ATLRetro’s Throw Back to the 20th Century New Years Eve Guide – Our Top Ten Vitally Vintage Eras for Toasting 2016

Posted on: Dec 29th, 2015 By:

by Melanie Crew
Managing Editor

Ring in the New Year in vintage-style with Retro Atlanta!  Come celebrate what once was in 2015 and welcome with open arms what will be in 2016! Start the New Year off with a bang with all the hoppin’ shindigs we’ve found for you!Basement

1. Hey, Daddy-O! Twist into 2016 at The Basement during Electric WesternsKeep on Movin! New Year’s Rock and Soul Dance Party! featuring a night chock full of ‘60s rock-n-roll, soul, doo-wop and more! The DJs will have you hoppin’, so get dressed up to boogie down for $10! Complimentary midnight toast to ring in the New Year and doors at 8pm! Get some soul this New Years Eve with Kool Kat Ruby Velle & the Soulphonics at Venkman’s! Doors at 9:30pm and tickets include a champagne toast at midnight! Or let The Star Bar show you where it’s at during their New Years’ Eve Blowout Party! featuring Sidney Eloise & The Palms, Baby Baby, Cousin Dan and How I Became the Bomb!

Clermont2. Deep Roots & Old-Time Pandemonium. Ponder 2015 by getting to the root of it all! For a New Year’s Eve filled with foot stompin’ Americana, blues and rock ‘n’ roll, make your way to Eddie’s Attic for two hoppin’ helpings of the sultry Michelle Malone & Friends and her New Year’s Eve show! First show at 7:30pm! Second show starts at 10:30pm! Or get toasty in an old-timey way, while getting down and dirty at the seedy land of debauchery, the Clermont Lounge, as they bring you a rockin’ hootenanny this NYE with Urban Pioneers, Coldheart Canyon and The Entertainment Crackers! Doors at 9pm with a free champagne toast at midnight!

3. That’s Why They Call it the Blues. For some classic blues and jazz, shimmy on down to Blind Willie’s for their New Year’s Eve Party withThe Empress of the BluesSandra Hall & The Shadows! Doors at 7pm and $50 gets you guaranteed seating, party favors and a champagne toast at midnight! Fire up the blues at the Northside Tavern with Mudcat’s Rockin’ Venkman'sBlues New Year’s Eve Party featuring Danny ‘Mudcat’ Dudeck, Eddie Tigner, Lola, Albert White, the Atlanta Horns and more! $20 cover includes party favors and champagne with doors at 9pm! Fat Matt’s Rib Shack dishes out the low-down dirty blues with the hard-stompin’ Beverly “Guitar” Watkins this New Year’s Eve! And blues on down to Darwin’s Burgers & Blues for their New Year’s Eve Blues Bash with the Larry Griffith Band! $10 gets you appetizers, desserts and a champagne toast at midnight! Doors at 9:30pm!

4. Smooth Operator. Get ‘70s toasty and smooth in 2016 with Yacht Rock Revue at Park Tavern! And you won’t want to miss special guests Yacht Rock Schooner bringin’ in the funk! So, rock on down and set sail into 2016 with Yacht Rock Revue’s NYE party, with doors at 9pm and all-inclusive food and drinks!

5. Life’s A Beach! Hula your way into 2016 at Trader Vic’s New Years Eve in Paradise featuring Kool Kat Joshua Longino and The Disapyramids dishing out the sounds of surfer girls, beach blanket bingo, hot rods and twist contests, with a midnight champagne toast, all for $10! Doors at 9pm! Surf into the New Year with Surfer Blood, Kool Kats Gringo Star and Shantih Shantih at Aisle 5!

Aisle56. Play that Funky Music! Get funky and ring in the New Year with a little old school funk ‘n’ soul! Toast the New Year at the Variety Playhouse with The Motet and The Main Squeeze, funkin’ it up for $30 in advance or $35 at the door! Doors at 8pm!

7. The Cure for Bananarama. New-Wave is the epitome of 80’s pop culture, so celebrate 2015 while toasting 2016 by continuing The Shelter’s NYE tradition at the Famous Pub with Kool Kat VJ Anthony at their 7th Annual New Wave New Year’s Eve Party! Dress New-Wave, win prizes! The festivities begin at 10pm and $10 gets you party favors, a champagne toast at midnight, a ton of super rare New-Wave music videos and a bunch more surprises, so come on out and party like it’s 1989! Or get really ‘80s New Year’s Eve style at Bone Lick BBQ at their NYE in 3-D ‘80s-themed 3-D bash! Ring in the New Year with free retro arcade games, 3-D movies, complimentary champagne and more! Tickets are $5 in advance and $45 at the door and event begins at 9pm! You won’t want to miss Kool Kat Becky Cormier Finch with Denim Arcade dishing out their ‘80s tributes at Wild Wing Café in Suwannee! Doors at 9:30pm! And the Fox S.O.BTheatre’s Official NYE After-Party burns down the house with Heart Byrne, paying tribute to The Talking Heads at 1:30am!

8. Hey! Ho! Let’s Go! Get rebellious and rock into the New Year with some old school punk, revved up rockabilly and plain ol’ retro-inspired rock-n-roll! The Earl delivers a rockin’ NYE Bash punkin’ you into the New Year with The Coathangers, Black Linen, Bad Spell, and Kool Kat Rod Hamdallah’s new gig, The Gartrells at 9pm! Grease it up at Mule Camp Tavern’s New Years Eve Rumble featuring Kool Kat Hot Rod Walt and the Psycho-DeVilles revvin’ you into 2016! Rock out in the Music Room at Smith’s Olde Bar for a New Years Eve Tribute Bash with Smithsonian and Clashinista for $15 in advance or $20 at the door. Doors at 8pm! Or ring in the New Year with a Brit Invasion in the Atlanta Room with The Backyard Birds! $10 cover and doors at 8pm! Rock across the pond to the The Earl Smith Strand Theatre for A Stone’s New Year’s Eve with Stephen Skipper & His Rolling Stones Tribute Band with The Dirty Doors, from 8:30-11:45pm! Ring in the New Year with some old-school blues rock with Gregg Allman at Atlanta MasqueradeSymphony Hall at 9pm! And jam into the New Year with a night of Widespread Panic at the Fox Theatre!

9. We’re Stayin’ Alive! In Retro Atlanta that is! Boogie on down to Mary’s in East Atlanta for their annual Attack of the New Year’s Eve Party Monster event, featuring DJ 5 HR Boner spinning your favorite disco, indie, house and rock! There’s no cover and a complimentary champagne toast at midnight! Celebration begins at 9 pm!

10. Retro Geek-A-Rama! Corndog it up at Pallookaville this New Years! You’re guaranteed a funky time that includes a kid’s corndog drop followed by the grown-folks’ celebration! The celebration is free and starts at 8:30pm! Or take a fantastical demented trip to 2016 through Dante’s Labyrinth at the Masquerade this New Years! Masks and/or face paint is required to get down with the gnomes, trolls, maidens and devils, so come on out and get demented! Hey all you super-mutants and post-apocalyptic heroes, why not ring in the New Year with Kool Kat Rev. Andy as he DJs it up at Battle and Brew’s New Years Eve Vault Party! Doors at 8pm!

 

 

 

 

 

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Kool Kat of the Week: Down By The River: Ruby Velle and the Soulphonics Add Some Soul to a Good Cause

Posted on: May 3rd, 2012 By:

By James Kelly
Contributing Music Editor

The recent splash of international attention for retro soul music in the mainstream with artists such as Adele, Duffy, and Bruno Mars has been a welcome event. However, it should be no surprise that there has been a thriving deep soul underground that features artists who are just as good, if not better, than a lot of the major label acts. For about five years Atlanta has been the home for the amazing Soulphonics and Ruby Velle. This coming Friday they are performing at the 16th annual River Revival, a fundraiser for Upper Chattahoochee Riverkeeper. The event is May 4 at Park Tavern in Piedmont Park starting at 6:30 p.m. and also featuring Burnt Bacon, Julia Haltigan and Ben Sollee.

ATLRetro.com caught up with the lovely Miss Velle this week, and she was kind enough to answer a lot of questions. We officially declare Ruby Velle (and the Soulphonics) the Kool Kats of the Week.

ATLRetro: What inspired you to become a singer, and how did you find your “voice” in such a commercially underappreciated genre?

Ruby Velle: I’ve been singing since I was 8, with early hand-me-down inspiration from my aunt and uncles musical influences. They were constantly providing me with vinyl listening parties, live jams with friends and creating an environment where I could perform at a young age. They were great friends with the late Luther Allison, [an] amazing blues artist.

Growing older, my parents and friends along the way were all very into soul, so I soaked up the greats and some of the lesser known artists through auditory osmosis. However, I don’t see the genre itself as commercially under-appreciated; it just will never gross as much as other genres such as pop or country. But there are some great acts out there making a good living from playing soul. I think the commercial factor is less relevant in the genre than the emotion portrayed in the music itself.

How and when did you and the Soulphonics end up in Atlanta, and why?

I had just graduated from college and wanted to study graphic design in Atlanta because I knew it was a career that could be useful to being a recording artist. The band’s creator, Spencer Garn (also the band’s leader, keyboardist, co-writer, producer and engineer), wanted to expose our music to a new audience, as we had a pretty good hold on the market in Florida. I moved, then Spencer, then Scott Clayton, the original guitarist/co-writer.  Atlanta seemed like a great next step and has proven to be a great place to call home. Our music has been able to evolve here into something Atlantans are proud to call their own, and since we’ve been here we have been voted Atlanta’s Best Soul Band by Creative Loafing, two years in a row! So Atlanta has quickly become home to us.

You have often mentioned Aretha Franklin, Marvin Gaye and Otis Redding as big early influences, who are some of your favorite contemporary artists, and why?

Oooo… there’s such a long list. I always say my music is a collection of inspirations from all types of artists and genres, so it’s hard to just name a few. The biggest influences for songwriting lyrics have been Paul Simon, Fiona Apple and even Ani DiFranco. These artists are storytellers and their writings speak to me in a deeper more intellectual way. That is what I aim to do with the soul music we’ve been creating. Sure, anyone can write a soul ballad, but can it be deep and introspective? Can soul music make you move and make you think? I believe the answer is yes. I think my need to offer a new take on soulful lyrics is a result of the influences from these writers.

As far as musical influences that are contemporary, I’ve really been enjoying Alex Clare’s music lately. He just released his album to the states; he is originally from the UK. I love his soulful voice, and I can tell that he, like me, has been pulling pieces of styles, inflections, and vibe from the greats, but he makes it his own. I recommend his album because it mixes genres well with some soul, electro and dub-step (with credit to Diplo and members of Major Lazer). I think the melding of these genres is intoxicating.

Lastly, as far as contemporary artists go it doesn’t get much better for me than the Black Keys. I really admire Dan Auerbach’s talent and his ability to carry the torch for the blues and blues rock. I’m always impressed by whatever they put out, so soulful and simply genius.

What do you think brought about the re-emergence of deep soul and classic R&B over the last several years? 

Well, I’m glad you said “re-emergence” instead of “resurrection” because I hold the belief that soul never really died; it’s just become an evolving genre because the context has shifted so much from the days it originated.  I think more than anything people were craving that old sound made by new artists, so new interpretations have been born  a la Sharon Jones & The DapKings, Amy Winehouse, Adele and The Dynamites featuring Charles Walker. I’m grateful these artists have fueled the re-emergence because we have been doing soul music for almost 10 years as a underground act. It’s great to know that the genre itself has growing appeal to all ages on a wider scale.

What sort of crowd comes to see Ruby Velle and the Soulphonics? Does the age range surprise you?

ALL TYPES and ALL AGES. I’ve seen gay, straight, black, white, Indian, Chinese – you name it, they have been in the front row dancing till the last song ends. I’m very fortunate that our music resonates with all ages; it really has a way of bringing the community together when we play shows or benefit festivals. I’m not particularly surprised because the music is about emotion and feeling. And everyone of all ages can relate to certain emotions.

How challenging is it to maintain a band and keep things fresh and exciting in the Atlanta music scene?

Well, maintaining an eight-piece band can be hectic and can bring you to your knees if you begin to focus on logistically how hard it is, but I certainly can’t take credit for great management to date. We’ve become a tight knit team of multi-taskers and multi-talented folk. Spencer Garn, for example, manages the band, owns a record label [Element Records], and also records and mixes our music. I’ve had the band as my graphic design client for the past seven years, creating merch and posters to album art and vinyl labels. I also work as a creative director with stylists and designers, such as Bill Hallman, to maintain our dapper image and keep up looking sharp. Our guitar player and co-writer Scott Clayton is also an expert with sound equipment and repeatedly has the band sounding great. I’m very fortunate to work with some amazing people that believe in what we do.

In the Atlanta music scene, if you did not put out a song yesterday, you are pretty much obsolete. You have to really create here on a large scale and frequently to be recognized. I think Atlanta has prepared us well to deliver on a larger scale. Luckily we’ve been playing shows in Atlanta for the last five years at a pretty constant rate so we are seeing some of the fruits of that labor. The fans here, though, are incredibly supportive, more so than I’ve seen anywhere else. Sometimes I wish they would let go, lose it all and dance a bit more, but I came from a hippie town in Florida so it’s been a little adjustment for me to see the more refined fans here.

You and the band have put out a few great singles, which have whetted the appetites of your fans. Was this a strategic plan, or simply a business decision?

This has been a little of both. Just internally, we’ve had some of these songs written and recorded for a while, but we are very particular about what gets heard when. We love to build suspense around our releases, which is why we’ve been putting out a steady stream of singles since 2010. Our fans are losing their minds in anticipation of the album, and I’d like to think the singles have had something to do with that hype.  We are just as excited for the release of our debut album IT’S ABOUT TIME.

When will we finally see a full-length recording of the band?

This Summer we will FINALLY release the full-length debut album. Keep an eye out for our album release party in early August. The street date for the release will be around July 24. And we will party till the sun comes up. It’s been a very long road to put out the album, but we are pleased with it and are looking forward to the reviews and press to help it grow legs.

You are playing a benefit for the Upper Chattahoochee Riverkeepers this coming weekend, so how important are the environment and other social causes to you?

Environmental and civil rights issues are a huge cornerstone for the Soulphonics and myself. A lot of the lyrics in our songs are about inspiring change, in ourselves as well as in others. We are just a group of folk that feel a need to use our musical influence to bring about change. In addition to working with the Riverkeepers to promote their benefit, we will be working with a number of nonprofit organizations dealing with sustainability, economic recovery in struggling regions and environmental causes. Although some of these plans are just getting going, we are partnering with CTC International in Kenya on some sustainability efforts for the communities there. We’ve also made an impact here in Atlanta with benefit shows and song donations for the Atlanta Humane Society and the Ovarian Cancer Research Fund, and are always looking for more opportunities to promote social and environmental causes.

What does the future hold for Ruby Velle and the Soulphonics?

Positive change on a mass scale. With the release of the album and planning a tour, we will be able to bring our music to more ears than ever before. We are thrilled to be on the road soon touring and spreading the word about this little soul outfit with a big sound from Atlanta. There is a lot going on over the next year, but I look forward to being more involved in social causes as well as continuing to write for the follow-up album. IT’S ABOUT TIME chronicles our struggles and setbacks since we were established in 2007, but now that it’s releasing soon I guarantee there is no stopping this soul machine. The future, for all of us, is as bright as we think it to be.

All photos courtesy of Element Records and Ruby Velle and the Soulphonics and used with permission. For more information and to purchase tickets for the River Revival on May 4 at Park Tavern, go to their website at: https://www.xorbia.com/e/ucr/rr2012

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This Week in Retro Atlanta, Aug. 1-7, 2011

Posted on: Aug 2nd, 2011 By:

Monday August 1

From 3 PM on, savor tropical sounds and libations, as well as a Polynesian dinner during Mai Tai Monday at Smith’s Olde BarKingsized and Tongo Hiti lead singer Big Mike Geier is Monday night’s celebrity bartender at Sister Louisa’s Church of the Living Room and Ping Pong ParlorNorthside Tavern hosts its weekly Blues Jam.

Tuesday August 2

Grab your horn and head to Twain’s in Decatur for a Joe Gransden jazz jam session starting at 9 PM. Crosstown All Stars play Southern rock and blues at Fat Matt’s Rib Shack. Notorious DJ Romeo Cologne spins ‘70s funk and disco at 10 High in Virginia-Highland. Catch Tues. Retro in the Metro nights at Midtown’s Deadwood Saloon, featuring video mixes of ’80s, ’90s and 2Ks hits.

Wednesday  August 3

Tennessee Tease Burlesque Invades the Cult Movie! combines two great Retro traditions on one stage at The Shelter. Doors are at 9, show at 10, and tickets are $10 to see this sexy troupe from Memphis which features titillating dancers, vocalists, comedians and fire performers.

The Beach BoysBrian Wilson sings solo at Classic Chastain tonight. Spend An Evening with Dolly Parton at Verizon Amphitheatre at Encore Park. MOTO, aka Masters of the Obvious, plays punk New Orleans style at Star Bar with Barreracudas and self-described “Cooter” rockers Tornado Town. It’s a soulful night when Ruby Velle Trio takes the stage at Eddie’s Attic. Get ready to rumba, cha-cha and jitterbug at the weekly Swing Night at Graveyard Tavern. Frankie’s Blues Mission bring the blues to Fat Matt’s Rib Shack and Danny “Mudcat” Dudeck blues it down at Northside Tavern respectively. Dance to ‘70s, ‘80s and ‘90s hits during Retro in the Metro Wednesdays presented by Godiva Vodka, at Pub 71 in Brookhaven. 

Thursday  August 4

Whiskey Belt.

It’s another honky tonk night at Star Bar with Whiskey Belt. Dirty Bourbon River Show fuses roots, blues, jazz, zydeco and more into something they call New Orleans gypsy folk circus rock at Twain’s. Frankie’s Blues Mission is at The Five Spot. Go Retro-Polynesian to Tongo Hiti’s luxurious live lounge sounds, as well as some trippy takes on iconic pop songs, just about every Thursday night at Trader Vic’s. Party ‘70s style with DJ Romeo Cologne at Aurum LoungeBreeze Kings and Chickenshack bring on the blues respectively at Northside Tavern and Fat Matt’s Rib Shack.Bluegrass Thursday at Red Light Cafe features alt-bluegrass Judge Talford Band.

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Weekend Update, April 1-3, 2013

Posted on: Apr 2nd, 2011 By:
Sorry not to get this post until Saturday this week. Away this weekend and was more challenged than expected finding wifi yesterday–maybe that was the April Fool’s joke on me! Hopefully you got a chance to read This Week in Retro Atlanta, and didn’t miss any of the cool events Friday night. If you didn’t get to Chris Hamer’s BIG IN JAPAN opening party, you should still hit Octane to see the exhibit which runs through April 30. Also, new in the update: another rare chance to see DEATH RACE 2000 on the big screen at the Plaza Theatre, if you missed last week’s Splatterday Night Live.

Friday, April 1

Terribly talented artist Chris Hamer recycles Tom Waits with the solo art show, BIG IN JAPAN, at Octane Coffee Bar & Lounge, opening night party from 7 to 11 PM. Works inspired by Waits songs will be on display until April 30, but isn’t it more fun to see them with Blast-Off Burlesque and other surprises. Read more about Chris and how Waits helped conjure some personal monsters in this week’s Kool Kat. Celebrate the 10th anniversary of THE LAST ROCK ‘N ROLL DOCUMENTARY and support an Atlanta retro treasure at tonight’s Plaza Theatre Foundation fundraiser with tickets just a bargain one buck. Film Love‘s Yoko Ono: Reality Dreams short film series part 4 is Flux Fly Body Music at Atlanta Contemporary Arts Center. A highlight is the enigmatic FLY, “a collaboration with John Lennon, which features the human body as landscape, with an improvised vocal soundtrack – one of Ono’s most engaging musical works.” Curated by last week’s Kool Kat Andy Ditzler.

Swing dance to Joe Gransden‘s big band at Fernbank Museum of Natural History’s Martinis and IMAX. New band Please Pleaserock Me teaches Beatle-ologoy at Eddie’s Attic.

Saturday March 12

Classic train fans and their kids will dig Caboose Days this weekend from 10 AM to 5 PM at the Southeastern Railway Museum in Duluth featuring train rides in restored cabooses, oodles of kids’ activities and a chance to tour and see 90 pieces of retired railway equipment, including vintage steam engines, a private car once used by President Warren G. Harding and much more.

Get down to a Spring Soul Party with The Soulphonics & Ruby Velle at Star Bar. The fabulous Talloolah Love presents her Thank You/Vegas or Bust Party starting at 10 PM at Bart Webb Studios in Avondale. Drink Love Shots, dance to DJ Doctor Q‘s fine tunes and enjoy live performances, all to thank everyone who voted for her to nab a prestigious performance spot at the Viva Las Vegas Rockabilly Weekend next month. Watch for an exclusive report by Love on the Southern Fried Burlesque Fest soo.

Don’t miss another rare chance to see one of the craziest, best black comedy cult movies of all time DEATH RACE 2000 at the Plaza Theatre at 9:30 p.m. Come on! David Carradine as a race car driver called Frankenstein! ROCK ‘N’ ROLL HIGH SCHOOL’s Mary WoronovSly Stallone! And everyone in America is road kill. Read why Mark Arson thinks it’s a better ’70s SF/action flick than STAR WARS here.

Better Than The Beatles pays tribute to the Fab Four at Jerry Farber’s Side Door. DJ Romeo Cologne transforms the sensationally seedy Clermont Lounge into a ’70s disco/funk inferno.

Sunday March 27

Caboose Days continue at Southeastern Railway MuseumChickens and Pigs serves up blues “dunch” between 1 and 4 PM at The Earl.

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This Week in Retro Atlanta, March 28-April 3, 2011

Posted on: Mar 29th, 2011 By:

Here’s your weekly guide to where and why to get out…

Monday March 28

Francine Reed belts out some beautiful blues every other Monday at Cafe Circa. Northside Tavern hosts its weekly Blues Jam.

Tuesday March 29

Cathy Whitlock, author of DESIGNS ON FILM: A CENTURY OF HOLLYWOOD ART DIRECTION, provides a behind-the-scenes look at the masterful set design of GONE WITH THE WIND at the Margaret Mitchell House at 7 PM as part of the GONE WITH THE WIND 75th Anniversary Celebration. Grab your horn and head to Twain’s in Decatur for a Joe Gransden jazz jam session starting at 9 PM. Fedora Blues plays Fatt Matt’s Rib Shack. Notorious DJ Romeo Cologne spins the best ‘70s funk and disco at 10 High in Virginia-Highland. Catch the official grand opening of Tuesday Retro in the Metro nights at Midtown’s Deadwood Saloon, featuring live video mixes of ’80s, ’90s, and 2Ks hits.

Wednesday March 30

It’s TNT, Tommy Lee and Tammy Renee in a knockdown funky drag-out “Keytar Loser Leave Grudge Match” vs. Lust at Star Bar. TNT perform hits from the ’70s to today but are especially known for their fun takes on ’70s and ’80s funkilicious, R&B and disco favorites like Stevie Wonder‘s “Superstition.” Cabaret theatrics meet post-punk adult-themed rawk in Lust, featuring another pair of powerhouse vocalists Susanne Gibboney and Blast-Off Burlesque‘s “Barbilicious” Hays.

At The Earl, New Zealand’s Surf City takes inspiration from surf music, Jesus and Mary Chain (originally “Kill Surf City” after that band’s song) and Velvet Underground. Get ready to rumba, cha-cha and jitterbug at the weekly Swing Night at Graveyard Tavern. Catch Joe Gransden every Wednesday night at 8:30 PM at Jerry Farber’s Side DoorThe Hollidays and Danny “Mudcat” Dudeck bring on the blues at Fatt Matt’s Rib Shack and Northside Tavern respectively. Dance to ‘70s, ‘80s and ‘90s hits during Retro in the Metro Wednesdays presented by Godiva Vodka, at Pub 71 in Brookhaven, starting at 8 PM. Cover band ’80s Band of Destiny is in the Atlanta Room at Smith’s Olde Bar.

Thursday March 31

'64 MV Agusta 500cc is one of 11 vintage and contemporary Italian motorcycles on display at MoDA. Photo courtesy of Barber Vintage Motorsports Museum

Drink some wine and enjoy a gallery tour of PASSIONE ITALIANA: DESIGN OF THE ITALIAN MOTORCYCLE by previous Kool Kat curator Joe Remling during MODA‘s first Thursday night Drink in Design from 6-8 PM. Murphreesboro, Tenn. alt-country band The Only Sons plays Kathmandu Kitchen and Grill, formerly Pho Truc in Clarkston from 8-10 PM. Listen to Tongo Hiti’s luxurious live lounge sounds, as well as some trippy takes on iconic pop songs, just about every Thursday night at Trader Vic’sJoe Gransden jazzes up Tantra now on Thursdays. Party ‘70s style with DJ Romeo Cologne at Aurum Lounge.  Breeze Kings and Chicken Shack bring on the blues respectively at Northside Tavern and Fat Matt’s Rib Shack.

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Weekend Update, Feb. 24-27, 2011

Posted on: Feb 24th, 2011 By:

As I said at the start of the week, there are some tough choices this weekend, and a few additions not included in This Week to make it even harder. Whatever you choose, hope you have a ravishingly Retro good time!

Thursday Feb. 24

The Atlanta Opera presents the opening night of George Gershwin’s PORGY & BESS, a American folk opera about two lovers struggling to find happiness in Charleston’s Catfish Row. Find out more about the production at the Cobb Energy Centre which runs through March 6, in KOOL KAT OF THE WEEK spotlighting Costume Coordinator Joanna Schmink.

Good grief, CB’s an adolescent now, his little sister’s a goth, his ex-girlfriend’s in a mental hospital for setting too many fires, his friends are all drunk, and when his dog dies from rabies after killing a “little yellow bird,” he starts to question the existence of an afterlife.That’s the wacked-out premise of DOG SEES GOD: CONFESSIONS OF A TEENAGE BLOCKHEAD, a black comedy inspired by the popular PEANUTS comic strip and performed by the new Fabrefaction Theatre Company, which premieres today and runs through March 13.

ATLRetro will finally be joining the Last Of The Red Hot Truc-ers as Ghost Riders Car Club celebrates Vietnamese New Year with classic ’50s honkytonk and rockabilly for the last of their February Thursday night free gigs at Pho Truc in Clarkston. For a sneak peek, read Feb. 1 ’s KOOL KAT OF THE WEEK with guitarist Spike Fullerton. Listen to Tongo Hiti’s luxurious live lounge sounds, as well as some trippy takes on iconic pop songs, just about every Thursday night at Trader Vic’s. And Breeze Kings bring on the blues at Northside Tavern.

Friday Feb. 25

Get back to rock’s rockabilly, country and Western swing roots with Big Sandy & His Flyrite Boys, with special guests Caroline & the Ramblers and The Stumblers, at Star Bar. It’s a soulful night at Highland Inn Ballroom with The Soulphonics & Ruby Velle and George Hughley with Johnny & the Lakewood 5. The Nick Longo Band jazzes up Fernbank Museum of Natural History’s Martinis & IMAX. And go really retro with a futuristic twist at AnachroCon, a three-day steampunk convention, which kicks off today in grande style with The Gaslamp Gala, a concert extravaganza organized and presented by The Artifice Club‘s Dr. Q, at 7 PM. Performers include The Ghosts Project with Nathaniel Johnstone (Abney Park) and Play it with Moxie, a ballroom jazz band. Admission is included in your AnachroCon membership, with VIP seating available for $5.  All festivities are at the Holiday Inn Select Perimeter, 4386 Chamblee-Dunwoody Road.

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This Week in Retro Atlanta, Feb. 21-27, 2011

Posted on: Feb 21st, 2011 By:

It’s a veritable luau feast for Retro activities in Atlanta this week, and ATLRetro has some tough decisions about what to do, especially on Saturday night.

Monday Feb. 21

Joe Gransden & his smokin’ 16-piece orchestra present another Big Band Night of jazz at Café 290, featuring Sinatra, Bennett, Basie and Joe’s originals.

Tuesday Feb. 22

The current incarnation of seminal progressive rockers The Church play their haunting melodies not just under the Milky Way but at Variety Playhouse. Wynton Marsalis and the Lincoln Center Jazz Orchestra are at Symphony Hall. Or if you live on the east side, swing dance to the Atlanta-New York Connection at the unlikely location of Northlake Mall’s Food Garden starting at 6 PM. Then head to Twain’s in Decatur for a Joe Gransden jazz jam session starting at 9 PM.

Wednesday Feb. 23

“If Elvis had been a woman, he probably would have sounded just like Kim Lenz,” says Rolling Stone. Decide for yourself when the scarlet-haired rockabilly queen brings her fiery voice to the Star Bar with her band The Jaguars. And if the night weren’t rockin’ enough, local faves Atomic Rockets and Junior, Dolan & Cash are also on the bill. Get ready to rumba, cha-cha and jitterbug at the weekly Swing Night at The Glenwood. Catch Joe Gransden every Wednesday night at 8:30 PM at Jerry Farber’s Side Door. Dance to ‘70s, ‘80s and ‘90s hits during Retro in the Metro Wednesdays presented by Godiva Vodka, at Pub 71 in Brookhaven, starting at 8 PM.

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