Kool Kat of the Week: A Jazz Interlude With Kayla Taylor: Why She Loves ‘30s/’40s Classics, the Unsurprising Success of Her New CD and the Pleasures of Playing the Vintage Artmore Hotel This Friday

Posted on: Nov 16th, 2011 By:

Atlantans who love classic jazz won’t be surprised to hear that Kayla Taylor’s new and sixth CD YOU”D BE SURPRISED hit #23 on the CMJ Jazz charts this week and is receiving airplay across the nation and throughout Europe. Instead, we’re liable to say it’s delovely and just one of those things that had to happen. But then local audiences have had the treat of listening to this Atlanta native and chanteuse extraordinaire resurrect top tunes from the ‘30s,  ‘40s and ’50s  live for a decade or more with musical partner/guitarist Steve Moore. And because this Friday night, Kayla will be performing at one of Atlanta’s coolest vintage venues, the courtyard of the Artmore Hotel in Midtown whose building dates back to 1924, we thought the timing couldn’t be more perfect to make her Kool Kat of the Week.

One of those rare actual Atlanta natives, Kayla literally grew up singing, in her school chorus, church choir and in the shower, but winning two awards in a 7th grade talent show cemented her ambition to make music a career. Along the way, she has performed country music, gospel, R&B and classic and original rock ‘n’ roll until she finally found her heart resided in the golden era of Cole Porter, George Gershwin and Irving Berlin—all of whom are represented on YOU’D BE SURPRISED’s playlist. ATLRetro caught up with Kayla to find out more about why she decided to embrace one of our favorite musical eras, what she has planned for this Friday night at the Artmore, her new CD, what’s next and where you might catch her singing while shopping…

ATLRetro: According to your bio, you always sang even as a little girl, and through the years, in addition to jazz, you’ve performed country, gospel, R&B and rock n roll, too. How did you come to embrace vintage jazz?

Kayla Taylor: I have always loved vintage jazz. The charm and romance of the ‘30s and ‘40s was something that always attracted me. I love how clever the lyrics are. When I was a kid, I watched a lot of old movies that were filmed and set during that time period and found all of it to be a natural embrace. Then in the mid-‘80s, Linda Ronstadt—one of my rock heroes—came out with her Big Band albums with The Nelson Riddle Orchestra and the romance started all over again.

Photo credit: John Lee Matney.

I understand that your earliest award was for singing Irene Cara’s “Out Here on My Own” from FAME? What’s the story and how big an early influence on you was the movie, FAME?

I wouldn’t say that FAME had a big influence on me, but the music and Irene Cara’s voice definitely did. I loved the pure emotion that was in her voice when she sang “Out Here On My Own.” The school talent show was coming up, and so I decided that I’d sing that song. I practiced for weeks in my room with the door closed. I must have played that record hundreds of times. My parents had no idea. I wasn’t trying to win—I just wanted to sing in front of all those people. I was also in a girls’ trio that performed “Sincerely”— a tune from the ‘50s. Well, the trio took 1st place, and I took 2nd place. I was so thrilled and excited. My parents had always been supportive of whatever I wanted to try, but at that point, they jumped completely onboard with my singing adventures.

Who are some of your favorite classic jazz composers and performers, and why do you think their music remains so timeless and relevant today?

Cole Porter, The Gershwins, Rodgers & Hammerstein, Johnny Mercer . . . there are so many amazing composers from that era that I adore, but these are just a few of my top picks. As far as performers, Julie London, Ella Fitzgerald, Nina Simone, Peggy Lee, Etta James, Dean Martin and Frank Sinatra. I think the music is so well-crafted that it can’t help but remain timeless and relevant. Most of the songs are about love or the loss of love—that will always be timeless and relevant.

How did you meet Steve Moore and end up working together?

Great Story! Steve Moore was in a rock band called A Fine Line—an original rock project. They ran an ad in the Creative Loafing looking for a female vocalist. (That’s what you did 19 years ago—you ran an ad in a printed publication if you were looking for a musician.) I called about the position. They sent me a demo of some of their tunes, and I thought they were really cool, so I learned them and showed up at the audition. Later that night, Steve Moore was the one who called me to tell me I had gotten the job. That was the beginning of an amazing relationship as friends, co-writers and business partners. We went through several original rock projects together (A Fine Line, OneWithout) and even an acoustic duo (The Adventures of Kayla & Steve). One day we were talking about all these great jazz standards that we both loved and how much we would both love to play that music one day and to have our own jazz combo. Five minutes later we had made a decision to start working towards that direction. That was over 10 years ago, and we’ve been at it ever since.

Kayla Taylor and Steve Moore. Photo credit: John Lee Matney.

Can you tell us a bit about YOU’D BE SURPRISED came together, and what it means to you that it’s doing so well?

To say we are excited is an understatement. OVER THE MOON with excitement might scratch the surface. All of this came about because we hired an expert to handle it for us. We’re indy artists—SmartyKat Records—that’s our own label. We don’t have the connections personally to make this kind of airplay and exposure happen, so we hired Kari Gaffney and Jeff Williams of Kari-On Productions to handle all of it for us. Kari has over 21 years experience promoting and marketing CDs to radio and print media. I have never seen anyone work as hard as she has been working. I don’t know when she even has time to sleep. She’s done a fabulous job for us.

What’s your favorite song on the CD to perform and why?

WOW. To pick one tune—that’s tough because I love every song that’s on the CD. It’s like asking a parent to choose a favorite child. If I have to pick one, though, I’d have to say the title track—“You’d Be Suprised.” What I love about that song are the great lyrics. They are so clever!!! I love the Marilyn Monroe version.

The Jazz in the Courtyard series at the Artmore, where the building dates back to 1924, promises an urban escape with “sultry music, sexy vibes and sinful drinks.” And the signature cocktail is “The Prohibition.” Can we surmise that the goal is to create a speakeasy atmosphere, and will you be tossing some Roaring ‘20s tunes into the mix?

Artmore is a great hotel, and the courtyard is a beautiful venue. We have a great time playing there and love that they have embraced our music. We’ll still be hanging out in the ‘30s and ‘40s era but love that they have created a speakeasy feel—with a modern twist. All concerts take place in the courtyard, and there is a fabulous firepit and heaters to keep everything warm. If it should rain or turn freezing cold—we’ll move the show into their basement speakeasy lounge. I think we might be good to have this final concert of the season out in the courtyard, though.

Anything else you’d like to share about Friday’s gig at the Artmore?

Reservations are not required, but if you want to reserve a seat, you can email them at sales@artmorehotel.com. Come prepared to have a great time. I have a retro-styled microphone that is wireless so I can move all over the courtyard, and I love to come by and sing to anyone who seems like they might be receptive. Trust me, though—if it’s clear you’re there with a date and you just want to make eyes at each other—I’ll stay out of your way.

Where else will you be playing in Atlanta soon, and any plans for a tour to promote YOU’D BE SURPRISED?

Our next big show will be at Feast in Decatur on Saturday, December 3. This will be a great show because it’s the beginning of the holiday & Christmas season, and we’ll have some of the great jazzy Christmas tunes from the era to throw into the mix. This show generally sells out, so it’s a really good idea to call them to make a reservation. We play from 7:30 p.m. – 10:30 p.m. with the five-piece combo. The food at Feast is fantastic and we always have a great time. [Call] 404.370.2000 – for reservations.  As far as a tour to promote YOU’D BE SURPRISED—definitely something we are thinking long and hard about we just have to make the numbers work out.

Do you really burst into song at the grocery store? If yes, where do you shop?

Not every time I’m in the grocery store, but yes, I have been known to burst into song in the middle of a shopping excursion. My sweet husband, Scott, has been so good about dealing with those moments and I know they have been embarrassing—but sometimes a song just wells up inside and I have to blurt it out. For the record, my favorite place to shop locally is Publix—the stores are smaller and easier to navigate and everyone is super-friendly. If I’m going to travel away from my neighborhood to shop, you’ll find me at Whole Foods.

Finally, we’ve got to ask. What would we be most surprised to know about you?

Two things: first, I am an avid gardener. I love digging holes and putting plants in them and then nurturing them and watching them grow. It fascinates me! The next thing . . . I actually suffer from stage fright on occasion. It’s true.

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Brushing Up HAIR for a New Generation: Allison Guinn Is No Happy Hippie and That’s OK

Posted on: May 18th, 2011 By:

HAIR: The American Tribal Love-Rock Musical; Fox Theatre; May 17-22; Ticketmaster; presented by Broadway Across America.

When actress Allison Guinn showed up for a 700-person cattle call audition for Tony Award-winning revival of HAIR, she had 16 bars to show she had what it takes to join what most people think of as a celebration of peace, love and understanding. She picked Janis Joplin’s “Turtle Blues” and screamed “I’m a mean, mean woman, and I don’t mean one man no good.” She was certain that she wouldn’t get cast.

Then three weeks later, Allison found out that seemingly risky choice was exactly the right one to make, scoring her the part of a disgruntled hippie in the Tribe ensemble. “Director Diane Paulus took my hand and led me down a hall of pictures, then she pointed at one of Grace Slick looking really heavy and giving me the finger,” Allison recalls. “She said, ‘That’s you.’” Later Allison would also get two more roles as the conservative Mother of draft-resistor protagonist Claude and a Buddhist monk called Buddhadalirama.

HAIR has a reputation for being the hippie-dippie musical. After all, what’s more New Agey sounding than “Let the Sunshine In” and “Age of Aquarius.” But Guinn, who’s more into the less cheerful early ‘60s beat generation than the late ‘60s Summer of Love counter-culture says, not so fast. “It’s easy to paint with broad strokes and say this show has such wonderful bright colors and we say ‘love’ every fifth word,” she adds. “But it’s not just all laidback and groovy. It’s about this quest for a new life because the old way of life obviously isn’t working. Society is at a boiling point. All these people have been killed [in Vietnam], all these riots happened, it’s a period of great change, and these people are at the pinnacle of it.

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