Kool Kats of the Week: Monster Movie Madness Ensues as Mark Maddox and Jim Adams Let Loose the Creatures of the Night, Sending Chills Down Your Spine with MONSTER ATTACK!

Posted on: Feb 3rd, 2016 By:

by Melanie CrewSaucermen800-730x548
Managing Editor

Award-winning illustrator, Mark Maddox teams up with jack-of-all creative trades, Jim Adams (actor, radio personality, NERDVANA podcast co-host, Project iRadio PR liaison), to let loose upon the unsuspecting public a monstrous creation, their podcast MONSTER ATTACK! via Project iRadio! Their beastly baby aired its first episode on January 11, 2016 (catch it here), diving head first into the monster madness that started it all for these two monster kids [William Castle’s spine-chilling, THE TINGLER (1959), starring Vincent Price, and Douglas Hickox/Eugene Lourie’s THE GIANT BEHEMOTH (1959)]. MONSTER ATTACK! airs weekly and covers topics that run a gory-fying gamut from scary creatures that go bump in the night, to old-school sci-fi, to radioactive monsters, mad scientists and more! Take a listen, get your bones a rattlin’ and catch the craze that is, MONSTER ATTACK!

Jim Adams and Mark Maddox

Jim Adams and Mark Maddox

Maddox, monster kid, artiste extraordinaire and recipient of a Rondo Award (2011’s Artist of the Year) and Pulp Factory’s “Cover of the Year” award, hails from Tallahassee, FL and his artistic seed has spread like wildfire! He’s illustrated many a magazine cover [SCREEM MAGAZINE (“Star Wars: The Force Awakens”; “Universal Monsters”; MST3K’s 25th Anniversary Issue; “American Horror Story”); HORRORHOUND MAGAZINE; LITTLE SHOPPE OF HORRORS; UNDYING MONSTERS; MAD SCIENTIST MAGAZINE, just to name a few], book covers, films [Warner Brothers’ 3D Blu-ray of HOUSE OF WAX, Cortlandt Hull’s DVD THE PHANTOM OF THE OPERA UNMASKING THE MASTERPIECE] and so much more! Maddox has also become an officially licensed artist through the Vincent Price estate, having illustrated a vast library of Vincent Price book and magazine covers. If you haven’t caught a glimpse of Maddox’s artistic endeavors, you may want to haunt on down to your local purveyor of monsterific lit, or catch him at one of many classic monster conventions, including Atlanta’s own Monsterama, Louisville, KY’s Wonderfest and more!HH copy

Adams, New Yorker by birth and Atlantan at heart, began co-hosting Project iRadio’s “Nerdvana Interviews” in 2014. He has been a professional actor for 30-plus years, was a morning wake-up show radio personality for twenty years, and dabbled in newspaper reporting. Adams is a fixture in the metro Atlanta theatre scene, having served on the Board of Directors for the Georgia Theatre Conference and served as the Senior Artistic Director for the Canton Professional Theatre. He is a devout monster movie matinee fanatic and is a true monster kid, boasting having once owned a collection of classic and modern monster/horror films that exceeded 1,500 titles. Adams can also be found lurking around classic monster and horror conventions, camera and microphone in hand, seeking his prey as the next charming victim for his Project iRadio interviews.

ATLRetro caught up with Adams and Maddox for a quick interview about their love of classic monster movies, their take on classic and modern special effects and tales from their monster kid childhoods. While you’re reeling in on our little Q&A, catch MONSTER ATTACK!’s second episode, “The Werewolfhere!

Jim Adams and Veronica Carlson

Jim Adams and Veronica Carlson

ATLRetro: Congratulations on “The Premiere” episode of your new Project iRadio podcast, MONSTER ATTACK!, which aired January 11, 2016. Classic monsters and “monster movies” in general are right up ATLRetro’s alley and we’re pretty excited to have a podcast devoted to old school monster flicks and those who dreamed them up. Can you tell our readers how you two partnered up to put together this show?

Jim Adams: Mark and I met at the first Monsterama convention in Atlanta two years ago. His table was located next to Veronica Carlson‘s table and I was heading to speak with her when I spotted a print from the movie INVASION OF THE SAUCERMEN. As a kid, it was one of my favorite films, and I stopped to purchase the print. As we talked about the film and many others, it became pretty clear that Mark and I grew up appreciating most of the same monster movies. A few weeks later, Mark was a guest on my podcast, NERDVANA, and we blasted through the entire hour without taking a breath, talking about our favorite films. But it was the following year at the next Monsterama convention that we began talking about doing a podcast together. The idea took form and we recorded our first show 1959_1028_tinglerjust before Christmas.

Mark Maddox: Jim and I had met at a couple of conventions and realized we had a rapport when it came to talking about films. He had a common affinity for classic horror films and the idea to do a podcast came from that. We seemed to work well together talking about them.

In the premiere episode, you both discussed your first taste of monsters in film land, with Mark’s being William Castle’s spine-chilling THE TINGLER (1959), starring Vincent Price, and Jim’s being Douglas Hickox/Eugene Lourie’s tale of a giant dinosaur radiating London in THE GIANT BEHEMOTH (1959). Although these were your first tantalizing tastes of terror, can you fill us in on your favorite classic monsters and why?

J: For me, my favorites have always been the classics – vampires and werewolves. I loved THE WOLF MAN with Lon Chaney Jr., and it still remains one of my all-time favorites. Fred F. SearsTHE WEREWOLF (1956) is also one I really enjoy and it is the subject of our second MONSTER ATTACK! affiche-la-bete-geante-qui-s-abat-sur-londres-the-giant-behemoth-1959-2podcast. Vampires have always been favorites as well. I am a huge fan of the Hammer films featuring Christopher Lee, although the best vampire film, in my opinion was THE BRIDES OF DRACULA with David Peel playing the vampire. The Count Yorga films are also ones I enjoy watching very much. Bela Lugosi’s DRACULA (1931) has a warm place in my heart. I don’t have much use for some the contemporary takes offered like the TWILIGHT series. I think they sometimes forget that vampires are monsters, not love interests. I am not a fan of what I call “90210 with fangs.”

M: My first favorite monster as a child had to be Frankenstein’s Monster, by far – the film version. The flat head and makeup along with his strength just captivated me. I first saw him on the cover of a magazine fighting The Wolfman and my love for monsters was set. From there, it spread to King Kong, Dracula and on and on.

Which classic monster and/or movie would you say is the most neglected and what do you think makes them worthymummy-poster of attention?

J: The original THE MUMMY with Boris Karloff is a work of absolute genius. The horror is very subtle, but powerful. I love the lighting and set design and Karloff‘s performance the very best of his illustrious career. To many folks, the film may be too “talky” compared to the action-packed horror films of today, but true film lovers should be able to appreciate the incredible artistry The scene where the Mummy first reveals himself to one of the archaeologists is absolutely one of the best horror scenes I have ever witnessed.

M: I think Bela Lugosi‘s DRACULA and Boris Karloff‘s THE MUMMY are both neglected. A lot of people would say they are both slow and not much happens. Bull! They are just incorporating the same kind of techniques that would later be used by Stanley Kubrick and David Lynch – the kind of pacing that brings its own tension. The settings for Dracula and Lugosi’s portrayal are both so weird that it’s like a broken arm that’s been set. Everything looks all right, but there is just something that feels wrong. I think the film has been dismissed too quickly by people.

frankensteinCan you tell us a little about some of your favorite “monster kid” memories?

J: The one I tell a lot is one that happened watching an OUTER LIMITS episode entitled “The Architects of Fear.” I was eight years old and the monster was the most frightening thing I had ever seen. My bedroom at the time had several maps on the walls. I loved maps as a kid, and during the night a fly got stuck one of them. The sound it made was exactly like the sound the creature made on the show, and I was panic-stricken. It was about four or five years later before I dared watch that episode again, but I decided to take a chance. When the monster appeared, my body physically shook. It was almost 20 years before I saw “Architects” again. I purchased the episode on VHS and when I watched it, it still bothered me a bit. I cannot think of anything that affected me quite as powerfully as that one did.

M: One of my favorites was the night that I found out the local TV station was going to show a double-feature of FRANKENSTEIN (1931) and THE BRIDE OF FRANKENSTEIN (1935) because I had never seen either one. Another was my mom letting me stay up on a Wednesday night to watch KING KONG (1933) and I was ecstatic. A couple memories that Jim and I have in common are one, checking out the new TV UM2CoverFinalGUIDE every week and looking to see what “Monster Movies” were going to come on that weekend. The other was going to the newsstand and seeing the latest copy of FAMOUS MONSTERS OF FILMLAND. (Note: One of Jim’s also included going to the neighborhood drug store and watching for the latest Monster Model releases by Aurora and Revell.)

Despite the invasion of modernized and extreme terror tactics, what do you think it is that keeps generation after generation returning to classic monster movies? What is it about these films that continue to draw you to them?

J: There is true artistry to them. I love that we can do so much today with special effects, but sometimes having that luxury creates lazy or sloppy filmmaking. I believe anyone who looks at these classic monsters – even the low-budget ones – cannot help but be blown away by the love the filmmakers poured into them. But, on another note, even the bad ones are just so damn entertaining to watch. Even today, watching the old films I grew up with for our podcast, I find myself re-experiencing those wonderful times growing up with optimism and youthful exuberance from my childhood.

black-scorpionM: Classic films have a lot of dedicated people working for them – writers, directors, actors, technicians, etc. I think that quality is what makes people return to them. With modern horror films, the ones that say something new (THE BLAIR WITCH PROJECT, CABIN IN THE WOODS, and HOSTEL) were all different than their predecessors and that’s why they succeeded. The old films always had the backing of the major studios which helped with the quality. Even the “B” pictures were of high quality

In “The Premiere” episode you discuss the special effects in films like Edward Ludwig’s THE BLACK SCORPION (1957) (Willis H. O’Brien – special effects supervisor) and Eugene Lourie’s THE BEAST FROM 20,000 FATHOMS (1953) (Willis Cook/special effects; Ray Harryhausen/animation). The techniques and art of “old school” special effects has influenced many modern SPFX artists. What do you consider the pros and cons of the advent of computerized SPFX and the more Screem25finalhands off approach to filmmaking? And what is your favorite “old-school” special effect that you think should be used more often in modern film-making?

J: As I said earlier, sometimes I find that filmmakers get a little sloppy and lazy with access to CGI and other computerized effects. I love practical effects because they seem more realistic and I think using those effects helps the performers deliver a better performance. I also believe that the best “scary” movies leave something to the imagination. The human brain will fill the gaps with far more frightening imagery than any effect can. Films like ALIEN (1979), the original THE THING FROM ANOTHER WORLD (1951), and IT! THE TERROR FROM BEYOND SPACE (1958) have shown that. I also miss really good stop-action effects. Done well, I believe they can really sell a film. Films like MYSTERIOUS ISLAND (1961) and any of the other Ray Harryhausen films are still favorites of mine and are always enjoyable.

M: I think that if it is handled well, you should use whatever tool in the toolbox you have to get the job done. That does not mean you use that tool when it is not necessary. Filmmaking is still about storytelling. JURASSIC PARK (1993) needed its special effects to make the dinosaurs seem alive. Some films overuse computerized effects at the expense of the story.

MAD SCIENTIST 29 FRONT CVR MARK MADDOXMark, it’s no secret that your artistic resume and portfolio is quite prolific with your art spanning the covers of SCREEM MAGAZINE; HORRORHOUND MAGAZINE; LITTLE SHOPPE OF HORRORS; MAD SCIENTIST MAGAZINE (and so many more!); your illustrations being used for Warner Brothers Blu-ray releases; and your Vincent Price magazine and book covers leading you to becoming an officially licensed artist through the Vincent Price estate. Can you tell our readers what drew you to your art and why this particular subject matter? And who would you say is your greatest inspiration/influence and why?

M: I loved comic books, monster movies and science fiction. I would draw the things I loved, and the things I loved were my muses. The muse fed the wish to draw, to create more of what I loved. When it came to films, the love of films made me want to draw and the drawing made me love films even more. As far as my influences, the first person who made me want to draw was Dr. Seuss. But the person who really made me want to become an artist, because I loved their work tremendously and still do to this day, was Jack Kirby. That moved me from comic book art to realistic art, portraits and realism with people like James Bama, who did the Doc Savage covers and stills does great Western art to this day.

Jim, we see that you’ve been in radio for quite some time, having been a radio personality in the metro-Atlanta area

Jim Adams

Jim Adams

for a couple decades and now with the invent of podcasts, began co-hosting Project iRadio’s “Nerdvana Interviews” in 2014. Project iRadio not only has brought underrated and almost unknown subjects to light with its podcasts, but it’s made it easier for fans to access knowledge and information delivered by a wide range of industry professionals. What do you hope to achieve with MONSTER ATTACK! and what do you want our readers and your audience to take away from the show?

J: I am so excited about the future of Project iRadio, especially with the incredible hosts we have. After seeing the success of horror writers like Brian Keene, James Moore, Jonathan Mayberry and the others on the network, it appeared there was a need for a look at old horror as well as the new, and that’s where Mark and I fit in. I would love to see MONSTER ATTACK! open up that world to a new generation of fans. Jess Roberts, founder of Project iRadio, is about half my age and he recalls how he fell in love with the older films when he first watched THE CREATURE FROM THE BLACK LAGOON (1954). There are several generations who have never watched any of these magnificent films and maybe listening to the podcast will help whet their appetites to try them out.

30e2e9be532710c523aff1387ccc1381We hear that you were going to initiate a Patreon for subscribers and funding for Project iRadio. Can you tell us a little about that effort?

J: I’m a rookie at Patreon, but from what I have been told, it is a terrific vehicle for helping the network grow and expand. Right now, we are all doing what we do out of love, but bills have to paid and the overhead of maintaining a large podcast network has to be met. Patreon allows those who love what we do help take some ownership in this incredible adventure. I’m still being educated about some of the incentives we will be offering in the near future. You can visit our Patreon site here.

Can you both tell our readers something about yourself that they don’t know already?

J: Wow, that’s a tough one. There is not too much I am private about except my beliefs. I consider myself a very spiritual person – not religious, spiritual. I believe this is one incredible adventure that will set the table for the next adventure to follow after I physically leave this planet. I do believe that energy will come back for another round, and I am a big believer in the concept of “soul families.”

M: I’m taller than Jim. No, seriously I am an artist first, and then I’m a motivational person. I believe that somehow I would be involved in motivational speaking or therapy if I weren’t an artist.

And of course we want to know what’s up next for both of you. Any exciting plans in the near future?

J: If MONSTER ATTACK! succeeds, we would love to launch another podcast where we can talk about all of our other favorite films and TV shows  that don’t fit into the category of old monster movies.

M: A lot more art, a lot more podcasts – even ones that will cover films that are not horror films and hopefully a lot of conventions. You never really know where life is going to take you, but it’s going to be exciting!

 

All photographs are courtesy of Mark Maddox and Jim Adams and used with permission.

 

 

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Kool Kat of the Week: Stan Bowman, a.k.a. “Stan the Zombie” Gets Reanimated in a Starring Role with STAN THE ZOMBIE: THE MOVIE, While Staggering Through Atlanta’s Undead Horror Scene Devouring the Locals One Rotting Piece of Flesh at a Time

Posted on: Jun 25th, 2015 By:

by Melanie Crewstan the zombie promo
Managing Editor

Stan Bowman, a.k.a. “Stan the Zombie”, has become a local legend within Atlanta’s homegrown bloody fangtastic horror scene, staggering his way through cons and events donning rotting flesh while reeking of the undead. He’s been dressing up in bloody-gore-filled costumes since he was a teen and has made dining on the flesh of locals his go-to thing. So much so, that in 2010, he trade-marked “Stan the Zombie” and has been cast as such in several film and television productions, including his first taste of the biz, Giles Shepherd’s ACE THE ZOMBIE: THE MOTION PICTURE (2012). “Stan the Zombie” has also made appearances on the talk-show SCARY TIMES in 2014, and has had roles in AJ Caruso’s horror short, Z.14.12 (2014); a comedy TV series, ZOMBIE SOCKS in 2014; Jason Lumberjack Johnson’s video short, SUPERMANN TREE SERVICE (2015) and more! “Stan the Zombie” will even have his own stand-alone film, STAN THE ZOMBIE: THE MOVIE, which is currently in pre-production and will take viewers down his deep dark path of his hellishly undead past. For a sneak peek teaser and fleshy taste of the upcoming film, grab a copy of the comic book, STAN THE ZOMBIE!

Although Bowman is largely known as one of Atlanta’s favorite reanimated human corpses, he’s been busy working on non-zombie productions as a professionally trained actor as well. Stan_the_Zombie_comic_jpgPresently, he’s playing a role in Keith Bailey’s TEST GROUP, which is currently filming. He’s also played “Dr. Acula” in Giles Shepherd’s comedy-horror film ATLANTA VAMPIRE MOVIE (post-production); “Mastermind” in the fan web-series UNCANNY X-MEN in 2012; and plays the role of “Detective Mike Jordan” in Naz Pankey’s action-horror film I THOUGHT YOU WERE A NICE MAN (post-production). So, if you haven’t had the chance to experience “Stan the Zombie” and/or Stan Bowman the actor, you’ll want to haunt on down to one of Atlanta’s many conventions and horror events for a fleshy taste of the undead!

ATLRetro caught up with Stan Bowman for a quick interview about the history of “Stan the Zombie”; George Romero; his immersion into Atlanta’ horror film scene; and his current film shenanigans! And while you’re takin’ a peek at our little Q&A with Bowman, listen to his interview with Project IRadio’s “Nerdvanahere, as well as an interview with “Stan the Zombie” and John Farris of Dead, Buried and Back at Comic Con 2013 here.

ATLRetro: “Stan the Zombie” causes quite a rotting ruckus across Atlanta! Can you tell our readers a little bit about your undead back story?

Stan Bowman: Well, I’ve been a zombie fan since I was a kid, a big George Romero fan. I started dressing up like a zombie when I was teenager for

Project IRadio

Project IRadio

Halloween. Then in 2007, a friend brought me to Dragon Con. I saw a lot of people dressed up in costume, so I came back the next day in zombie, and was a hit! Every year I would try something and work on making it better. In 2010 I decided to coin the name “Stan the Zombie.”

What brought you to the deep dark underbelly of Atlanta’s monstrous film community and what keeps you coming back for more?

Pure luck? Nah, just going out there and doing my thing with one thing leading to another. After being discovered at Dragon Con for ACE THE ZOMBIE, some SCAD students tracked me down and asked me to be in a short movie with them. It just kept growing from there.

We’ve read that your “Stan the Zombie” character is highly inspired by George Romero films. Which would you say had the most influence and why?

Yes, like I mentioned, George Romero inspired me. It was the original NIGHT OF THE LIVING DEAD, the black and white one. My sister and I used to beg our parents to let us stay up late and watch it. I can’t count how many times I’ve watched it!

Ace_The_Zombie_Movie_Poster_%20Clown_BLOGCan you tell our readers a little about your first film, 2010’s ACE THE ZOMBIE, directed by Giles Shepherd, and how you landed the role? Any behind-the-scenes shenanigans you’d like to share?

Well, the cameraman approached me at Dragon Con and asked if I wanted to be in a movie. Of course, I agreed. When I showed up on set in Milledgeville GA, no one recognized me without makeup. So they cast me as a ZCF Doctor. The second time I was on set, the AD asked me to come in my zombie makeup. When I showed up, everyone recognized me. Ha! It was a fun crew to work with, but with long days and nights on set. We had to be a little crazy to make it though. Ha!

Which other films, directors or actors have inspired you the most? If you could choose your favorite old-school director (besides Romero), who would it be and why?

If you’re referring to horror and zombie films, I would say Wes Craven, John Carpenter, Sam Raimi and Alfred Hitchcock. My favorite would be Wes Craven, because I’m also a big fan of THE NIGHTMARE ON ELM STREET movies.

Atlanta’s independent horror film scene seems to be thriving!  What do you think draws the crowds to the lower budget independent films? And why?

Stan Bowman - The man behind the rotting flesh.

Stan Bowman – The man behind the rotting flesh.

I guess I would have to say the original stories, the hard work everyone puts in. And THE WALKING DEAD being filmed here doesn’t hurt. Atlanta has a lot of horror film fans. We took over being the zombie capital of the US from Seattle several years ago.

You’ve recently branched out beyond the rotting undead and have played some non-zombie roles, including comedy-horror flick, ATLANTA VAMPIRE MOVIE, also directed by Giles Shepherd, where you play “Dr. Acula.” Without giving too much away, what can you tell us about this production, which is set to release in October 2015?

It’s basically a spoof of BRAM STOKER’S DRACULA, but it’s very original in its own right. Everyone put a lot of time and energy into it, and we had an excellent writer. As far as a release date? Not sure, it’s still in post-production right now.

We hear there’s a STAN THE ZOMBIE: THE MOVIE in the making. Can you tell us a little about that and the comic which came out in May 2014?

Well, a Hollywood producer recommended that I come out with a comic book to add more legitimacy to my character. So I contacted a friend of mine, Zak Vaudo, and we began working on it. Zak was already half-way through the script for the movie, so we just borrowed scenes from it for the book. And Alison Cundiff did the illustrations for the comic.

You do a lot of guest appearances at horror events across town. Can you tell us a little about those? Which is your favorite annual event and why?

That’s a tough one, because I like them all; Dragon Con and Walker Stalker, of course. But the smaller ones like Days of the Dead, Twisted Fears and now Wizard World are nice, too. My favorite is still Dragon Con. It’s crowded, but that’s where STZ got his start.

i-thought-you-were-a-nice-man-posterYour first speaking role without makeup was in the web-series, the UNCANNY X-MEN in 2012, where you played “Mastermind.” How did that experience differ from your usual zombified performances?

It was a little unnerving. When you’re in makeup, it’s like a mask. But, without it and having to hear your own voice, well, that’s why I started working with a coach afterwards. Ha! But I liked it. It was a challenge and I look forward to more. It’s fun! But I’ll keep doing zombie as long has my body holds out. Ha!

You’ve also played a few detective roles, including “Detective Mike Jordan” in I THOUGHT YOU WERE A NICE MAN, which is in post-production. Can you fill our readers in a bit on this role?

Well, I’m under a nondisclosure agreement, so I can’t say too much. I play a homicide detective protecting his fiancé’s daughter. Sadly, can’t say more. But, you’ll have to see it when it comes out!

If you could put together a monster movie with all your favorite actors/actresses (alive or not), who would you choose and why?

Hmm. Arnold Schwarzenegger (Having “The Terminator” is always cool!), Kevin Spacey (I love his acting and dry sense of humor.), Kathy Bates (A great actress and she can play the creepy roles.), Jennifer Love Hewitt (Because she’s hot!), Debby Ryan (Because she’s hot and I met her..lol), Sid Haig (He can scare you too death. Ha!). I can go on and on, but those are some who come to mind.

So, what’s next for Stan Bowman? For “Stan the Zombie”?

Well, we are presently in the budget/script editing/shot list phase of STAN THE ZOMBIE: THE MOVIE. Putting together a feature isn’t as easy as people think. It’s a lot of work. We are hoping to start shooting before the end of the year, but that’s a long shot. You never know. In the mean time, I have more non-zombie roles on the docket, and hope to show that I’m more than just another pretty zombie. Ha!

Can you tell our readers something you’d like folks to know that they don’t know already?Stan the zombie headshot doctor (2)

Let’s see, I have always been a big time apocalyptic movie fan, and post-civilization (PLANET OF THE APES, OMEGA MAN, etc). I’m a big history buff and love to explore other cultures. And, I’m actually a pretty private person when I’m not doing conventions or on set.

What question do you wish somebody would ask you and what’s the answer?

Ok, I’ve been asked most through the years, but no one asked me if I could live anywhere I wanted, where would it be? Answer: In the country with three big dogs, off the grid and completely self-sufficient. Can you tell I’m an apocalyptic movie fan? Ha!

All photos courtesy of Stan Bowman and used with permission.

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