Shop Around: Atlanta’s Swankiest Retro Couple Jezebel Blue and Nathaniel Self Will Dress You Up 2the9s For the Holidays

Posted on: Nov 22nd, 2013 By:

Jezebel Blue and Nathaniel Self.

Some of Atlanta’s finest burlesque performers will be gracing the stage this Saturday night at Tits for Toys for Tots, the seventh annual holiday fundraiser for charity produced by Syrens of the South. But tassels won’t be the only reason not to miss the show, local artists/vendors Jezebel Blue and 2the9’s Retro, aka Nathaniel Self, will be selling everything you need to dress to the Retro max or wrap up under the tree for your honey this holiday season.

Jezebel crafts jewelry with vintage images from pin-up girls to movie idols to steampunk style. Nathaniel sells men’s vintage shirts, jackets and zoot suits, as well as ties, small suitcases and custom-designed Retro purses. Best of all, the couple’s prices are as sweet as they are. ATLRetro caught up with the dynamic duo to find out more about their way-cool wares, what they have planned for Tits for Toys for Tots and also where else you can find them vending this holiday season.

ATLRetro: You two are one of Atlanta’s swankiest Retro couples, hair and clothes to the 9s. There must be a swell story behind how you met, and don’t lie to me, you do own the actual cat’s pajamas, right? 

Nathaniel: First off, thanks for the compliments. I don’t know about how swank we think we are – pretty sure we consider ourselves to be two of the biggest goofy nerds in Atlanta. And as for owning the cats PJ’s, we don’t own them, but if 2the9’sRetro can find them for you, we will, and Jezebel will make the accessories to match.

How we met is sort of a trip to Jerry Springerville. A couple of years back we met at a great mutual friend’s event, The Rockabilly Lounge, put on by the wonderful Mon Cherie. We were both getting out of relationships, and I was actually sort of flirting with her sister at the time, but that didn’t work out, so I decided to step into the land of Jerry Springer and started chatting up Jezebel. Me being a photographer, I loved her look and her fun attitude, so we hit it off right away. I knew it was a good match on our first date when people at Cafe Intermezzo wouldn’t stop interrupting us to take our photo and to say how lovely she was. By the time we left, it was around the restaurant that we were professional swing dancers. Which is very entertaining, because I have two size 12 1/2 left feet and Jez has arthritis and can’t be on her feet for long periods of time, let alone swing dance.

Jewelry by Jezebel Blue.

How did each of you get started on your path to righteous Retro craftiness? 

Nathaniel: I’ve always been an artist, started out sketching as a kid, drawing fake tattoos on classmates. Then on to photography, which I do part time with my other business, Self Images Photography. After meeting Jez, I started selling clothes and vintage luggage. Her creativity rubbed off on me, so I started designing bags in sort of the same kustom kulture/pin-up vein as some of her jewelry. I’m still getting used to doing it. Jez has the hard job making her jewelry. I’m just her carnival barker. My bread and butter is getting lucky being able to find great Kustom Kulture shirts and suits for resale.

Jezebel: I actually took a beginner jewelry-making class when I was in high school, about 24 year(and now I feel old).  I had learned how to crochet from my grandmother when I was about five and always liked making things, but the minute I laid my hands on pliers, a spool of wire and some mandrels I was thoroughly addicted.

Jezebel, how do you select the images for your pieces?

Jezebel: I really have no rhyme or reason. I have a little over 3000 electronic images and folders full of old books, calendars, postcards and photographs. I look through them and wait for something to ‘strike’ me. It could be the colors or composition. It could be something as simple as I just really like the dog in it or the woman’s expression. I wish I knew myself sometimes.

Nathaniel, what are your top three tips for a man who wants to outfit himself as a true gent.

Nathaniel: If you’re serious about wanting to go all out and make an impression:

1.) Do your homework. There are so many variations on vintage style you can really stand out if you want. Make the style your own, do your own thing with it, but I’ve found if you arent comfortable in your own skin you’ll never be comfortable in a three-piece suit.

2.) Find clothing that fits you and the occasion. You don’t need your own personal tailor – it wouldnt hurt –  but you can look ace on a budget, trust me. Don’t step out in a suit that’s all bunched up at the feet and a suit jacket two sizes too large. I’m a hard fit, so I know it’s not always easy, but it can be done if you’re serious about looking ace. Nothing makes you stand taller than a good suit. Dressing for the occasion is a must. You don’t always have to be in a suit. You can look just as ace in a lounge-style button-down and jeans if i’ts a casual night out. It’s all in the details.

3.) If all else fails, go and see a couple of my friends, New Orleans Jon and Chad Sanborn as they perform and take some hints from their style. Those two fellas are the best dressed in Atlanta in my opinion. Jon was really like a mentor and not afraid to tell me what I needed to work on with my gear when I first started out with 2the9s: “Lose the creepers man, find yourself some real shoes.” Haha. He has it pegged down on every detail.

What’s a favorite piece or pieces that you have right now for sale for each of you, and why? 

Nathaniel: Hmmm, that’s a hard one. I can’t even get into all the shirts I have, because I typically like them all so much I want to keep them, but that wouldn’t bode well for my store. I’ve got a couple of pieces of vintage luggage that I have right now that I’ve never seen before. One of my best is a large round blue luggage. Those in such a large size and good condition are becoming hard as hen’s teeth to find. I recently just sold a 1950’s oxblood tuxedo jacket with gold thread throughout. It’s hard to explain, but it got a lot of looks. It was definately one of my favorites just because it was such a great showpiece.

Jezebel: For me, my absolute favorite pieces are the rings I have made with vintage chantons, a fancy word for a pointy-backed rhinestone. The sparkle is unreal; it rivals and, in my opinion, outshines Swarovski. My second favorite piece is an image I use often called “Til Death Do Us Part.”  It is a couple in Day of the Dead makeup done in a school tattoo flash style that I purchased the rights to. To me, it is just a beautiful synthesis of Victorian aesthetics with the couple facing each other but done in a modern rockabilly style – and it talks to my romantic side.

Jezebel, how much time does it take for you to make a piece of jewelry and how do you price your pieces? Always seems to us that your prices are very reasonable, so in other words, how do you do it?

Jezebel: Simple pieces like my $8 anchor earrings take about 20 to 30 mins. Some of the more elaborate pieces can take three to 18 hours depending on the techniques used. The jewellers grade resin I use takes three to four days to fully cur,e and that is after a minimum of three hours work. I try to keep my prices down by not overly marking up the pieces. I know jewelry is a luxury for most of us, as a single mom, even $10 can make a difference and I would rather make a little and make someone happy, than mark up a piece and put it out of reach of someone who would really truly appreciate it. It drives my family and Nathaniel insane. They constantly tell me I am under-pricing based on the amount of work I do.

Nathaniel, vintage luggage is making a comeback. Why do you think that is, and how do you select your pieces? 

Nathaniel: All things pin-up and Burlesque are making a comeback or so I find. Thanks to the tattoo shows, suicide girls and rockabilly hitting the mainstream, everyone is looking for that little something extra to set themselves apart in a group of girls trying to ape the Bettie Page style. For some it’s just nostalgia. I can’t count the number of times I hear “Ohhh my grandmother had one exactly like that!” when I’m vending at shows.

I try to stay away from the plain Jane pieces. I like a lot of character. Sometimes I have to pay more than I want to get them, but it’s worth it when you know that what you have is a cut above the ordinary. Whatever I can do to keep them from being turned into a boombox speakers.

Nathaniel Self and Jezebel Blue.

What can we expect to find at your tables this weekend at Tits for Toys For Tots?

Nathaniel: I’ve gotten a few more shirts and suits, from high-end Valentino suits to vintage double-breasted pinstripe gangster suits and an eclectic mix of shirts from garage, lounge, western and even some Hawaiian and tiki stuff. I still have the great vintage luggage and train cases, as well as a few hand-decorated bags with pin-ups and tattoo graphics and maybe even a couple of new Lux DeVilles if I can find the room.

Jezebel: I will have a little bit of everything: vintage chanton rings, negligee necklaces, pin-up and steampunk-inspired pieces, locker tag bracelets, honestly you never know.

Where can we expect to see you next, and also where can we find your products online? 

Jezebel: The easiest place to find me online is Facebook.  Single mommy-dom is time-consuming, but I can throw things up on FB and answer any questions as needed and it makes it more personal. I will be at Hayes Elementary on Dec 7 from 9-11 a.m. for a breakfast with Santa. I am not sure of anything after that, but I do post my itinerary on Facebook.

Nathaniel: We’re going to be at the Tits for Toys for Tots obviously. After that I’m looking into being a vendor at some of the East Atlanta Village craft shows and the EAV Santa Parade. After that, the future is unwritten. Matter of fact we’re open to anyone who might want to have us at their concerts, car shows or craft festivals. We don’t discriminate, so feel free to get in touch with us. The best place to find me is on 2the9’s Retro on Etsy.com or 2the9’s Retro on Facebook. We look forward to seeing you out and about. Stop on by our booth and say hello.

All photographs are courtesy of Jezebel Blue and 2the9s Retro and used with permission.

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Kool Kat of the Week: Freaks, Geeks and Playing with Teeth: Aileen Loy Is Ready to Sing the Music of the Devil…Well, Till Someone Loses An Eye

Posted on: Mar 6th, 2013 By:

Aileen Loy, performing with Till Someone Loses an Eye at the Star Bar on Jan. 10, 2013. Photo credit: Jolie Simmons.

ATLRetro has had our eye on Atlanta visual and performance artist Aileen Loy for a long time, and now seems like the perfect time to catch up since her band Till Someone Loses An Eye will be playing Sunday March 10 in a three-month second Sunday series at the Corner Tavern in Little Five Points. The unique nine-person ensemble also will be opening for self-described “rockabilly-porno-metal with a country twist” Fiend Without a Face  and Ricer on Wed. March 6 at the Star Bar. Other band members include  Sam McPherson and Michael A. Robinson (L5P Rock Star Orchestra/DRACULA THE ROCK OPERA); Meredith Greer (The Chameleon Queen); Steve McPeeks (Art of Destruction)Frank Anzalone (Walk From the Gallows)Brigitte Warren (Wicked Geisha Ritual Theatre); and Dee Dee Chmielewski (DRACULA).

To call Aileen an eclectic talent would be an understatement for her passions definitely are eclectic and her talent unquestionable. Her singing voice is unexpectedly deep for a woman and has often been compared to Tom Waits. her costumes are always the very spirit of Bohemian and often feature bones, whether she is in full Mexican skull-face Day of the Dead regalia or  a skintight black pants fronted by a human pelvis and skeletal legs. Still to call her a goth would be selling her short. She certainly displays a passion for the macabre, but she also equally embraces the playful, including the recent Renaissance of carnival/circus culture and even a gypsy steampunk edge. Till Someone Loses An Eye lists its influences as Waits, Nick Cave and Gogol Bordello and its interests as “rusted metal, old time circus culture, cheese sandwiches, small rocks, freaks, geeks and miscreants.”

When she is not making music, Aileen crafts cool, creepy jewelry using prosthetic eyeballs and teeth, and she has experimented in film and just about every type of artistic media. If that’s not multi-talented, we don’t know what is. But enough talking about Aileen, let’s get talking to her.

ATLRetro: Seeing your artwork and listening to your music, we can imagine you being closer to Wednesday Addams than Cindy Brady as a little girl. How old were you when you started down the path to the darker side of creativity, and what pulled the trigger?

Aileen Loy: That’s a fair cop – I was a pretty serious and awkward little girl. I’m not sure how to answer the rest of that question but there was probably a library card involved.

Aileen Loy plays a mean harmonica with Till Someone Loses an Eye at the L5P Halloween Festival 2012. Photo credit: Stephen Priest.

Who/what were some of your early inspirations musically and visually that still influence your work today?

Johnny Cash, Tennessee Ernie Ford, a lot of classical music. My parents had a weird assortment of albums when I was growing up, so I’d go from listening to SONGS OF THE GUIANA JUNGLE, Lord Kitchener, those odd Reader’s Digest collected works of *insert western classical composer or awesome polka guy, here*, lots of Bollywood, Johnny Mathis and a good dose of Kitty Wells, Dolly, Willie Nelson. Rock and roll was kind of special because I got to discover that on my own. Those were the albums we played when the folks were at work or at my friend’s house. Dad went on a “Rock and roll is the music of the devil; we must burn all rock albums and rid the world of it’s horrible influence” phase, so most of my albums stayed in my room hidden safely behind the Mozart and Ravi Shankar. It was an odd time.

Why do you think circus and carnivale culture has made such a comeback and is seemingly in a renaissance in the independent arts scene from burlesque to steampunk to modern-day proud-to-be-freaks shows?

Good question and I don’t really know. I’ve always been drawn to it because it seemed like a magical amorphous place, where one can, not only be exactly what one is, but is encouraged and expected to be fully that – to gain power and reflect competence and heart through what others might view as “freakish.” It’s a place where no one expects tidy and convenient truths. Fantastic stuff. I think I definitely would have felt safer in there as a kid.

Your vocals have often been compared to Tom Waits, which is unusual for a woman. Did you work to create your unique singing voice or did it just come natural?

I’ve always had a little froggy voice, and the vocalists that I really loved had such huge resonance. You could feel them in your chest! So, yeah of course I wanted to sound like them. That would be me, age 5, trying my damnedest to sing Johnny Cash, and eventually I could. I had a voice therapist tell me that I have the physiology for it . My vocal cords are similar to a male’s. Otherwise I wouldn’t have been able to train that low.

Aileen Loy fronts Till Someone Loses An Eye at 7 Stages during Day of the Cupcake, Oct. 8, 2012. Photo credit: Jolie Simmons

Tell us about Till Someone Loses an Eye, your latest band. Why the name? And what makes this band special and unique musically?

I thought the name was funny. It could be a threat, an eventuality, or an aspiration. The band is personally interesting to me because everyone has such a widely different back story and vibe from one another, and it informs the music in a pretty cool way.

At an Artifice Club performance in fall 2012. Photo credit: James Curtis Barger.

You list some of your collaborators as “heads of mischief.” What do you mean by that?

I was being glib when I wrote that, just trying to fill a page and get it up. But now it’s very apparent to me that it’s absolutely true on its face, no explanation needed. Lovely troublemakers, all of them.

You’re playing twice this week. Wed. March 6 at Star Bar and then Sunday march 10 at Corner Pub, which is going to be a once-monthly event on second Sundays. Do you have any special plans for either show? Why should folks come out?

Wednesday’s show we’re playing with Fiend Without a Face and Ricer, two reasons right there to come. Second Sundays, we have the whole night to do whatever we want. We could play two full sets just us, or have another band open, or musicians sit in for a song or two. This Sunday, the band, Tulsa, is coming through from SXSW and will be doing an early opener set at 8:30.

A vintage stag pocketwatch sporting a prosthetic eye designed by Aileen Loy.

What are you up to in the visual arts right now? Last time I checked you were making beautiful jewelry involving teeth.

Still plugging away, trying to up the scope of the teeth jewelry a bit and take it to a logical conclusion, not sure what that is. I’ve got a few new projects brewing, but it’s still to foggy to talk about them with any kind of intelligence.

What artistic or musical accomplishment are you most proud of so far, and why?

I’m just happy I’m doing it. Neither was particularly supported when I was growing up, so I kind of always found my own way around. Definitely, a late bloomer.

Finally we had to ask. What’s your favorite whiskey and why?

Is there ever a bad whiskey?

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