloody thankful this month? Well, here’s something to make your twisted Thanksgiving complete: the notorious Buried Alive Film Festival (BAFF) is back for its ninth reincarnation! Atlanta’s favorite, longest-running horror film festival will be at Fabrefaction Theatre on November 22 and 23. This year, Festival Director (and ATLRetro Kool Kat of the Week) Blake Myers and the Buried Alive team have exhumed three features and 50 short films—almost 20 hours of programming including nine American premieres and three world premieres! With a host of filmmakers in attendance, this year promises to be a glorious celebration of horror, further sealing Atlanta’s place as the horror capitol of the nation!

baskin 1The weekend kicks off in style with an opening night party at Joystick Game Bar on Friday, Nov. 21, from 8 p.m. to midnight. Come on out and meet the filmmakers behind this year’s fearsome feast of fright! But pace yourself, because Saturday’s programming starts off at 3 p.m. with Shorts Program 1: Tentacles, Kidney Stones and Cannibalism. This exploration of the darkly comic and disturbingly surreal spans the globe, from here to Turkey and back again. Highlights include the post-apocalyptic doom of THE LAST HALLOWEEN, a disorienting trip with four Turkish policemen into the gaping maw of Hell in the highly acclaimed (by no less than Eli Roth and Richard Stanley) BASKIN, the hilariously gory DEAD ALIVE-meets-“Love Potion Number 9” French splatstick of SPEED FUCKING and the world premiere of local director Jay Halloway’s subterranean terror UNDERLOCK.

Extreme_PinocchioBAFF reconvenes at 5 p.m. for Shorts Program 2: Some Real, Some Fake, All Fucked Up. Taking a more realistic turn than the previous program, these shorts focus on the horrors of the here-and-now, ranging from the twisted psychosis of EXTREME PINOCCHIO, also French, to the provocative documentary GLASS EYES OF LOCUST BAYOU. The standouts in this category—along with those previously mentioned—include the American premieres of the funerary revenge short PARA NOCHES DE INSOMNIO and the expertly executed murder of RELLIK.

After a short break, we’re back at 7 p.m. to ponder love, desire and the meaning of “togetherness” in Shorts Program 3: Healthy Relationships. Whether living or dead, functional or dysfunctional, human or inhuman, all of the permutations of companionship are on display in this variety of shorts. Two noteworthy local entries make debuts during this program—Brandon Delaney’s first-person dialogue MY BOYFRIEND’S BAG in its world premiere, and local filmmaker James Sizemore’s Satanic opus GOAT WITCH which hits Georgia screens for the first time. Also getting American premieres are two UK shorts: SKIN, which turns the hostage/captor relationship on its head, and the unsettling physical manifestation of a deteriorating relationship of SPLIT. Add in the Norwegian sadistic ANGST, PISS AND SHIT and the fetish-laden morgue visit of I AM MONSTER, and you’ve got an evening full of romance. Well, in a manner of speaking anyway.

satpanicNight falls with the festival’s first feature program at 9 p.m. This kicks off with two shorts: the tortured texts of M IS FOR MOBILE and the Georgia premiere of Patrick Longstreth’s Tybee Island-lensed giant monster rampage HELLYFISH. That’s followed by the world premiere of ATLRetro Kool Kat Eddie Ray’s long-awaited second entry in his epically comic tale of devil worship, rock ‘n’ roll warfare and government conspiracies, SATANIC PANIC 2: BATTLE OF THE BANDS!

As the festival heads into the wee hours at 11 p.m., the second feature program of the night is Andres Torres’ horrifying journey through the seedy underbelly of the New York art world and into the twisted mind of a lonely hot dog vendor, BAG BOY LOVER BOY. Driven by killer performances and an escalating sense of discomfort, this film—which meets us at the cross-section of William Lustig’s MANIAC and Roger Corman’s A BUCKET OF BLOOD—is well worth staying up for. The evening closes with a French short film that explores the unease lurking under the comforts of HOME.

988Feeling rested? Slept well after the horrors of the night before? Already got your brunch on and ready to go? Good! Because Buried Alive rises again Sunday at 1 p.m. with Shorts Program 4: Scary Animal Monsters from Outer Space at Your Service. As the program’s title suggests, the selection here is widely varied. The subjects range from the whimsical DEAD HEARTS to the vengeful water spirits of SHUI GUI, from a killer’s paranoia in SEMBLANCE to the wild Australian pathogenic zombie-kangaroo horror of WATERBORNE. Receiving its American premiere is the hilarious BUDGET CUTS, an instructional short on how to maintain your serial killer lifestyle when time and money are tight. Also making its American debut is THE BEAR FAMILY SECRET, a stark and powerful tale of homebound human horror set during the Brazilian dictatorship of 1970. And on the local front, Dayna Noffke unveils her latest work, RECOMPENSE, in its world premiere! It’s a twisty little gem in the EC Comics tradition, in which a prisoner finds out just how much his freedom will cost.

Hana-Dama-p1The first feature program of the day follows at 3 p.m. The supporting short, DONE IN, follows a man’s reminiscences as he pens his farewell to this world. In the featured slot is the American premiere of veteran Japanese director Hisayasu Satô’s HANA-DAMA: THE ORIGINS. A visually explosive exploration of the torment a young girl faces at school and at home, the film takes a novel path in its tale of revenge: a bullied student becomes possessed by a flower, the Hana-Dama, which makes manifest the secret desires of all those who have caused her pain.

At 5 p.m., we leave the realm of the photorealistic behind and enter Drawn and Quartered: The Animation Program. This series of shorts is bookended by the works of Edgar Allan Poe, in adaptations from Moonbot Studios: visually stunning old-school animation adaptations of THE RAVEN and THE CASK OF AMONTILLADO. In between, the festival is serving up two tales of teddy bear terror in MEAN TEDDIES and UNICORN BLOOD, the final evolution of life rising from a wasteland in Germany’s OMEGA, a wacky SHINING-inspired tale of wacky sibling rivalry and murder in the witty THE LAST RESORT and a knowing tale about the importance of choosing the right doctor in EYE IN TUNA CARE. On the local front, Amanda Smith fistoffirepresents a disturbing stop-motion account of a romantic dinner gone horribly awry in TRUE LOVE, and Wally Chung presents a cautionary warning about conformity and discrimination in TALL EVIL. One entry that stands out, however, is Finnish director Tomi Malkki’s FIST OF FIRE (aka TULIKOURA), the surprisingly touching story of a dying death metal drummer, his faithful dog and his post-mortem journey. Maybe my love of Finnish metal is showing through, but the short is moving and ghoulishly funny in addition to being totally and brutally metal. Malkki also will be in attendance, all the way from Finland, to talk about his film.

The second feature program of the day starts at 7 p.m. with another local offering: the Georgia premiere of Robert Bryce Milburn’s AMERICAN HELL, a short glimpse of the nightmare of isolation a family confronts when they are subject to a home invasion. That provides a perfect lead-in to the feature attraction, Adam Petke and sunderSean Blau’s THE SUNDERLAND EXPERIMENT, quite simply one of the most gob-smackingly original films this festival has to offer. This quietly building piece of cosmic horror is set in the isolated, fenced-off desert town of Sunderland. Something identifying itself as an “angel” has converted the town into a strange simulacrum of everyday society, and the adults into its surrogates. The children can either accept the angel’s “blessing” and become like their parents, or become the “fallen” and are left to fend for themselves in the wasteland surrounding the town’s border. One of the young men, David, is destined to learn the truth about his family, the town, and the true nature of the angel that controls their lives. It’s a stunning piece of work.

The festival closes on a holly jolly note at 9 p.m. with Shorts Program 5: A Very Special Zombie Christmas. MR. DENTONN opens the proceedings with the fairy tale-esque story of a sinister visitor that enters homes through mirrors and steals children’s souls. Afterward, we take a peek into the Troma-esque comedy of CHRISTMAS EVE PET MASSACRE, where the world’s worst family finds that their pets are more than glad to bite the hands that feed them. Then it’s off to Latin America for ZUGAR ZOMBIE—a potent cocktail of political corruption, the undead and grand irony. Finally, we wrap things up at the festival imagesmuch like we started: with a delicious look at Halloween. This time, it’s Jonathan Rej and Shane Morton’s ATLANTA ZOMBIE APOCALYPSE. A group of rowdy youths (the best kind) find themselves trapped in a cheesy haunted house when the zombie uprising breaks out. Is it all part of Professor Morté’s spook show? Or is it all too real? A labor of love from pretty much everyone involved with the dearly-departed Halloween haunt of the same name and the Atlanta horror film scene, it’s a gut-busting and gut-munching RETURN OF THE LIVING DEAD-styled throwback to the heyday of ‘80s zombie horror. Stick around afterwards to find out the Festival winners (Disclosure: ATLRetro Publisher/Editor Anya Martin is a judge). It’s also the perfect way to close yet another fantastic run of the Buried Alive Film Festival.

Aleck Bennett is a writer, blogger, pug warden, pop culture enthusiast, raconteur and bon vivant from the greater Atlanta area. Visit his blog at doctorsardonicus.wordpress.com

 

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Haint Misbehavin’ 2014: ATLRetro Reviews Atlanta’s Top Halloween Attractions

Posted on: Oct 23rd, 2014 By:


By Anya Martin, Editor/Publisheraza Melanie Crew, Managing Editor
Rachel Stark, Guest Reviewer

The horror! The horror! Thanks to some dedicated monster-lovers, Atlanta has become the year-round capital city of Scary. This October our local terrifying talent again has outdone themselves in creepy creativity. Here are our reviews of our top three picks for Atlanta’s hottest haunted attractions. One general tip for all: wear comfortable closed toe shoes and clothes that you don’t mind getting moist. The monsters may tell you they are spurting you with blood or other bodily fluids, but it’s just water. Well, we think it is.

LABOR OF LOVE: ATLANTA ZOMBIE APOCALYPSE (through Oct. 31. Rock n Roll Monster Bash party onsite on Nov. 1)

Anya: When most folks, even in the horror biz, think of haunts, they peg them as attractions you walk or ride through with scares that jump out at you. Forget all that passive voyeurism with ATLANTA ZOMBIE APOCALYPSE (AZA), which this year is consolidated into one mega- attraction and the zombie shoot. It’s also the last year for AZA since the building is being sold so you better get out there or regret missing it forever. Since its founding five years ago, this bizarre brainchild of Shane Morton, aka Professor Morte of the The Silver Scream Spookshow, and Johnny Rej, former owner of the Plaza Theatre, distinguished itself as a fully immersive experience where visitors literally become part of a realistic plot line of a zombie incursion. Some may consider it off the beaten track just south of I-285 at the Moreland Avenue exit, but the abandoned aura of this industrial area only adds to the apocalyptic feel, and there’s no discounting that having the full run of Safety Wolf, a derelict motel/truck stop turned paintball course, opens up a toxic host of possibilities. This year the setting is a FEMA camp where the infected from a variety of diseases are being contained. The zombie shoot also is much more that shooters standing and aim at zombie targets. Moved to the woods, survivors are fitted with a safety helmet and weapon just like they would in a real zombie apocalypse. In sum, it’s more than a haunt, it’s a labor of love not just by Shane Morton and the creative crew and embodies the heart and soul of what makes Atlanta’s monster movie community truly unique and –hell, we’ll dare to say it– the best in the nation.

aza2Melanie: The undead have definitely risen at Atlanta Zombie Apocalypse this year! Prepare for the run of your lives in and out of abandoned buildings, down darkened, rotting body-filled halls, as the grizzly undead have a hankerin’ for your flesh! AZA is a no-holds-barred zombie infestation, guided by rogue, armed civilians and crazed doctors!  Put on your running shoes, because this attraction isn’t for the faint of heart or the delicate ‘n’ dainty. To survive this grotesque, flesh-crazed and brain eating disaster, you must think fast, you must prepare for the worst and you must not be afraid! From one AZA virgin to another, a trip to this terrifying, extremely immersive attraction of suspense is a monstrous MUST!

chambersUNDERGROUND ABYSS: CHAMBER OF HORRORS (through Nov. 1)

Anya: As I said last year, Chambers of Horror, Atlanta’s adults-only haunt behind The Masquerade, has come a long way from a torture porn extravaganza to a creepy crawl through a septic, gritty underworld. This year’s storyline involves super soldiers being developed out of the same technology as Dr. Splatter’s lurid experiments. It’s a must-see, as long as you have a stomach for  extreme violence and the phantasmagorically pornographic. Let’s be clear–you won’t be seeing parasexual activity, but nakedness and deformed organs are in view. The journey begins in an elevator that shakes and shudders to evoke a realistic ride down five stories into the depths that once were TortureCo and are now a US military facility.  Once below, again what makes Chambers stand out is its atmosphere and acting. You really feel like you are deep underground, passing through cave-like passages with disturbing dioramas, from a monstrous birthing to the swampy lair of a certain Louisiana reptile. Sure, there were some jumpy scares and victims predictably cried out mournfully for help, but the torturers threaten and tantalize visitors with a promise of pain, both excruciating but yet beautiful.

Rachel: I want to get scared, I want to feel immersed! From the introductory video, Chambers of Horrors immediately set the tone for going being different.  Different it was. I’m immediately get dropped into an immersive and well-thought out story. This year, military testing! At once one hears that all kind of horrors can be imagined. They do not spare you!  So you better start running along the dark twists and turns. Whether it is ex-test subjects or the military, they will be on your heals or in your face! Never once does the story wane. Visuals, acting and frights that are spot on, oh my! If you like your horror dark with an edge than this is the place for you.

netherworldGOTHICALLY GORGEOUS: NETHERWORLD (through Nov. 2)

Anya: Consistently ranked as the nation’s best Halloween attraction,Netherworld is also completely homegrown rather than corporately conceived. Founders Billy Messina and Ben Armstrong and a dedicated team of designers, painters, sculptors and other artists deserve ever kudo imaginable for crafting a Gothic wonderland in a Norcross commercial space. Every year it gets bigger and more creative and under this year’s theme of SEASON OF THE WITCH is no exception. I don’t scare easily, so I just walked slowly in awe of the bizarre beauty from graveyards of gargoyles to mirrored mazes, decadent dioramas inhabited by witches and other classic monsters to sinister steampunk laboratories, weird werewolf lairs to abysses inhabited by gigantic swamp creatures and  Lovecraftian elder Gods. NETHERWORLD also always features a second haunt, SPLICED that is more slasher/contemporary horror in its bent–read toxic waste and chainsaws.

MelanieThis year’s Netherworld delivers two horrifying haunts. The first and largest, SEASON OF THE WITCH is a fangtastic, gory and grotesque experience, reeking of death, monstrous creatures and deep, cavernous creeping creatures! As someone who doesn’t scare easily, this attraction not only did a great job in the startle and scream department, but also planted a small seed of fear, my heart racing even when I realized I did actually make it out alive. What an experience! Netherworld’s scenery reeks of voodoo and eerie old-time witchcraft, gorgeously displayed. The atmosphere pulls you in with its historical feel of evil, the horrifying and an intense, deep-rooted fear of the ancient and unknown! Their second attraction, SPLICED is a modern haunt, with mad scientists, ghastly creatures and gore for all of you lovers of torture and the weird! Netherworld is definitely a must this Halloween season!

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Kool Kat of the Week: Film is NOT Dead! Ben Ruder of Enjoy the Film, Dishes out a Series of Retro Creature Features this Halloween Season, with “Monsters in Black and White”

Posted on: Oct 21st, 2014 By:

BRuder - archive - Resized
Enjoy the Film presents Monsters in Black and White; Cinevision Screening Room (visit the event page for address and directions); All tickets $10 (Atlanta Film Festival members save 20%).

THE DAY THE EARTH STOOD STILL (1951); Dir. Robert Wise; Starring Michael Rennie, Patricia Neal and Hugh Marlowe; Thursday, Oct 23 @ 7:30 p.m.; Tickets here; Trailer here.

DRACULA (1931); Dir. TodBrowning; Starring Bela Lugosi, HelenChandler and David Manners; Thursday, Oct 30 @ 7:30 p.m.; Tickets here; Trailer here.

CREATURE FROM THE BLACK LAGOON (in 3-D) (1954); Dir. JackArnold; Starring Richard Carlson, Julie Adams and Richard Denning; Saturday, Nov 1 @ 7:30 p.m.; Tickets here; Trailer here.

by Aleck Bennett,
Contributing Writer

Halloween has once again swept in, carrying along with it a nostalgia that evokes childhood memories of ghost stories, trick-or-treating, dressing like monsters or simply watching them on the screen. It’s the perfect time for projectionist extraordinaire Ben Ruder to team up with the Cinevision Screening Room to bring us Monsters in Black and White: a series of films celebrating not only the monsters of old, but the formats that brought them to us. THE DAY THE EARTH STOOD STILL and DRACULA will be presented in gorgeous 35mm, and CREATURE FROM THE BLACK LAGOON will screen in a restored Dolby Digital 3-D projection. All three will, of course, unspool on the screen in glorious black and white! the-day-the-earth-stood-still-1951-everettEach screening will be introduced by a very special guest (check the Enjoy the Film website for up-to-date listings), but the night before Halloween will see Kool Kat Shane Morton, also known as, Ghost Host with the Most—Professor Morté of the Silver Scream Spookshow—materialize with a bevy of bloodsuckers to deliver Bela Lugosi in DRACULA!

Ben Ruder has been a constant fixture of Atlanta film screenings for close to a decade now. A former projectionist and manager at the Plaza Theatre, he now runs free 35mm screenings for Emory University’s Cinematheque (which sources its pristine prints from the UCLA Film & Television Archive) and hosts special film events at the Cinevision Screening Room through RuderMedia and Enjoy the Film. I recently asked him about this month’s film series, the importance of presentation, and the futures of both film and digital as media.

ATLRetro:Celebrating the 35mm format is certainly bucking the trend in Atlanta, with so many venues converting to digital projection. But at the same time, it’s a huge topic of conversation in the nationwide film community, especially this month with Quentin Tarantino‘s recent takeover of management of the draculaNew Beverly Cinema in Los Angeles. What fuels your passion for the format, and your efforts to keep it alive?

Ben Ruder: I really enjoyed showing movies and running theaters in the mid ‘90s in St. Louis. When I returned to the world of movies in the mid-2000s, running film and then managing the Plaza Theatre for Jonny & Gayle Rej, the bug really stuck and I have been involved in it ever since. Both analog and digital formats have their place and it’s really the quality of the product and presentation that’s important. The film prints that were exhibited should still be seen if they can be done well, but for many reasons they no longer exist or the quality is bad. New prints happen on occasion, but are very expensive and rarely see much of a run. Movies can be accessed in countless forms these days, but they are really intended to be seen on a large screen with an audience.

On a related note, what are your thoughts on the push for digital archiving? There are currently a lot of back-and-forth talks between Kodak, Fujifilm and the major studios about keeping archival film in use, with the studios pushing for digital.

It’s extremely complicated, of course, and it comes down to business decisions as funds are limited. The US has produced so much great film art and puts so little behind the preservation of it in comparison to countries like France, Germany, Norway just to name a few. Here, a lot of the work is up to private organizations and institutes such as the UCLA Film & creature_from_the_black_lagoon_xlgTelevision Archive.

What went into choosing which films you were going to showcase at these screenings? Were they personal choices, or technical ones?

These films were chosen because of the Halloween season, of course, but also because they have all screened in that room before and we know how amazing they look and sound. The presentations will be in a room designed for technical performance, and unfortunately mass audiences don’t get the showmanship or quality that they deserve in many venues. I want to show how much the presentation factors in to seeing a movie. The multiplexes are no longer filled with scratched & dirty film prints, but still can suffer from dim bulbs and misaligned 3-D equipment. The Dolby Digital 3D that will be shown is not seen in very many venues, but will really show off how well 3D can look when done right.

What do you think the future holds for film in the motion picture world? Do you see a developing backlash against digital or will film be largely relegated to repertory screenings and the like? Or do we face a future where digital becomes the accepted new format?

Digital is the accepted new format. I wouldn’t want to see a new action blockbuster on film that was shot and processed with digital in mind. Special films like the upcoming INTERSTELLAR 35mm & 70mm shows may lead the way for unique events. We just need to make sure that passionate and educated staff are taking care of the presentations and equipment.

Are there any other screenings or projects in the works for RuderMedia and Enjoy the Film? Any future stuff we oughta know about?BRuder - emory-205

I am working with the team at Cinevision on a four-feature series for January and we are seeking out groups that want to see all kind of genres on the big screen. Whether it’s horror, foreign, film noir, action or just titles that don’t get an Atlanta date. We want to show people movies in the best possible way and make each show special. During the winter months, I’ll be focusing efforts on producing a documentary series about the passionate exhibitors & preservationists that I love talking to and heading to Germany to interview some film veterans there. I can also be seen this fall up in the booth projecting 35mm at the free Emory University screenings.

So there you have it. Come out to the Cinevision Screening Room to catch three retro creature features the way they should be seen: on the screen, with an audience and with experts handling the projection for the best possible viewing experience. For a film geek like me, it’s a means of presentation that has yet to be bettered.

Aleck Bennett is a writer, blogger, pug warden, pop culture enthusiast, raconteur and bon vivant from the greater Atlanta area. Visit his blog at doctorsardonicus.wordpress.com

All photos courtesy of Ben Ruder and used with permission.

 

 

 

 

 

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Shop Around: Creature Feature: You Don’t Have to Ask Your Momma How to Make a Monster When Kyle Yaklin Is Around

Posted on: Oct 19th, 2014 By:

mask1Monster masks were truly an art in the golden age of Universal horror before CGI. That creepy craft has been resurrected by some astounding Atlanta area artists including Shane Morton and Marietta-based SFX Make-Up Artist Kyle Yaklin. Kyle really turned heads with not only his Creature From The Black Lagoon masks but also entire suits at Monsterama and Dragoncon this year, even taking the Creature for a swim. And he crafts custom masks and suits for sale at remarkably reasonable prices.

Find Kyle’s Creature creations and other artwork at the acclaimed seasonal experiential attraction Atlanta Zombie ApocalypseJust in time for Halloween, ATLRetro hunted him down to find out more about what drew him to Creature-craft, see if he’d share a few of his scary secrets and get the scoop on what’s happening this year at AZA. Read our ATLRetro review of AZA and Atlanta’s other top haunts here.

ATLRetro: When did you first see THE CREATURE FROM THE BLACK LAGOON and why did the creature appeal to you?

Kyle Yaklin: Well, I first saw it when I was around three years old! My grandmother got me a copy of the VHS, and I was just fascinated with it! The suit in particular was just amazing to me, it didn’t look like the rest of the B-movie monsters from the time. It looked intelligent, frightening and most importantly like something that could actually exist. I think that’s what made the creature so popular.

How did you get into mask-making, how old were you and what was your first mask?

I was a freshman in college when I made my first mask, and of course, the first thing I sculpted was the Creature! It took me around three months to sculpt inbetween classes, and the result was fairly good for a first attempt! 

creaturesonlyYou use the original mold from the Creature, don’t you? How did you get a hold of that?

Actually no, I do have castings from the original molds from the first two films, but I sculpted every bit of my suit by hand, including the mask. Last May I decided to go back and re-sculpt the Creature mask that I had made three years earlier. I used my casting of the original land head as reference when I sculpted the new version so that I could get my sculpt as close to the original as possible!

And you’ve made entire suits and even swam in them. Can you tell us a bit about that?

I have recently completed the entire Creature suit! And again, the origins of the project go back to my freshman year when I sculpted my first Creature mask. The main goal of that mask was to eventually make a whole suit, so I did a ton of research on how the original suit was created, and planned out how my suit was going to be made. At the time though I realized I neither had the time, money or skill to achieve something I’d be happy with. After I sculpted my second version I was much happier with the results, so I started sculpting out the rest of the suit in small sections just like the original was done. It spread the project out over time and made it seem not so daunting of a project. After six months of working on the various pieces I had finally completed everything! Now I just needed to glue all the pieces down to a skin suit and paint it! 

headlesssuitHere’s the first fully finished suit hanging in my shop which you can see was a huge mess at the time..

fullsuitHere’s the suit at its premier at Dragoncon!

suitsubmergedAnd here are a few photos from the Marriott swimming pool!Taking the suit swimming was just amazing, I got to live out one of my childhood dreams that day and I can’t wait to take it swimming again! I’m hoping to be able to make the trip down to Wakula Springs in Florida where the original film was shot, and get some photos and videos swimming in the actual Black Lagoon! The suit is actually more comfortable in the water than it is on land, and the hands and feet really do work as flippers so the original design really was a very functional suit.

swimsuit1

What’s the most challenging aspect to crafting a mask? 

The most challenging part of making the masks are, of course, sculpting it and making a mold, but after that is taken care of, I guess the most challenging part would be slushing the latex around an 80-pound ultracal mold. 

And the most fun part?

The most fun part is always painting the masks, I use a combination of airbrushing, painting with an actual brush and applying washes. And each mask is personally painted by me, so each one is a little different and one of a kind!

headWhat other masks and other work are you making now?

I do make a variety of other masks including zombie masks, a Karloff Frankenstein monster, my own version of the shock monster, Jason Voorhees, and more! 

I understand you’ll be down at the Atlanta Zombie Apocalpyse. What are you doing at AZA?

I’ve been working at the Atlanta Zombie Apocalypse for three years now as one of the main makeup FX artists and actually got the job based on my first creature mask!

We’ve heard AZA is even more rockin’ and scary than ever. Without giving away any big spoilers, what are a few of your favorite things about this year’s experience?

This year is the final year for the Zombie Apocalypse, but were definitely going out with a bang! This year’s story is one of the best yet, and it’s the longest show ever! In past years we’ve split it into two separate shows, but this year it’s one massive zombie experience!

masksHow can folks reach you if they want to purchase a mask?

If you’d like to get in touch with me my email is supergzilla@gmail.com, or you can send me a message on my Facebook page Kyle Yaklin FX! You can also see tons of progress photos of the creature suit and updates on new projects at my Facebook page as well. Thank you all for your time!

 

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One of Us! One of Us!: Monsterama Celebrates the Monster Kid Aug 1-3 in Atlanta!

Posted on: Jul 31st, 2014 By:

By Andrew Kemp
Contributing Writer

For some poor souls, the term “monster kid” means nothing more than a particularly destructive toddler, or one of those teens raising hell on daytime talk show stages.

For the enlightened, however, there’s Monsterama.

Monster kids of all ages will soon descend onto Monsterama, a new horror and fantasy convention launching this weekend under the care of some of Atlanta’s most stalwart champions of the horrific and the macabre. And although the city may at times seem infested with horror-themed gatherings, Monsterama is aiming to capture more than just a piece of the action. “Though there were conventions that had horror-related programming, there wasn’t a show here that fully embraced the ‘monster kid’ aesthetic,” says Monsterama co-founder Anthony Taylor. Shane Morton, another key voice behind the convention and alter-ego of con guest Professor Morte, agrees. “Having attended the greatest cons ever conceived—Forry’s [Fantastic Monster] Cons of the mid-90s—I find it hard to be impressed by any recent horror, sci-fi, or fantasy shows. We have tried very hard to capture the feel of those shows, albeit on a smaller scale, and to provide a family friendly alternative to the current debauched cons.”

“Forry,” for the uninitiated, is Forrest J. Ackerman, the late founder of the seminal monster movie magazine Famous Monsters of Filmland. Ackerman’s impact on American horror and science-fiction fandom is surprisingly easy to quantify—it wouldn’t be out of line to say he’s the father of it all. Ackerman and his partner James Warren created Famous Monsters in 1958 in response to a glut of horror movies beaming into American living rooms. Because horror and sci-fi films were considered disposable and unimportant in the shadow of studio prestige pictures, these old programmers were cheap to acquire and broadcast for television stations, exposing them an entire generation of new fans. Through the magazine, conventions and other outreach, Ackerman helped these kids find one another in the days before chat rooms and sub-reddits, when the world was truly a lonely place for a kid who knew more about rubber suits than car engines or home economics.

But what really made Ackerman’s brand of horror fandom so special was his unabashed, undiminishing love of the genre and all of its tropes. No matter how many monsters wreaked havoc on the screen, Ackerman and his monster kids never lost their “gee-whiz” enthusiasm, which in turn bred more enthusiasm. It’s this atmosphere in particular that Taylor and Morton hope to recreate.

“I’ve been a monster fan all my life, and I knew Atlanta was full of folks like me,” writes Taylor. “I’d see them at Silver Scream Spook Show screenings, DragonCon and other events.” Monsterama aims to capture that audience by filling the con with irresistible programming for the monster-initiated. The guest list is populated with names from all eras of horror cinema, including Veronica Carlson of Hammer Films fame; Larry Blamire, creator of the contemporary throwback cult favorite THE LOST SKELETON OF CADAVRA, and author and public speaker Victoria Price, daughter of Hollywood icon Vincent Price. On the literature side, writers like Brian Keene (THE RISING), James R. Tuck (DEACON CHALK) and comics author Dan Jolley (FIRESTORM) will shed some light on the author’s process. Rounding out the guest list are filmmakers like this week’s Kool Kat Daniel Griffith (LET THERE BE LIGHT), Atlanta voice talent C. Martin Croker (Adult Swim), artist Mark Maddox and professional ghost hunter Scott Tepperman. Check out the full guest list here.

[Full disclosure: ATL Retro editor Anya Martin is also a writer guest and may be found on a number of spooky panels throughout the con.]

For classic movie buffs, the events are possibly even more compelling. The convention boasts a selection of horror films screening in—oh, happy day!—16mm, which is where you’ll be likely to find this author if you need him at any point during the weekend. Other events include author Gordon Shriver performing his one-man show as Boris Karloff, local comedy troupe Cineprov riffing on the cult oddity EQUINOX, and the glorious return of the Silver Scream Spook Show as Professor Morte and his crew introduce the cowboys vs. dinosaurs classic, THE VALLEY OF GWANGI. And that’s in addition to a museum of “rare monster and kaiju artifacts,” filmmaking panels, and photo ops. The full schedule of panels and events can be yours by clicking here.

Monsterama hasn’t forgotten that “gee-whiz” spirit that lies at the heart of every monster kid. Even Taylor himself can’t help but name some genre cornerstones when describing the show. “I hope that everyone who grew up loving KING KONG, GODZILLA, FRANKENSTEIN or the CREATURE FROM THE BLACK LAGOON will come out and have a grand time celebrating with us,” says Taylor. Morton chooses to invoke another iconic figure. “I can guarantee that you will feel the ghost of Uncle Forry hovering over our haunted hotel this weekend! Don’t miss this show, it’s gonna be legendary!!!”

Monsterama begins on August 1 at 4:00 at the Holiday Inn Perimeter. Three day badges are $55. Single day badges for Friday or Sunday are $25, and Saturday single-day badges are $30. CHILDREN 12 AND UNDER ARE FREE.

Andrew Kemp is a screenwriter and game designer who started talking about movies in 1984 and got stuck that way. He can be seen around town wherever there are movies, cheap beer and little else.

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