ATLRetro

By Philip Nutman
Contributing Blogger

It must be Labor Day weekend when hillbillies, hobos (getting sledgehammered; no shotguns), cockfighters and bandits in sports cars invade the Starlight Six Drive-In. Yes, it’s time once again on Sun. Sept. 4 to load up the truck with lawn chairs, coolers and portable grills to hit the low end of Moreland Avenue and get down with the World Famous Drive Invasion 2011.

In addition to an afternoon/evening of cool bands, headlined by the legendary Roky Erickson of The 13^th Floor Elevators fame (see end of this article for full band list), this year’s movie line-up is a rootin’, tootin’ rough and tumble grab bag, from the silly to the Southern sublime. Where else are you going to get to see HILLYBILLYS IN A HAUNTED HOUSE, the late, great Warren Oates in the very rare COCKFIGHTER, Ernie Borgnine and Lee Marvin smashing the $*#@ out of each other, and relive the high octane fun of SMOKEY AND THE BANDIT?

HILLBILLYS IN A HAUNTED HOUSE (1967) is a ‘60s country store full of old school horror star cameos (John Carradine, Lon Chaney Jr., Basil Rathbone), country and western (let’s hear it for Merle Haggard!), spies and general craziness. En route to Nashville, a carload of country singers with names like Woody Wetherby, Boots Malone, and Jeepers break down and end up in an old haunted mansion. But in addition to ghosts (oh, yeah?), the house is full of spooks of another kind – spies! Forget the plot, this flick’s really a musical showcase, and not a particularly good one, either, but it’s the right kind of silliness to get the movie party started.

COCKFIGHTER (1974) is a striking, unusual, little screen Roger Corman production directed by existential cult fave/cool dude director Monte Hellman. Hellman started out with THE BEAST FROM THE HAUNTED CAVE (1959), but is beloved by movie geeks like Tarantino for the weird Jack Nicholson westerns, RIDE IN THE WHIRLWIND (1964) and THE SHOOTING (1965); but is most famous for the 1971 road movie TWO-LANE BLACKTOP. Based on an off-beat novel by Charles Willeford (best known for his Hoke Moseley detective novels), which won the Mark Twain Award way back when the novel was published, COCKFIGHTER is a bleakly fascinating character study with Oates as a man obsessed with winning a cockfighting award and who’s vowed not to speak until he does. But, hey, his best friend’s played by Harry Dean Stanton who more than makes up for Warren’s silence.

EMPEROR OF THE NORTH (1973) is one of director Robert (THE DIRTY DOZEN) Aldrich’s most interesting and brutal movies – some of the violence is hard to watch as Ernest Borgnine (coincidentally in town this weekend as a Dragon*Con guest), as Shack, a sadistic railroad conductor, uses his sledgehammer on hobos who dare to ride his train. Loosely based on a Jack London short story, the movie’s a battle of wills between Borgnine and Lee Marvin’s “A” Number One, a famous derelict and rail rider who is intent to be the only man to ride Shack’s train and live to tell the tale. Great photography, riveting performances. It’s an ATLRetro favorite!

SMOKEY AND THE BANDIT (1977). Really, what needs to be said? Burt Reynolds, cool cars, a great cast – Sally Field at her cutest, kick-ass Jerry Reed as his partner Cledus, Paul Williams as Little Enos…and Jackie Gleason as Sheriff Buford T. Justice! Time to put the hammer down and burn some rubber…a car chase movie that always leaves a good taste in the mouth thanks to former stunt driver-turned-director Hal Needham’s snappy, slick direction.

WORLD FAMOUS DRIVE INVASION, Sunday, Sept. 4, 2011; Gates at 10 a.m.; Adults $25 Presale / $28 Gate, day of; Kids 3-9 $5; Tickets here.

Includes Silver Screen and Gasoline Car Show sponsored by Garage 71!

Performers: Roky Erickson (headliner), Jack Oblivion & the Tennessee Tearjerkers, Dex Romweber Duo, All Night Drug Prowling Wolves, Gargantua, Hot Rod Walt & the Psycho Devilles, The Disasternauts, Ghost Riders Car Club, Burt & the Bandits, The Marques, Dusty Booze & the Baby Haters, Spooky Partridge

If you missed our ATLRetro features on Hot Rod Walt & the Psychovilles, Ghost Riders Car Club and Burt & the Bandits, read ‘em here, here and here!

Scott Glazer performing with Mojo Dojo at Northside Tavern. Photo courtesy by Scott Glazer.

Take a visit to the audio green room that is BACKSTAGE ATLANTA (Tues. at 12:30 p.m.; encore Sun. 11:30 a.m.) , and you might find bassist Joe B. Maudlin of Buddy Holly & The Crickets sharing a firsthand account of the heyday of early rock ‘n’ roll. Or ‘80s synth-pop maestro Jan Hammer revealing the story behind how he came to compose the soundtrack to MIAMI VICE. R&B legend Peabo Bryson has stopped by, The Beach Boys‘ Brian Wilson was a recent guest, and country star Emmylou Harris came to sit a spell, as well as pianist Kenny Ascher, who’s collaborated with John Lennon, Barbara Streisand and Paul Williams.

Those Retro music greats, however, never would have found it onto Atlanta’s airwaves if it wasn’t for the existence of an eclectic little radio station called AM 1690 The Voice of the Arts and a visionary local musician named Scott Glazer known for jumping music genres and fascinated with what goes on behind the curtains.  ATLRetro recently caught up with Scott, who also deejays The Midday Mix (Mon.-Fri., 11 a.m. – 2 p.m.) on AM 1690, to find out more about the independent radio station and Scott’s passion for preserving music history on the air.

How did you become involved with AM 1690 The Voice of the Arts?

I am a musician. In the fall of ’03, I was playing the annual run of  THE 1940s RADIO HOUR at Theatre in the Square in Marietta. One evening after the show I went to a jam session at Darwin’s, a blues joint. There I sang and played with a piano player and spoke and exchanged phone numbers with him. Turns out that he was/is station owner Joe Weber. We touched base a couple of times during the year, and [in] fall of ’04, he called me and asked me to come in to speak with him and [General Manager] Jeff Davis. I was astounded and excited!

When people hear “The Voice of the Arts,” they might think you’re another public radio station playing classical and experimental jazz. They’d be wrong, right?

First off, they’d be wrong in thinking that we are “public radio.” No National Endowment for the Arts funds come our way. Led by noted industry veteran and my personal hero Jeff Davis, our advertising sales staff is #1 and hustles like hell! As far as classical and experimental music, well, you’ll get some of everything on AM1690. We play music that we are passionate about. Most of it is music that you won’t hear on the big megabucks media conglomerates. How can there not be George Jones, Emmylou or Loretta on country radio?  Or Chuck Berry, The Olympics, Percy Mayfield, Ruth Brown, Patsy Cline or a litany of other American greats on the air?

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