Seventies Slackers, Bikers & Psychedelic Japanese Animation: All That and Much More in Our Retro Guide to the 2016 Atlanta Film Festival

Posted on: Apr 2nd, 2016 By:

10294346_10153376281298424_3819900343571644880_nCinephiles rejoice! Now in its 40th year, the Atlanta Film Festival (ATLFF) is back in bloom from Friday April 1 through Sunday April 10. ATLFF has long been known for a huge line-up of more than 200 diverse and offbeat features, shorts and documentaries from local to international filmmakers, and this year has one of its most exciting line-ups to date with some gems to warm our Retro heart.

Because it can be challenging to wade through such a wide-ranging schedule, we’ve taken the time to sort out some productions that you, our Retro readers, might particularly find of interest including a number of cult and classic revival films screening for free. We’ll also be running social media coverage and reviews of some of our favorites, so be sure to check back. And because we can’t mention everything, be sure also to check out the full festival schedule because there are lots more great films you won’t want to miss.

All screenings below are at the festival HQ at the Plaza Theatre, unless otherwise indicated. 

dazed-and-confused-movie-poster-1993-1010327275 Friday April 1

Opening night brings a red carpet of stars at the Atlanta premiere of THE FUNDAMENTALS OF CARING directed by Rob Burnett and starring Paul Rudd, but we know our readers will be more ready to get back to the 70s with a rare chance to see Richard Linklater‘s hilarious comedy DAZED AND CONFUSED (1993) at 9:30 p.m., followed by Lips Down on Dixie as they present their extremely popular midnight performance of THE ROCKY HORROR PICTURE SHOW (1975). Although a Plaza staple for years, the show gets even better when seen with a festival crowd of fervent movie fanatics.

DudeDesigns_FCB_WEBSaturday April 2

Things get badass crazy with the world premiere of FRANKENSTEIN CREATED BIKERS (2016) at 9:30 p.m., which kicks off the MORPHINE DREAMS horror/weird series. The homegrown 1970s-style neo-exploitation feature promises to be even more over-the-top than its precursor DEAR GOD! NO! (2011) (Read our Retro Review here).  Just about everyone involved with this feature is a dear friend to ATLRetro and lots of the cast and crew will be there, including star Lawrence R. Harvey (HUMAN CENTIPEDE 2 & 3), so we wouldn’t miss it even if we might have to cover our eyes once or twice. Read our Kool Kat of the Week interview with Director James Bickert for a pretaste of the ultraviolent insanity (WARNING: not for everyone!). Just $10 but buy in advance as we betcha it’ll sell out. Facebook event page here.

Gwilliam_Poster_11x17_v03Also on Saturday: Get your bizarro horror fix started early at Noon with THE WOOL shorts segment which includes the award-winning GWILLIAM by Kool Kat Brian Lonano and more of what the ATLFF describes as “other-worldly fibers.” 1979 (do we detect a theme here?) is the setting for GOOD OL’ BOY (12:30 p.m.), about the challenges of assimilating into a new culture for a 10-year-old boy who moves with his Indian family to an American small town and has a crush on the girl-next-door. everybody-wants-some-posterThen EVERYBODY WANTS SOME! (2016), Richard Linklater’s new “spiritual sequel” to DAZED AND CONFUSED set in the world of 1980s college life, screens at 7 p.m. Actors Ryan Guzman, Tyler Hoechlin and Blake Jenner are scheduled to attend. Also at 7 p.m. and free with RSVP at the Hill Auditorium at The HighRUBY IN PARADISE (1993), Ashley Judd‘s film debut as a Florida girl struggling to escape her working class life and achieve her dreams during Pensacola spring break, gets a rare return to the big screen as part of a retrospective of director Victor Nunez‘s career. A PECULIAR NOISE (2015) at 7:30 p.m. (7 Stages), is a sentimental documentary of the DIY underground music scene in the college town that spawned such alt-favorites as The B-52s, R.E.M. and Pylon. Director Jorge Torres-Torres is scheduled to attend.

CcufcVTW8AER7JQSunday April 3

Festivities kick off at noon with a 25th anniversary screening of Southern foodie comedy classic FRIED GREEN TOMATOES (1991) (free with RSVP). If you’re hungry afterwards, for just $20, there’s a Food on Film after-party at the Callanwolde Fine Arts Center from 2-4:30 p.m. CONCERTO, at 5:15 pm (7 Stages), is a documentary about brothers Christopher Rex (Principal Cellist of the Atlanta Symphony Orchestra since 1979) and Charles Rex (a first violinist with the New York Philharmonic since 1981) who struggle to overcome a childhood at the hands of a disturbed but brilliant composer father. At 6 p.m., head to the Rialto Center for the Arts to revisit the explosive 1991 Clarence Thomas Supreme Court nomination hearings where Anita Hill accused him of sexual harassment in HBO Films’ docu-drama CONFIRMATION, filmed in Atlanta.

2012110720180322562_artikelThe second installment of the MORPHINE DREAMS series at 7:15 pm at 7 Stages, THE FORBIDDEN WORLD (2015), directed by Guy Maddin and Evan Johnson, is seriously crazed with a side of William Hope Hodgson : “A never-before-seen woodsman mysteriously appears aboard a submarine that’s been trapped deep under water for months with an unstable cargo. As the terrified crew make their way through the corridors of the doomed vessel, they find themselves on a voyage into the origins of their darkest fears.” Then rush back to the Plaza if you like crazy Japanese trippy Weird animated horror for MD#3, Eiichi Yamamoto‘s legendary BELLADONNA OF SADNESS (1973), a real event being that it was previous unreleased in the USA. Based on SATANISM AND WITCHCRAFT by Jules Michelet, young and innocent Jeanne is ravaged by the local lord and makes a pact with the Devil. According to the description: “The Devil appears in phallic forms and, through Jeanne, incites the village into a sexual frenzy. In a new restoration using the original camera negatives, this erotic and psychedelic trip of a film springs to life.”

CHEERLEADER

CHEERLEADER

Monday April 4

Get your dose of bubblegum, side ponytails, ’80s music and revenge in the 7 p.m. world premiere of CHEERLEADER, a witty satire of an all-American pastime.  Director Irving Franco and Producer Nathan Marcus are scheduled to attend. Then at 9:15 p.m., THE FOUNDERS goes back to the 1950s and the 13 women who fought male chauvinism to found the Ladies Pro Golf Association (LPGA). Co-Directors Charlene Fisk and Carrie Schrader, Producer Phoebe Brown and Actor Caleb Messer are scheduled to attend.

HandmadeVol6final_medTuesday April 5

At 7 p.m., the COTTON documentary shorts series at 7 Stages includes HOTEL CLERMONT, about residents of the notorious seedy and recently closed Atlanta landmark (yes, we said landmark), and THE NEW ORLEANS SAZERAC, about the quintessential Big Easy cocktail. Released first in 2005, HANDMADE PUPPET DREAMS (also 7 Stages, 9:15 p.m.) doesn’t date back to the 20th century in itself, but puppetry is a Retro art, right? This handpicked selection of puppet film shorts has received tons of international acclaim and just looks friggin’ cool, plus it’s introduced by Jim Henson‘s daughter Heather Henson. Read our Kool Kat of the Week interview with her here.

Bill Genovese in WITNESS.

Bill Genovese in WITNESS.

Wednesday April 6

At 7 p.m., THE WITNESS reopens the famous Kitty Genovese murder, which 38 witnesses watched from nearby apartments and did nothing. Forty years later, her brother Bill Genovese, who was 16 at the time of his sister’s death, digs into the case and “uncovers a lie that transformed his life, condemned a city, and defined an era.” Bill Genovese, Director James D. Solomon and Producer Melissa Jacobson are scheduled to attend.

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MANOMAN, directed by Simon Cartwright, UK

Thursday April 7

Head to the Center for Puppetry Arts at 7 p.m. for WOOD, a screening of international puppetry shorts, followed by a reception in the Atrium and free entry into the new Worlds of Puppetry Museum featuring the Jim Henson and Global Collections, which includes rare artifacts from Henson-related films such as THE DARK CRYSTAL (1982) and LABYRINTH (1986) and a selfie opportunity with Muppets Kermit and Miss Piggy.

LOA

LOA

Friday April 8

During COPPER, a special presentation by the always intriguing Contraband Cinema at 7 Stages at 7 p.m., see contemporary and classic avant garde and experimental shorts with some of the filmmakers in attendance. At 9:15 p.m. also at 7 Stages, director George Koszulinski and other members of his creative team will be on hand for a screening of the “mystical, experimental” Haitian documentary LOA about the life of the Extanta Aoleé, a local houngan or ‘Vodou man.” And ROCKY HORROR PICTURE SHOW screens again at midnight with Lips Down on Dixie audience participation floor show (see Fri. April 1).

MV5BOTA3Mjg2NDQ3NF5BMl5BanBnXkFtZTgwMjExNTU3NzE@._V1_UY1200_CR73,0,630,1200_AL_Saturday April 9

In HUNKY DORY, at 12:30 p.m., “Sidney—an artist of many things but an extraordinaire of nothing at all—struggles to live up to the expectations of his glam rock dream.” Director Michael Curtis Johnson, Producers Tomas Pais and Jacqueline Johnson and Actor Chad Hartigan (who also directed “closing night feature” MORRIS FROM AMERICA which screens Sat. at 7:30 p.m.) are scheduled to attendAt 2:30, the GOLD documentary shorts series includes SAULTOPAL, in which Atlanta-based artist Susan Cofer invites Georgia-born filmmaker John Henry Summerour (SAHKANAGA) to spend a year documenting Saultopal, an 1100-acre farm in northwest Georgia populated by Longhorn cattle, gigantic rock sculptures and Carl, her husband in his 80th year, and TOURIST about a Vietnam vet revisiting the nation where he once fought.

41cIba3SqsL._SY355_Sunday April 10

The last day of the ATLFF is pretty Retro-kickass, we have to admit. See David Bowie live again on the big screen as the iconic Goblin King in a 30th anniversary screening of LABYRINTH (1986). Then in the much-anticipated MILES AHEAD at 2:45 p.m., Don Cheadle directs and stars as legendary jazz man Miles Davis. Not a full biopic, it centers on the period of five years in the late 1970s when Davis was holed up in his home with chronic hip pain and a fictional encounter with a music reporter which leads to a quest for a stolen tape of his most recent compositions. There’ll also be some Encore screenings yet to be announced, so keep checking the schedule if you miss a screening and/or it sells out.

Of course, these films represent just a tiny portion of the events, shorts, seminars, screenings and receptions/parties taking place. For a complete list, again you need to check out the official Atlanta Film Festival Schedule. And keep an eye on ATLRetro throughout the fest for coverage on all the fun and films. Enjoy this year’s ATLFF, movie lovers!

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Life Goes On for Murray Attaway as Guadalcanal Diary Rises Again 30 Years Later at Smith’s Olde Bar

Posted on: Jun 30th, 2011 By:

Photo courtesy of Guadalcanal Diary.

I see life like a mirror
And I see life so much clearer

We move so quickly
Who knows where the time goes
Where does this road lead?
No one knows, no one knows

-Excerpted lyrics from “Litany” by Guadalcanal Diary (2 x 4, 1987)

Back in the early ‘80s when alt-rock was still called post-punk or new wave and relegated to the ghetto of college radio, Athens seemed to grab all the cutting edge music glory in Georgia. While many music critics liked to insist Guadalcanal Diary came from that scene (their first LP was on Danny Beard’s DB Records, which while based in Atlanta, was known for breaking out The B-52s), the band actually hailed from Marietta, proving something much more innovative than the Big Chicken could hatch out of what’s often thought of as Atlanta’s most white-bread suburb.

It doesn’t seem like it could possibly have been three decades ago when they first got together to play a friend’s backyard wedding, but it’s mighty good to hear that Guadalcanal Diary, who broke up in 1987, are back and performing live, if only for two shows. The first was at AthFest last weekend, and rumor has it that the second at Smith’s Olde Bar is already sold out. Yeah, it seems like there are plenty of folks who miss hearing the voodoo jangly twang with an offbeat sense of humor of “Watusi Rodeo”—the name of their first EP released in 1983 (Entertainment on Disk) and later a song on the WALKING IN THE SHADOW OF THE BIG MAN LP (1984) released on DB Records and produced by Don Dixon (REM, Smithereens). Back then MTV’s CUTTING EDGE, the go-to late night show for progressive content, named the video for “Watusi Rodeo” its video of the year. They’d go on to cut three more albums, and even after they broke up, thankfully they’d occasionally reunite every once in a while for a show and even cut a live CD, GUADALCANAL DIARY AT YOUR BIRTHDAY PARTY, in 1998.

In more recent years, lead singer/guitarist Murray Attaway recorded a memorable solo album, IN THRALL, and lately he’s been performing again with Guadalcanal Diary guitarist and oft co-composer Jeff Walls in Bomber City. Walls has popped up in a variety of bands including Hillbilly Frankenstein, Dash Rip Rock, Southern Culture on the Skids, Man or Astro-Man? and The Woggles. ATLRetro caught up with Murray to find out why Guadalcanal Diary decided to regroup this summer and what’s ahead for him, Walls and the band…

You were one of the bands that converted me to a whole different way of looking at music, listening to WRAS in the early 1980s. It’s great to hear you guys playing again. What inspired you to bring the band back this summer?

That is very kind of you. The advent of social networking had a hand in the reunion. I had quite a number of music people, promoters and such contact me over the last few years asking if I had plans to do any more music. This led directly to Jeff and I starting Bomber City. As 2011 drew near, Jeff, Rhett, John and I began to discuss the possibility of doing a few Guadal shows to commemorate our 30th anniversary. And here we are.

Is it the whole original line-up—you, Jeff Walls, John Poe, Rhett Crowe?

Yes, we’d never consider it otherwise.

For those too young to remember, briefly how did Guadalcanal Diary get started and why the name?

Jeff and I had been writing songs together on and off for years, and we wanted to play them live. We both had been in a band called Strictly American with Rhett’s brother Curtis Crowe of Pylon, and John and Jeff were in a couple of bands together as well, The Motive and The Rooms. Rhett and I were a couple at the time and she wanted to learn to play bass, which Jeff taught her. The original idea involved doing a number of Civil War ballads all rocked up, but, thankfully, our originals sunk that idea. The name, taken from the Richard Tregaskis novel, seemed ambiguous enough to work creatively under. Plus, it sounds like water.

Who were your early influences? In an old Spin interview, you mention XTC, Bowie, Velvet Underground, Roxy Music but also old country like George Jones?

Yes, there are quite a few older country artists I like: Hank Sr., Johnny Horton, Buck Owens. Big list. Also Yes, Tull, Eno, Beatles, Stones, Miles Davis, Wynonie Harris. This could take days…

“Watusi Rodeo” is your best-known song, but what’s your personal favorite and why?

I like that song. I also like “Litany,” “Trail of Tears,” “Ghost on the Road,” “Vista” and “Pretty Is As Pretty Does.” “Litany” came along at a very happy time in my life, and I think the song reflects it. I hope.

In an interview from 1993, you were asked whether you had any regrets about breaking up in 1989 but you said that while you were possibly poised for the kind of mainstream success that Soul Asylum had, you were happy the band didn’t push it until you were burnt out and no longer friends. How do you feel about that now, or are you sick of answering that question?

Did the interviewer ask me specifically about Soul Asylum? I was only peripherally aware of them, so I’d be surprised to know that I compared Guadal to them. I am still happy that things turned out the way that they did. I don’t like the idea of comparing one group’s success to another’s. Guadalcanal Diary’s original goal was to be able to headline 688 on a Friday night. We went a little further, happily. I’m pleased with the body of work we left. I’m even more pleased that we are still good friends.

You’re often more associated with Athens than Marietta. Was the gig at AthFest a bit of a coming home?

Yes indeed. No matter how much we may have bitched early on about differentiating between us and Athens, Athens became Guadalcanal Diary’s home. So Athfest was great, certainly a homecoming.

Any special plans for the Smith’s Olde Bar show?

Yes, to top the performance at Athfest.

When will we hear Guadalcanal Diary live again or a new recording?

No plans, but either is possible.

What’s up with Bomber City and are you collaborating with Jeff on anything else?

After a personnel change last year, we’ve been rehearsing steadily and are ready to play live again. First show is July 30 at The Melting Point in Athens.

Are you up to any more solo work or anything else musically right now?

Between Guadal and Bomber City, and a startup company that I’m a partner in, my hands are full. Jeff’s the one who’s in four bands at a time, plus producing. I think he takes lots of vitamins.

What’s your favorite Atlanta used record store and why?

Wax n’ Facts.  Danny Beard put out our first LP, and he’s also a relative by marriage. Plus great selection.

What question do you wish someone would ask you but they never do, and what’s the answer?

I wish someone would ask me why I like peanut butter and dill pickle sandwiches. Because they’re crunchy, sweet and sour.

 

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