‘Tis the Season To Be Bono: Yacht Rock Revue Kicks Off St. Patrick’s Day Early at Park Tavern and Muses on Stepping Into the Shoes of So Many Rock Icons

Posted on: Mar 1st, 2012 By:

Photo courtesy of Yacht Rock Revue.

Shamrock with Yacht Rock Revue kicks off Atlanta’s St. Patrick’s Day shenanigans early this year with the ultimate U2 tribute experience on Sat. March 3 at Park Tavern at Piedmont Park. The event, featuring one of Atlanta’s most popular classic rock cover bands, kicks off at 2 p.m. and live music starts at 4 p.m. with special guests Saturday Night Beaver presenting a glamorous stage show that celebrates the artists that brought sex appeal to popular music such as Rick James, Rod Stewart and George Michael. Then U2 tribute band Uno Dos Tres Catorce performs followed by two sets by Yacht Rock Revue. Drink and eat up with an ultimate Bloody Mary bar, green beer and plenty of hearty fare. ATLRetro caught up with two of the six members of Yacht Rock Revue, Nick Niespodziani and Peter Olson to find out more about the Gaelic goings on and what it’s like to step into the shoes of so many classic rock icons.

What do you have planned for March 3? Will it be an all-U2 show?

Our plan starts with Irish Car Bombs. Then Uno Dos Tres Catorce – starring Bueno and the Wedges. I play Bueno, everyone else is a version of the Wedge. Then it’s a long block of soft rock in our Yacht Rock Revue persona. Actually two long blocks. That’s a lot of music, especially after doing Led Zeppelin IV and Dark Side [of the Moon] last night at the 40 Watt and Sgt. Pepper’s tonight at Smith’s.

Yacht Rock Revue does so many specialty shows from Beatles tributes to Pink Floyd‘s Dark Side of the Moon played in sync with WIZARD OF OZ at the Strand last fall. Fans of different bands can have high levels of scrutiny, so what do you do to prepare in general for gigs that focus on a specific band? And what will you be doing to prepare for stepping into the shoes of Bono and The Edge?

Each of the shows requires a totally different approach. It’s a lot like being an actor in the theater. Led Zeppelin is the guns-blazing action star. Yacht Rock is the like-able bad guy in an ’80s movie. How do you play Prince and MJ without coming off as a perverted prick who can’t dance as well as those guys? How do you pay tribute to the Beatles without coming off as a smarmy mop-top wanna-be? These are the questions that challenge us at our job.

U2 is the unironic one-dimensional sci-fi hero.  It’s not much of a stretch for me to play the self-righteous, self-aggrandizing social activist role of Bono…  since it’s basically who I am in real life, without the religion and millions. Their music definitely gets your adrenaline pumping. Vocally, it’s a real workout. So I’ve been increasing my throat push-up regimen in preparation.

Photo courtesy of Yacht Rock Revue.

Is there a particular U2 song you are especially looking forward to playing live?

We’ve never done “Pride” before, and we’re trying it this year.  It’s impossible to sing, so we’ll see how it goes. It seems especially appropriate to play it in the home city of MLK.

What’s your favorite tribute show you’ve done so far?

Purple Rain and Thriller was pretty epic last year – we had a 25-person choir in purple robes singing all of the backing vocals. We’re all big Prince fans, so taking on that album for the first time was a very fulfilling challenge. And then we played Thriller in Storm Trooper outfits.

What’s been your most challenging gig? 

The most challenging gigs are the ones where the music isn’t the reason people are there.  We’re spoiled, in that every time we play a show in public we get so much positive energy back from the audience.  When we get into some (not all) of these corporate event situations and we don’t get that vibe back from the crowd, it becomes a lot more difficult to do our job.

Is there a tribute show you’re really dying to do but haven’t had the opportunity yet?

Queen’s “Night at the Opera” versus Janet Jackson’s “Rhythm Nation 1814.”  Also, some of our guys have a project called “Dwight Snake” that re-envisions White Snake’s best tunes through the lens of Dwight Yoakam.  I can’t wait for that show.

How do stay fresh while working with classic cover material?

We always try to put some of our own stank on the tunes – it’s the only way to make it happen.  The key is not to treat the music with kid gloves, you’ve got to smack it around and roll with it in the dirt.  We treat these tunes irreverently, as if they’re our own songs.  That’s the attitude that makes the music and the show compelling.

What are your parameters in terms of what qualifies as a Yacht Rock Revue song?

Whatever we say goes.  And it can’t be written by Jimmy Buffett.

What’s the story behind how Yacht Rock Revue get started?

We were doing a variety show at the 10 High called the Surprise Party where we did a different show every week, including classic albums, comedy, our own original material, etc.  We thought a ’70s AM Gold Show would be hilarious.  It was spearheaded by our drummer Mark and our guitarist Mark.  I didn’t even know half of the songs.  And now it’s the joke that keeps on giving, as the saying doesn’t go.

St. Paddy’s Day is still coming, so do you have plans for any more U2-inspired shows?

Not this year – Park Tavern is the only one.  So catch it whilst thou can.

What else does Yacht Rock Revue have planned for this spring?

We’re recording a studio album, mixing a live album, planning more national-scale tours, launching another Summer Series at the Park Tavern, and cloning ourselves.

What question do you wish someone would ask you but nobody ever does? And what’s the answer?

Q:  Where’d you get your boots?  A:  I’ll never tell.

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Kool Kat of the Week: Back to the Eighties with Becky Cormier Finch of Denim Arcade

Posted on: Jun 8th, 2011 By:

Photo credit: Jayne Cormier.

Today many people make fun of music in the Eighties when pop stars sported ultra-teased mullets, super-wide shoulderpads, leg warmers and cut sweatshirts. Coming after the hard edge of punk, the sugary exuberance of Top of the Pops UK bands today seems quaint and something we sometimes like to forget we actually thought was rebellious at the time. Yet it’s easy to forget that for a lot of the ‘80s, only handful of Brit hits makers made the US Top 40, like Flock of Haircuts—excuse me Seagulls—, The Police, Human League, Soft Cell and Tears for Fears before John Hughes movies made at least one song by Simple Minds and a de-angrified Psychedelic Furs temporarily cool.

On the other hand, our charts were loaded with big-haired hard rock and metal bands from Van Halen to Bon Jovi, Cinderella to Motley Crue. Michael Jackson was the King of Pop. Billy Ocean crooned “Caribbean Queen,” Rick James undulated to “Super Freak,” Huey Lewis claimed the “Heart of Rock n Roll, Prince spawned an fleet of protégées, and Madonna seemed to spawn an entire genre to herself.

While many cover bands play ‘80s music, Atlanta’s Denim Arcade tries to capture both the decade’s sense of fun and unique sound using similar equipment from guitars to keyboards—the signature instrument of synth pop. Made up of seasoned musicians out to have some fun, Denim Arcade includes Wade Finch (lead and rhythm guitar) and John Christopher (bass), who first played together in the alternative band Noise Dot Com; Andy Womack, who has drummed in a wide variety of bands for more than 20 years including Atlanta-based Renaissance Festival phenomenon, The Lost Boys; and lead vocalist Becky Cormier Finch, best known for Three Quarter Ale, a fast-growing popular Celtic rock band that was a finalist recently on the GEORGIA  LOTTERY’S ALL-ACCESS MUSIC SEARCH show.

ATLRetro caught up with Becky to find out why these talented musicians decided to go back to the Eighties, what to expect at their next show this Saturday starting at 10 PM at @tmosphere, and what’s up next for Three Quarter Ale.

I understand Denim Arcade actually grew out of another ‘80s cover band called Great Scott. How did the band get started and get its name?

Both bands got started because of friends with a shared love of ‘80s music and a love of performing. “Great Scott,” of course, is Doc Brown’s signature phrase in BACK TO THE FUTURE. We had a line-up change, and decided that with a female lead singer, “Great Scott” didn’t really fit. No one in the band is named Scott, anyway! I believe a group of friends was at Manuel’s Tavern, having a conversation about quintessential ‘80s things, and my friend Bettina just blurted out “Denim Arcade” and it stuck!

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