A Feast Fit for a King: Chef Val Domingo Cooks Up an Elvis Beer Dinner at Meehan’s Public House Thurs. Jan. 26!

Posted on: Jan 23rd, 2012 By:
Elvis Presley‘s birthday was Jan.8, but Meehan’s Public Housein Sandy Springs isn’t done celebrating. In fact, Chef Val Domingo is preparing a feast fit for a king this Thurs. Jan. 26. His Elvis Beer Dinner features a delicious four-course menu for just $47 (beer included) themed around the rock star’s music, movies and favorite foods, paired with a selection of Belgian-style brews by Ommegang Beer, a Cooperstown, NY microbrewery, and nationally known tribute band, Young Elvis and the Blue Suedes. ATLRetro caught up with Chef Val to find out what’s cooking, why Ommegang, how he got the ideas for rock star/music-themed dinners which have become a regular feature at Meehans, and what’s next on the music menu…
ATLRetro: How did you get the idea for rock star/music-themed dinners?
Chef Val Domingo: I first got the idea when I was the chef at Coastal Kitchen in St. Simons Island.  During the off-season, we were trying to think of ideas outside the box to generate income.  In my career, I’ve always thought of music and the culinary arts as being very similar.  In music, there are different notes, tones and instruments that when they complement each other, produce a harmonious sound.  Similarly, in food, we have different ingredients that have different flavors and textures that when cooked in a certain way produces a unique and pleasing complement to your taste buds.
What’s on the menu for the Elvis Beer Dinner?
First course – Louisiana crab cakes infused with andouille sausage, and served with crawfish gumbo. Second course – sesame-crusted Ahi tuna with rocquet greens, candied macadamia nuts, red curry pineapple vinaigrette, avocado and mandarin oranges.  Third – hickory-smoked Memphis ribs, dark chocolate bbq, smoked bacon and potato gallete, grilled asparagus. Fourth course – banana bread French toast with house-made honey-roasted peanut butter ice cream
How did you decide what to serve to honor the King of Rock n Roll? Did you look to his music for inspiration or more to the foods he enjoyed? 
I used his music, his background of where he grew up and lived, his acting career, and reviewed some of his favorite foods. For example, the first course is from the song and movie, KING CREOLE, second course is from his album, BLUE HAWAII, third course is from his album, FROM ELVIS IN MEMPHIS, plus the fact that he lived in Memphis, [and the] fourth course is a version of one of his favorite sandwiches, peanut butter and banana.

Executive Chef Val Domingo. Photo courtesy of Meehan's Public House.

What one dish do you think he’d especially enjoy and why? 
The dessert course, “21st century peanut butter and bananas” because just like a creative musician, I think he’d appreciate my creativity in bringing a different twist with the banana bread French toast and homemade honey-roasted peanut butter ice cream.
Can you tell us a little bit about Ommegang Beer, and how it compliments the food pairings?
Ommegang brewery is the first farmstead brewery built in the USA in over a century.  It is located in Cooperstown, NY.  I chose this high-gravity brewery because of its uniqueness, just like how Elvis was a unique artist during that time.  For example, the Three Philosophers that I am pairing with my dessert course is quadruple ale blended with Kriek, a fermented cherry beer in Belgium, that complements the dessert with some bittersweet chocolate tones and the hint of cherries.  Another beer that I’m using is Ommegang Hennepin that pairs extremely well with shellfish. It is one of the few beers that is aged in a cave 45 minutes from Cooperstown, 40 meters below the ground in at a temperature of 52 degrees.  I am pairing my Louisiana crab cakes with that beer.  I believe beer is the best palate cleanser due to the carbonation in the beer cleansing your palate from what you just ate.
What else will be going on in addition to dining and drinks? 
We have an Elvis tribute band, Young Elvis and the Blue Suedes, which is a national act that is endorsed by Elvis’ stepbrothers. They are different from other Elvis tribute bands because they actually use the vintage instruments in their performances.
How often do you schedule music dinners, and what other rock/music stars have you developed menus around?
We do these music themed dinners on Thursdays, for the most part.  I chose Thursdays because [it's] a preview to the weekend. Other dinners I have done in the past include The Beatles, Johnny Cash, Frank Sinatra, Dave Matthews, Ray Charles, Pink Floyd.
Which was your favorite, and who was the most challenging? Why?
Most challenging – Pink Floyd because at the time, we had the biggest attendance, and for my entree course I had to make as part of my entree, Yorkshire pudding, for 55 guests. Yorkshire pudding, if you haven’t made it before, can be tricky, and you can’t really prep that too far ahead of time. My favorite is a tie between Ray Charles and Johnny Cash.  I’m a huge fan of both.  With Ray Charles, I prepared the menu with his ties towards Georgia, using all local produce and ingredients native to the state.  Johnny Cash was my first music dinner at Meehans Public House, Sandy Springs.  All the food was perfectly executed, and we had a great turn-out at 47 guests. It was so successful that we are now partnering up with the Atlanta Ballet in March to do the dinner once again, during their THE MAN IN BLACK performance.
What’s and when is your next music dinner? And can you give us a taste of what’ll be on that menu yet?
Our next music dinner will be a New Orleans Mardi Gras dinner that will be held in late February. The music will be jazz tunes. My entree for that dinner will be a cast iron blackened catfish, andouille sausage red beans and rice, shrimp etoufee. My dessert will be sweet potato beignets with house-made butter pecan ice cream.
For more information and reservations, call 404-843-8058 or visit www.meehanssandysprings.com. Meehan’s Public House is located at 227 Sandy Springs Place Atlanta, Ga. 30328.

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A Little Band Where Old Friends Play: Nat King Coal Miners

Posted on: Jun 20th, 2011 By:

So many of Atlanta’s best bands got their start when musicians known for other ventures just happened to get together and jam. That synergy has happened again with Nat King Coal Miners to the good fortune of the Atlanta music scene who will get to enjoy one of their first public performances at the Star Bar this Wed. June 22.

The recently formed jazz trio sports three musicians well known locally for years for their involvement in many iconic jazz, swing and blues groups. Spike Fullerton (guitar) most recently has been playing with Ghost Riders Car Club (see ATLRetro’s Feb. 2 Kool Kat piece on him and that band here), but his many other credits include being a founding member of Kingsized. Matt Wauchope (piano) is now with Blair Crimmins and the Hookers toured and recorded with the late, great blues guitarist Sean Costello, giving him the chance to perform with music legends such as Jody Williams, Hubert Sumlin, Pinetop Perkins, James Cotton and Elvis Costello. Veteran blues bassist Dave Roth is now with Burnt Bacon, but also performed with Sean Costello.

ATLRetro caught up with Spike to get the scoop on how the new venture got started, the Nat King Cole connection, what Ray Charles has to do with it, and why he’s bringing out the Big Girl…

Spike Fullerton playing with Ghost Riders Car Club. Photo courtesy of Spike Fullerton.

All three of you are seasoned musicians well-known in Atlanta for your previous misadventures? Why/how did you decide to get together to form a 1940s/’50s jazz trio?
The late lamented Glenwood in EAV had a terrific Sunday night jam session. I had played with Dave there a couple of times, and Matt turned up one night. We knocked out a couple of standards on the spot and that was it. Both of those guys are so good, you know it in about 16 bars. Dave Roth has both perfect pitch and relative pitch, and big-time chops to go with it; Matt Wauchope, who also plays piano with Blair Crimmins and the Hookers can just knock that Harlem stride style out as well. It’s both humbling and a real pleasure to play with such enormously talented musicians

Why the name Nat King Coal Miners and do you play Nat King Cole classics?
I happened to mention (original King Cole Trio guitarist) Oscar Moore as a big influence on me, and it turned out Matt and Dave already had this project going. Matt and I had both done long stints in Kingsized—I was a founding member years ago—so we had a large pool of common standards to choose from, as well as a shared sense of humor about the material. The language of jazz is pretty similar across genres—it’s just deciding which accent you want to speak with. The King Cole sensibility of strong rhythm, heavy swing, and clever lyrical and musical interplay was a natural.

Who are some other influences on the band’s sound and will you be playing just covers of jazz greats or originals, too?
The three of us are huge fans of the 50s R&B style of Ray Charles—we do a lot of things in that genre as well. It can go from utter melancholy to swingin’ like mad, and just has the most delightful sense of rhythm. We’ll do the odd original, perhaps a Waits cover, all sorts of stuff. Source material is important, but I think we are more concerned with the articulation rather than recreating the original records. So some things may sound more original than they really are and vice versa.

Spike's Big Girl.

Any special plans for the Star Bar gig this week?
Our good friend the Rockin’ Gator, legendary friend to the Atlanta music scene, will be on hand to tape some of the proceedings so everyone who turns up gets a little digital immortality as a side dish. For you guitar geeks out there, I’ll be bringing out a very special instrument from my collection to play for the evening. I had retired it for over a decade, but I love this style, and this group so much, I’m going to bring out The Big Girl (an extremely rare 1949 Gibson archtop), along with a period amplifier for the show.

Where else will the Nat King Coal Miners be playing soon and any plans for a recording?
We are booked for the Summer Shade Fest [Aug 27-28] in Grant Park and have recurring gigs at Blind Willie’s and hopefully the Star Bar going forward.

The Ghost Riders Car Club set had the most heartwarming moment at Bubbapalooza when you guys started pulling Mama Smalley and other Star Bar regulars onstage for an audience singalong to The Diggers‘ “She’s Breakin’ My Heart (While I’m Drinkin’ Her Beer)” Can you share some of the specialness of that moment with anyone who missed the show.
As you may know, I was on the bill at Bubbapalooza I. [Founder] Greg [Smalley] was a colleague of mine on the scene, and we played many a show at many a forgotten venue. It speaks to his impact on the community that after all this time. We should all be remembered so long, and so fondly.

Love your band logo – what’s the story on that?
It’s actually a real King Cole Trio album cover from the 40s. The postmodern sense of motion and optimism, and use of negative space and color, sort of dovetail with what we try to do as a group.

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