ATLRetro’s Haunted & Hellacious Halloween Guide 2016

Posted on: Oct 26th, 2016 By:

by Melanie Crew
Managing Editor

Calling all ghouls and gals! Come see why we think you should raise hell in ATLRetro this Halloween season!

1. Head Rolling Tunes! Get sinister All Hallows Eve weekend with a helluva lot of rancid rock ‘n roll! Rock out10.29StarBar ghoul-style at The Star Bar with Elzig (Elvis meets Danzig), The Crush and B.S.O.L. (Oct. 27)! Or celebrate 25 hellacious years with their 25th Anniversary Bash rocking out with Pretty Vacant (Sex Pistols tribute); Horror Business (Misfits tribute); and Nameless Nameless (Nirvana tribute) (Oct. 28)! And you must boogie on down during their 25th Anniversary Rock and Roll ‘70s Disco Party & Halloween Bash featuring The Biters (as The Disco Bitches), Dinos Boys, Bad Spell and Gunpowder Gray (Oct. 29)! Get horrorified at the Clermont Lounge  as Captain & Maybelle present a Halloween Shock ‘n’ Roll Sideshow featuring terrifying tunes by Fiend Without A Face, Kool Kats the Casket Creatures and special guest Reggie Bugmuncher (Oct. 27)! Or get rocked with Mac Sabbath and Black Juju at The Loft (Oct. 29)! The BadAsh Allstar Team hosts a Halloween Monster Jam at 5 Seasons Brewing (Oct. 29)! Get monstrous and go, go Godzilla on down to the Variety Playhouse for a night with the Blue Oyster Cult (10/29)! The Earl gets sinister and delivers a night of honkytonk rock ‘n ‘roll with their Halloween Party featuring The Goddamn Gallows, Gallows Bound, The Vaginas and Stump Tail Dolly (Oct. 31)!

2. Fangtastic Films!  Catch RiffTrax Live’s screening of Herk Harvey’s CARNIVAL OF SOULS (1962) at theatres across Atlanta at 8pm [Avalon Stadium 12 (Alpharetta); Perimeter Pointe 10; Hollywood Stadium 24 (Chamblee); AMC Barrett Commons 24 (Kennesaw); Regal McDonough Stadium 16 (McDonough); Carnival of SoulsCinemark Tinseltown 17 (Fayetteville); and Georgian Stadium 14 (Newnan)] (Oct. 27 & 31)! It’s a night of ectoplasmic proportions at Venkman’s with a free screening of Ivan Reitman’s GHOSTBUSTERS (1984) at 7pm (Oct. 27)! Or make your way to ASO Symphony Hall for a screening of Tim Burton’s THE NIGHTMARE BEFORE CHRISTMAS (1993) with a live performance of the award-winning soundtrack by the Atlanta Symphony Orchestra at 8pm (Oct. 28)! Venkman’s dishes out a Cartoon Brunch featuring a screening of Tim Burton’s THE NIGHTMARE BEFORE CHRISTMAS (1993) (Oct. 29)! Or spend the evening with Vincent Price with a screening of Andre DeToth’s HOUSE OF WAX (1953) at The Plaza Theater, running Oct. 28 through Oct. 29! And don’t forget to Time-Warp it up with some uber musically-inclined transsexual aliens at as they continue their tradition of screening THE ROCKY HORROR PICTURE SHOW (1975), featuring the live cast of Lips Down on Dixie at midnight, with special Halloween treats (Oct. 28-29)! Get bewitched with a screening of Kenny Ortega’s HOCUS POCUS (1993) at dusk at Atlantic Station during their “Spooky Film Fest” (Oct. 28)! Videodrome and JavaVino (JavaDrome) present another rare treat with a screening of David A. Prior’s SLEDGEHAMMER (1983) at 8:30pm (Oct. 28)! Get twisted with Kool Kats, The Hess Family with a complimentary screening of Horror Hotel Season 2’s “LIFE AFTER MEN” at Studio Movie Grill in Alpharetta from 6pm to 12am (Oct. 27)!

3. Dance with the Dead and BOOgie down!  It’s Halloween hysteria at Avondale Towne Cinema during Kool Kat Shane Morton, a.k.a. ghost host with the most, Prof. Morte’s Monsters of Mock Dance Party featuring Stephen Skipper’s Rolling Stones Tribute, Van Heineken and OC/DC at 8pm (Oct. 28)! Or rattle 10.28Avondaleyour bones during Fernbank Museum of Natural History’s Martinis and IMAX’s Fright Night Halloween Party, dripping with devilish drinks, costume contests and more (Oct. 28)! Spook on down to The Beacon’s Halloween Haunted House Warming Party featuring a haunted house, costume contest, food trucks and rockin’ tunes with Smithsonian (Smiths tribute), Anna Kramer & The Lost Cause and the Rock*A*Teens (Oct. 29)! Make your way to The Howard House in Kirkwood for the 11th Annual Scarendipity Halloween Bash featuring Voodoo Visionary, Mayhayley’s Grave and so much more (Oct. 29)! Rock on down to the Masquerade for their 6th Annual Boos & Brews Halloween Party (Oct. 29)! Make your way to Club Famous for Coffin Classics Halloween: Goth, Darkwave, Industrial with Kool Kat VJ Anthony (Oct. 29)! Grab your favorite boil or ghoul and rock on down to the Red Light Café’s Halloween Prom featuring Roadkill Debutante, Burning Truck and Till Someone Loses an Eye (Kool Kat Aileen Loy) (Oct. 30)! Radio Cult dishes out a “Japanese-Anime” themed Halloween bash at Deep South Deli & Pub (Oct. 28)! Get your ghouls, goblins and ghosts fix at Skyline Park ATL’s Haunted Heights Halloween Bash featuring acrobatics, THRILLER zombies, live DJ, themed cocktails, midway games and more from 8pm-12am (Oct. 29)! Boogie down to Opera Nightclub for their Atlanta Horror Story Halloween Spectacular, featuring costume contests, special drinks, prizes and more (Oct. 29)! Do the Monster Mash at the Euclid Avenue Yacht Club’s annual Halloween Dance Party (Oct. 29)!

4. Gothic & Ghastly.  DJ Silkwolf and DJ Merlot will drag you to Hell at Mary’s during their Goth Nite Printfeaturing death rock, post punk, goth anthems and more at 9pm (Oct. 27)! The Atlanta Symphony Orchestra gets phantasmal with their Phantom of the Orchestra event at 3pm (Oct. 30)! Haunt on down to the Historic Oakland Cemetery for their annual hour-long Capturing the Spirit of Oakland 2015 Ghost Tours, featuring music, a fortune teller and more! Come on out and tiptoe through the graves, make a few new spirited friends and hear the hallowed tales of some of their eternal residents, running from 5:30pm to 10:30pm, through Oct. 30! Or spook on down to the Fox Theatre as they get haunted during their annual Fox Theatre Ghost Tours, chilling your bones through Oct. 30!

5. Horrifying Hikes ‘n’ Haunts.  Nightmares are what this season’s9.23 all about! So, spook on down to Netherworld Haunted House in Norcross and spook it up through Nov. 1 (7:30pm-10:30pm week days; 7pm-midnight weekends)! Get terrified at Sinister Suites Hotel of Horror in Griffin, GA, spooking through Oct. 31! A little blood splatter never hurt ya, so trek on down to Carrolton, GA for a helluva lot of haunted hillbillies ‘n’ dead rednecks at Camp Blood, horrifying through Oct. 31! Put on your horrorific hiking boots and make your way to the Dolls Head Danse Macabre Halloween Hike at Constitution Lakes, hosted by The Georgia Conservancy from 7-11pm (Oct. 30)!

6. Thrilling and Chilling Theatrics, Art ‘n’ Parades.  Creep on down to The B Complex for the Art Exhibition and Performance sleepy hollowReception for “Will You Be My Nightmare” at 6:30pm (Oct. 27)! Or wake the dead at the Michael C. Carlos Museum’s Mummies & Mixers event featuring music, costumes, as classic Boris Karloff film and more from 7-9pm (Oct. 27)! Be the Headless Horseman’s next victim and get your bones chilled at Serenbe Playhouse’s thrilling presentation of their immersive spooky attraction and show, THE SLEEPY HOLLOW EXPERIENCE, haunting through Nov. 6 (Wed-Sun at 8pm; Fri-Sat at 10:30pm)! It’s a night of murderous clowns and gut splitting laughter as 1Up Comedy presents the Roast of Pennywise the Clown/Stephen King’s IT at the Highland Inn Ballroom Lounge (Oct. 27)! Spook on down to the Buford Highway Halloween Parade and Pop-Up, from 5-8pm (Oct. 29) Make your way to the Atlanta History Center for the Day of the Dead Festival featuring traditional dance, crafts, authentic Mexican food and more (Oct. 30)! Terminus City Tattoo (Duluth) delivers a day full of tricks, treats and tattoos with their 2016 Halloween Bash featuring $50 Halloween tattoos (12-7pm), followed by a killer bash kickin’ off at 8pm, with a costume contest and more (Oct. 29)! Or catch “The Ghastly Dreadfuls” spooking it up with creepy stories, frightful songs and devilish dances at the Center for Puppetry Arts, haunting through Oct. 29!10.27Clermont

7. Tricks, Treats & A Witchin’ Good Time! Cast a spell and make your way to the Mable House Arts Center’s Hogwarts Halloween at 6pm and 8pm (Oct. 28)! Spook on down to Callanwolde Fine Arts Center for their “Halloween Night on Callanwolde Mountain” family-friendly party featuring trick-or-treating, live music with the Callanwolde Concert Band featuring Matthew Kaminski, costume contests and more (Oct. 28)! Maniacal laughter ensues during The Village Theatre’s Halloween Improv House Party featuring an improvised Salem Witch Trial and more (Oct. 29)! Spook on down to the Ponce City Market for their A Haunting on Ponce: Eat, Drink and Be Scary, horrifying through Oct. 31!

8. Decaying Eighties.  Eighties it up at Venkman’s with a Totally ‘80s Costume 10.29TerminalParty featuring Members Only (Oct. 27)! Get strange at Criminal Records during their “Stranger Things: Vol. 1 Soundtrack” Listening Party with special guest Randall P. Havens (Mr. Clarke), a costume contest and more at 7pm (Oct. 28)! BOOgie on down to The Music Room for DJ Jaycee’s Edgewood “Thriller” Michael Jackson Tribute and costume party (Oct. 28)! ATL Collective delivers an evening of rotting flesh as they raise the dead with their performance of Michael Jackson’s Halloween classic, “Thriller” at Terminal West (10/29)! Kool 10.29BasementKat Becky Cormier Finch and Denim Arcade deliver a rockin’ ‘80s Halloween Party, featuring a costume contest, a “Thriller” dance class and more at the Wild Wing Café in Suwannee (Oct. 29)!

9. Get Funky and Groove Like a Ghoul!  Put on those dancin’ shoes groove like a ghoul at The Basement as they get down with forty thousand years of funk during their Keep on Movin’ Halloween Dance Party (10/29)! Get terrified from beyond the grave with Here Come the Mummies at City Winery (Oct. 31)!

 

Category: Features, Tis the Season To Be... | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Kool Kat of the Week: Dangerous Curves Ahead with Atlanta’s Tori Rodriguez as She Bends it Like Bettie and Releases Her Inaugural Bettie Page Fitness Workout Video

Posted on: Aug 1st, 2015 By:

by Melanie Crewdvd cover image for web
Managing Editor

Tori Rodriguez unleashed this past week, the first in a series of Bettie Page fitness videos,Bettie Page Fitness: Total Body Strength & Cardio” on DVD (digital version also available), which can be purchased on the Bettie Page Fitness website. Tori, local psychotherapist, wellness coach, freelance journalist, singer-songwriter (as Aneles) and all-around Bettie aficionado, is the social media editor for several Bettie Page (1923-2008) websites including BettiePage. Three more videos are on the horizon, so shake a tail feather and keep your eyes peeled! For a peep show of stills from the first video, take a peek here.

Experiencing Mary Harron’s 2005 film, THE NOTORIOUS BETTIE PAGE for the first time ignited the unquenchable flame leading Rodriguez to becoming enraptured with the life of Ms. Page. Not only has Rodriguez written oodles of articles exploring the life, times and images of history’s notorious bombshell Pin-Up [“The Pin-Up Model’s Guide to Body Confidence” – REFINERY29, Feb. 2015; “Male Fans Made Bettie Page a Star, but Female Fans Made Her an Icon” – THE ATLANTIC, Jan. 2014, just to name a few], she’s also worked alongside Academy Award-nominated director, Mark Mori, during Atlanta’s kick-off screening of his documentary, BETTIE PAGE REVEALS ALL (2012). Mori’s documentary headlined Rodriguez’s BettieFest at The Plaza Theatre in December 2013, which also included her debut tribute to Bettie Page, “Bettie Loved.” Rodriguez’s current Bettie-venture, and labor of love, Bettie Page Fitness, encompasses a desire to reinforce positive body image while stepping away from conventional female role labeling and embracing Ms. Page’s ability to reconfigure and redefine societal views on health and beauty.

ATLRetro caught up with Tori Rodriguez for a quick interview about her Bettie Page affection; her new series of “body-positive” Bettie Page fitness videos; working with Academy Award-nominated director, Mark Mori; and the influence Bettie has had on the life of women in the past and present.

bettie fit ab still for promo with logoATLRetro: We see that you are an all-out Bettie Page lover, and who wouldn’t be? She was gorgeous, ferocious, independent and strong! Can you tell our readers a little about your first introduction to the “Queen of Pin-Ups”?

Tori Rodriguez: A dear friend who knows me well, who knows I have thing for radical women, suggested we watch THE NOTORIOUS BETTIE PAGE, in which Bettie is played by Gretchen Mol. Immediately after watching it, I started learning everything I could about the real Bettie–and of course, she was even more mind-blowing than the movie demonstrated, though I think Mol did an excellent job.

You wrote an article for THE ATLANTIC titled “Male Fans Made Bettie Page a Star but Female Fans Made Her an Icon.” What do you think Bettie symbolizes to women then and now?

I don’t think many women back then knew about Bettie, because they generally didn’t have access to the men’s mags she appeared in. But today she represents all those wonderful traits you mentioned, and she’s so free, confident, authentic and joyful. All of those are things that people struggle with, so it’s compelling to see a counterexample to what we assume is normal and inevitable. She’s also insanely hot, but still imperfect–a little cellulite here and there, bags under the eyes at times, imperfect teeth by today’s standards–which makes her confidenceThe-Notorious-Bettie-Page even more inspiring! And it reminds us that we can also be beautiful even in our imperfection. It’s more about how you embrace and work with what you’re blessed to have.

Why do you think her popularity has only increased over time?

I think it’s because those traits are timeless and universally appealing. One of the most important ways in which Bettie is inspiring is that she rejects false dichotomies–the commonly promoted and accepted notion that women can only be one thing or the other. She’s strong and soft, sexy and sweet, smart and silly, sexual and virtuous; all kinds of seemingly conflicting roles. So, in fact, we can be both, neither, everything, at different times. And she’s always so sure about whatever she’s doing–even when it’s like, “Who would ever think of doing that?!” Ha!

Would you say that the widespread burlesque revival, rife with “liberated sexuality” and “unflinching body positivity,” has kept Bettie in the limelight longer than most sex symbols/icons of her day? And why?

bp fit video still 2That’s a good question, and I’d be curious to know more about that. I do know that, yes, many in the burlesque community absolutely love Bettie and definitely support her legacy. I think she stands out and her legacy endures because of those unique characteristics mentioned above, and because of her depth and range of expression compared with, really, any other model ever.

Who, besides Bettie, are your other vintage role models?

Of course there’s Marilyn Monroe, who I know much less about, but plan to learn more. I do know she was much smarter and more interesting than people might imagine. I adore funk singer and producer Betty Davis, ex-wife of Miles Davis, who influenced changes in his sound and look. I’m a complete and utter fanatic for Jackie Wilson; he’s a huge influence on me as a singer.

In December 2013, your alias/band, Aneles, released its first single, “Bettie Loved,” through Sneer Records, which was performed live atBetty-Page-Reveals-All-poster Atlanta’s screening of Academy Award-nominated director, Mark Mori’s BETTIE PAGE REVEALS ALL. Can you tell our readers a little about the song and its importance?

It’s funny you ask because the song plays during the credits at the end of the workout in my video! It was such a huge honor getting to sing it at the screening of BETTIE PAGE REVEALS ALL. It all started when I learned that Bettie loved Western movies, and for some reason I thought “Bettie loved Westerns” (which is the first line of the chorus) would be a cool, simple line that would capture something specific and colorful about her personality. I wrote the whole song from there – lyrics, melody, vocal arrangement – and I felt compelled to make it a true tribute song, a bio in a nutshell that, if someone hears it now or in a hundred years, they’ll have a clear idea of who she was and why she was and is important, especially to and for women. I was fortunate to get to meet with Mori around that time, who has always supported and helped facilitate all my Bettie-related projects, starting with letting me create BettieFest, which I organized around the screening of BETTIE PAGE REVEALS ALL. It’s a documentary about Bettie’s life, which she narrates. It’s captivating and visually stunning – nonstop photos of Bettie, many of them previously unreleased – and it really captures her personality and spirit, while giving her the opportunity to tell the story that had only been told on her behalf.

Will there be additional Bettie-inspired tunes in the future?

I’m sure I will write more Bettie-inspired songs in the future!

Photo by Wayne Ackerson

Photo by Wayne Ackerson

The first video in the Bettie Page Fitness series, “Bettie Page Fitness: Total Body Strength & Cardio” will be available on DVD on August 4. Can you tell our readers a little about the workout and what to expect with the workout?

Amazingly, production finished ahead of schedule, so I released the DVD this past week! When I designed the workout, I based each move around specific photos of Bettie–all of which appear in the video. She’s either doing an exercise move or just a pose that resembles one. I also incorporated lots of moves and tips to work toward the excellent posture, balance and core strength that she had. Viewers will get a fun and challenging total body workout while being encouraged and entertained with photos of Bettie throughout.

How many videos will be in the series? And how can our readers get a copy of the DVD so they can empower themselves, Bettie-style?

I don’t know how many videos there will ultimately be in the series, but I already have three more planned. I’m strongly leaning toward yoga for the next one; inspired by this article I wrote about Bettie and yoga in June 2014, for “You Beauty”, which you can read here. Readers can order the DVD or digital version of the video at Bettie Page Fitness.

You state that your workout videos embody a “body-positive workout,” inspired by Ms. Page. Can you explain a little about what this means and give a little detail about Bettie’s views on body image?

It’s a body-positive workout in several ways. One is that I encourage viewers to respect their body’s limits, to challenge themselves but not overdo it. The point is to be healthy, feel alive and enjoy our bodies like Bettie was and did and not to punish or push ourselves too hard. It’s also body-positive in that the point is not to look like her or anyone else, but to be inspired by her to be the best version of ourselves. I haven’t read anything about Bettie’s view on body image specifically, but she’s known for defending nudity as natural, and she loved to take naked “air baths” as she called them!

Pin-Up Tori Rodriguez, Photo by Bettina May

Pin-Up Tori Rodriguez, Photo by Bettina May

What’s next for Tori Rodriguez?

In addition to making more Bettie Page Fitness videos, I’ll continue in my roles as psychotherapist and wellness coach, freelance journalist, blogger and social media editor for the BettiePage website and related sites, and singer-songwriter… and I’m sure I’ll find more pursuits to have fun with!

Anything else you’d like to tell ATLRetro readers about yourself and your loyalty, appreciation and love of Bettie Page?

I take great pleasure and privilege in finding new ways to honor Bettie’s life and legacy, and I hope everyone enjoys my labors of love!

All photos courtesy of Tori Rodriguez and used with permission. Photos of Bettie Page used with permission by CMG Worldwide.

Category: Kool Kat of the Week | Tags: , , , , , , , , , , , , , , , , , ,

Kool Kat of the Week: Horror Family Values – The Hess Family Gets Twisted, Raring to Spawn Season 2 of their Award-Winning TWILIGHT ZONE meets Alfred Hitchcock meets Ray Bradbury Web-Series, HORROR HOTEL!

Posted on: May 20th, 2015 By:

by Melanie Crew10888544_564774920288902_2843828761362776837_n
Managing Editor

Ricky Hess, local geek at heart, jack of all film-trades and series creator/director, has resurrected a living, breathing, monster of an award-winning web anthology series, HORROR HOTEL, where the only recurring character is a menacing dilapidated motor court hotel where “People check in, but they don’t always check out.”And he’s drug mom and dad along for the bloody ride! Inspired by the creepy fantastical worlds presented in THE TWILIGHT ZONE and ALFRED HITCHCOCK PRESENTS, HORROR HOTEL delivers that nostalgic deep-in-the-gut suspense and spine-chilling plot twisting angst that gained incredible popularity in the ‘50s and ‘60s, and has successfully seeped into the 21st century psyche with a raging resurgence. From what we hear, there’s always a vacancy at HORROR HOTEL, so check in if you dare and catch Season 2, filled to the bloody brim with aliens, androids, ghosts, psychotic killers – all invading your homes in the very near future!

Ricky, no film-school rookie, has dabbled in producing, directing, writing, SFX – all while creating shorts, web series, commercials and music videos. While brainstorming HORROR HOTEL, he gleaned the business knowledge of mom, Debbie Hess (executive producer) and writing/carpentry skills of dad, Al Hess (writer/set builder), to create one helluva horror filmmaking family and production team! Season 1 of the web series premiered in 2013, spanning 90 minutes of content in six twisted episodes, which can be purchased as a complete series, with each episode running 12-20 minutes in homage to THE TWILIGHT ZONE’s style and format. In 2014, the series garnered much attention from the L.A. Web Series Festival (LA Webfest), and won in four categories: Outstanding Directing, Outstanding Sound Design, Outstanding Series and Outstanding Score. And now, with Season 2 in post-production, you’ll have ample opportunity to catch a ghastly glimpse at Atlanta’s homegrown throwback to the masters of suspense and mystery! You owe it to yourself to take a step off the beaten path, check in to HORROR HOTEL and try to make it out alive!

"Aliens Stole My Boyfriend", Season 2

“Aliens Stole My Boyfriend”, Season 2

ATLRetro caught up with the Hess Family for a quick interview about HORROR HOTEL; the series’ homage to ‘50s and ‘60s horror television; and what it takes to create a successful web series. And while you’re daring to take a peek at our little Q&A, get a twisted taste of the making of Season 2’s “Coma Girl” and “Brain Robbers in Love.

ATLRetro: First off, your web-series, HORROR HOTEL is a perfect fit for ATLRetro! We love all things TWILIGHT ZONE, Alfred Hitchcock, Ray Bradbury and more! Can you tell our readers how HORROR HOTEL was born?

Ricky: I was attending a convention in another city and was seeking out an inexpensive place to stay. I ran across several suggestions but some contained warnings about the neighborhood and possible “risks” staying there, etc. I thought to myself, why would anyone want to stay someplace with such a dangerous reputation. The idea occurred to me that it would be fun to make a series about such a place and the odd, creepy kind of encounters that could occur there. The idea for HORROR HOTEL was born from that.

We see that HORROR HOTEL is a home-grown family affair, with Debbie Hess (mom) as Executive Producer, Al Hess (dad) as Writer and Ricky Hess (son) as Creator/Director. What’s it like to come from such a creative family working so closely with each other? And of course we’d like to know, who’s really the boss?

Ricky: It’s great getting to work with my family on the project. It is the most rewarding thing to me about producing the series actually. My mom and dad were somewhat new to the movie making business, but they each had skills that were needed to put a movie project together. My dad and I had for years enjoyed making up creepy stories on long road trips to amuse ourselves and he’s had some previous writing experience. Not to mention he is a great carpenter and builds all our custom props and set pieces. He’s also a good lighting technician from his years of photography. My mom, Debbie, has a pretty good business head on her and had dealt for years in the marketing world working at advertising agencies, newspapers, radio and television. She is a salesperson at heart and can endure the grueling job of marketing and promotion. I had worked for several years on other people’s projects doing everything from special effects to editing. I moved over to doing most of the directing on the series and do most of the editing as well. So together we make a pretty good, complete team.

Who’s the boss? Well, all our decisions are made together and there are always compromises that have to be made on everyone’s part to settle on a direction, but being family, this is probably a little easier since we know each other so well and have respect for each other.

You’ve stated the major influences for the series are THE TWILIGHT ZONE and Alfred Hitchcock. Are there any particular episodes of THE TWILIGHT ZONE or any particular Hitchcock tale that inspired you more than others?

Al: My favorite TWILIGHT ZONE episode is “Invaders” with Agnes Moorehead. Tiny aliens invade an old woman’s house and hurt her. My favorite Hitchcock episode is a Ray Bradbury tale, “The Jar,” where a farmer buys a creepy pickle jar from a side-show that’s got all this weird stuff floating around in it.

"Invader", Season 1 - Troy Halverson

“Invader”, Season 1 – Troy Halverson

Do you have any additional retro/vintage influences for this series or for other projects you are working on?

Al: I’d like to make something showing a near future world containing a utopian/dystopian conflict. Things that used to scare people during the times of Orwell and Huxley, like being controlled by machines, aren’t so scary now that it’s happened. Each new generation of communication devices and surveillance equipment gives everyone a sense of security even though it necessarily strips away individual human rights and privacy.

Since HORROR HOTEL is an anthology series, like THE TWILIGHT ZONE and ALFRED HITCHCOCK PRESENTS, would you say production is more or less difficult than a straight series, with recurring characters, etc.? What would you say are your biggest challenges?

Debbie: Horror works well in the anthology format because people are ok with a short story that is complete in itself and not continuing. Production-wise however, it definitely has its challenges. For starters, to tell a complete story circuit in each episode and do it well, requires a longer length episode which is always harder to do. HORROR HOTEL episodes tend to run longer than most web series, from 10-22 minutes. The first season contains over 90 minutes of content; the equivalent of a feature length film. We have to recast for each new episode, which takes time. With a serial series and recurring characters, this is faster and easier. We also have to retool the set for each new episode, completely redecorate a new hotel room specifically for that episode (new costumes, new props, new everything).

It’s like shooting a whole bunch of short films all the time. The advantage of shooting an anthology is that people can randomly pick out episodes to watch and don’t have to follow a story arch to know what’s happening. Probably the biggest challenge is simply wrangling all the different cast and crew it takes to do a series like this. First season alone took over 100 people to produce, which is a lot for a web series. It’s always a challenge to fit people into the schedule puzzle and keep a project moving forward to completion. Once we set a production schedule, we will do whatever necessary to keep that locked in and not postpone it. Too many independent film projects start but don’t finish. That’s not an option for us.

"Brain Robbers in Love", Season 2 (L-R) Phil Spartis and Deborah Childs

“Brain Robbers in Love”, Season 2 (L-R) Phil Spartis and Deborah Childs

What are some of the major differences between television/film formats and the web-series format?

Debbie: For a series produced for traditional television, there are specifically timed breaks (acts) to allow for commercials. The standard TV format calls for 22-24 minutes of actual story for a 30-minute program and anywhere from 44-46 minutes for an hour-long program. With a web series, they can be any length because primarily they are streamed online with no required commercial breaks, although many times they do have commercials depending on the platform. As far as the actual production, the same applies for traditional TV or a web series. You use all the same equipment, follow all the same procedures; everything is the same. The only difference is the viewing platform they will be primarily presented on.

Everyone making a web series should strive for as high a production value as you possibly can. With the advent of so many different ways to view digital series now, from your computer to your big screen TV, you want content that looks really good, with broadcast quality, high resolution, good filming techniques, etc. It’s the only way to have a series ever be seriously considered by higher caliber platforms.

What do you think separates HORROR HOTEL from other web series and makes it one-of-a-kind in the industry?

Ricky: Well, the fact that it is a true anthology sets it apart from the majority of web series out there, but we are not one-of-a-kind necessarily. We have tried to bring back old-school storytelling where the plot and story lines matter the most and we just try to fit in special or visual effects to enhance that. Sometimes filmmakers rely more on visual effects and some kind of “wow” factor to endear an audience but that gets numbing pretty fast without a decent story.

Can you tell our readers a little bit about your nominations and wins at the 2014 LA WebFest?

"Life After Men", Season 2 (L-R) Baby Norman, Deborah Childs and Anastasia Pekhtereva

“Life After Men”, Season 2 (L-R) Baby Norman, Deborah Childs and Anastasia Pekhtereva

Ricky: It was an honor to receive four nominations and wins at the 2014 LA Webfest for Outstanding Series, Outstanding Directing, Outstanding Score and Outstanding Sound Design. The decision came after a review of all episodes in the first season, but the two episodes that screened at the festival were “Tilt” and “Guillotine.

What was your process in obtaining the talent for the series? How did you snag up Grammy Award-winning Matt Still, who scored the music on the “Guillotine” episode and actor James Edward Thomas (Al Sharko), who also acted in the ‘80s television reboot of THE TWILIGHT ZONE?

Debbie: We cast for each new episode locally from the large, talented actor pool in Atlanta. We post audition notices first on our Facebook page to give our fans a chance to submit for an audition first. After that, we post on a number of casting sites primarily focused on Atlanta talent. We continue to be amazed and pleased at the truly talented group of local Atlanta actors we have been proud to work with. James Edward Thomas showed up to audition for episode “Houdini’s Hand” and was a perfect fit for the only recurring actor thus far in the series, Al Sharko. He is not only a fine actor, but a valued family friend. He also appears in episode “Invader” as sci-fi writer Rodney Silvers.

It was actually his connection to Matt Still that facilitated Matt scoring episode “Guillotine” which James is in as well. We were so honored and excited to have Matt work on an episode. His reputation as a premiere music producer working with mega stars like Elton John, Madonna and a who’s who of rock ‘n’ roll folks was just amazing and thrilling for us. He did a most excellent job on the scoring of “Guillotine” and obviously it caught the attention of LA Webfest judges. We have been fortunate to have a number of excellent musical artists work on the series including Royal Teague, Kenneth Singleton II and Quinton “Q” Amy in the first season alone.

"Four Eyes", Season 2 (L-R) Jeremy Michael Grey and Michael Gladden

“Four Eyes”, Season 2 (L-R) Jeremy Michael Grey and Michael Gladden

HORROR HOTEL currently has two complete seasons. How can our readers go about getting their grubby little hands on them?

Ricky: Currently the first season is released and can be seen on Hulu, AT&T U-verse, MSN Videos, and xfinity streaming platforms. It also broadcasts on the Shorts Network channel on DirectTV and AT&T U-verse. The new second season is working through post-production, releasing in the upcoming months.

What’s next for HORROR HOTEL and the Hess family? Are there more seasons in the works and if so, can you give our readers some juicy details (without giving away too many details)? Any other projects in the works?

Debbie: We are currently concentrating on post-production work for the second season and getting that distributed, but we are also kicking around some new ideas and worlds we would like to explore. But here’s a little tickler of upcoming second season episodes: Expect cute aliens that crash land their space buggy on the motel parking lot looking for Earth boyfriends; a macabre maintenance man at a convalescence home who falls in love with a comatose patient; a narcissistic businesswoman who swaps brains with a younger business associate; a family of female clones, one of whom has committed a murder; a paraplegic hit-man hired by a disgruntled ex-husband to take out his wife; and an Orwellian tale set in the near future where males are virtually extinct and women rule.

What question do you wish somebody would ask you in an interview but they never do, and what’s the answer?

"Houdini's Hand", Season 1

“Houdini’s Hand”, Season 1

Ricky: Q: What happens to the many props and costumes you have after each episode? A: I’m so glad you asked! We really like our custom props like the “Houdini’s Hand” ornate box, the brain swap machine from second season’s “Brain Robbers In Love,” the custom ham radio from “Invader,” the hand-carved space buggy from “Aliens Stole My Boyfriend,” and a host of other one-of-a-kind props. Not the least of which is our miniature motel model we built for miniature photography seen in episode “Invader” and “Aliens Stole My Boyfriend” to date. We like to display these for visitors to see, a sort of HORROR HOTEL mini museum if you will. Most of the costumes get saved as well, and we have even reused a couple, like the Nazi uniforms and the Rufus Bass costume because you never know when some of these characters might be resurrected!

All photos courtesy of Horror Hotel LLC and used with permission.

Category: Kool Kat of the Week | Tags: , , , , , , , , , , , , , , , , , ,

Kool Kat of the Week: Ooh-la-Love! Talloolah Love Embraces Her Inner Geek Girl Power and Finds It Gloriously Glamorous at Dragoncon 2013

Posted on: Aug 27th, 2013 By:

Hair, makeup and photography by Pin Up Girl Cosmetics.

By Gretchen Jacobsen
Contributing Writer

Burlesque and pin-up culture have been a part of Dragoncon back to the Bettie Page Contests of the 1990s. But this week’s Kool Kat, Talloolah Love, is taking it to another level as producer of DragonCon Burlesque, A Glamour Geek Revue and other titillating events throughout the weekend.

Talloolah has long been a force in Atlanta’s burlesque revival, cabaret and Retro scenes. Known across the United States and even internationally, for her burlesque performances, the “Sweetest T in the South” is an instructor at the newly opened Atlanta School of Burlesque. She is also one of the founders of the retro arts organization, The Artifice Club, known for splendid steampunk events extraordinaire including Mechanical Masquerade: The Retropolis, Sunday Aug. 31 at 8:30 p.m. at the Westin Peachtree Plaza, as well as bringing the growing electro-swing movement to Atlanta.

The lovely Ms. Love somehow managed to find time out of her crazy schedule this week to talk to ATLRetro and share a bit about her fascinating career, her perspective on the burlesque revival today, and how she’ll be entertaining us this weekend at Dragoncon. We couldn’t be happier!

ATLRetro:What drew you to burlesque?

Talloolah Love: I grew up watching musicals, blue comedy, Carol Burnett and THE MUPPET SHOW.  My idols were Betty Grable, Rosemary Clooney, Mae West and, of course, Marilyn Monroe. But it all started with belly dancing. I had taken classes in Colorado, but when I moved here, I found the community difficult to move around in as a newcomer. Burlesque embraced me with both arms, and I haven’t looked back since.

Who inspires you as a performer?

Besides the aforementioned stars of yesteryear, my modern inspirations are Amber Ray, Immodesty Blaize and Russell Bruner [Editor’s note: read our Kool Kat on Russell, the 2012 King of Burlesque here]  All three are ferocious on stage. They leave indelible marks of inspiration on my soul when I watch them. Amber and Immodesty both for their fierce stage presence and mind-blowing costumes. Russell for his incredible timing, charisma and musicality. All of them have a devotion to their craft that really takes my breath away.

What is your philosophy as a performer?

To me, it doesn’t matter what style of burlesque you do. It doesn’t matter what size, shape, color, sex or race you are. As long as what you bring to the stage is polished, cared for, speaks from the heart, and makes you happy to do it, I call it burlesque.

Hair, makeup and photography by Pin Up Girl Cosmetics.

Does it look like they are having fun? Does it look polished? Are you having fun watching them? Burlesque is so subjective. What I love about it is you cannot like that first act, but the second one lives with you for years. All you have to do is wait five minutes, and the channel gets switched to something new and different. You may love it, you may hate it, but wait till you see what’s going on in the next five minutes. Variety is the spice of life, you know?

Do you think burlesque is “girl power”?

I do. I grew up being told I wasn’t right for one part or the next. Burlesque gives me the power to say, “Oh yeah? Well, I think I was stellar for that show, so I am going to do it and there’s no one who can tell me I can’t.” You have to have some brass balls to get up on stage and own everything you do in spite of the fact that not everyone will love you. Burlesque has given me the ability to say, “Well, I hope some of you liked my form of art.” It’s how I express myself. When I am on stage, or even rehearsing a number in my unitard, I feel empowered because I make the decisions on my hair, my costume, song, choreography, absolutely everything. Sure I want opinions on things, but I have the final say on what goes on stage. There’s something exhilarating and very empowering about that.

You’re the one of the founders of The Artifice Club. What is the club all about?

The Artifice Club is a group that DJ Doctor Q and I founded together. It’s a coalition of artists who support artists. Besides my need for passion in one’s art, I believe in collaboration of minds. In the past, the Club did this by doing shows and displays of peoples’ art in hopes for exposure. Now, it is so much more than that. It is a not-for-profit organization that facilitates grants, helps promote, donates back to the community, and holds fundraisers to assist artists in keeping their mind on their creations rather than how they are going to pay for their space, or for a trip to the next festival to show their wares.  It is now an organization with a board of directors and will be doing more good on a bigger scale for anyone who applies to the guidelines of the club.

What events are you involved in at Dragoncon? 

Thursday Aug. 29, 8:30 p.m. at the Pulse Lounge in the Atlanta Marriott Marquis, I will be strutting out in my bunny ears with the ladies at The Annual Bunny Hutch. This isn’t my event, but I am very excited about it.

Hair, makeup and photography by Pin Up Girl Cosmetics.

Friday Aug. 30 8:30 p.m. The Sheraton Atlanta pool will be the location for the Second Annual Pin-ups by the Pool Party. Presiding over the show will be the returning and illustrious New Orleans Jon (see his recent Kool Kat profile here). There will be a pin-up competition and a mermaid competition, so please come see and be seen. I expect it to be quite a spectacle.

Saturday Aug. 31 11:59 p.m. in the Regency Ballroom at the Hyatt Regency Atlanta is DragonCon Burlesque, a Glamor Geek Revue. This is the second year I have been in charge of the show, and I couldn’t be more elated! This year has some really out-of-the-park acts. For example, fresh off his world tour the KING of Steampunk Funk, Montague Jacques Fromage, will be the Master of Ceremonies weaving a story of intrigue and sexy interludes throughout the entire show, along with the 2013 Queen of the Southern Fried Burlesque Festival, Lola Lesoleil, and other prestigious award-winning performers. This promises to be the show not to miss!

What is unique about Atlanta’s burlesque scene?

I feel like the scene has changed so much in the past ten years. When I first started out, Atlanta was unique because the troupes were really the only way anyone could perform regularly, and there really wasn’t a lot of cross-pollination.  Each troupe did what they did and that was it. It’s so different now. We all work together, and the independents seem to outnumber the troupe members. Personally, I think that is a great thing. It means a patron can go to a show and really not know who they are going to see. I think that a golden age in Atlanta Burlesque really is on the horizon thanks to Ursula Undress and the efforts being made with The Atlanta Burlesque Alliance and The Atlanta School of Burlesque. Plus, with social events like my Atlanta Burlesque and Cabaret Society and Sadie HawkinsCougar Crawl, we all have a real good time with each other. Kind of like a burlesque SEX IN THE CITY, only we get high on E-6000 rather than sip cosmos together.

What do you think about Atlanta being named the nerdiest city in America?

Oh, I love it. It’s appropriate too. DragonCon is huge, and it’s run privately for geeks by geeks. Besides DCon, Atlanta plays host to at least five other major fan fueled conventions. Add to that the vast LARPing communities and bookstores/comic book shops out here, then throw in that Cartoon Network is deep in the heart of Atlanta’s arteries, and you have a cultural cornucopia of Nerd-dom! I think it’s great.

What are you working on for the future?

I am always looking for what’s next. Fascination was an [electro-swing] event the good DoctorQ and I worked on together this past year, and I really loved the format. The venue was just an issue. Venues tend to be the big issue when it comes to producing big shows. My hope is that we find the RIGHT venue and that we start doing one big bang-out show – a little of the Fascination format with a few other big ideas I have cooking on the back-burner. Otherwise, I plan to do a Midwest tour next year. It’s still in the planning stages, but once it gets off the ground, you can bet I am going to social network the bajeezus out of it!

Who would you like to perform for or with?

I started to list them all out, but that would take all day. I want to perform with everybody. Then perform with them again because once is never enough!

Hair, makeup and photography by Pin Up Girl Cosmetics.

Where can we see you next?

After Dragoncon, I am going on a much deserved vacation, but I will be back at the beginning of October at The Shelter. I am going to be shaking it up as an airship pirate for this new mash-up music club night called Bootie Atlanta on October 5 – $5 admission before 11 and $10 after that.

Anything you’d like to add?

If you are interested in getting into burlesque, I have a few suggestions for you. If you already have an act and just need a venue to perform it in, I suggest auditioning. There are  a lot of troupes and even a production company in Atlanta where you can audition, and then, you’re there!  The best way to get involved in the Atlanta Burlesque community is to come out to Atlanta Burlesque and Cabaret Society meetings at The Elliott Street Pub in Atlanta. We meet the first Thursday of the month at 8 p.m., we go till 10, and at these meetings, you will meet other burlesque performers, photographers and fans of the local scene, you may even get to catch an act on the stage down there for a workshop on new and established performers. It’s a great way to market yourself. Speaking of marketing yourself, you will want to do your research and attend burlesque shows, figure out who the important people are and make sure you let them know you are serious. All of the troupes are very different and have a lot to offer the right person if they fit into their dynamic. If you don’t like how one show runs, that’s ok, check out another troupe!

If you do not have an act, and just really want to be involved, then I suggest classes at The Atlanta School of Burlesque. Check out their teaching schedule and come to a few classes. There’s a fundamentals class for the very very basic, and then beginning choreography classes. I recommend that you look at videos of the different teachers. They are also active performers in the scene; go catch them out at a show. I guarantee you that going up to a teacher after they have performed to tell them that you will be taking a class from them in the near future is better than bringing an apple to them any day!

 

Category: Kool Kat of the Week | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

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