Kool Kat of the Week: Under Heidi S. Howard’s Helm, Seven Stages Throws a CD Release Party for DRACULA, THE ROCK OPERA

Posted on: Feb 13th, 2014 By:

Dracula and his wives in DRACULA THE ROCK OPERA at 7 Stages; L-R: Jessika Cutts, Rob Thompson, Naomi Lavender, Madeline Brumby.

Forget a red heart-shaped box this Valentine’s weekend, and go straight for the heart, the bloody heart. The CD of DRACULA: THE ROCK OPERA is finally out (watch for our Retro Review soon), and 7 Stages is throwing live concert to celebrate its release with three shows, February 14 and 15. [Ed. note: 8 p.m. on Fri and Sat. The Thurs. Feb. 13 show was canceled due to weather, and a new show has been added at 10:30 pm Sat]

It’s been a year and a half since the curtain last went down on DRACULA. As ATLRetro said in our Review, “DRACULA THE ROCK OPERA melds JESUS CHRIST SUPERSTAR with Grand Guignol in a production that not only rocks hard and delivers a horrific, non-twinkly Nosferatu, but also is surprisingly true to Bram Stoker‘s original novel.” That review marks the only time a full cast and crew have earned Kool Kats of the Week, and we added that the production not only broke the bounds of community theater expectations but blew them out of the water. We felt like we were “discovering HEDWIG AND THE ANGRY ITCH off-Broadway in 1998 or THE ROCKY HORROR SHOW in a tiny upstairs theater in London in 1973.” We wish everyone who missed it could see the full production, but hopefully the music being available on CD will help convince skeptics that something this crazy original can happen outside the Big Apple. All the main creators/cast members of the Little Five Points Rock Star Orchestra will be back, including Rob Thompson, the mad mastermind behind the sinister shebang; Naomi Lavender (Muleskinner MacQueen Trio), Mina with a voice to make Kate Bush blush; Rick Atkinson, America’s hardest rocking Renfield; and more.

Since then, Heidi Howard has assumed the helm as creative director of Seven Stages. She’s a mighty Kool Kat for taking on one of Atlanta’s most innovative and daring theater companies, following in the footsteps of founders Del Hamilton and Faye Allen, who both are local legends here. Here’s what she has to say about the concert and CD, as well as what’s next for DRACULA and 7 Stages!

Heidi S. Howard. Photo courtesy of 7 Stages.

It’s been a year and a half since the curtain dropped on the last performance of DRACULA: THE ROCK OPERA. While the vision started with Rob Thompson, it was also an amazing collaborative effort with Del directing and many of the musical cast contributing to the composition. Can you talk about that aspect of the production and how it relates to the music we’ll be hearing this weekend?

I remember sitting in the basement over four years ago, listening to the first notes composed and encouraging Rob to propose the production to Del. I have often called theatre a collaborative sport; we have to work together in order to make great things. Over the years, the relationship with 7 Stages artists and Little Five Points Orchestra has grown to something really impressive. This process specifically was created to encourage everyone’s ideas to be heard and to merge the music and theatre styles. By including Shane [Morton]’s knowledge of Dracula and encouraging the composer’s possibility of the music style, we were really able to expand the overall sound of the story.  There is such a diverse style of surprising music from true rock in “The Castle” and “Dracula’s Opus,” to jam in “Van Helsing’s Teachings,” even to rockabilly sounds in “Lucy’s Proposals,” that make it accessible to many.

We have chosen to highlight the different styles and favorites in this concert while still saving some of the best to be heard on the CD. Even today I am inspired by hearing everyone’s ideas and implementing the best of them, as well as the group’s way of working through a decision together.  The Drac Pack is a very intense gathering of strong-minded rockers and artists, each with passionate dedication to what we have created together.  7 Stages has the unique environment of engaging the individual and really supporting who we have in the space.  We are a people’s place and make opportunity for those that are here and willing to collaborate and become better. This process is a testament to engaging and supporting those who are present.

While it’s not the complete production, will characters be in costume and what else is the company doing to recreate the horrific ambiance?

We are sticking to a concert presentation style, keeping the production elements as simple as possible while still creating an intimate environment.  While really celebrating the music and engaging the community, we are keeping the work present in the minds and bodies of our audiences. We are creating a lobby installation of the costumes and some of the scenic elements used in the production. Instead of using the video projections there will be images, many from Stungun Photography, who captured beautiful moments of the production. We did not want to create the expectation of a full production and staging elements, because the goal is to celebrate the music itself. Also, it is important to note that not all of the performers were available for this gig, and so Rob and others cover some of the vocal roles.

What’s your personal favorite song in DRACULA and why?

Oh my goodness, I tried hard to pick one to answer this question, but I just can’t. The music is so rich with diverse styles, and I like many different types of music. “Diary and Mysteries is up there because of the simple beauty of Naomi’s voice and the build of everyone’s layered voice in as the song builds. I love, love, love when there are all of the layers of voices and music changes in many of the Act 2 songs. “Alone in Transylvania” really speaks to everyone’s fear of being lonely, and it always brings chills to my body.  “Van Helsing’s Teachings” is so much fun, and Jeff nails it every time. I wake up singing “The Chase”…. And the list continues. It is so good, and I get so overwhelmed each night in rehearsals, I am literally sitting in the theatre rocking out, feeling so lucky and thankful.

7 Stages is one of Atlanta’s most acclaimed theater companies for serious plays. Why do something as seemingly pop-culture as DRACULA: THE ROCK OPERA, or is it pop-culture?

Traditionally DRACULA productions have been poppy, and with our production we really focused on sticking to the Bram Stoker’s book and creating music and a production that answered the desire of these artists.  7 Stages has always had a mission on supporting new work and encouraging artists to expand their craft.  For me, I was really interested in the process of merging the music and theatre scene, creating a space to develop high quality storytelling and offering both the musicians and theatre folk the best of both worlds so that we could learn best practices and become better artists overall.  This production is a fusion of pop and rock culture, and while it is a break from the serious heavy topics, we are creating a seriously great rock opera. 

Heidi S. Howard. Photo courtesy of 7 Stages.

There have been many stage and screen adaptations of DRACULA. Why do you think this one worked so well and was so popular with audiences?
We stuck to the book in composing the lyrics, many of them being directly taken from the text. Many other productions stray away from this and tell “popular” vampire stories because of the trend. There are so many Dracula mythos out there, and we really stuck to Stoker’s mythos as opposed to others such as Anne Rice’s, TWILIGHT or other modern pop culture mythos.  We used the wave of what was popular for marketing purposes but wanted to stick to the original tale.  We wanted to celebrate the strength of the musicians and performers with high quality production values.  Also, it was a direct goal of Rob’s to do “something that doesn’t suck!”  There is a Little Five Points Orchestra following, as well as those that support 7 Stages who have really encouraged our relationship to grow over the years of producing the Krampus shows [and] involving the musicians in our production of HAIR a few years ago.  Ultimately, we are answering the demand of our community.  The show is fun, involving, intimate, and so surprising that all want to be involved.

So many of us wish there would be full-out performances of DRACULA again. Any chance of that or of it going on the road to other cities?

We would love to do the full production again, taking everything to the next level, send it on the road, sell it to other producers, etc… it deserves to be out there.  That is a large reason for producing this concert version, in addition to celebrating the CD release.  But, it takes money.  Lots of money so that we can pay the artists for their time and work, as well as pay for all that it takes to make a production including blood, effects, blood, costumes, scenery, blood, video, blood, etc.  We want to keep the music and possibility present in our community and continue to push it out there.  

Heidi S. Howard gets the Shane Morton treatment. Photo courtesy of 7 Stages.

How are you feeling about 7 Stages now that you have a few years under your belt. How are you feeling about taking the plunge? What do you think is the company’s biggest success under your helm? And what is its biggest challenge?

Absolutely fantastic.  I love my staff, the artists, and all of the amazing people that walk into the space.  I stuck around 7 Stages all these years for the people and am always inspired by the involvement of those people. I am having a lot of fun with our Home Brew series.  We have always supported the development of new work, but by formalizing it into a program and inviting audiences into the process, the support and understanding for the process becomes very clear. The Navigator was a great success as we took our work outside of our space, and at the same time we were the first organization to be allowed to perform on MARTA with Mass Transit Muse [full production to premiere in May].   But honestly, we have stayed open; we are extremely focused on becoming financially stable.  This is both a success and an ongoing challenge.

Next up is THE RED BADGE OF COURAGE. That’s a book that many people read in school. Why should they want to see it performed live through the lens of 7 Stages?

7 Stages’ new adaptation of RED BADGE uses puppetry, live actors, projected animation and a dynamic soundscape to create an immersive world of battle. Our version uses contemporary techniques to achieve the intense atmosphere of war and the spinning viewpoint of our naive young soldier. People who have read the book will find new nuance and perspective on it, while those unfamiliar will leave the theater itching to read!

What else is 7 Stages up to that you’re excited about for the rest of this season and into the next?
As mentioned above, our work is not just focused on the serious. We are sticking to our social, political and spiritual mission. It is my goal to expand the knowledge of what we do. We like to have a great time with our work. While it can be serious, it can also offer Atlanta a really good time. Today the work has a lot to do with reflecting and representing our community and expanding it – internationally and locally. I am gearing up to jump into rehearsals again for Mass Transit Muse, which is another process that will merge mediums, and Jed Drummond will be a feature, which is always a plus! It’s a wonderful experience to work with your friends, who happen to be amazing artists. I’m looking forward to sharing their talents, engaging with our community, and creating art that surprises, engages and inspires Atlanta.

Heidi in front of 7 Stages' spider float at the L5P Halloween Parade. Photo courtesy of 7 Stages.

You do a lot of work with youth through Youth Creates, the Playmaking for Girls program, etc. Can you talk a little bit about those pursuits and why you are so passionate about working with young people.

By listening to the youthful mind, I am allowing voices to be heard.  As a young person, I was continually challenged by not being heard or not knowing how to express myself. As Education Director, I was able to create a place for young people to connect their everyday life to creative process.  While working on professional productions at 7 stages, training under the world-renowned directors and artists that we brought in, I was able to structure the education programming around the needs of our ongoing programming. It has been obvious to me that we can answer each others’ needs by answering the desires and needs of our community by offering the community opportunities of professional development, while offering hands-on experience in the professional field of creating art.

Finally, tell us something about you and what drew you to the theater life that we don’t know.
I worked at Disney while I was in college and loved playing Timon, the meerkat from THE LION KING, because I could flirt with the girls and no one would know.

Is there any question did I not ask about 7 Stages, DRACULA or you that I should have, and what is the answer?

7 Stages doors are always open. Come on in, grab a coffee or drink from Java Lords, hang out in the lobby / gallery, check out the library upstairs, create with us, see all of our shows, give us feedback, pop in and say hi to us in the office. As I said, I do this for the people I get to meet and create with each day.  There are always amazing things happening here that will surprise and inspire.

CDs of Dracula the Rock Opera are at Java Lords now and will be available at the show. For advance tickets, visit www.7stages.org.

Category: Kool Kat of the Week | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Let Them Eat Cupcakes! The Sugar Dolls Bake Up a Scrumptious Saturday in L5P!

Posted on: Oct 5th, 2011 By:

When ATLRetro heard that The Sugar Dolls were throwing their 2nd Annual Day of the Cupcake party on Saturday Oct. 8, we couldn’t think of a more delicious way to officially kick off our latest weekly feature, the Wednesday Happy Hour & Supper Club. While a holiday just for this Retro sweet sounds scrumptious enough, this quintet of beautiful bakers (Alexis Gorsuch, Lena Kotler, Crystal Chambers-Goggin, Jessika Cutts and Kelli Graham) has cooked up an entire day of activities, starting from noon to 7 p.m. at Sacred Heart Tattoo in Little Five Points and then continuing late into the night at Java Lords ($5 cover; proceeds to Atlanta Bully Rescue). They’ve tempted you with everything from boobalicious chocolate confections to flaming strawberries at Blast-Off Burlesque shows, Mon Cherie spectaculars, Rockabilly Luau, but Saturday will be all about celebrating the cupcake through activities, art and music. You’ll lick your lips for cupcake-inspired games, a Sugar Skull decorating room so you’ll be all set for the Day of the Dead, tasty tattoos, live bands (including Six Shot RevivalThe Sneaky Hand and The Claymores), karaoke, burlesque, pin-up hair-styling with Cherry Dame, a pin-up contest and, of course, cupcakes!

In fact, the idea of spending a day celebrating this timeless treat made us so hungry that we asked the Sugar Dolls if they’d be so sweet as to add ATLRetro to the menu as a sponsor. We’re thrilled to say that we passed their taste test, especially since we’ll be serving up a tasty new look at the end of this week, courtesy of Derek Art, too. That it’s Anya99’s birthday two days later is just icing on the cake, and she really loves icing, so while you’re dropping by for cupcakes, be sure to say hi. We’ll also be selling our first batch of ATLRetro T-shirts, so if you dig what we’re doing, consider buying one and supporting our humble efforts to keep Retro Atlanta alive.

With an all-day event, it’s sometimes hard to know when’s the best time to show up, so we asked Alexis to clue us in on all that’s cooking on Saturday. Of course, we couldn’t resist a few questions about the perennial appeal of the cupcake and the secret recipe behind the Sugar Dolls’ secret origin and success.

For a while, cupcakes seemed to have a bad reputation as being cheap alternatives instead of a real cake and mostly just for kids, but lately this quintessentially Retro treat is not just back in style, but as The Sugar Dolls have shown, can come in all sorts of creative flavors, even in adult versions such flaming with a drop of liqueur. What do you think accounts for their comeback?

Trends in fashion loop around so many years and I have been told on numerous occasion, it is due to nostalgia. “Fashion is not something that exists in dresses only. Fashion is in the sky, in the street, fashion has to do with ideas, the way we live, what is happening.” By Coco Chanel.  So what is more nostalgia than food, needless to say sweets? You nailed it on the head with the fact that cupcakes are Retro, but aside from that they have given us a sweet and simple way to step back to the past yet enjoy where we are and look forward to the future! I love how some of our sweets take me back to being a little girl, but the same cupcakes are the most elegant wedding display or engaging party favor. So much diversity in these simply amazing treats and people are really starting to recognize the possibilities and fun at reasonable budget. So honestly it is a nice handful of things that has really allowed these sweet cuppies to bloom into their own world.

We can’t think of a better name for a cupcake company than The Sugar Dolls. How did you gals get together and what made you start baking?

Thank you, we are pretty fond of the name too! Well, baking is such a sweet family tradition for so many folks, and all of the Dolls have some great memories and continue to make them together and with our families. We all met at different walks in our life but seem to have come together to make something bigger than ourselves. We want to share our love and experiences with you, and baking is the sweetest outlet to share those things and give in the many ways we would like.

Read the rest of this entry »

Category: Features, Wednesday Happy Hour & Supper Club | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Kool Kat of the Week: Raising Hell with Justin Welborn at Friday’s BLACK METAL BURLESQUE Fundraiser for DRACULA: THE ROCK OPERA at 7 Stages

Posted on: Aug 4th, 2011 By:

Last February, composer/musician Rob Thompson and The Little 5 Points Rockstar Orchestra drove a stake into our preconceptions of rock opera as a dead-and-buried art form and put the bite back into vampire lore at 7 Stages with HAUS VON DRACUL, PART 1. If you’ve been stuck in your coffin and missed hearing about it, check out ATLRetro’s interview with actor Chris Love, who injected hard rockin’ passion into the often-staid role of Jonathan Harker, and our review here.

Now Rob and the rest of that crazed and creative team are hard at work on the terrifying second act of what’s now titled DRACULA: THE ROCK OPERA which will have its premiere run at 7 Stages from April 19-May 13, 2012. However, as anyone in the arts knows, even a labor of creative love needs some cold hard cash to make it to the stage. So raise the curtain on BLACK METAL BURLESQUE, a one-of-a-kind fundraiser this Friday at 7 Stages featuring not just cast members and the Little 5 Points Rockstar but other notorious local talent such as The Chameleon Queen, Loki Shane DeFriece (Prentice Suspensions), Macabre Puppets’ Chris Brown (Dad’s Garage’s SCARLETT’S WEB), , set designer/make-up artist Shane Morton (Silver Scream Spookshow), and many more. Tickets are just $15 and the show is at 10 p.m., but a pre-show party kicks off at 9 p.m. and continues after the show.

Dracula's lovely brides take more than a few bites out of Jonathan Harker (Chris Love) in last February's performance of HAUS VON DRACUL at 7 Stages.

For a sneak preview of this sexy, surreal and sinister evening, we turned to actor and stunt artist Justin Welborn, one of the mad masterminds behind the fearsome festivities and no stranger to the world of horror. In addition to performing at most of Atlanta’s theaters, he directed Sensurround Stagings’ production of Clive Barker’s THE HISTORY

Justin Welborn in THE SIGNAL. Magnolia Pictures, 2007.

OF THE DEVIL, is a founding member of Black Knight Stunts, and starred in the independent horror movie THE SIGNAL, which screened at Sundance in 2007. More scary screen credits include THE FINAL DESTINATION (2009), DANCE OF THE DEAD (2008), and THE CRAZIES (2010). Oh, and Justin does yoga, drinks Jamesons and his favorite movie is COOL HAND LUKE (1967).

How did you get involved in DRACULA: THE ROCK OPERA and what’s your role?

I am assisting Del Hamilton (Artistic Director of 7 Stages) with the direction and artistic production design of DRACULA. It’s strange how I got started with this whole three ring circus, i,e. The Little 5 Points Rock Star Orchestra. I’ve worked with, for and at 7 Stages for many years, and I’d seen the Rock Star guys and gals do their Iron Maiden show and their Pink Floyd Tribute, and always had an amazing time. I knew they had done JESUS CHRIST SUPERSTAR and HAIR, and so when Heidi Howard (Education Director/Production Manager, 7 Stages) asked me to come in and help coordinate the stunt work and violence in their 666 CHRISTMAS WITH THE DEVIL show, I was more than excited to help. I found the whole Devil crew to be very eager, slightly disorganized and maybe a little drunk. I loved it. And the show’s finale was like nothing I’d ever seen at an Atlanta theater in 12 years! Just mad!

The Krampus float in last year's L5P Halloween Parade.

I came in again the next year for A KRAMPUS CHRISTMAS and ended up spending more time directing for real, rather than just stunts. The more I gave, the more they gave back. We began to figure out how this theater world and their music world could mesh and synthesize into something new and fun for everyone. So when I was asked to help with DRACULA, I jumped at the chance for another go! I didn’t know what I’d be doing for sure, but right from the start, I began directing and troubleshooting in a kind of cooperative effort to make the best show possible. I wasn’t in charge, but at a certain point I was given—by unspoken agreement more or less—great license to help create and direct the show. I was really quite honored at how much trust they put into me.

The first act, titled HAUS VON DRACUL, premiered at 7 Stages last February. Is the second act’s script and music completed or at what stage is at now?
The second act is still in development but is coming along swimmingly. Rob Thompson, the creative mind before and behind our vampire opera, has been working on this project for almost two years, and as I understand it, is approaching a completed score. I think we’re still trying to figure out what we want to do with the end. We are using Bram Stoker’s book as our cornerstone, but translating that into music and a stunning visual stage show takes some real ingenuity.

Considering it’s a rock musical about a vampire, Black Metal Burlesque sounds like the perfect theme for a fundraiser. Any story behind how the idea came about?
Rob told me one night at Java Lords that he wanted to do a fundraiser based on Venom’s BLACK METAL album that would include burlesque girls and live suspension acts. Then he described a few possible numbers. So I took what he said, weighed some options and the favors I had left in town, and decided if not now, when? I wanted to keep the DRACULA buzz rolling, and help support a theater I believe in. Plus the excitement from the group only intensifies every time we up our game and really keep challenging ourselves with what we can do artistically when we work together. It’s very exciting to see these artists working toward a common goal with people they normally wouldn’t get a chance to perform around.

Read the rest of this entry »

Category: Kool Kat of the Week | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Dracula, A.D. 2011: Chris Love’s Hard-Rockin’ Harker

Posted on: Feb 9th, 2011 By:

Children of the night, rejoice. The Little 5 Points Rockstar Orchestra is driving a stake into your preconceptions of rock opera as a dead-and-buried art form and putting the bite back into vampire lore at 7 Stages this week with HAUS VON DRACUL, PART 1. The production marks another collaboration between long-time Atlanta musician Rob Thompson (Ghost Story, Blistered), also owner of Java Lords Coffee House & Bar, who also plays the Count, and horror Renaissance man Shane Morton (Silver Scream Spookshow) who also created savage set design and make-up for the Rockstar Orchestra’s A KRAMPUS CHRISTMAS at 7 Stages last December.

Chris Love as Jonathan Harker in Haus Von Dracul, Part 1. Photo Credit: Nicole Boroski

ATLRetro caught up with guitarist Chris Love, who plays hero Jonathan Harker, this week, to dig up more about HAUS VON DRACUL and why a vampire rock opera makes for the perfect Valentine-week date.

Read the rest of this entry »

Category: Features | Tags: , , , , , , , , , , , , , , , , , , , , , , , , ,

© 2019 ATLRetro. All Rights Reserved. This blog is powered by Wordpress