RETRO REVIEW: OBEY! Splatter Cinema and the Plaza Theatre Command You To Witness John Carpeneter’s THEY LIVE.

Posted on: Apr 7th, 2014 By:

Splatter Cinema presents THEY LIVE (1988); Dir. John Carpenter; Starring Roddy Piper, Keith David and Meg Foster; Tuesday, April 8 @ 9:30 p.m. (photos and merch table open @ 9:00 p.m.); Plaza Theatre; Trailer here.

By Aleck Bennett
Contributing Writer

Ah, THEY LIVE. It’s long been a slippery little beast. Much like 1982’s THE THING, it performed less-than-admirably at the box office when it opened. And, again like THE THING, while critical reception at the time was favorable, it has only recently come to be considered one of John Carpenter’s best films.

Me, I’ve been on board since I first saw it back in the waning days of the Reagan administration.

I mention the time frame because, by Carpenter’s own design, it’s practically impossible to look at the film outside of the realm of the political. Let’s not mince words here: for all the machismo, violence and existential horror John Carpenter’s films may tread in from time to time, the director is a hippie at heart. He took a minute to look around in the 1980s, saw the emphasis on crass commercialization and the worship of wealth encouraged by the Reagan Revolution and was pissed off. But by merging his anger and aggression with his borne-of-the-‘60s anti-right-wing politics, he created a movie that’s more of a piece with the radical political stances of hardcore punk acts like MDC, D.O.A. or the Dead Kennedys. For in this movie, it’s not just that the rich and powerful elite are evil; they are actually not even human.

The premise of the film is a simple one: a drifter named Nada (Roddy Piper) discovers that the oligarchs who rule planet Earth are in fact aliens in disguise, exploiting the planet’s resources for their own benefit before leaving it once they destroy the environment via global warming. They keep humanity in the dark, and their appearances obscured, through television signals that brainwash the public and transmit subliminal propaganda commanding the populace to “OBEY,” “SLEEP” and “CONSUME.” Faced with this knowledge (and able to see through the haze of brainwashing thanks to some specially-designed sunglasses), Nada has only one option: rip the system.

And like listening to, say, D.O.A.’s WAR ON 45 or the Dead Kennedys’ FRESH FRUIT FOR ROTTING VEGETABLES, once the movie gets going, it’s a shot of pure adrenaline. It’s fast, it’s funny, it’s violent (there’s an epic 5 ½ minute fist fight between Roddy Piper and Keith David that is both thrilling and hilarious), and its sardonic ridicule of the rich and powerful—and those who kowtow to them—as anti-human scumbags makes you wish that the Revolution would be something as easy as tearing down a TV broadcast antenna.

[Note: the utilization of a television station to promote things like a particular political ideology, rampant consumerism, stratification of the classes and glorification of material wealth should not be confused with any reality—past, present or future. OBEY.]

At the time, the casting of Roddy Piper as Nada was seen as an enormous misstep by Carpenter. This was just after the WWF (now WWE) became a pop culture phenomenon, and “Rowdy” Roddy was one of the federation’s most famous athletes. However, crossovers into mainstream media outside the ring (Hulk Hogan’s appearance in ROCKY III and his starring role in NO HOLDS BARRED, for instance) were seen as curiosities at best. So Piper’s role—which many saw as ideally meant for Carpenter’s most frequent leading man, Kurt Russell—was viewed with a jaundiced eye right from the start. But his performance is an able one. He brings a raw, brutal physicality to the part that wouldn’t suit Russell quite as well, and he comes across as a stoic “man out of place” in a way that would surprise anyone familiar only with his hyper-confident, loud-mouthed wrestling persona. He pulls this off in such a successful way that when he comes closest to the “Rowdy” attitude he was famous for—such as when he first puts on the sunglasses and sees people as they really are—it truly sells the shock his character is supposed to be feeling. His performance has simply aged well and holds up in a time where the wrestling-to-movie transition is more accepted (thanks, Dwayne “The Rock” Johnson!).

Keith David, as Piper’s friend Frank Armitage (also the name Carpenter used for his writing credit; an allusion to Henry Armitage from H.P. Lovecraft’s “The Dunwich Horror”) is, as always, excellent. He brings a necessary gravitas to the film, keeping the satire and fantasy grounded in the real world. Meg Foster as Holly Thompson, Nada’s love interest, is mysterious and alluring; her motives constantly under question, her understated performance never telegraphs where her allegiances truly lie.

And, as to be expected, Carpenter’s classically-informed composition techniques further show him to be a master of the Cinemascope frame. For a meager $3,000,000 budget, Carpenter makes the most of his downtown Los Angeles locations and creates a series of visually striking setpieces and shots. Tightly edited and winningly scripted (it’s one of the best films Carpenter has ever written on his own), it never lets up.

So get your sunglasses on, stock up on bubble gum and get ready for some alien-elite-ass-kicking!

[Note: Just don’t get any fancy ideas, humans. OBEY.]

Aleck Bennett is a writer, blogger, pug warden, pop culture enthusiast, raconteur and bon vivant from the greater Atlanta area. Visit his blog at doctorsardonicus.wordpress.com

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The Horror! The Horror! Our Top 10 Retro Reasons to Go to DAYS OF THE DEAD 2014

Posted on: Feb 6th, 2014 By:

What are we doing this weekend?! We’re heading down to the third annual Days of the Dead at Sheraton Hotel Atlanta, Friday-Sunday Feb. 7-9.

1) THE THING REUNION! Given that John Carpenter‘s THE THING (1982) is one of those rare remakes that surpasses the original, we can’t think of anything more fun than meeting a bunch of the guys who signed on for Antarctic duty and ended up monster-meal. Keith David, Richard Masur, Joel Polis, Peter Maloney, Thomas Waites all together on one stage at 1 p.m. on Saturday and signing all weekend.

2) DAMIEN ECHOLS. We have followed the case of the West Memphis Three since 1993, and couldn’t be more happy that he is finally free. He talks about “Life After Death” Row Saturday at 7 p.m.

3) RUNAWAYS. We’re not sure how two of rock’s most badass babes ended up on the horror con circuit, but we’re not complaining about any chance to meet Lita Ford and Cherie Currie. Also rocking the roster are crazy ’80s metal man Dee Snider and Skinny Puppy’s Twiggy Ramirez.

4) SID HAIG AND BILL MOSELEY.  Sid Haig, one of those rare B-movie icons and character actors whose career spans the decades from Jack Hill’s blaxploitation films of the 1970s to the chaotic, creepy Captain Spaulding. Quite frankly you and Bill Moseley scared the sh-t out of us in THE DEVIL’s REJECTS and since we’re not easily scared, for that we salute you both!

5) BUTCH PATRICK, MEG FOSTER, CHRIS SARANDON, AND THE CRYPTKEEPER JOHN KASSIRThe guest list just seems to go on and on with Retro-horror goodness including the original Eddie Wolfgang Munster, one of Hollywood’s most eye-catching actresses and the star of another John Carpenter classic THEY LIVE (1988), the hot neighborly vampire from the original FRIGHT NIGHT (1985), and the man whose voice creeped us out so many times hosting TV’s TALES FROM THE CRYPT.

6) THE HISTORY OF THE SPOOK SHOW! Atlanta’s own Professor Morte leads the SILVER SCREAM SPOOK SHOW in a history lesson of this macabre art form which we are certain will both amaze and entertain. We may even learn something, too!

Professor Morte (Shane Morton). Photo courtesy of Shane Morton.

7) MARK MADDOX. If you’re a classic horror or sci-fi fan, you’ve undoubtedly encountered the work of this Rondo Hatton and Pulp Factory Award-winning artist on the covers of countless publications from Little Shoppe of Horrors to the 50th anniversary issue of DOCTOR WHO Magazine. His appearance is sponsored by Monsterama, Atlanta’s newest horror con which debuts August 1-3, 2014.

8) SPOOKTACULAR SHOPPING  Horror cons are the perfect place to stock up on both macabre movie memorabilia, cult classics on DVD and creepy clothing, costumes and accessories.

9) MACABRE MAKE-UP, CREEPY COSTUMES AND PHANTAMAGORIC PARTIES!! Check the schedule for make-up demonstrations, VIP parties, costume contest Saturday night at 11 pm followed by the Monster Ball. On Friday night, learn SFX make-up from the masters in the Atlanta Zombie Apocalypse Presents Putrid Prosthetics, hear the funny side of wrestler-actor Roddy Piper, followed by a midnight Murder Ball hosted by Atlanta’s own most extreme Halloween attraction Chambers of Horror.

10) FRIGHTENING FILMS! The JABB 48-hour film festival featuring new indie horror, such as THE MORNINGSIDE MONSTER by ATLRetro Kool Kats Jayson Palmer and Chris Ethridge, as well as crazy has-to-be-seen-tobe-believed cult classic NEON MANIACS (1986).

Days of the Dead main con hours are Fri. Feb. 7 from 5 to 11 p.m.; Sat. Feb. 8 from 11 a.m. to 7 p.m.; and Sun. Feb. 9 11 a.m. to 5 p.m., with parties going late into the night on Friday and Saturday. For more info, visit http://www.daysofthedead.net/atlanta/.

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Space Invaders Hit Drive-Invasion 2013! The Starlight Drive-In Blasts Off With 1980s Sci-Fi Classics!

Posted on: Aug 29th, 2013 By:

The Starlight Drive-In presents Drive-Invasion 2013Starlight Drive-In; Sunday, Sep. 1; Gates open @ 10 a.m.; Admission $20 advance, $25 at door, children 3-9 $5; Advance tickets here.

By Aleck Bennett
Contributing Writer

The Official World Famous Drive-Invasion is upon us, and there’s a whole slew of hot bands from Memphis garage-thud legends The Oblivians to the one and only  MAN… OR ASTRO-MAN? being cooked up at the Starlight Drive-In for all of y’all Drive-Invaders! But let’s not overlook the great movies that will hit the screen as soon as the sun goes down. This year, there’s an action-packed lineup of 1980s sci-fi flicks that run the spectrum from wild and wacky to dark and gritty.

THE ADVENTURES OF BUCKAROO BANZAI ACROSS THE 8TH DIMENSION; Dir. W.D. Richter; Starring Peter WellerEllen Barkin and John Lithgow; Trailer here.

Let me tell you a secret.

You may not know this, but our planet was invaded by Red Lectroids from th dimension. This realm had been occupied by clandestine Red Lectroids since October 31, 1938, when Dr. Emilio Lizardo—having been possessed by their leader Lord John Whorfin—brought them to Earth. Specifically, to Grover’s Mill, New Jersey. This was reported live as it happened by Orson Welles, but he was later pressured to claim that his broadcast was a work of fiction. From that day, they had been posing as humans and developing technology at Yoyodyne Propulsion Systems in order to take over this planet. Thankfully, we were protected by the Hong Kong Cavaliers under the leadership of physicist, neurosurgeon, test pilot, race car driver, rock star and comic book hero Buckaroo Banzai.

The efforts of Buckaroo Banzai and his crack team/backing band to our planet from the imminent threat of complete takeover by the Red Lectroids were documented by writer Earl Mac Rauch and director W.D. Richter in their 1984 docu-drama THE ADVENTURES OF BUCKAROO BANZAI ACROSS THE 8TH DIMENSION. Rauch and Richter present the true-life tales of Banzai with the effortless charm and thrill-a-minute excitement of vehicles featuring pulp heroes like Doc Savage, or radio adventurers like Captain MidnightPeter Weller embodies the role of Banzai with a wry and drolly laconic air. Ellen Barkin is magnificently funny, smart and sexy as Penny Priddy, the twin sister of Banzai’s late wife. And John Lithgow is completely unhinged as Lizardo/Whorfin, sporting a wild red fright wig and speaking in a ridiculously over-the-top Italian accent. Supported by a stellar cast of veteran character actors (Clancy BrownJeff GoldblumChristopher LloydRobert ItoVincent Schiavelli and Dan Hedaya, among others), the film is nearly as wild, exciting, funny, fast and ridiculous as the real-life events they are based upon.

THE LAST STARFIGHTER; Dir. Nick Castle; Starring Lance GuestRobert Preston and Dan O’Herlihy; Trailer here.

THE LAST STARFIGHTER is essentially what every kid playing video games in the early 1980s dreamed would happen to them. Teenager Alex Rogan (Lance Guest) is a nowhere kid in a nowhere town, whose only real escape is in playing the Starfighter video game outside the diner where his mom works. One evening he manages to top the highest score on record, which gets the attention of the game’s inventor Centauri (Robert Preston). It’s revealed that Centauri is a disguised alien and that the game is a test to find people qualified to actually fight in an interstellar war between the Rylan Star League and the Ko-Dan Empire. And it’s up to Alex to save the Rylan home world and protect the universe from the Ko-Dan leader Xur.

As far as STAR WARS rip-offs go, this has long been a favorite. It’s directed with brisk energy by Nick Castle (who played Michael Myers in John Carpenter’s HALLOWEEN!), and features a spectacular mix of practical special effects and early CGI. Lance Guest does a great job in the role of the film’s ersatz Luke Skywalker, convincingly frustrated by his surroundings and dreaming of something bigger. And he’s bolstered by great performances from Robert Preston and Dan O’Herlihy. It may be a slight movie, but it’s a lot of fun.

THE THING; Dir. John Carpenter; Starring Kurt RussellWilford Brimley and Keith David; Trailer here.

Something from another world has crash-landed in the Antarctic. Something that can mimic any living thing. It’s already wiped out a Norwegian research station. Now it is inside the neighboring American compound, and it could be taking the place of any person—or persons—there. Who can you trust, when anyone could be…the Thing?

Many people consider this one of the greatest remakes ever made. I am not one of those people. To me, this isn’t a remake at all; this is simply a second adaptation of John W. Campbell’s novella WHO GOES THERE? The Howard Hawks/Christian Nyby 1951 film (there is disagreement over who actually directed) was a loose adaptation of Campbell’s story, jettisoning the entire “alien imitation and assimilation” aspect of the plot, and only focusing on the threat of an alien menacing an Arctic scientific outpost. While John Carpenter borrowed the title treatment from the Hawks/Nyby film, everything else is much more faithful to Campbell’s original tale.

Though it’s hard to find someone today who doesn’t love THE THING, this wasn’t the case in 1982. It received mixed-to-negative reviews upon release and was considered a flop, only barely breaking into the top 10 for three weeks and only taking in a third of its cost on its opening weekend. Critics and moviegoers seemed to prefer the “aliens are our best friends” approach of that year’s E.T. THE EXTRA-TERRESTRIAL, which came out just two weeks prior to THE THING. And the special effects of Rob Bottin—now seen as a landmark exercise in visual effects—were largely seen as unnecessarily grotesque and gory at the time, overshadowing the onscreen suspense.

It’s amazing how wrong people can be.

In the years since, a much-needed reappraisal of the film has taken place. It’s now regarded as one of John Carpenter’s finest works, second only perhaps to HALLOWEEN. The ensemble performances are excellent across the board. Kurt Russell makes a believably reluctant hero, questioning everyone even as he questions himself. And each supporting actor—from Wilford Brimley to Keith David, from Donald Moffatt to Richard Masur, and on down the line—creates a unique and memorable take on their character. Bottin’s bravura special effects are shocking and surreal, heightening the alien nature of the transformations on display and providing a sense of “anything goes” unexpectedness to the proceedings. And John Carpenter proves himself a master of onscreen composition, creating gorgeous tableaux with every shot. He keeps the story moving at a brisk pace, but never rushes things. And he ramps up suspense at every turn, continually making you question every person on the screen before you. Add on one of Ennio Morricone’s best scores, and there’s little more one can ask for.

Aleck Bennett is a writer, blogger, pug warden, pop culture enthusiast, raconteur and bon vivant from the greater Atlanta area. Visit his blog at doctorsardonicus.wordpress.com

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