Kool Kat of the Week: Goddess, Giallo & Gorezone: Jeremy Morris Conjures Up a Twisted Fears Weekend to Kick Off a Hellacious Halloween Season for Atlanta Horror Fans

Posted on: Sep 25th, 2013 By:

Ruggero Deodato and Jeremy Morris. Photo courtesy of Jeremy Morris.

Ultimate Scream Queen Barbara Steele! Italian giallo director Lamberto Bava (DEMONS), son of Mario Bava! Ruggero Deodato, as in the original DJANGO (1966) and CANNIBAL HOLOCAUST (1979)! These names are simply legend among cult cinephiles, and they all will be in Atlanta for Twisted Fears Weekend, a three-day horror convention Sept. 27-29 at the Atlanta Marriott Perimeter Center. And that’s just the terrifying tip of a Retro-tastic guest line-up that also includes Linnea Quigley (RETURN OF THE LIVING DEAD), a SLUMBER PARTY MASSACRE  (1982) cast reunion, Tony Todd (CANDYMAN ), Fred “The Hammer” Williamson  (BLACK CAESAR , FROM DUSK TILL DAWN ), Geretta Geretta  (DEMONS ), Lynn Lowry (original THE CRAZIES ), and more.

The eerie event also will celebrate the worldwide re-launch of Gorezone, the even more splattery sister magazine of Fangoria . Needless to say, ATLRetro couldn’t help but declare con organizer Jeremy Morris Kool Kat of the Week to find out all the deadly details.

ATLRetro: I’ve heard so many local horror fans express absolute surprise and delight about Twisted Fears. Did it get started with the Gorezone anniversary or was something else the catalyst?

Jeremy Morris: Twisted Fears was formed a year ago by my twisted imagination. I have been in the convention scene nearly 20 years. I have met a lot of great people along the way. The true reasoning of the creation of Twisted Fears was a part of my true love of the horror genre. I have lived in Atlanta all of my life and I felt it was time to do a show with a twist, something different than what fans may be accustomed too.

Twisted Fears has an amazing guest line-up, including a lot of celebrities known for their European horror work, making it very different from Days of the Dead, Dragoncon, or even most horror cons around the country. Why take that the con in that direction?

This question is very easy to answer. As a long-time fan of this convention scene, I have always wished to see more international guests at shows because there are a lot of films [that are] forgotten. I chose to bring in guests that you may have not seen in a long time or possibly never, which gives the fans a fresh new roster of celebrities.

GOBLIN’s playing a few days later on Tuesday Oct. 1. Their shows are selling out across the country, and Fabio Frizzi  also is doing a Halloween concert  in London. AMERICAN HORROR STORY  has a clear giallo influence, which many think will be even more so this fall with its “Coven” storyline. Why do you think there’s such a resurgence of interest in giallo right now?

In my opinion, some of the greatest horror films originated from the Italian genre. People are craving fresh, new ideas while sometimes new ideas consist of rejuvenating past genres of films and the Italians are one of them.

Fangoria ad for Twisted Fears. Photo courtesy of Jeremy Morris.

We are just privileged and honored that Barbara and Lamberto have chosen to join us for the inaugural year of Twisted Fears. I consider them legends in their own right. They have influenced some of the greatest films that we know of to date.They will be participating in a Q&A panel on Saturday.

I am sure you don’t want to play favorites, but is there anyone you are particularly excited you were able to book?

I am truly excited for all of my guests I was able to book because I took great pride in the guest selection as a fan first. If I had to choose one that made me giggle it would be Ruggero Deodato because he is so rarely seen, but I consider him the master of Italian horror.

Jeremy Morris. Photo courtesy of Jeremy Morris.

Did you grow up reading Fango and Gorezone? What impact did these two magazines have on you?

Yes, I grew up reading Fango, I actually own the first issue. I have considered it the Godfather of all horror publications. I am truly honored that we were hand chosen to re-launch Gorezone after so many years of absence. It makes me giddy inside to think Fangoria wanted to be a part of this show.

One of the anniversary treats is a virtual interview with Fango Editor Chris Alexander, who’s based in Toronto. Can you talk a little about that

It is an anniversary treat so you need to be there to find out!!!

A lot of folks might think about just coming on Saturday. Why should they buy a full weekend pass instead? Or kick in the extra bucks for a VIP pass?

We have a lot of panels, events, night-time parties scheduled. The signature event is the first of it’s kind, our own Twisted Feast Dinner Party, with a very intimate setting for all fans to have a quiet dinner with all of the guests in attendance. This is a chance to truly have an experience of meeting the guests like no other.

What else do you want horror fans to know about Twisted Fears Weekend?

I want the fans to know that Twisted Fears will continue to be a show of firsts on every level as we continue to grow. Most importantly I am a fan and always will be a fan first. And I will see you in May 2014 for the sequel.

Hours for Twisted Fears Weekend are Friday Sept. 27, 4-10 p.m., Sat. Sept. 28, 10 a.m. – 6 p.m., and Sun. Sept. 29, 10 a.m. – 5 p.m. For more info and to purchase advance VIP and general admission tickets, visit http://www.twistedfears.com/.

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Let’s All Go to the Horror Con! Our 10 Best Retro Reasons To Attend DAYS OF THE DEAD ATLANTA

Posted on: Feb 1st, 2013 By:

What are we doing this weekend?! We’re heading down to the Sheraton Hotel Atlanta, one of the most Retro of downtown hotels, to hang out with thousands of horror fans at the second annual Days of the Dead. Last year, we drove all the way to the golf-cart-riding Stepford Wife wonderland of Peachtree City, but was it worth the hour-long commute. Hell, yeah, if only to hang with super-friendly and nice Kate Rambo of ROCK N ROLL HIGH SCHOOL, aka Dey Young, and have her sign a photo to us “I have never done detention in my entire life”! Alas Dey won’t be there this year, but if anything, there is a larger rogues’ gallery of monster, scream queens and heroes! OK, money’s tight, but where are you going to spend it? The Mall? And besides you have to worry about real zombies there.

1) BUTCH PATRICK! Yes, the original Eddie Wolfgang Munster from THE MUNSTERS, one of our two favorite Retro horror-sitcom TV shows. Sure, he’s more than all grown up now, but we can’t wait to hear any memories he might be willing to share about growing up at 1313 Mockingbird Lane.

2) RETURN OF THE LIVING DEAD REUNION! OK, who didn’t want to party with a spikey red-headed Linnea Quigley getting drunk and dancing in a graveyard in this quintessential ’80s zombie black comedy. Days of the Dead has gathered Linnea and seven other starts of the cult classic which spawned four sequels. See everyone on stage at a noon panel. Don’t eat people, we say! Brains!

3) RIFF RANDELL! We’re still fantasizing of hanging with the Ramones and blowing up our high school, even after all these years, so we can’t think of anything more awesome than to meet and get the autographs of P.J. Soles who played Joey’s biggest fan in cult classic ROCK ‘N’ ROLL HIGH SCHOOL (1979). In case you’re too young to know this cult classic, get yourself educated by readingMark Arson’s Retro Review here. Oh, yeah, P.J. was in a few other obscure horror movies like CARRIE and HALLOWEEN.

4) HOUSE OF 1000 CORPSES/DEVIL’S REJECTS Reunions! Rob Zombie’s two best movies aren’t actually Retro but they sure look that way, being tributes to the over-the-top exploitation flicks of the 1960s and 1970s. DAYS OF THE DEAD has rangled 13, by our count, of the cast, but we have to admit we’re most excited about Mr. Machete himself Danny Trejo, Michael Berryman, who also gave us the willies in Wes Craven‘s THE HILLS HAVE EYES (1966)and Sid Haig, one of those rare B-movie icons and character actors whose career spans the decades from Jack Hill’s blaxploitation films of the 1970s to the chaotic, creepy Captain Spaulding. Quite frankly you scared the sh-t out of us and since we’re not easily scared, for that we salute you, Sid, as a true master of horror. A reunion panel is Saturday at 1 p.m.

5) PATTY MULLEN! Get ready for Splatter Cinema’s Tues. Feb. 12 screening of Frank Henenlotter‘s FRANKENHOOKER (1990) at The Plaza Theatre by meeting the actual Frankenhooker!

6) DICK MILLER! Poor Murray Futterman can’t escape our favorite feel-good holiday movie monsters GREMLINS (1984) even on vacation. We promise we’ll be polite to the consummate character actor and won’t bring our Stripe along to ruin his con. We also haven’t forgotten that he was in the original Roger Corman-directed LITTLE SHOP OF HORRORS (1960) and played the police chief in ROCK N ROLL HIGH SCHOOL.

7) GUNNAR HANSEN! Leatherface in the original TEXAS CHAINSAW MASSACRE (1974). He’ll even be on a panel with Marilyn Burns, the only survivor of the original rampage, on Sun. at 1 p.m.  Nuff said.

8. COMICS ARTISTS! Hopefully by now you’ve read our exclusive interview with James O’Barr, creator of THE CROW, who will be bringing along  pages from his new THE CROW: THE ENGINES OF DESPAIR series. If not, check it out here. Also at Days, look for two of our favorite Atlanta-based artists, Chris Hamer, a master of the quirky creature and bonafide Kool Kat, and Jason Flowers, who recently completed work on THE NIGHT OF THE LIVING DEAD trading card series for U.K. sketch card company, Unstoppable Cards. All three will be bringing con-exclusive prints and new works, so be sure and seek out their tables.

9) SPOOKTACULAR SHOPPING! Horror cons are the perfect place to stock up on both macabre memorabilia and creepy clothing, costumes and accessories. One booth we’ll definitely be stopping by is that of Athens, GA-based artist Jeanne the Maskmaker, who crafts one of a kind visages worthy of the Red Death’s Masquerade Ball.

10) PHANTAMAGORIC PARTIES! On Friday night, wear your craziest, creepiest costume to the Monsters Ball at 11 p.m. followed by karaoke at half past the witching hour. Then on Saturday at 10 p.m., Atlanta’s own most extreme Halloween attraction Chambers of Horror presents a concert by Fiend Without A Face  featuring Brent Hinds of Mastodon, followed by the MurderBall and Side Show Party, featuring Captain Stabb-Tuggo and Maybelle’s Sideshow, a Chamber-of-Horror-themed burlesque show, a costume contest, prizes and the Wheel of Torture.

Days of the Dead main con hours are Fri. Feb. 1 from 5 to 11 p.m.; Sat. Feb. 2 from 11 a.m. to 7 p.m.; and Sun. Feb. 3 11 a.m. to 5 p.m. Door prices are $55 for  a weekend pass and $25 for a day pass. Park at the hotel for only $5 with validation from front desk (valet parking exempted). For more info, visit http://www.daysofthedead.net/atlanta/.

 

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In Search of Bigfoot at Rock n Roll Monster Bash 2012 and the DEAR GOD! NO! DVD Release Party!

Posted on: Jun 2nd, 2012 By:

We can’t say where you’ll find a Sasquatch in the actual woods, but we’re damned sure that you can spot BIGFOOT, one of Atlanta’s most badass and hard-edged rock bands, twice in the next few days right here. First they’ll be grinding their guitars at Sunday June 3 at the 10th annual Rock n Roll Monster Bash 2012 at the Starlight Drive-In (gates open at 10 a.m.). Then Tuesday June 5, BIGFOOT headlines the DVD release party for DEAR GOD NO!, the home-grown grindhouse film that’s been turning heads and stomaches all across the nation and stars BIGFOOT front-man Jett Bryant.

In case you’re living under a rock and haven’t heard about the Rock n Roll Monster Bash. It’s an all-day, all-night horror festival featuring Dames, Bands, Ghouls, Food, Creeps, Hot Rods, Hearses, Flicks, Freaks, Vendors Werewolf Style Parking Lot Partying and Monstrosity Championship Wrestling hosted by the Silver Scream Spookshow‘s Professor Morte. Other bands playing include X-Impossibles and one of them now rare but always unforgettable performances by Atlanta punk legends Dead Elvis, including ATLRetro logo artist Derek Yaniger. And damn you, dirty ape, but after dusk, lucky attendees get to see 35mm prints of the incomparable, original PLANET OF THE APES (1968) and zombie comedy RETURN OF THE LIVING DEAD (1985), on the big Drive-In screen! If you haven’t already read Gene Kannenberg‘s awesome remembrance of growing up with the Apes and making ape masks with paper and crayons, check it out here.

When DEAR GOD NO! launched its world premiere at the Plaza Theatre last fall, the Star Bar must’ve been empty. Indeed, the number is legion when it comes to talented folks from Atlanta’s alt-garage, Redneck underground and horror scenes who worked on the movie. Familiar faces in the cast and crew including Shane Morton (Silver Scream SpookshowGargantuaAtlanta Zombie Apocalypse)Nik Morgan (Splatter Cinema), Billy Ratliff (Truckadelic), Madeline Brumby (check out our Kool Kat on Madeline here), Jas. M. Stacy (Starlight Drive-InPalookaville, Get Delicious!AM Gold) and many more. Since then, Director Jimmy Bickert‘s “unapologetic homage to classic grindhouse cinema” (DailyGrindhouse.com) has taken the festival circuit by storm and hauling in reverent reviews from lovers of exploitation films. The Big World Pictures release will finally be available on DVD on Tues. June 5, with a ton of bonus features, and to celebrate, the public is invited to the FREE party and screening that night at The Masquerade (doors at 8 p.m.).

Shot in 16mm with ’70s period-authentic effects, DEAR GOD NO! follows outlaw motorcycle gang The Impalers, led by Jett Bryant (yup, that’s his character’s name, too), on a tri-state rape and murder spree which culminates in a bloody massacre with rival club Satan’s Own in a dive bar (actually Tucker Saloon) with the added bonus of topless strippers in Richard Nixon masks with machine guns. Still keen to continue their rampage, the survivors invade a mountain cabin occupied by a scientist and his geeky/sexy daughter. And that’s when the depravity really begins as the bikers realize the scientist is mad, his wife is madder, and the monster that lurks in the wilderness outside is maddest of all.

So it just seemed kinda natural (or should we say, supernatural?) to catch up with Jett, who also plays in AM Gold and has played Jesus on stage in JESUS CHRIST SUPERSTAR, for a down and dirty little talk about Bigfoot and why  hard rockers, drinkers and monster movie lovers alike need to get out of the house both Sunday and Tuesday! Dear God! Yes! That’s why we’re proud to say that we live in the city with America’s finest Retro horror scene!

First off, let’s talk BIGFOOT. How did the band get started and what’s your sound like for the uninitiated?

BIGFOOT was started by Jimmy Hall and Evil Jim Wright, two of the most badass guitarists you can imagine. Together with Micheal Faulkner (bass), Kevin Watford (drums) and myself, you get the rowdy and raunchy BIGFOOT—a very loud and heavy southern rock with high energy.

Do you have any special plans for your gig at Rock n Roll Monsterbash 2012?

My biggest plan is not to be too drunk when I get onstage.

What’s your favorite part of this year’s Monster Bash, other than BIGFOOT, of course?

I’m looking forward to seeing PLANET OF THE APES and RETURN OF THE LIVING DEAD on the big screen. I love me a zombie movie. I like the goofy punk rock situation in the graveyard, and Linnea Quigley gettg all naked and eaten by zombies is pretty cool, too. It’s always been a favorite movie of mine. And apes taking over the world, what’s not to love about that?! It’s always a pleasure to see a movie at the drive-in. That’s the best way to see a movie as far as I am concerned. You can bring your own beer. I love it.

How do you feel about all the positive buzz DEAR GOD! NO! has been getting on the festival circuit?

I’m excited about it. I think it’s great. I always wanted to be famous or infamous. However,  the f–k you look at it. Jimmy did a really great job with that movie. I wasn’t surprised that it was such a big hit just because I’ve known Jimmy Bickert forever and he put all his attention into it. I haven’t seen him do that in years. It’s about time.

Is it just coincidental that you’re in a band called BIGFOOT and a Bigfoot is the monster in DEAR GOD! NO!?

It’s total coincidence that the band is called BIGFOOT and the movie contains a raging sasquatch.The band name came about while we were tossing ideas back and forth and our buddy Ted got impatient waiting for us to figure it out because he needed to make a flyer. So he just dubbed us BIGFOOT

Did you ever feel like the movie was going too far in pushing the limits with the sex, violence, gore and general disgustingness? What do you say to people who are offended?

DEAR GOD NO! is a pretty brutal film, but it’s all in good fun. However, I will not let my mama see this picture

Your character in DEAR GOD! NO! bears your name. What’s the difference between you and him, and are you ever uncomfortable with that—given the crazy, sick things he does in the movie?

As far as playing the character Jett in DEAR GOD! NO! I really just played myself, took out all the good parts and replaced it with the DNA of a honey badger.

I can just imagine how much fun you had recording the commentary track for the DVD with Madelaine Brumby and Shane Morton. Can you talk a little about how you guys approached that and maybe share one favorite behind-the-scenes story? 

We all just sat around with microphones and watched the picture. They got wine-drunk and I got beer-drunk. Shane and I have been friends for a long time so it wasn’t even like work. It was just like hanging out with my buddy. As for a story, [shooting the film] was all pretty long days, but John Collins (Collins in DEAR GOD! NO!) was always making it pretty loose and funny. He made a habit of sending us pictures of his turds when taking a shit. It is not on the commentary track, but it is on blooper reel, a little Easter egg they have in there.

You die in DEAR GOD! NO! but everyone knows that never stopped a character from coming back in a sequel. Will we see Jett Bryant again in the sequel, FRANKENSTEIN CREATED BIKERS, or can you tell us?

My character will return in the sequel, probably more pissed off considering he’s been woke from the dead.

Anything you want to add about Bigfoot’s performance at the DVD release party next Tuesday?

We’re excited about it, but it’s just going to be another badass BIGFOOT show, you know!

What about what you’re up to with AM Gold, any other acting plans and what’s next for BIGFOOT?

BIGFOOT’s going to keep stomping like they do, we’re going to keep make movies, and AM Gold’s going to keep playing festivals!

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PLANET OF THE APES-piration: Or Why You’re a Damn Dirty Idiot If You Don’t Make It to Rock N Roll Monster Bash 2012 at the Starlight Drive-In

Posted on: Jun 1st, 2012 By:

by Gene Kannenberg, Jr.
Guest Contributing Writer

PLANET OF THE APES (1968); Dir: Franklin J. Schaffner; Writer: Michael Wilson and Rod Serling; Starring Charlton Heston, Roddy McDowall, Kim Hunter, Maurice Evans; 10th annual Rock N Roll Monster Bash 2012, Starlight Drive-In, Sun. June 3; gates at 10 a.m. and movies at dusk; trailer herean all-day, all-night horror festival featuring Monstrosity Championship Wrestling hosted by the Silver Scream Spookshow‘s Professor Morte. Bands include X-ImpossiblesBigfootDead Elvisand more. Also playing: RETURN OF THE LIVING DEAD (1985)

I can barely remember a time when I did not know about PLANET OF THE APES (1968).

Watching the PLANET OF THE APES movies was a ritual for me when I was a boy in the early-to-mid 1970s. WVTV Channel 18, Milwaukee’s independent TV station, used to run POTA marathons at least once a year, it seemed; every Friday for five weeks in a row we’d get another installment, and I was always riveted to the screen, beginning, of course, with the original film directed by Franklin Schaffner and originally released in 1968.

After all, the idea of astronauts from Earth discovering a world ruled by talking animals is tailor-made for a child who has outgrown (for the time being) fairy tales but is fascinated by (1) the space program (we were still going the moon back then) and (2) dinosaurs and other monsters. The action was intense, the apes looked wonderful (some noble, others menacing), and the ideas were mind-expanding, thanks in no small part to script work by Rod Serling of THE TWILIGHT ZONE fame.

Was there ever a more effective introduction of menace into a film than the attack by the gorillas in the cornfield? The mute fear of the humans; the shots of the whips above the corn; Jerry Goldsmith’s harsh, urgent soundtrack; and the ultimate reveal of the gorillas on horseback, with the zoom-in on a gorilla’s face? It was breathtaking at the time, and it’s still a powerful moment today.

The famous Statue of Liberty scene in PLANET OF THE APES (20th Century Fox, 1968).

I wish I could tell you how shocked and stunned I was the first time that I, along with Taylor (Charlton Heston), discovered the half-buried Statue of Liberty and realized that the Planet of the Apes was, in fictional-fact, our own planet Earth. I wish I could, but I can’t; because I can’t remember ever not knowing this fact. I’m sure I was awestruck the first time around—how could a child not have been, after witnessing such a brutal, unfamiliar world? All I can remember is enjoying the ride each and every time I watched the movie—any of the movies, even the less-than-stellar BATTLE FOR THE PLANET OF THE APES (1973). (And that Statue of Liberty moment has, rightly, become one of the most famous in movie history – in fact, it was even included in a film better-known as being an adaptation of HAMLET )

Taylor (Charlton Heston), Zira (Kim Hunter) and the body of dead astronaut Stewart (Diane Stanley). PLANET OF THE APES (20th Century Fox, 1968)

I must admit that, to my young mind, one of the most mysterious and terrifying parts of the the movie came early on with the death of Stewart (an uncredited Diane Stanley), the female astronaut who doesn’t survive suspended animation. When Taylor discovers her corpse, it all happens so fast that I was never sure what was going on. In hindsight, it’s clear that her cryogenic capsule failed, and that her body mummified during the other astronauts’ long sleep. But when I was a child, I couldn’t understand why she looked the way she did. We only see her corpse for a second, so that added to the mystery. For the longest time, I thought that perhaps she had somehow been turned into an ape as some sort of warning. Now, I realize that doesn’t make any sense; but when you’re eight years old, sense is a precious, elusive quantity. Seeing her corpse as a warning of what was to come made perfect, terrible sense to me back then.

Watching these movies on TV also gave me my first taste of behind-the-scenes promotional films. Sometimes Channel 18 would pad out the movies to three hours, but even with commercials there would still be time left over before the 10 o’clock news. So they occasionally filled the extra minutes with “making-of” documentaries about either the POTA films or the short-lived live-action PLANET OF THE APES television series (1974). Here was my first glimpse into “movie magic,” and in particular, the fascinating world of prosthetic makeups. Nerdy kid that I was, I found myself amazed at the skill and ingenuity that makeup creator John Chambers and his crew demonstrated in slowly, slowly building up appliances onto the actors’ faces, transforming them into incredibly believable simians.

Maurice Evans as Dr. Zaius in PLANET OF THE APES (20th Century Fox, 1968)

I was so taken with the makeup process that I decided to try it myself. However, being eight years old (or so) and without access to latex and yak fur, I made do with what I had available: paper, crayons, scissors, and tape. Building upon what I’d seen in the documentaries, I made articulate ape masks for my younger brother John and myself. (I got to be a chimpanzee, natch; my brother became an orangutan. And when a cousin would visit, he or she’d have to settle with being a gorilla.)

First I’d create a somewhat triangular piece that surrounded the eyes and came down to create a nose. That was the easy part. The hard part was the mouth. I wanted it to look like the muzzles the apes had in the movies: That meant a mouth in two pieces, top and bottom, each a sort of quarter-sphere. I’d color a piece of paper “ape flesh” color (depending upon the type of ape) and then cut notches along the edges so that I could mold it into the proper hollow shape, securing the seams with tape, until they were (approximately) the right shape.

Finally came the miles of tape needed to attach the paper appliances to our faces. The only way to allow the mouths to open and close as we spoke was to affix the two pieces separately to our skin. This took a lot of tape (and made the eventual removal of the masks a little uncomfortable – but hey, this was art). Once the mouths were in place, then came the eye/nose pieces, with the descending noses laid atop the upper mouthpiece. (I remember that one time when I was feeling particularly ambitious, I added a third piece to the mouths: A piece of paper crayoned as black as I could make it, to cover our real mouths behind the muzzles; this way, when we spoke, you couldn’t see our real mouths inside the masks.)

The hair was trickier, but I had a solution. We had winter hats that covered our whole heads, with just a hole cut out in the front for our faces. Perfect! The fact that my hat was blue and my brother’s was green kind of spoiled the verisimilitude, but hey, that’s what imagination was for. The final touch was a triangular piece of paper on each side of our faces to approximate the facial cheek-hair that crept under the eyes and wrapped around the muzzles.

Taylor (Charlton Heston) and Zira (Kim Hunter) exchange a kiss in PLANET OF THE APES (20th Century Fox,1968).

Lord, how I wish I had photos of us in these masks. I’m sure they looked mostly ridiculous, but we loved them, and we would jump around the house, howling like apes.

But anyway, the Apes movies made a huge impression on me as a child. They instilled in me a love of science fiction, a love of movies, and a healthy dose of cynicism with regards to official structures of power. They were all “of their time,” that time being the late 1960s/early 1970s, and issues of discrimination were inescapable cultural touchstones, even for a young child. And the Apes films were, in their way, statements against discrimination and pleas for tolerance and understanding. (For more on this topic, see Eric Greene’s book PLANET OF THE APES AS AMERICAN MYTH: RACE, POLITICS, AND POPULAR CULTURE.)

Of course, the apes movies are also a whole lot of fun. Some of it might seem a bit campy nowadays, and of course, some of the lines have become cultural touchstones in their own right (“Get your stinking paws off me, you damned, dirty ape!”). But the films, the first in particular, still represent some of the best movie-making magic there ever was. I envy you Atlantans the chance to experience it on the big drive-in screen. Now, watch like Apes!

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The Horror Con! The Horror Con! Our Top 10 Retro Reasons to Brave the Days of the Dead

Posted on: Mar 7th, 2012 By:

For some time, Atlanta has boasted a fearsome fright scene—we’d even argue that it’s one of the best in the nation—thanks to the mad maniacs behind the Silver Scream Spookshow, Splatter Cinema, Gorehound Productions, Netherworld, Atlanta Zombie Apocalypse, Chambers of Horror, Buried Alive Film Festival, Rock N Roll Monster Bash, DEAR GOD! NO!… But the city weirdly never has hosted a full-out horror con.

DAYS OF THE DEAD aims to right that wrong this weekend with a thieves’ gallery of men behind masks, scream queens and cult movie idols, both classic and contemporary. The action takes place a bit south at the Wyndham Peachtree Conference Center, south of the airport in Peachtree City, Friday 5 p.m.- 11 p.m., Sat. 11 a.m.-2 a.m. and Sun. 11 a.m.-5 p.m. Here are our top 10 Retro reasons why you need to go…

Riff Randell and Kate Rambo!
We’re still fantasizing of hanging with the Ramones and blowing up our high school, even after all these years, so we can’t think of anything more awesome than to meet and get the autographs of P.J. Soles and Dey Young, the actresses behind Joey’s biggest fan and the sexiest budding nuclear physicist ever to attend ROCK ‘N’ ROLL HIGH SCHOOL (1979). In case you’re too young to know this cult classic, get yourself educated by reading Mark Arson’s Retro Review here.

Sid Haig!
Sid is one of those rare B-movie icons and character actors whose career spans the decades from Jack Hill’s blaxploitation films of the 1970s to the chaotic Captain Spaulding of Rob Zombie’s HOUSE OF 1000 CORPSES and THE DEVIL’S REJECTS. In our book, the latter is a modern exploitation classic and arguably the best of Zombie’s movies. Quite frankly you scared the sh-t out of us and since we’re not easily scared, for that we salute you, Sid, as a true master of horror. And OK, it’s pretty darned cool that your co-star Bill Moseley is going to be there, too, and both of you share a panel at noon Sunday.

Sexy Scream Queens!
A horror con wouldn’t be a horror con without a bevy of beautiful scream queens. I know it’s fun, guys, to get an autograph and pose for a pic, but we’re jazzed to hear what these gals have to say about their stints as the victim, too. Looking forward to that opportunity at the Scream Queens Panel Sat. at 2 p.m. featuring Linnea Quigley (NIGHT OF THE DEMONS 1 & 2, RETURN OF THE LIVING DEAD), Barbara Crampton (RE-ANIMATOR, FROM BEYOND, TRANCERS 1 & 2), PJ Soles (who also of course was in John Carpenter’s original HALLOWEEN and CARRIE), and “honorary scream queen” Mark Patton (NIGHTMARE ON ELM STREET 2)

Vintage Zombies!
Being that THE WALKING DEAD is filmed inAtlanta, it seems perfectly unnatural to have a few of its zombies as con guests. But we have to admit we’re more excited about meeting George Koshana (Sheriff McClelland) and John Russo (screenwriter) from the original NIGHT OF THE LIVING DEAD (1968). In fact, we’re just tickled blood-red that they’re still on the con circuit, especially after the sad recent loss of Bill Hinzman. Glad we met him down at Spooky Empire in Orlando a few years ago.

Home-Grown Horror!
While the Hollywood stars may be the headliners, another cool thing about Days of the Dead is it also embraces our local Atlanta scary subculture. At midnight Friday, the gory gang at Atlanta’s adult haunted attraction Chambers of Horror is hosting an adults-only Rock N Roll Torture Lounge. Watch lovely ladies spin the Wheel of Torture and win prizes as the Right Reverend Andy, of Psychobilly Freakout on Garage 71, spins horror rock and punk hits. Then at 8 p.m. Professor Morte, Persephone and the Silver Scream Spookshow will be throwing a special bonus show exclusive to Days of the Dead. Be there and be scared!

Macabre Movies!
Don’t just meet the stars, take a little time out to catch a few movies. Our favorite picks, of course, are cult classics, both old and new. Linnea Quigley hosts a special workprint screening of ‘80s cult classic RETURN OF THE LIVING DEAD, featuring alternate scenses, takes and 15 minutes of footage never screened to the public, Friday night at 9 p.m.  Then on Saturday, DEAR GOD! NO! has been generating quite a buzz on the festival circuit for its over-the-top authenticity as a homage to ‘70s exploitation films, and you have another chance to see it at 3 p.m. Catch up on our crazy interview with director Jimmy Bickert here.

Creepy Costumes!
Be sure and pack your most frightening recreation of a horror icon, or at least your camera, as Days of the Dead serves up several costume events. On Friday night, dance until you drop dead at the Monsters Among Us Costume Ball, a Phantom Ball-themed costume party with DJs spinning. Then the best of the best compete at 4:30 p.m. Sat. in Wickedbeard’s Costume Contest. Finally Sunday, don your best zombie make-up with a Zombie Best in Show Contest, co-horror-hosted by Argos T. Fleam and Atlanta’s own Professor Morte. We’re informed that experts will judge on zombie poise, form, dexterity and talent. Dripping, dribbling, drooling and loss of appendage will reflect negatively on your final scores.

Custom Hearses!
Even if you’re not ready for that final ride to the graveyard, it’s always pretty amazing to see custom hearses done up with all the creativity of vintage hotrods. All day Saturday members of Atlanta’s Dead Ends Hearse Club will be showing off their wheels the Hell on Wheels Hearse Show, with raffles and giveaways and a contest for best of hearse at 2 p.m.

The Man Behind THE CROW!
THE CROW began as a comic book with a cult/goth following about a mild-mannered guy returned from the dead to wreak revenge on the human monsters who raped and murdered his true love. Beautifully drawn and written, the haunting and violent tale by James O’Barr inevitably caught Hollywood attention but seemed destined for another fatal turn with the tragic death of star Brandon Lee, son of Bruce Lee, on the set. James has made Atlanta comics con and DragonCon appearances before, but it always make us smile to see him back because not only is he an amazing artist but also one of the sweetest guys on the planet. Be sure and ask him to show you the portfolio of what he’s been up to lately, and yeah, you can tell him we told you to.

Spooktacular Shopping!
Horror cons are a great place to stock up on , and from the list of vendors booked for this weekend, we’re definitely bringing some extra cash and credit card. Hollywood Book & Poster always packs a super selection of vintage horror posters, stills, books, scripts and more at reasonable prices. And stop and say hi at the Diamond Star Halo table to ATLRetro Contributing Editor and Libertine proprietress extraordinaire Jennifer Belgard, who has really revved up our own Shop Around section. For a full vendor and artist line-up, click here.

Those are just our top 10 reasons to come, of course. Yours may be Gary and Jake Busey, Roddy Piper, Jeff Burr, Tyler Mane or any of the other many guests. We don’t judge. We just say if you don’t support your local horror con, the first could be the last so get yourself down to Peachtree City and let’s have a fiendishly fun time together.

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