The Horror! The Horror! Our Top Reasons to Spook on Down to the 3rd Annual MONSTERAMA CONVENTION

Posted on: Oct 3rd, 2016 By:

by Melanie Crew10.7
Managing Editor

What are you doing this weekend? We’re monster mashing it up with a helluva killer Kool Kat extravaganza and more at the 3rd Annual MONSTERAMA CONVENTION, creeping and crawling into town this weekend, Oct. 7-9 at the Atlanta Marriott Perimeter Center!

1) THE GOLDEN BRUNCH OF MONSTERAMA! Have an intimate and devilishly delicious brunch with Monsterama special guest and Hammer, Bond, Harryhausen film star Caroline Munro Friday from 10am – 1pm!

2) CTHULUAU! Cthula on down (If you dare!) to the hotel pool on Friday night at 7pm and get lei’d up with mermaids, music and dancing, oh my! Hosted by Mike Gordon and Peter Cutter creators of TIKI ZOMBIE!

3) SILVER SCREAM SPOOK SHOW! Kool Kat Shane Morton, a.k.a. ghost host with the most, Professor Morte and the Silver Scream Spook Show featuring the Go-Go Ghouls and Monsterama guest, Caroline Munro, a.k.a. “Stella Star” will get intergalactic with a live show followed by a screening of Luigi Cozzi’s STARCRASH (1978) on Saturday beginning at 4pm!

14433161_1191990034190405_7596388003487999022_n4) FANGTASTIC FILM!  It’s monster movie madness with screenings of horrorific classics including Mario Bava’s CALTIKI, THE IMMORTAL MONSTER (1959); William Witney’s THE CRIMSON GHOST (1946); E. Elias Merhige’s SHADOW OF THE VAMPIRE (2000); F. W. Murnau’s NOSFERATU (1922) featuring a life soundtrack performed by Valentine Wolfe; Roger Vadim’s BARBARELLA (1968); Robert RodriguezFROM DUSK TILL DAWN (1996), an adults-only screening of Denis Sanders’  INVASION OF THE BEE GIRLS (1973) and so much more! Antonio Margheriti’s CASTLE OF BLOOD (1964) in 16mm and so much more slaying cinema!

5) SPOOKTACULAR GUESTS! Catch some killer guests including James Marshall (TWIN PEAKS – see our Kool Kat feature coming soon!); Zach Galligan (GREMLINS; WAXWORK); Caroline Munro (AT THE NosferatuEARTH’S CORE; STARCRASH); Suzanna Leigh (LUST FOR A VAMPIRE); Trina Parks (DIAMONDS ARE FOREVER; THE BLUES BROTHERS); Kool Kat and monster artist extraordinaire Mark Maddox; horror novelist and filmmaker John Farris (THE FURY); horror history expert and documentarian, Kool Kat Daniel Griffith of Ballyhoo Motion Pictures; Kool Kat Shane Morton, ghost host with the most, a.k.a. Professor Morte; glamour ghoul Kool Kat Madeline Brumby and so much more!

6) TWISTED TELEVISION!  Get terrified T.V.-style  throughout the weekend and catch screenings of Gene Roddenberry’s made-for-TV movie, SPECTRE (1977); THE OUTER LIMITS – “The Sixth Finger”; STAR TREK – “The Man Trap” and “Cat’s Paw”; MAN FROM ATLANTIS – “Crystal Water” and “Sudden Death”; THE WILD, WILD WEST – “The Night of the Iron Fist”; made for TV movie, THE QUESTOR TAPES (1974); and you won’t want to miss a super rare Kolchak Double Feature (THE NIGHT STALKER/THE NIGHT STRANGLER) in 16mm and so much more!

10.8Monsterama7) MONSTER MAKEOVERS!  Get gore-gous with monster make-up galore as part of this year’s Makers Track! SFX man Kyle Yaklin, Kool Kat Shane Morton and Chris Brown share the secrets of the monster trade with their “Raising Cthulhu” event, where they’ll build a Lovecraftian Creature costume and promise a true teaching moment when they pass on their knowledge of the Necronomicon and how to summon the Old Ones! Get spooktacular with a “Gore Gore Girls – Special Effects for Kids” event featuring mom/daughter duo, filmmaker Dayna Nofke (Tiltawhirl Pictures) and ultra spooky Vivi Vivian! And don’t forget to stick around for a creeping cornucopia of frightful faces and monster masks!

8) DEADLY DEALERS! Horror cons are the perfect place to stock up on both classic horror memorabilia, cult

Professor Morte

Professor Morte

classics on DVD and creepy clothing, costumes and accessories. Vendors this year include Creature connoisseur and effects artist, Kyle Yaklin (See our Shop Around feature on Kyle here), Cult TV Man, Eraserhead Press and all the toys, collectibles and monstrous goodies you can get your ghoulish little hands on!

9) MONSTER PROM! Hey all you boils and ghouls, get frightfully funky at this year’s Monster Prom, Saturday at 9pm! Dust off the old rat-infested tux, clear out the cobwebs, shine up your shoes and get ready to do the Monster Mash, and maybe even Time-Warp into the wee hours of the morning, hosted by Professor Morte!

Monsterama main con hours are Fri. Oct. 7 from 4 to 12 a.m.; Sat. Oct. 8 from 9 a.m. to 12 a.m.; and Sun. Oct. 9 from 9 a.m. to 5 p.m. For more info, visit www.monsteramacon.com.

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Kool Kat of the Week: Daniel Griffith, Local Filmmaker and Purveyor of All Things Cinematic and Obscure, Ballyhoos it up at Monsterama 2014

Posted on: Jul 30th, 2014 By:

by Melanie Crew
Managing Editor/Contributing Writer

Daniel Griffith, local award-winning filmmaker and founder of Ballyhoo Motion Pictures, will be joining a sinister line-up of horrorific guests at the inaugural Monsterama Convention, founded by our classic monster-lovin’ fiend, friend and ATLRetro contributing writer, AnthonyTaylor, which will be creeping into the Holiday Inn Perimeter in Dunwoody this weekend, August 1-3! So, prepare for a ghastly weekend of ghoulish proportions!  Griffith will be joined by a guest list filled to the bloodcurdling brim with chillers like Victoria Price, daughter of Vincent; Hammer scream queen Veronica Carlson, director Jeff Burr, filmmaker Larry Blamire (LOST SKELETON OF CADAVRA), Bram Stoker Award-winning writer Brian Keene, ATLRetro’s very own “Chiller-ess in Charge”, Anya Martin, Kool Kat Shane Morton, a.k.a. Professor Morte [see ATLRetro’s Kool Kat feature on Shane here], Kool Kat Madeline Brumby [see ATLRetro’s Kool Kat feature on Madeline, here] and so many more!  So, haunt on down to Monsterama this weekend and get your bones a’rattlin and your classic monster fix!

Griffith, purveyor of all things cinematic and obscure, and no rookie to the B-movie and classic horror genre, has produced and directed over 45 documentaries, with his company, Ballyhoo Motion Pictures, spanning a wide-range of film history, genres and subjects.  His documentary library is far too prolific to list them all, but in a nutshell he has directed and produced: THE BLOODIEST SHOW ON EARTH: MAKING VAMPIRE CIRCUS (2010), THIS ISLAND EARTH: 2 ½ YEARS IN THE MAKING (2013), [both will be screened at Monsterama this weekend], RETURN TO EDEN PRAIRIE: 25 YEARS OF MYSTERY SCIENCE THEATRE 3000 (2013) and THE FLESH AND THE FURY: X-POSING TWINS OF EVIL (2012).  Griffith is currently in production on CELLULOID WIZARDS IN THE VIDEO WASTELAND: THE SAGA OF EMPIRE PICTURES, the official feature-length documentary delving into the rise and fall of Charles Band’s legendary Empire Pictures studio, known for cult films such as RE-ANIMATOR (1985), ZONE TROOPERS (1985) and GHOULIES (1985). His documentaries have gained him not only notoriety in the cult film arena, but also the 2012 Rondo Award for “Best DVD Bonus Feature” for his documentary biopic on Universal B-movie actor, RondoHatton, TRAIL OF THE CREEPER: MAKING THE BRUTE MAN (2011) and the 2013 Forrest J. Ackerman Lifetime Achievement Award.  Griffith is also the official documentarian for the “Mystery Science Theater 3000” DVD releases.

ATLRetro caught up with Daniel Griffith for a quick interview about his devotion to film history, from the greats to the barely-knowns, his desire to set a story to film and his trek into the deep dark cavernous minds of long ago filmmakers, plotting the map of film history.

And while you’re takin’ a gander at our little Q&A with Griffith, take a sneak peek at an excerpt from his documentary, PSYCHO’S SISTER: MAKING THE NAME OF THE GAME IS KILL! (2013), delving into the history of the 1968 drive-in thriller!

ATLRetro: As a documentary filmmaker, you are foremost a film historian and avid preservationist, which is clearly evidenced in the wide variety of documentaries you’ve produced with your company, Ballyhoo Motion Pictures. In the grand scheme of things, why do you feel it is important to not only preserve, but also to share these stories?

Daniel Griffith: The media of the past serves as a type of looking glass or time capsule. It is the definitive visual representation of artistic achievement and human frailty. Therefore, it is important to have a documented record of how those works were created, if only to build awareness and preserve its shelf life. Selfishly, I became a documentary filmmaker to further understand the medium of cinema and television. To me, the film artisans of the past are the direct link to the motion pictures of the future. Studying and understanding their contributions was the BEST film school. But, as I moved from project to project, I began to recognize how many films and television series have drifted into obscurity. I guess I made it my responsibility to tell the story behind those works.

You seem to give a lot of love and respect to the underdogs, to the films and projects of yesteryear that never quite reached the level of success in the industry that the majority set out to achieve. What is it about these films, these filmmakers that magnetize you? That compels you to tell their story?

I never compartmentalize the films I document. To me, the least successful motion picture can have just as much value to an individual as the most revered or noteworthy. It is my duty as a film and television documentarian to change the way we look at the works of the past; to give each production an equal opportunity to share the spotlight. Who knows? A viewer may discover that the best stories of human triumph and creativity come in the cheapest, most misunderstood packages.

You’ve produced many bonus features and documentaries for Shout! Factory, Synapse Films and VCI Entertainment, etc. over the years, which has included a comprehensive peek into your fans’ favorite sci-fi, horror and ‘80s B-movies, westerns and a variety of retro filmmakers and film companies. Can you tell our readers how you became a documentary filmmaker?

It began with a simple challenge; to singlehandedly create a narrative and follow through with its execution. About eight years ago, I was developing one motion picture script after another. Slowly, a case of cabin fever set in. I was restless. I wanted to get out into the field and visualize a story on film. While discouraged, I revisited a wacky holiday episode of MYSTERY SCIENCE THEATRE 3000, entitled “SANTA CLAUS.” During the opening credits, a title card reading “K. Gordon Murray Presents” appeared on the screen. I thought to myself, “Who is this K. Gordon Murray guy, and why did he choose to distribute this surreal, Mexican children’s film?” In that moment, a documentary concept was born, and simultaneously the seed that would eventually become Ballyhoo Motion Pictures.

The name “Ballyhoo” draws to mind a long list of whimsical, colorful and raucous shenanigans of the circus variety. What’s the story behind the name?

My company name and logo are comprised of several unique personal events. The logo itself dates back to my first exposure to the works of the cinematic showman, William Castle, and his film, HOUSE ON HAUNTEDHILL. The scream that accompanies the logo is the first scream you hear prior to the opening credits of that film. It was the scream that woke me up as a child when the film played on television. Utilizing it in the context is my way of saying to the viewer, “WAKE UP! The show is about to begin and you don’t want to miss it!” And the name Ballyhoo represents two of my passions; the energy found on the midway of any traveling carnival and the promotional tactics used on the motion pictures of the past.

As a guest on several panels at the first ever Monsterama Convention, including a Q&A session with Victoria Price, Vincent Price’s daughter, and a panel discussing documentary filmmaking, what do you hope to pass on to the eager ears of the convention-goers?

Well, for one, this is a great opportunity to learn more about one of the greatest actors of our time. Vincent Price was not only a celebrated actor in film and television, but he was also an accomplished cook, author, painter and art critic. While he is remembered for his chilling performances in the DR. PHIBES films, as well as William Castle’s, THE TINGLER and HOUSE ON HAUNTED HILL, there was much more to him than the horror genre that sustained him.

Additionally, two of your documentaries [“The Bloodiest Show on Earth: Making Vampire Circus” (2010) and “This Island Earth: 2-½ Years in the Making” (2013)] will be screened throughout the weekend; two very different documentaries, but both created with the same amount of respect and enthusiasm for the subject matter. Can you tell our readers what your favorite experience was while making each and what you would do different, if you could go back and change anything?

Well, one of the greatest experiences I had working on all the Hammer documentaries, including VAMPIRE CIRCUS, was visiting the renowned Pinewood Studios in England. Filmmaker John Hough, who previously directed Hammer’s TWINS OF EVIL, gave me a private tour of the entire back-lot. This is the studio where most of the James Bond films where shot, the 1978 version of SUPERMAN, the first ALIEN film and Stanley Kubrick’s, FULL METAL JACKET, just to name a few. It was astonishing!

As a filmmaker, you are getting the chance to live out your dream every time you create and release your work into the world, a dream you’ve had since your early childhood. Any advice for the next generation of Kool Kids who long to dive head first into the land of imagination and cinematic storytelling?

Watch as many films as you can! Don’t be afraid to take chances on viewing films that are outside your comfort zone. Just because it’s black and white, or subtitled, doesn’t mean you will not enjoy it. Like an author with a library card, watching films is your first, best education.

Who would you say are the filmmakers that inspired you most?

There are simply too many to count. I continue to be amazed by filmmakers, past and present. I have always admired the way Orson Welles demands more out of everyone, including himself. I deeply admire the poetry found in every frame of a Sergio Leone film. Being a child of the ‘80s, I have always responded to the childlike sentiments found in almost every Spielberg film. On a more obscure note, I find the offerings of director Joseph H. Lewis strangely addictive. This list could go on and on and on…

In such a short amount of time, you’ve got 45-plus credits under your belt, releasing shorts to full-length documentaries, and have gained a following in the MST3K, B-horror and sci-fi circles, with a promise of more to come! Can you give our readers a hint of what’s next for Daniel Griffith and Ballyhoo Motion Pictures?

In a perversion of Al Jolson’s famous line, I’ll have to say, “You ain’t seen nothin’ yet!” More Mystery Science Theater 3000 productions, for sure. I am currently in post-production on an epic documentary about the history of television’s most iconic series! However, unfortunately, I cannot divulge the title at this time. But, if you find me at Monsterama, I just may be persuaded to tell you.

Can you tell our readers something you’d like folks to know that they don’t know already?

While attending the Monsterama Convention, you’ll have the opportunity to stop by the Ballyhoo Motion Pictures table to view original props from various B-movies of the past, as well as purchase EXCLUSIVE retro movie items!

What question do you wish somebody would ask you and what’s the answer?

From the offices of Warren Beatty: “Will you produce a documentary on the history of Dick Tracy?” The answer is, “I’m on my way!”

 

All photographs are courtesy of Daniel Griffith and used with permission.

 

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Retro Review: Posthumous Exhibit Reveals an Atlanta Artist’s Enigmatic Passion for the Many Faces of Sir Christopher Lee

Posted on: Oct 24th, 2011 By:

By Dean Treadway
Contributing Blogger

“My love, my eidolon, my substance of dreams, my Dark Lord. Tension maker, Faery dweller, Protean visaged. You are part of the edifice of a painting more gigantic than any other, maker of dreams more vast than any painter ever dreamed. Guide of my brush, companion of my learning, child of my knife, builder of my painter’s life. I have returned to you. I see you again in your austerity, your splendor, your animal grace, your pain. I see you as Michelangelo heroic, as Leonardo grotesque. I see you and only you, my Dark Lord, my Prince of the Night, my Master of my hand and eye. And I am home. My blood-dabbled canvases. My rough linen. My dream images of the crowded man. I am home and secure.”

—Jimimi Fowlkes, August 19, 1979

Years after her death, a prolific painter named Jimimi Fowlkes is having her first show. Being that the entire exhibition is devoted to paintings of actor Sir Christopher Lee, best known for playing Dracula on film, the world premiere opening party/fundraiser (this Saturday, October 29 at the Blue Tower Gallery at the West End’s Metropolitan Arts Complexsurely qualifies as Atlanta’s most unique Retro-Halloween festivity.  It’s not often that one can say they’ve never seen anything like one thing or another. But we can certainly say such about Jimimi’s works. This show will be a one-of-a-kind event.

Mrs. Fowlkes was a quiet, enigmatic presence in Atlanta’s Morningside community, where she lived for decades with her scientist husband Roy. It’s quite likely that most of her neighbors never realized there was a dedicated and talented artist living in their community, because Jimimi (called Mim for short) rarely talked about her work, and even more rarely showed any of it to anyone. She began painting portraits in 1970, first of herself and her sister. Then she tapped into her love of history by composing views of Victorian parliamentarians, and then of Russian icons like Ivan the Terrible and Rasputin. She went on to portray such diverse figures as Thurgood Marshall and Joan of Arc. But in 1978, she launched into a realm that would capture her passion, along with her hungering hands and eyes, nearly exclusively for the next few years.

In the face of the actor Christopher Lee, Mim found a set of features that truly possessed her. In the copious diary entries she penned alongside her paintings, she confessed her fascination with what she came to call her “Enigma”:

“I am resigned to spending this year learning the trade, painting the Enigma until I can do it blindfolded. How I love him! What beauty illuminates the face. Such joy to be permitted to spend my days in contemplating that face.

—J.F., June 6th, 1978

This goes beyond mere fandom; Fowlkes enjoyed seeing Lee in movies, but only so she could study his every move, his very structure. Ultimately, Jimimi Fowlkes painted Sir Christopher’s likeness some 250 times, always in acrylic paint (sometimes mixed with her own blood) and most often on modestly-sized canvases. She at first used promotional stills from his many DRACULA films, filmed by Britain’s Hammer Studios, as her models. But after a while, she was able to paint him in any way she imagined. She’d use brushes for a smoother texture to the works, then discovered working with a knife enabled her to build portraits with a surplus of tactile energy. There’s one painting of Lee as Rasputin (a role he played in 1965’s RASPUTIN, THE MAD MONK), and another of the actor as Lord Sommerdale from Robin Hardy’s 1973 film THE WICKER MAN. And there are some portraits that look like straight-up promo shots of the actor. But most are of Lee as Dracula—sometimes disintegrating as sunlight hits his face, sometimes regal and posed, and often with multiple images of the face superimposed impossibly atop one another. To see 175 of these paintings hanging side by side on theBlueTower’s gallery walls is…well, creepily astonishing.

Chalk this phantasm of a show up to Mrs. Fowlkes, yes. But credit must be given also to Giselle Malluche, Mim’s neighbor who was bequeathed the artist’s entire output (over 500 works) after helping Mim through her last years of life. Malluche is now in the process of starting up her own long-dreamed-of charity organization, called Change to Humanity, and she’s hoping Mim’s paintings will act as a springboard for good acts to benefit Atlanta (and the world’s) underprivileged youth. The show she’s curated for October 29—complete with bands, DJs, food, drink and costume contests—has a $35 admittance fee (after 11 pm, the price goes down to $10), and it’s all going to the kids. There’s also a printed collection of the paintings in the works, complete with Jimimi’s diary entries (full disclosure: edited by me); this project, titled MY ENIGMA, should be completed sometime in 2012. Until then, this Halloween show will be your foremost opportunity to see this beyond-unique collection. Don’t miss it.

The Blue Tower Gallery is located at 675 Metropolitan Parkway, in the Metropolitan Arts Complex. The October 29 show also features music by Spaceseed and the Cold Ones, lights by Area 51 and a night of horror films in the Panorama Ray Theater. The cover is $35 ($10 after 11 p.m.), with all proceeds going to Change to Humanity. 

Dean Treadway is a longtime Atlanta film analyst and film festival programmer with more than 25 years of published works. His popular film blog is called filmicability with Dean Treadway.  He is also a correspondent for Movie Geeks United, the Internet’s #1 movie-related podcast.

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Retro Review: DIE, MONSTER DIE! Silver Scream Spookshow Invades the Plaza with Mutant Killer Plants and Karloff!

Posted on: Aug 25th, 2011 By:

By Philip Nutman
Contributing Blogger

Silver Scream Spookshow Presents DIE, MONSTER, DIE! (1965); Dir: Daniel Haller; Starring Boris Karloff; Sat. Aug. 27;  kids matinee at 1 PM (kids under 12 free & adults $7) and adult show at 10 PM(all tickets $12Plaza Theatre; Trailer here.

Originally released by American International Pictures in 1965 on a double bill with Mario Bava’s  PLANET OF THE VAMPIRES, DIE, MONSTER, DIE (aka MONSTER OF TERROR) is another ’60s fright-fest loosely based on an H. P. Lovecraft story, in this case “The Color Out of Space.” The movie marks the directorial debut by former art director, Daniel Haller, who worked extensively with Roger Corman in the 50s and 60s, his distinctive design work adding to the atmospherics of  Corman’s THE LITTLE SHOP OF HORRORS (1960),  THE PIT AND THE PENDULUM (1961), THE PREMATURE BURIAL and TALES OF TERROR (both 1962), and a whole slew of other great old Corman/Vincent Price/AIP flicks we love here at ATLRetro.

Like the Corman/Poe films, DIE, MONSTER, DIE! follows the familiar narrative format of a stranger arriving in a strange town – in this case, Lovecraft’s infamous Arkham, transposed to a rural English setting – only to encounter hostility from the locals who shun the inhabitants of the Whitley estate. The stranger in question is Stephen Reinhart (THE GREEN SLIME’s Nick Adams), an American coming to visit his fiancé. Unable to rent even a bicycle to get to the mysterious house, Reinhart notices there’s something wrong with the vegetation the closer he gets to the Whitley place – and discovers a strange crater.

Managing to get into the grounds of the permanently fog-shrouded estate, Reinhart is rebuffed by Whitley patriarch, Nathum (Boris Karloff), but as soon as his daughter (and Reinhart’s love), Susan (Suzan Farmer, who went on to appear in Hammer’s DRACULA, PRINCE OF DARKNESS and RASPUTIN, THE MAD MONK, the following year) learns Stephen has suddenly shown up, the old man agrees to let him stay. Reinhart, it turns out, was summoned to the house by Susan’s mother, Lettia, who is dying a a strange disease which is making her waste away. The mother, played by Freda Jackson, another Hammer veteran (1960’s THE BRIDES OF DRACULA), confides that Helga, the housemaid, has disappeared, that there’s something strange growing/lurking in the greenhouse, and, fearing, for her daughter’s safety, begs Stephen to take her away. Of course, he agrees…by deciding to stay for a few days. Big mistake! And what about that mysterious meteorite Nathum has hidden in the basement?

DIE, MONSTER, DIE! is a fun film and a competent debut by Haller. It’s not the best Lovecraft adaptation (Haller’s  1970 THE DUNWICH HORROR is a much better H.P.- inspired film), and it’s not a great Karloff flick, either. But it’s always fantastic to see Uncle Boris on the big screen, especially at The Plaza, and particularly in the presence of Professor Morte and the Silver Scream Spookshow gang!

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