Kool Kat of the Week: Jeffrey Butzer Delivers A Lynchian Tour de Force with His “Club Silencio: Music From the Feature Films of David Lynch” Kicking Off Its Southeastern Summer Tour at The Earl

Posted on: May 30th, 2017 By:

by Melanie Crew
Managing Editor

It’s been exactly half a decade since we shot the breeze with Atlanta’s own jack of all musical trades and film score junkie, Jeffrey Butzer (The Bicycle Eaters/The Compartmentalizationalists). So we caught up with him once again to get the scoop on his upcoming venture into the bizarre land of Lynch. His “Club Silencio: Music From the Feature Films of David Lynch” tours the southeast this summer with a killer kick-off at The Earl this Friday, June 2 at 9 pm, featuring the “Ladies in the Radiator” also known as Butzer (guitar); T.T. Mahony (synth/piano); Bicycle Eaters Matt Steadman and Sean Zearfoss (rhythm section); Ben Davis (sax), Jade Poppyfield and Renee Nelson (rotating vocalists). Club Silencio promises an unconventionally surreal evening sending you dangling head first into The Pink Room. And if you just can’t get enough Lynch-madness after the June 2 date, you can catch the tour at its stops at the High Dive in Gainesville, FL on June 23, at Saturn in Birmingham, AL on July 8, and at the Caledonia Lounge in Athens on July 15!

ATLRetro caught up with Jeffrey Butzer for a quick tête-à-tête about “Club Silencio,” his love affair with film scores and film in general, and what he and the Bicycle Eaters/The Compartmentalizationalists have been up to in the last five years. While you’re takin’ a gander at our little Q&A with Butzer, why not listen to a bit o’ Butzer and The Compartmentalizationalists’ “Mother’s Gray Dress.”

ATLRetro:  It’s been nearly half a decade since we spoke to you about the release of The Bicycle Eaters’ new 7-inch HIDING PLASTIC SPIDERS. So much has happened since, and now you’re diving head first into David Lynch’s land of the bizarre with your newest musical escapade, CLUB SILENCIO: MUSIC FROM THE FEATURE FILMS OF DAVID LYNCH. What draws you to Lynch’s film scores?

Jeffrey Butzer: What I love about Lynch’s work is his element of surprise. The new TWIN PEAKS series is a great example of that. I love that every week I have no idea what I am getting into. Will it scare me or be hilarious?  …Who knows?

Your CLUB SILENCIO tour was originally slated for 2008, as a follow up to your BEAUTIFUL LOSERS: THE SONGS OF CAVE, WAITS AND COHEN and A CHARLIE BROWN CHRISTMAS tours. Of course we have to know, what took so long and why now?

I am not sure? It wasn’t feeling right in 2008. I never could get in to the mindset to put it together. As Lynch would say, “The ideas weren’t coming.” I had a set list, which really hasn’t changed very much. But that was it. Earlier this year, I had a conversation with a musician who was sort of pushing me to finally do it. Then Julee Cruise and I sort of discussed a mini tour, which neither of us could make happen but, at that point I was really into the idea again, and with the timing of the new TWIN PEAKS it was easy to get everyone motivated.

Can you tell our readers a little about “The Ladies in the Radiator” who will be performing with you on the CLUB SILENCIO tour?

Yes, my longtime collaborator T.T. Mahony is playing synth/piano, Bicycle Eaters Matt Steadman and Sean Zearfoss are the rhythm section, Ben Davis (Purkenji Shift/Noot d’Noot) on Sax, Meghan Dowlen a.k.a. ”Jade Poppyfield and Renee Nelson (Jarboe) are both singing on different dates. I am playing guitar. It is a really great band. I am really happy with all the arrangements.

Film scores are a big influence on your music, with the Bicycle Eaters and The Compartmentalizationalists, et al. It seems many musicians are influenced by particular musicians (past or present) or a particular type of popular music (the art being the whole), but film’s scores tell a different kind of story, as accompaniments or pieces or carriers of the whole. Can you tell our readers what it is about film scores that influence you and the part they play in carrying a film?

I am a film lover in general. I like when films have no music, like in NO COUNTRY FOR OLD MEN or films by my hero Luis Bunuel. But, I also like when music is almost like a main character in a movie, like THE MASTER or films by Fellini, for example. I am not sure how film music influences me exactly. I guess I like the abstract nature of creating feelings out of noises. Mood is my primary goal in the music that I create.

We see that you’ve composed several scores as well for films such as Raymond Carr’s WILD IS THE WIND (2011); HITORI (2014); GOOD GRIEF SUICIDE HOTLINE (2015); ABACUS, MY LOVE (2014); BIRDCATCHER (2006), etc. Do you prefer composing behind the scenes, or playing in front of a crowd? Pros and cons?

I enjoy both for different reasons. Making a score is really strange to me. I really never know what I am doing. I still do not have a method of working and I don’t write out music. Matt Steadman (producer, musician) and I normally meet and see what happens and eventually we come up with music we are happy with. Live shows are very thrilling for me. Something like Club Silencio is fun, because we get to have our own Lynchian spin on expectations. We created this as massive admirers and fans of Lynch and have put together the show we would want to see. I’m getting really obsessed with details like stage plot, lighting, clothing. We put a lot of thought in to these types of shows. We really want them to feel special and fun for people.

Which film score(s) influenced you the most before you began composing your own, and how did it influence you?

Nino Rota’s 8 ½, Michael Nyman/Peter Greenaway scores and the spaghetti westerns by Morricone and Luis Bacolov were all influential to me.

Who are your top five favorite film composers and the film scores they composed that moved you most?

In no particular order my favorites would be Nino Rota (8 ½); Angelo Badalamenti (most Lynch films); Ennio Morricone (ONCE UPON A TIME IN THE WEST/ THE GREAT SILENCE); Michael Nyman (A ZED AND TWO NOUGHTS/ THE COOK, THE THIEF, HIS WIFE AND HER LOVER); and Carter Burwell (FARGO/ BARTON FINK). However, it is difficult to speak about influence. As a musician I strive to not show my influences. I can say that when I sit down to write, music is the last thing on my mind. I am typically thinking about a story, sometimes my own, sometimes a book or film. Then, I try to musically paint a picture. I am very bad with narrative, which is probably why I am drawn to filmmakers like Lynch, who seems more concerned with mood.

Can you give us five things you’re into at the moment that we should be listening to right now–past or present, well-known or obscure?

1) Rowland S. Howard, the guitarist from The Birthday Party has a great, dark, and beautiful album called TEENAGE SNUFF FILM; 2) the singer Lhasa, especially her song Rising, and a song called “That Leaving Feeling she recorded with Stuart Staples of Tindersticks. She passed away a few years ago. Her voice is one of my favorite things; 3) Leonard Cohen’s underrated album NEW SKIIN FOR THE OLD CEREMONY is an all time favorite of mine; 4) Emiliana Torrini’s version of “If You Go Away” has been in my steady rotation. I love Brel’s version of course, but hers in a wonderful modern take; and 5) Rennie Sparks (The Handsome Family): Many now know of them from the theme from True Detective, but do yourself a favor and delve in to their world. Rennie’s books and paintings are so strange and vivid and their last album is one of their best. Rennie, as a writer is one of my biggest influences.

Back to the surreal. If you had to choose just one (I know it’s hard!), which Lynch film would be your absolute favorite?

I honestly cannot pick one. MULHOLLAND DRIVE is always in my top three. BLUE VELVET is the first one I fell in love with. INLAND EMPIRE is a misunderstood masterpiece. If you’ve only seen it once and are on the fence or don’t really like it, see it three more times. It is so dense it demands multiple viewings.

You’re taking this epic and eccentric beast on a trip across the equally bizarre south this summer after your gig at The Earl on June 2, with shows at the High Dive in Gainesville, FL (June 23); Saturn in Birmingham (July 8); and the Caledonia Lounge in Athens (July 15). What exciting things can folks expect when they come to one of your shows? And will this be the last of the tour, or will you be giving Atlanta an encore presentation in the near future?

If this goes well, we plan to make it a summer tradition. We are doing our best to make you feel like you are visiting the Pink Room/Black Lodge and deliver the best renditions of these iconoclastic songs as possible.

And last but not least, any other exciting plans in the future for Jeffrey Bützer? The Bicycle Eaters? The Compartmentalizationalists?

Bicycle Eaters have our first vocal full-length in the editing room as we speak…er, type. I’m also writing a play/screenplay entitled “Partialisms” that I plan to bring to a stage or screen in the near future.

All photos are courtesy of Jeffrey Butzer and used with permission.

Category: Kool Kat of the Week | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

A Charlie Brown Christmas Is What It’s All About: Jeffrey Butzer and TT Mahony’s Jazzy Musical Tribute to Vince Guaraldi’s PEANUTS Score Comes to The Earl & Nine Street Kitchen

Posted on: Dec 10th, 2012 By:

Nostalgic adults and kids will dig Jeffrey Butzer and T.T. Mahony’s jazzy musical tribute to Vince Guaraldi’s A CHARLIE BROWN CHRISTMAS.  This year, the duo will be presenting their holiday treat at The Earl Fri. Dec. 14 and Sat. Dec. 15 and performing a more family-friendly reprise at Nine Street Kitchen in Roswell Mon. Dec. 10 and Thurs. Dec. 20. All shows will start with an instrumental set by Jeffrey’s band, The Bicycle Eaters and also feature surf favorites from THE VENTURES CHRISTMAS ALBUM  rendered by Chad Shivers and the Silent Knights.

As noted last year, the seasonal sell-out shows of A CHARLIE BROWN CHRISTMAS are a labor of love for Jeffrey, a musician/composer whose solo works tend towards the minimalism of the simple Christmas tree in the iconic Charles Schultz special. His band, the Bicycle Eaters, takes a different bend, inspired by Ennio Morricone spaghetti western scores, klezmer and gypsy. And he’s been collaborating with recent Kool Kat The Residents’ Molly Harvey lately, too. Frankly that’s just a small taste of the musical adventures of this diverse Atlanta performer and affirmed cineaste, who was our Kool Kat of the Week last March.

ATLRetro caught up with Jeffrey to find out more about this year’s A CHARLIE BROWN CHRISTMAS, and what’s next for him with The Bicycle Eaters and as a solo composer/musician.

How old were you when you first saw A CHARLIE BROWN CHRISTMAS on TV and what did the show and its music mean to you when growing up?

I don’t remember a time NOT knowing who Charlie Brown was. It is like Bruce Lee, Elvis or Grandma, something that seemed to always exist to me. Growing up, it was always my favorite special. I liked how blue it was. Both literally and figuratively. Cartoon music in general affects you strangely. Like Carl Stalling and Raymond Scott with the Looney Tunes, I wasn’t aware of them until I was older and started playing music. But again, it is hard to remember a time when I didn’t listen to that record every year.

How did you and TT Mahony get the idea of developing A CHARLIE BROWN CHRISTMAS holiday show, and for how many years have you been doing it?

This is year four. I approached TT after he played a Leonard Cohen/Tom Waits/Nick Cave tribute show I worked on. He is an amazing piano player, very witty , too. I had kicked around the idea of doing a holiday show in the past but never really knew a pianist that could handle Guaraldi. Robby Handley is the best upright bass player I know. Great hair, too. And here is an odd fact about TT. He can jump really, really high. I’ve told him he should find some way to compete. I once saw him jump from the ground onto the top of a Toyota.

I understand last year’s shows were packed. Are you surprised that so many adults are so enthusiastic about music from a 1960s kids TV show/Christmas LP? What kind of comments do you get after your performances?

Yes, we were hoping for the best, that our fans and friends would enjoy the show and hopefully some new faces would come out. But the response has been overwhelming. Last year we had to start doing two nights. As far as comments, the one we get the most is “Can you do an all-ages one too…for the babies?” The reason we haven’t is because. the mood we set in The Earl seems to really suit Snoopy and the gang. It is cozy, dark, and has energy almost like a rock show. We are really looking forward to playing Nine Street Kitchen, it sounds like it is going to turn into a great venue. And playing for children will be a blast. My 3-year-old son Francis is happy he can come out to “Dad’s Show.”

What can audiences expect at The Earl this weekend?

Cookies, dancing… It is basically a big Holiday Party with 300 of your closest, newest friends.

What are you doing at Nine Street Kitchen (in Roswell) to make it even more kid-friendly?

The show will not change much.

Why pair Peanuts with The Ventures? 

Well, the albums were released around the same time for one thing. They are both classic ‘60s albums. They are both easy to dance to.

And what about that opening set from Jeffrey Butzer and the Bicycle Eaters?

My band (The Bicycle Eaters) play Frenchy-Jazzy-Spaghetti Western-inspired instrumentals. We are releasing a limited EP at the show

What else are you and the Bicycle Eaters up to? Any more collaborations with Molly Harvey or new 2013 recordings you’d like to tell readers about? 

We have a vocal album on the way called collapsible with our new singer Cassi Costoulas and French singer Lionel Fondeville, as well as several other great guests: Brent Hinds, Don Chambers. Possibly Molly Harvey.

Category: Tis the Season To Be... | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Kool Kat of the Week: Stalking Tender Prey: The Residents’ Molly Harvey, Jeffrey Butzer and Friends Treat You to a Free Nick Cave Tribute Show at 529 on Tues. Oct. 30

Posted on: Oct 26th, 2012 By:

Molly Harvey performs at Black Mass 2011 Halloween show at 529. Copyright Vincent Tseng 2012. Used with permission. All rights reserved.

When Jeffrey Butzer clues us in about a gig, we always perk up our ears. But when Tender Prey turns out to be a FREE Nick Cave tribute show the day before Halloween featuring such interesting denizens of the Atlanta/Athens music scene as Jeffrey, Molly Harvey of The Residents,Cave Women, Andy DeLoach (The Lady Vanishes) and Ben Trickey – and also songs by Tom Waits, Leonard Cohen and PJ Harvey – well, you betcha we’re ready to head down to 529 on Tues. Oct. 30, declare it our Birthday Party and see what Bad Seeds may be planted or men be grinding.

Yup, we’re bat-crazy about Cave and have dug The Residents for longer than we can remember. There’s this pesky rumor that Residents rarely, if ever, give interviews, but Molly Harvey even was so awfully badass as to answer a few questions. So hell, yeah, we just had to make her the Kool Kat of Halloween Week. For your reading pleasure and because the show is on a Tuesday, it’s no trick. We’re going ahead and treating it to you early…

What’s your earliest memory of Nick Cave and was it disturbing?

I can actually remember where I was, in the living room of a $100/month house in Richmond, VA. My roommate was a big Birthday Party/Nick Cave fan, and he’d play them a lot. I actually did feel disturbed. Nick Cave’s music represented that [part] of the world which was still very unknown to me and seemed out of reach, like a language I never had any hope of learning.

Nick Cave has evolved chameleon-like through a number of musical iterations from the Birthday Party to solo work to Grinderman? Which Nick Cave will you be representing at Tender Prey and why?

We’ll be playing a variety of his music, not sticking with one album or era. We just tried to pick stuff that we like and that is a bit Halloween-y. Looks-wise I am fond of that Bad Seeds fancy bad man look. I’m encouraging suits and nice shoes. We’ll see.  Nick and the Residents certainly seem to share an obsessive interest in the odd, as well as pushing musical boundaries and making people uncomfortable.

Was Nick Cave an influence on you or the Residents or vice versa?

I would say he was probably not an influence on The Residents. I am always surprised by how many artists they DON’T listen to. But I could be wrong – they may be huge Nick Cave fans. I love his music, but I’m not an obsessive fan, and there is plenty of his material that I’ve never heard. So musically/stylistically, he’s not an influence but definitely is someone I admire. I love that no matter what he does, his stuff has a very definite signature, yet not all his stuff sounds exactly alike. That’s a delicate balance to achieve.

Can you tell us anything more about the Tender Prey show, how it came about, and why we shouldn’t miss it?

Well, you should come out because aside from our band, there are about 17 other acts (or two or three) doing great stuff: Leonard Cohen tunes, PJ Harvey, Tom Waits. It’s going to be high caliber songwriter night with a bunch of solid musicians. And did anyone mention it’s FREE? It’s free. So that’s always good. We did a Halloween show last year at 529 that was a lot of fun, so we thought-what the heck. Let’s do it again. And there will be puppets.  This is going to be a totally fun night, because everyone knows these songs we’re playing. All the bands that night are paying homage to artists we love, so right there it sets a really positive note up for the night. Jeffrey and I participated last year in a Halloween show at 529 that we called a Black Mass. It was silly and tongue-in-cheek, but I wasn’t interested in even parodying that energy this year. This is more celebratory.

You’ve been with the Residents, hang out with Jeffrey Butzer, and now you’re doing Nick Cave. Do you ever do anything musically that could be classified as remotely normal? Would you ever want to?

Normal like…doing commerical jingles? Or Christmas caroling? I would. No one asks me to, though. I actually auditioned for all these theaters here and didn’t get one call, so I think I should stick with weird. Normal people don’t usually really care about what I do.

The Residents, "Demons Dance Alone" concept album 2002. Photo courtesy of Henrik Kam.

How did you meet up with Jeffrey Butzer anyway and aren’t you collaborating with him on some stuff?

Jeffrey and I met through our mutual friend Matt Steadman, who is also playing guitar in the show. I guess Jeffrey was a Residents fan, and Matt and I worked together, and someone mentioned something and – voila! We are trying to collaborate on some stuff. We really want to make some original work together. It’s a matter of us being in the same place for enough time to develop something. But the wheels are turning for putting a little band together and doing original stuff. We’ll see.

This isn’t you, is it? http://www.mollyharvey.com/ Are there ever any uncomfortable mix-up moments and what would you say (or sing) if you were asked to lead a corporate soul woman leadership forum?

I actually have been told that there is a girl in [San Francisco] who pretends – or at least used to pretend – to be me. She apparently gets very drunk and blabbers on and on about her and The Residents. I hated hearing that. That’s the kind of thing that may have created misunderstandings that I don’t even know about. As far as the Corporate Soul Woman, I WISH I would get some of her clients. I’d tell them to listen to their hearts, but only for the month, that at the end of the month they’d have to come back and get checked out by me so I could give them more timeless wisdom.

What else are you up to right now, and when you will be playing live next?

I am momming it up. I have a young child and that takes up pretty much all my time. Creatively, I am a sewer. That came out wrong. I like to sew. I make things with fabric. I am also working on fleshing out a character who I hope will be singing with Jeffrey before too long.

The Residents at The Fillmore, Halloween, 1997. Photo courtesy of Henrik Kam.

Finally, since it’s Halloween and you have been known for some pretty insane stage costumes, are you willing to give a hint as to what costume you’ll be wearing? Any favorite place to shop for over-the-top clothing in Atlanta or Athens?

Funny, I have no intention of dressing up this year in any costume. Maybe that’ll change between now and next week, but if anything I sort of just feel like looking nice, like being onstage is a special occasion that I want to honor with a dress and matching socks and washed hair. Since dressing up for me has been the norm in my musical career, I want to explore and see what it’s like to create characters solely with my voice, face and body. But shoot, maybe I’ll find a great wig between now and then and that desire for realness will be over! Shopping-wise I have found some great, funny things at Rainbow, but thrift stores are always my favorite places to find that unintentionally over-the-top outfit.

Category: Kool Kat of the Week | Tags: , , , , , , , , , , , , , , , , , , , , , ,

Happy Birthday, Elvis! Big Mike Geier’s Top Five Picks for Songs Elvis Would Have Covered Had He Lived

Posted on: Jan 5th, 2012 By:
Elvis Presley was born on Jan. 8, 1935, and while it’s a big unnerving to think about the King of Rock n Roll as a 76-year-old, wouldn’t it have been just grand if he was still enjoying a recording and concert career into the ’70s, ’80s and today? A big part of the fun at the Elvis Royale, the spectacular annual Vegas-style birthday celebration thrown by KingSized and the Dames Aflame, isn’t Big Mike Geier crooning the same old hits but having some fun by speculating “W.W .E.D.?” with audience members submitting requests for song s that they think Elvis would have covered. The band selects their favorite of these requests and plays them as the show’s encore. In honor of this year’s show Sat. Jan. 7 at the Variety Playhouse (doors 7:30 p.m., show at 8:30 p.m.), ATLRetro asked Big Mike to recall some of the best “W.W.E.D.?” selections from previous Elvis Royale shows:

 

1. “Thunder Road” and “Born To Run” (Bruce Springsteen)
No doubt Elvis would have been a Bruce Springsteen fan with his triumphant lyrics for the blue collar rebel.

 

2. “Hallelujah” (Leonard Cohen)
We’re pretty sure Elvis would have been drawn to the dramatic lyrics and gospel appeal.

 

3. “Under Pressure” (Queen and David Bowie)
Elvis constantly struggled with the pressures of celebrity and also seemed to have compassion for the have-nots.

 

4. “My Heart Will Go On” (Celine Dion)
Elvis loved the melodramatic Broadway tunes, and this theme from TITANIC is just such a tear-jerker.

 

5. “Do You Realize?” (Flaming Lips)
It would have been great to hear Elvis interpret this tune in a recording produced by Rick Rubin a la Johnny Cash’s AMERICAN RECORDINGS.

 

Which songs will Big Mike and the Kingsized crew perform for the “W.W.E.D.?” encore this Saturday?  You’ll just have to come to the show to find out.  Better get your ticket in advance, though.  With this being Big Mike’s last Kingsized performance before he leaves for his residency in Seattle (he is performing in Teatro ZinZanni’s CALIENTE show from February through June), it looks like the show is going to sell out in advance. Get your advance tickets here.
All photos courtesy of KingSized and the Dames Aflame. Photo credit: Emily Butler. 

Category: Tis the Season To Be... | Tags: , , , , , , , , , , , , , , , , , , , , , , , ,

© 2017 ATLRetro. All Rights Reserved. This blog is powered by Wordpress