‘Tis the Season To Be Bono: Yacht Rock Revue Kicks Off St. Patrick’s Day Early at Park Tavern and Muses on Stepping Into the Shoes of So Many Rock Icons

Posted on: Mar 1st, 2012 By:

Photo courtesy of Yacht Rock Revue.

Shamrock with Yacht Rock Revue kicks off Atlanta’s St. Patrick’s Day shenanigans early this year with the ultimate U2 tribute experience on Sat. March 3 at Park Tavern at Piedmont Park. The event, featuring one of Atlanta’s most popular classic rock cover bands, kicks off at 2 p.m. and live music starts at 4 p.m. with special guests Saturday Night Beaver presenting a glamorous stage show that celebrates the artists that brought sex appeal to popular music such as Rick James, Rod Stewart and George Michael. Then U2 tribute band Uno Dos Tres Catorce performs followed by two sets by Yacht Rock Revue. Drink and eat up with an ultimate Bloody Mary bar, green beer and plenty of hearty fare. ATLRetro caught up with two of the six members of Yacht Rock Revue, Nick Niespodziani and Peter Olson to find out more about the Gaelic goings on and what it’s like to step into the shoes of so many classic rock icons.

What do you have planned for March 3? Will it be an all-U2 show?

Our plan starts with Irish Car Bombs. Then Uno Dos Tres Catorce – starring Bueno and the Wedges. I play Bueno, everyone else is a version of the Wedge. Then it’s a long block of soft rock in our Yacht Rock Revue persona. Actually two long blocks. That’s a lot of music, especially after doing Led Zeppelin IV and Dark Side [of the Moon] last night at the 40 Watt and Sgt. Pepper’s tonight at Smith’s.

Yacht Rock Revue does so many specialty shows from Beatles tributes to Pink Floyd‘s Dark Side of the Moon played in sync with WIZARD OF OZ at the Strand last fall. Fans of different bands can have high levels of scrutiny, so what do you do to prepare in general for gigs that focus on a specific band? And what will you be doing to prepare for stepping into the shoes of Bono and The Edge?

Each of the shows requires a totally different approach. It’s a lot like being an actor in the theater. Led Zeppelin is the guns-blazing action star. Yacht Rock is the like-able bad guy in an ’80s movie. How do you play Prince and MJ without coming off as a perverted prick who can’t dance as well as those guys? How do you pay tribute to the Beatles without coming off as a smarmy mop-top wanna-be? These are the questions that challenge us at our job.

U2 is the unironic one-dimensional sci-fi hero.  It’s not much of a stretch for me to play the self-righteous, self-aggrandizing social activist role of Bono…  since it’s basically who I am in real life, without the religion and millions. Their music definitely gets your adrenaline pumping. Vocally, it’s a real workout. So I’ve been increasing my throat push-up regimen in preparation.

Photo courtesy of Yacht Rock Revue.

Is there a particular U2 song you are especially looking forward to playing live?

We’ve never done “Pride” before, and we’re trying it this year.  It’s impossible to sing, so we’ll see how it goes. It seems especially appropriate to play it in the home city of MLK.

What’s your favorite tribute show you’ve done so far?

Purple Rain and Thriller was pretty epic last year – we had a 25-person choir in purple robes singing all of the backing vocals. We’re all big Prince fans, so taking on that album for the first time was a very fulfilling challenge. And then we played Thriller in Storm Trooper outfits.

What’s been your most challenging gig? 

The most challenging gigs are the ones where the music isn’t the reason people are there.  We’re spoiled, in that every time we play a show in public we get so much positive energy back from the audience.  When we get into some (not all) of these corporate event situations and we don’t get that vibe back from the crowd, it becomes a lot more difficult to do our job.

Is there a tribute show you’re really dying to do but haven’t had the opportunity yet?

Queen’s “Night at the Opera” versus Janet Jackson’s “Rhythm Nation 1814.”  Also, some of our guys have a project called “Dwight Snake” that re-envisions White Snake’s best tunes through the lens of Dwight Yoakam.  I can’t wait for that show.

How do stay fresh while working with classic cover material?

We always try to put some of our own stank on the tunes – it’s the only way to make it happen.  The key is not to treat the music with kid gloves, you’ve got to smack it around and roll with it in the dirt.  We treat these tunes irreverently, as if they’re our own songs.  That’s the attitude that makes the music and the show compelling.

What are your parameters in terms of what qualifies as a Yacht Rock Revue song?

Whatever we say goes.  And it can’t be written by Jimmy Buffett.

What’s the story behind how Yacht Rock Revue get started?

We were doing a variety show at the 10 High called the Surprise Party where we did a different show every week, including classic albums, comedy, our own original material, etc.  We thought a ’70s AM Gold Show would be hilarious.  It was spearheaded by our drummer Mark and our guitarist Mark.  I didn’t even know half of the songs.  And now it’s the joke that keeps on giving, as the saying doesn’t go.

St. Paddy’s Day is still coming, so do you have plans for any more U2-inspired shows?

Not this year – Park Tavern is the only one.  So catch it whilst thou can.

What else does Yacht Rock Revue have planned for this spring?

We’re recording a studio album, mixing a live album, planning more national-scale tours, launching another Summer Series at the Park Tavern, and cloning ourselves.

What question do you wish someone would ask you but nobody ever does? And what’s the answer?

Q:  Where’d you get your boots?  A:  I’ll never tell.

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Kool Kat of the Week: Getting the Third Degree from The District Attorneys’ Drew Beskin on Their First Album and Their Next Gig with Modern Skirts and Tedo Stone at The Earl This Saturday Jan. 14

Posted on: Jan 10th, 2012 By:

The District Attorneys. Photo courtesy of Drew Beskin.

The temps are supposed to be dropping again by the weekend. So when we heard several reviewers peg The District Attorneys’ sound as summery and that they were opening for Modern Skirts along with Tedo Stone at The Earl this Saturday Jan. 14, it was easy to warm us up to interrogating lead singer/guitarist Drew Beskin as the first Kool Kat of 2012.

True, the Athens-based quintet only have been around since 2009, but they’ve been turning a lot of heads and getting some rave reviews for their first two EPs. Atlanta Music Guide’s Eileen Tilson even suggested that the seven songs on their debut EP, ORDER FROM (2010), “would easily make them an appropriate opener for The Rolling Stones circa 1963.” As for WAITING ON THE CALM DOWN:THE BASEMENT SESSIONS (2011), Eric Chavez, also in Atlanta Music Guide, effused that “With southern rock riffs mixed in with some dreamy pedal steel and a touch of surfer vibes soaked in reverb, these guys make you want to chillax on the porch with an ice cold Lone Star and reminisce about the good ‘ole days.” The District Attorneys also just finished recording their first full LP produced by Drew Vandenberg (The Whigs, Drive By Truckers, Deerhunter, Futurebirds, Modern Skirts), due out around March. And hey, Drew lists The Replacements, Jesus and Mary Chain and The Smiths as the band’s biggest influences.

Enough back story already. Download their first two EPs for free here, and while you’re chilling and listening, let Drew fill you in on how the DAs got started, some more 20th century musicians he and the band dig and why you need to come out to The Earl Saturday!

What’s the secret origin story of The District Attorneys and what’s in the name?

The band started when me and Chris (Wilson, drummer) decided to form a band after I graduated and he was still at UGA. After that, we acquired a few friends to play with us until it became the line-up that it is today. The District Attorneys became something real when we discovered Frank Keith IV (bass) who is basically Love Potion #9 in human form and has been the main reason we’ve been able to get cool shows to play on. The band name is a tribute to the Bob Dylan song “Subterranean Homesick Blues,” as well as a love for bands like Interpol and The Police.

Your Facebook page describes your sound as Americana and rock, and reviewers have likened you to California country rock and described your EPs as summer music. How would you describe your sound to someone who’s never heard you and what song should they listen to first?

I would def be confident in my answer if the new record was already out. The first two EPs were just as much about finding out our strengths and weaknesses as well as rushing to get something out there to show people we have our own original material that isn’t awful. I’m cool with the summer music vibe, but I think one of my favorite things about this band is that our songs are starting to get very different with each song. Some are fast and rockin’ 2-minute pop songs and some are like the California summer rock stuff. I think if you check out “California Fire” and “Slowburner” from the most recent EP of demos (WAITING ON THE CALM DOWN: THE BASEMENT SESSIONS), you can hear a big difference in style. I always really liked “Sweetheart All Reckless And Humble” from the first EP as well, which reminds me more of a Cure/Jesus and Mary Chain song than anything else.

Can you name a few 20th century musicians who have been key influences and inspirations for you and the band, and why?

I’ll just mention the first few that come to me…um…I always say The Replacements, The Jesus and Mary Chain and The Smiths. I probably say that because I love their guitar tones and how soundtrack-like they sound. I love those bands and I def try to add some of that to our stuff. I will always be obsessed with Elton John and Prince, but I don’t think I have found a good way to showcase those influences in the band…yet.

How do you approach songwriting and select which tunes make it onto your recordings?

I don’t really have a formula for songwriting. It happens differently every time, but I have noticed that it’s usually not the stereotypical sitting down at the keyboard or guitar and writing. I usually come up with something in [my] head or the start of something in my head, and then I bring it to an instrument to accompany whatever new random idea I might have. When bringing new songs to band, I like to play two or three of them at a time and then have the band pick which one they are most eager to add their own ideas to. If it sucks, we can just move on to another one. The new record started out as an 18-song record, but after some options were thrown out, we recorded 14 good songs but ended up ditching two of them because they didn’t fit the vibe we were going for.

What can you tell us about your first full-length album and when will it be available?

The album will be 12 tracks. We are close to deciding what the name of the record will be ,so I don’t want to say just yet. It was produced by Drew Vandenberg at Chase Park Transduction in Athens and will be released hopefully in March, if not a little sooner. We will be releasing it through This is American Music which is a label that houses one of our favorite artists ever, Glossary.

Will we hear any of those new cuts at the Earl on Saturday night?

I’m pretty confident that 97% of the material we play on Saturday will be from the new record. We have been living with these songs for the album for a good while now so we actually are pretty eager to start bringing out some brand new and unrecorded material. But we will try and wait a little bit before we do that.

What else can you tell us about the show and playing alongside the Modern Skirts and Tedo Stone?

The Earl is one of my favorite venues to see shows at. I’ve seen The Tallest Man on Earth, AA Bondy and most recently the Diamond Rugs show [there], which was an eye-opening experience. The venue and all the bands playing this Saturday night will make it a very fulfilling night of music. Modern Skirts are incredible, and we are so excited to share the stage with them. Tedo Stone is a pretty new band with some of the best music I have heard in awhile.

How did you first get into making music? Is this a passion that goes back to when you were a kid?

I always wanted to be a drummer, but I was given a guitar at age 13 because drums would have been too noisy for my rents. At first I just wanted to learn the riffs to “Day Tripper,” “Crazy Train” and “Heartbreaker,” and then I wanted to get all the way through “All Apologies.” After about three years of that, I wanted to start writing my own songs to see what I could come up with.

What did you do musically before the DAs?

Everyone in the band has a colorful musical past, but before The DAs I spent most of my time writing songs by myself, occasionally playing open mic nights in Bloomington, Indiana, when I was at Indiana University. I also played bass for a local art-punk band while I was up there, but mainly I just wanted to work on my songwriting and demo as much as possible.

What do you do when you’re not writing and/or playing music?

We are all working or in school at the moment so whenever we aren’t focusing on The DAs or other musical projects we are busy with that not-so-fun stuff.

Any other news you’d like to share about what’s coming up in 2012 for the District Attorneys?

We are hoping to get to Austin for SXSW and tour more behind this record and hopefully get it in the ears of many new listeners. We have some exciting local shows coming up and hopefully a CD release gig sometime in the spring. We can’t wait for everyone to hear the record, and then we can’t wait to start working on the next one and any EPs in-between.

What question do you wish a reporter would ask you but they never do? And what is the answer? 

Let’s see, no one ever asks me what my favorite John Travolta/Nicolas Cage movie is. It is FACE/OFF (1997). Thanks for asking finally!

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Kool Kat of the Week: Back to the Eighties with Becky Cormier Finch of Denim Arcade

Posted on: Jun 8th, 2011 By:

Photo credit: Jayne Cormier.

Today many people make fun of music in the Eighties when pop stars sported ultra-teased mullets, super-wide shoulderpads, leg warmers and cut sweatshirts. Coming after the hard edge of punk, the sugary exuberance of Top of the Pops UK bands today seems quaint and something we sometimes like to forget we actually thought was rebellious at the time. Yet it’s easy to forget that for a lot of the ‘80s, only handful of Brit hits makers made the US Top 40, like Flock of Haircuts—excuse me Seagulls—, The Police, Human League, Soft Cell and Tears for Fears before John Hughes movies made at least one song by Simple Minds and a de-angrified Psychedelic Furs temporarily cool.

On the other hand, our charts were loaded with big-haired hard rock and metal bands from Van Halen to Bon Jovi, Cinderella to Motley Crue. Michael Jackson was the King of Pop. Billy Ocean crooned “Caribbean Queen,” Rick James undulated to “Super Freak,” Huey Lewis claimed the “Heart of Rock n Roll, Prince spawned an fleet of protégées, and Madonna seemed to spawn an entire genre to herself.

While many cover bands play ‘80s music, Atlanta’s Denim Arcade tries to capture both the decade’s sense of fun and unique sound using similar equipment from guitars to keyboards—the signature instrument of synth pop. Made up of seasoned musicians out to have some fun, Denim Arcade includes Wade Finch (lead and rhythm guitar) and John Christopher (bass), who first played together in the alternative band Noise Dot Com; Andy Womack, who has drummed in a wide variety of bands for more than 20 years including Atlanta-based Renaissance Festival phenomenon, The Lost Boys; and lead vocalist Becky Cormier Finch, best known for Three Quarter Ale, a fast-growing popular Celtic rock band that was a finalist recently on the GEORGIA  LOTTERY’S ALL-ACCESS MUSIC SEARCH show.

ATLRetro caught up with Becky to find out why these talented musicians decided to go back to the Eighties, what to expect at their next show this Saturday starting at 10 PM at @tmosphere, and what’s up next for Three Quarter Ale.

I understand Denim Arcade actually grew out of another ‘80s cover band called Great Scott. How did the band get started and get its name?

Both bands got started because of friends with a shared love of ‘80s music and a love of performing. “Great Scott,” of course, is Doc Brown’s signature phrase in BACK TO THE FUTURE. We had a line-up change, and decided that with a female lead singer, “Great Scott” didn’t really fit. No one in the band is named Scott, anyway! I believe a group of friends was at Manuel’s Tavern, having a conversation about quintessential ‘80s things, and my friend Bettina just blurted out “Denim Arcade” and it stuck!

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