Kool Kat of the Week: Derek Yaniger, King of Killer Kitsch and the Daddy-O’est of ‘Em All Slings His Ink and Gets to Creepin’ with NETHERWORLD this Season of Haints, Haunts and Horror!

Posted on: Sep 27th, 2016 By:

by Melanie CrewMonsters!
Managing Editor

Perpetual Kool Kat and Daddy-O extraordinaire, Derek Yaniger, now officially official (Finally. He did create our retro-tastic logo after all!) helps dish out the terror this season of haints, haunts and horror with one of our favorite local haunted attractions, NETHERWORLD! Beginning this Friday, Sept. 30, you can feed the maniacal monster inside nightly, through Oct. 31, with a bloody encore weekend, Nov. 4-5! Get out, get scared, and spook it up!

Consistently ranked as the nation’s best Halloween attraction, our very own fangtastic homegrown haunt, NETHERWORLD delivers a terrifying 20th season, which kicked off this killer season on Sept. 23! Founders Billy Messina and Ben Armstrong and a dedicated team of designers, painters, sculptors and other artists, including Yaniger and his classic monster art created specifically for NETHERWORLD, deserve every kudo imaginable for crafting a Gothic wonderland in a Norcross commercial space. Every year it gets bigger and more creative and this year’s MONSTERS theme is no exception. Chock full of nightmare-inducing creatures, horrorific special effects and a sinister atmosphere, NETHERWORLD does not disappoint! NETHERWORLD also always features a second haunt, VAULT13: MELTDOWN that is more slasher/contemporary horror in its bent–read toxic waste, laboratories gone awry and chainsaws.

Yaniger, former artist for Marvel Comics and Cartoon Network has made a groovy name for himself locally and worldwide in the land of all things retro-culture (rockabilly, burlesque, beatnik, etc.) and has been the purveyor of ‘50s/’60s-style art since 2000. Yaniger has slung his brushes and gathered a gaggle of giddy fans at many a retro-culture event: Tiki Oasis (San Diego), Viva Las Vegas Rockabilly Weekend, Tales of the Cocktail (New Orleans), Spain Wild Weekend, DragonCon and more! And of course our brothers and sisters across the globe dig his work as much as we do, with pieces Gargoylehanging at Italy’s famed MondoPop, Australia’s Outre, Mexico’s Vertigo, the UK’s Castor & Pollux, just to name a few!

ATLRetro gabbed it up with Yaniger and dished about his ‘50s/’60s kitschy art-style, his love of all things retro and spookin’ it up with one of our favorite neighborhood haunts, NETHERWORLD . While you’re eyeballing our little Q&A, why not take a gander and grab a piece or two of Yaniger’s rockin’ art here!

ATLRetro: We are huge fans of your art (obviously) and of Atlanta’s own spooktacular haunt, Netherworld, celebrating 20 ghoulish years this season of haints, haunts and horrors. Tell us about your partnership with Netherworld and what you bring to their terrifying table?

Derek Yaniger: I do dig me some spooktacular haunts! And Netherworld is claws down the best of the best! I am lucky enough to have a nice relationship with Billy Messina and Ben Armstrong (the cats what founded Netherworld ) and they are kind enough to invite me every year to create a few pieces of art for ’em! Just like me, they have been monster fans since their early days so they seem to dig my retro-inspired take on creepy stuff.

Atlanta’s fangtastic classic horror scene seems to grow larger every year, which keeps local haunts, such as our pals over at Netherworld alive (so to speak!) and kicking. In the spirit of Halloween, is there anything in particular about this season, about the idea of getting spooked that keeps you coming back?

DRACULA

The Halloween season has been my favorite time of year ever since I was a crumbsnatchin’ lil’ creepster! Those first autumn days when the steamy summer temperatures begin to drop and the leaves begin to fall instantly transports me back to my trickin’ or treatin’ days! Memories of my old CREEPY and EERIE magazines and my Aurora Monster Models flood my brain bucket and I can’t wait to head to Netherworld to see it all come to life!

Which classic monster would you say is your favorite?

It’s got to be the original Boris Karloff FRANKENSTEIN! That cat is the ding dong daddy of ‘em all! King of the Monsters! For some reason that film as well as the follow-up, THE BRIDE OF FRANKENSTEIN really started it all off for me! I used all my lawn-mowin’ money back in my youth to purchase anything and everything Frankenstein…FAMOUS MONSTERS mags, Don Post Franky masks, Frankenstein model kits…Much to the disappointment of my Mom, I would wear that damn Frankenstein mask EVERYWHERE….even tried to wear it to church once!

You create some killer images, with just the right amount of kitsch, which we of course can’t get enough of, and neither can your fans. Can you tell us a little about your style, and how it differs from the work you did with Marvel Comics and Cartoon Network in the ‘90s?

My current style is deeply rooted in the cartoon art of the ‘50s and early ‘60s….all the stuff that flipped my switches as a child! When I worked for Marvel the requirement was to draw the “Marvel Way,” but after 5 years of that I decided I would rather draw the “Derek Way“. I transitioned into working for Cartoon Network which was closer to my natural cartoon style, but still not me dancin’ to the beat of my own bongos. After about 5 years of that I decided I wanted to commit fully to my first love, the mid-century modern cartoon.

Take Me To Your LiterWhat drew you to a life of creating art? Any riotous tales of your artistic journey?

Honestly, art is the ONLY thing I’m good at, and I really believe I was born to doodle! My life-long obsession with visual images, even before I actually started scribbling, made it clear to me at a young age that a life creating art was the only way to fly! I don’t know how “riotous” my journey has been, as it was mostly working for fat cats n’ bigwigs that micro-managed me to the point where I wasn’t really proud of the work I was creating. One example of the drag that was advertising art: I was commissioned by Kroger to create a deli-chicken waitress character. After the committee of ad cats had their say, I was forced to add big red lips to the beak and red fingernails to the feathered hands! It was uglier and creepier than anything I ever created for Netherworld!

Who would you consider to be your top three favorite retro artists? Where did you draw your inspiration from and how did they inspire you?

My all favorite would have to be the great Jim Flora! Such a great mixture of modern art, humor and weirdness! His album cover art for Columbia, RCA and Camden is so damned great it kinda makes my stomach hurt! Second on the list would be Ward Kimball. He was the Disney director/animator responsible for the majority of experimentally fantastic art seen in the early ‘50s Disney shorts. I sometimes watch those on super-slo-mo and have to repeatedly dab the drool from my dropped jaw! Last, but NEVER least would have to be Georgia-born, UGA-educated illustrator extraordinaire…Jack Davis. His work for EC Comics and Mad Magazine was the first real exposure I had to art as a wee one. Although my style doesn’t really borrow too much from Jack’s, he will always be an inspiration!

Which pop-culture artist would you say is the most neglected and what do you think makes him/her worthy of attention?Witchy Poo

If we’re talkin’ present day here, I would say Mitch O’Connell. I dig his work the MOST! He uses heaps of vintage-inspired imagery in his work and as a technician, his skills are insane! AND he’s one of the nicest cats in the kingdom! He was a big inspiration for me when I finally decided to make the big dive into the retro art pool. If we’re talkin’ back in the day, I would have to say Cliff Roberts….kinda hard to find examples of his work. I was lucky enough to snag a copy of THE FIRST BOOK OF JAZZ off EBAY a while back. His B&W illustrations throughout the book swing like a well-greased gate! Who are your favorite local artists? Dave Cook is a local cat who is a very good friend and an even better artist. This Clyde can do it ALL! He’s known for his work on RollerGirls art and his “Cadavitures” (zombie caricatures that he scribbles at DragonCon), but I think he’s mostly known for all the Netherworld tees he’s created over the years. If you own a favorite Netherworld tee, Dave probably scribbled it!

Can you tell our readers how you got involved with Tiki Oasis, Las Vegas Rockabilly Weekend, and our very own DragonCon?

Around the year 2000, When I decided to put all my eggs in the retro art basket, I burned CDs (remember CDs?) of all the retro art I created in my spare hours and sent them to anyone who published a retro-themed magazine (Atomic, Barracuda ) or held retro culture events. (Tiki Oasis, Viva Las Vegas, Hukilau) Otto Von Stroheim, the Grand Poobah of the Tiki Oasis in San Diego was the first to respond, and I’ve scribbled art for that gig every year for the past 15 years! Crazy! Thankfully I am now known as the retro art guy all over the world and have created art for heaps of events celebrating rockabilly, burlesque, cocktail culture, beatnik, etc. The DragonCon connection happened about 8 or so years ago. They were starting the Cat and MousePop Artist’s Alley to give some attention to artists that don’t make with the comic book bit (more underground Lowbrow kinda stuff). At the time, I was growing in popularity in the Lowbrow world so it was a natural fit!

Your art spans the globe, being housed in galleries across the world, including Italy’s MondoPop, Australia’s Outre, Mexico’s Vertigo and the UK’s Castor and Pollux. What’s it like to know that your art inspires people the world over and what do you want your fans to take away from your work?

Yeah, the international response to my work was a coo coo nutty surprise to me! Them cats overseas seem to really dig the whole American kitschy ‘50s art scene. Just last May I had a sold out show at the La Fiambrera Gallery in Madrid! It was amazing how many people attended the opening and how damn nice they were to me! It was a solid gas! It is so rewarding to know that all this silly crap that pours from my coconut can be an inspiration to so many other artists around the globe. I seem to have a nice following among young artists who may just be discovering retro. I just want my art to make cats ‘n’ kittens smile….I love seeing people eyeball my work for the first time and get a nice wide grin goin!

What are you currently working on? Anything exciting in the pipeline?

I have a couple of gallery shows that I need to start slingin’ paint for. I’m working on a design for a Mai Tai decanter set for Tiki Farm, I’m going to be designing some fabric for Pinup Girl Clothing and I’m REALLY excited to be in discussions with a company to create some high-end 3-D collectible figures of my work! These days I’m jumpin’ like a Mexican bean on a trampoline!

How can our readers get their hands on your art?Ghost Collector

Bop on over to https://www.misterretro.com/merchandise and snag somethin’ for your good self!

Anything exciting planned with Netherworld this year?

I created a new piece for Netherworld a couple of months ago. It’s my most favorite yet! Not sure how those cats are planning to use it, but it should show up in the Netherworld gift shop in some creepy form or fashion! Other than that, I’m just planning on falling by the haunts in early October with my good friend Dave Cook. Netherworld always delivers the CREEPS….and I do love it so!

All images provided by Derek Yaniger and used with permission.

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Nightmare in Downtown Atlanta: Our Top 10 Retro Reasons to Attend Days of the Dead 2016!

Posted on: Feb 3rd, 2016 By:

elviraIt’s crazy how time flies and also totally terrifyingly awesome that the Days of the Dead will be celebrating its fifth frightening year at Sheraton Hotel Atlanta, this Friday-Sunday Feb. 5-7. Our favorite part is that this horror media convention celebrates not just contemporary cinema but retro classics. In other words, there’s plenty to please both the gore-fan and the Famous Monsters Kid. Here are 10 of our top things to do this year.

bdwms1) ELVIRA. Need me say more than that the Mistress of the Dark will be gracing our presence. You can catch the beautiful Cassandra Peterson on all three days but she’ll only be onstage Q&A’g Friday night at 9 p.m. and only in her full dark costumed regalia on Saturday.

2) BILLY DEE WILLIAMS. The original Star Wars trilogy gangster, Lando Calrissian, will be in the house on Saturday (Q&A at noon) and Sunday, as well as Jeremy Bulloch the man behind the mask of Boba Fett, the ultimate bounty hunter.

3) SID HAIG AND BILL MOSELEY. Returning once more are two of the sweetest sinister guys in show businesses. Sid Haig, one of those rare B-movie icons and character actors whose career spans the decades from Jack Hill’s blaxploitation films of the 1970s to the chaotic, creepy Captain Spaulding. Quite frankly you and Bill Moseley scared the sh-t out of us in THE DEVIL’s REJECTS, and since we’re not easily scared, for that we salute you both!

raimi4) TED RAIMI, i.e. Sam’s zany acting brother, is also on this year’s guest list. Horror fans will always love him for EVIL DEAD II, but his acting resume is long and full of fun including recurring roles on such TV series as SEAQUEST 2032 and playing Joxer on HERCULES and XENA:WARRIOR PRINCESS.

5) HEATHER LANGENKAMP & PJ SOLES. These ladies won horror hearts as two of 70s/80s swellest scream queens for their turns in NIGHTMARE ON ELM STREET and HALLOWEEN, but to us, PJ will always be Riff Randell eating pizza with the Ramones and toppling Principal Togar in one of our favorite cult movies ever, Roger Corman‘s unparalleled ROCK N ROLL HIGH SCHOOL.

sidhaig6) KANE HODDER & TONY TODD, the actors behind two of the most iconic 80s monsters, JASON VOORHES and CANDYMAN, will be lurking. Be sure to stop by and blow them kisses, then duck and run!

7) TOO MANY TO NAME THEM ALL! Check the Website for more stars from such horror/splatter classics as POLTERGEIST, I SPIT ON YOUR GRAVE, CHILD’S PLAY, TEXAS CHAINSAW MASSACRE, THE HITCHER and more!

8) SPOOKTACULAR SHOPPING  Horror cons are the perfect place to stock up on both macabre movie memorabilia, cult classics on DVD and creepy clothing, costumes and accessories.

9) MACABRE MAKE-UP, CREEPY COSTUMES AND PHANTAMAGORIC PARTIES!! Check the schedule and on-site flyers, but highlights include Friday night CELEBRITY SCARYEE-OKEE at 11 p.m. and Saturday FX MAKEUP CHALLENGE (4:30 p.m.), THAT DAMN TATTOO CONTEST (6:30 p.m.) VIP PARTY (8:45 p.m.), costume contest (10 p.m.) and CARNAGE dance party (11 p.m.)

costume10) FRIGHTENING FILMS! The JABB 48-hour film festival featuring new and classic indie horror shorts (both US and international), animation, features and con exclusives. One special treat, or maybe trick, is DEVIL DOGS OF KILO COMPANY, a Marines vs. Nazis thriller performed with toy soldiers and tanks, introduced by voice actors/stars John Dugan (TEXAS CHAINSAW MASSACRE) and Kane Hodder, Sat. at 5 p.m.! And we admit nothing says creepy to us so much as a clown costume contest–catch that right after at 7 p.m. during the pre-release party of CIRCUS OF THE DEAD introduced by DOLL BOY director Billy Pon.

Days of the Dead main con hours are Fri. Feb. 5 from 5 to 11 p.m.; Sat. Feb. 6 from 11 a.m. to 7 p.m.; and Sun. Feb. 7 11 a.m. to 5 p.m., with parties going late into the night on Friday and Saturday. Kids under 10 and military free. For more info, visit http://www.daysofthedead.net/atlanta/.

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Halloween Haunts 2015: ATLRetro Reviews the Septic, Gritty, Phantasmagoric Chamber of Horrors

Posted on: Oct 27th, 2015 By:

unnamed-3Chambers of Horror, Atlanta’s adults-only haunt behind The Masquerade, has come a long way from a torture porn extravaganza to a creepy crawl through a septic, gritty underworld where atmosphere and story are strengths. This year’s storyline involves a plague infection of alien origin now running rampant in the underground of Dr. Splatter’s lurid experiments. This’ll be the last year at this location due to pending construction, so kudos to Luke Godfrey (ATLRetro exclusive interview with him here) and Ian O’Brien of Gorehound Productions for whipping up a must-see attraction, as long as you have a stomach for  extreme violence and the phantasmagorically pornographic. Let’s be clear–you won’t be seeing parasexual activity, but nakedness and deformed organs, including sexual ones, are in view.

If you visited Chambers only in its first two years, you missed its escalation into a full-out immersive performance experience similar to that which made the Atlanta Zombie Apocalypse more than your usual walk-through haunt. Similar to the prelude to a Splatter Cinema evening (also ran and co-founded by Godfrey) begin with a photo op with a grisly prop with a green screen backdrop that by the finished print will reveal additional horrors. That’s followed by a video setting up the outbreak premise. Visitors are scanned for the alien virus and then ushered into an elevator that shakes and shudders to evoke a realistic ride down five stories into the depths that once were TortureCo and are now a US military facility. The point of a haunt is surprise, so without any spoilers, let’s just say that along the journey, visitors encounter scenarios with paramilitary officers, mutilated infected scientists and victims of twisted experiments engaged in disturbing dioramas. Sure, there were some jumpy scares and victims cried out mournfully for help, but haunt-goers are encouraged to linger and listen as the plotline unfolds and torturers threaten and tantalize visitors with a promise of pain.

unnamed-1One warning: Don’t dress in anything which you mind getting wet and even, on one occasion, foamy.

Chambers of Horror is open Wed. Oct. 28 and Thurs. Oct. 29 from 8 pm until midnight, and Fri. Oct. 30 and Halloween from 8 p.m. to 1 a.m. Tickets are available at the door, or you can purchase them online in advance at Xorbia – Chambers of Horror Tickets

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ATLRetro’s Hellacious and Horrorific Halloween Guide 2015

Posted on: Oct 26th, 2015 By:

by Melanie Crew
Managing Editor

Calling all ghouls and gals! Come see why we think you should raise hell in Retro Atlanta this Halloween season!

1. Head Rolling Tunes! Get sinister All Hallows Eve (weekend) with a helluva lot of rancid rock ‘n roll! The Star Bar gets hellacious this weekend with Hell Night featuring326009_298795516804941_172672546083906_1195943_20653855_o2 BigFoot, Timmy James & the Blue Flames and Night Terrors on Friday (10/30)! Or get your horror punk fix with their 24th Anniversary Party & Halloween Bash featuring Horror Business, Pretty Vacant, Salad Days, Road to Ruin and Kool Kats The Casket Creatures on Saturday (10/31)! Get monstrous and go, go Godzilla on down to the Variety Playhouse for a night with the Blue Oyster Cult (10/30)! Rock out retro-style with The B-52s during their “Halloween Scream” show at the Fox Theatre (10/30)! The Earl gets monstrously metal with their Halloween party featuring Wolf Eyes, Timmy’s Organism, Video and Uniform (10/30)! And Smith’s Olde Bar terrifies with their Howl ‘o’ Ween rockin’ tribute night featuring The Cherry Bomb (Joan Jett); Learning to Count (Ramones); and TNT (AC/DC) (10/30)

2. Fangtastic Films! Halloween just isn’t the same without blood-filled horror flicks! If you’re craving the crazed, catch John PsychoCarpenter’s HALLOWEEN (1978) at 7:30pm across town [Hollywood Stadium 24 in Chamblee; AMC Avenue Forsyth 12 in Cumming; AMC Barrett Commons 24 in Kennesaw; AMC Sugarloaf Mills 18 in Lawrenceville; and Georgian Stadium in Newnan] on Thursday (10/29)! The Plaza Theater delivers killer screenings with Gerald Kargl’s ANGST (1983) (10/29); Victor and Edward Halperin’s monstrous classic, WHITE ZOMBIE (1932) (10/30); and don’t forget to Time-Warp it up with some uber musically-inclined transsexual aliens at as they continue their tradition of screening THE ROCKY HORROR PICTURE SHOW (1975), featuring the live cast of Lips Down on Dixie at midnight, with special Halloween treats (10/30)! Get bewitched with a screening of Kenny Ortega’s HOCUS POCUS (1993) at dusk at Atlantic Station during their “Spooky Film Fest” (10/30)! Ghosts invade Studio Movie Grill (Alpharetta/Duluth) with their 30th Anniversary screening of Ivan Reitman’s GHOSTBUSTERS (1984) at 7pm/9:30pm (10/30)! Celebrate 40 years with Dr. Frank-N-Furter and Jim Sharman’s cult classic, THE ROCKY HORROR PICTURE SHOW (1975) at AMC Phipps Plaza at 10pm (10/30-10/31)! The 9th Annual Atlanta Horror Film Festival haunts at DooGallery featuring 70 independent horror films from across the world (10/28-10/30)! And get homicidal at The Earl Smith Strand Theatre with their screening of Alfred Hitchcock’s horror masterpiece, PSYCHO (1960) at 8pm (10/31)!

3. Dance with the Dead. Do the Monster Mash with DJ Evil Jet at the Euclid Avenue Yacht Club’s annual Halloween Bash (10/31)! 10.31MarysPallookaville celebrates All Hallows Eve and their second year of corndogula slingin’ with their Ice Scream Ball & Halloweiner, featuring drink specials, music, tricks & treats, costume contests and more (10/31)! Or get ghastly and groove on down to Mary’s for their Hallo-Weenie Dance Party (10/30), followed by their Scary-oke! shindig and costume contest on Halloween night (10/31)! Or rattle your bones during Fernbank Museum of Natural History’s Martinis and IMAX’s Fright Night Halloween Party, dripping with devilish drinks, costume contests and more (10/30)! Spook on down to Callanwolde Fine Arts Center for their “Halloween Night on Callanwolde Mountain” family-friendly party featuring trick-or-treating, live music with the Callanwolde Concert Band featuring Matthew Kaminski, costume contests and more (10/30)! And party it up in Virginia Highlands with their Halloween Night in the Highlands event featuring costume contests and more (10/31)!

12079683_10153767154624015_1522384923892883865_n4. Gothic & Ghastly. It’s a night of gothic chills at Atlanta Symphony Hall as the Atlanta Symphony Orchestra presents a night of Danny Elfman’s music from the films of Tim Burton at 8pm (10/31)! Haunt on down to the Historic Oakland Cemetery for their annual hour-long Capturing the Spirit of Oakland 2015 Ghost Tours, featuring music, a fortune teller and more! Come on out and tiptoe through the graves, make a few new spirited friends and hear the hallowed tales of some of their eternal residents, running from 5:30pm to 10:30pm (10/29-10/31)!

5. Horrifying Haunts. It’s a gore-fest at Chambers of Horror Haunted House at the Masquerade as they terrify with their adults-only blood-infested splatter-fest [10/29-11/1, 8pm-12am/1am (weekend)]! Or creep on down to Netherworld Haunted House in Norcross and spook it up through Nov. 1 (7:30pm-10:30pm week days; 7pm-midnight weekends)! Ghastly-2015-illustration-with-title-banner

6. Thrilling and Chilling Theatrics. Be the Headless Horseman’s next victim and get your bones chilled at Serenbe Playhouse’s thrilling presentation of their immersive spooky attraction and show, THE SLEEPY HOLLOW EXPERIENCE, haunting through Nov. 8 (Wed-Sun at 8pm; Fri-Sat at 10:30pm)! The Arts Exchange spooks it up with their Halloween 2015 party featuring performance art, a spooky amphitheatre and experimental music at 8pm (10/31)! Get immortal with the Center for Puppetry Arts’ presentation of Jon Ludwig and Jason Hines’ THE GHASTLY DREADFULS: RAISING SPIRITS adults-only spook show filled with creepy stories, devilish dances and more (10/28-10/31; 8pm)!

7. Psychotically Psychedelic. Rattle your bones and get psychedelic at the Red Light Café with their Night of the Dead Halloween Party featuring gr8FLdude & frenz and Dead Affect (10/31)! Or jam it up with Honeywood during their Halloween trader-vics-halloweenshow at the Crimson Moon Café (10/31)! And it’s “Hawgtoberfest” at Hottie Hawgs BBQ with Swami Gone Bananas (10/31)!

8. Tricks or Tikis! Trader Vic’s takes a big hairy bite out of you with their Werewolves of London Halloween dinner event, featuring a prix fixe menu ($35/person) including monstrous starters, entrées and desserts. Werewolves & Pina Coladas, OH MY! Trader Vic’s calls all werewolves to come in & enjoy Pina Coladas à la Warren Zevon‘s “Werewolves of London” this Halloween! Costumes are encouraged & are worn best if your hair is perfect! Doors Open at 5:00 p.m. (10/30)!

9. Decaying Eighties. ATL Collective delivers two nights of rotting flesh as they raise the dead with their performance of Michael 10.31BasementJackson’s Halloween classic, “Thriller” at Vinyl (10/30-10/31)! Or do the Monster Mash at Steve’s Live Music as they dish out a spooky night with The Lizardmen and Devomatix (Devo tribute) (10/31)! Kool Kat Becky Cormier Finch and Denim Arcade deliver a rockin’ ‘80s Halloween show at the Dallas Public House (10/31)!

10. Groove Like a Ghoul! It’s a night of boos and blues as Danny ‘Mudcat’ Dudeck and the Atlanta Horns get down at their annual Halloween Bamboo Au Go Go Party with The Reverend & the Lady and Yoshito Kiyono at the Northside Tavern (10/31)! Put on those dancin’ shoes groove like a ghoul at The Basement as they get down with forty thousand years of funk during their Keep on Movin’ Halloween Dance Party (10/31)! And get ghastly and groove on down to the The Music Room for the Dangerfeel NewbiesSoul of Jazz Halloween Jam (10/31)!

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Halloween Haunts 2015: ATLRetro Reviews the Gothically Gorgeous NETHERWORLD

Posted on: Oct 21st, 2015 By:

by Melanie Crew11150632_931358763552472_831432939803238007_n
Managing Editor

Consistently ranked as the nation’s best Halloween attraction, NETHERWORLD is also completely homegrown rather than corporately conceived. Founders Billy Messina and Ben Armstrong and a dedicated team of designers, painters, sculptors and other artists deserve every kudo imaginable for crafting a Gothic wonderland in a Norcross commercial space. Every year it gets bigger and more creative and this year’s theme of THE ROTTING is no exception. Chock full of nightmare-inducing monsters, horrorific special effects and a sinister atmosphere, NETHERWORLD does not disappoint! NETHERWORLD also always features a second haunt, VAULT 13 UNEARTHED that is more slasher/contemporary horror in its bent–read toxic waste, laboratories gone awry and chainsaws.

This year’s NETHERWORLD went above and beyond with their army of bloodthirsty spirits released to devour your soul with a ravenous Containers-NETHERWORLDhunger. The first and largest, THE ROTTING is phantasmic, gore-gous and gothically grotesque, reeking of death, decay and supernatural eeriness! The ATLRetro team does not scare easily. However, during this year’s visit, while taking in the bizarre beauty from graveyards to mirrored mazes, decadent dioramas inhabited by slithering soul eaters and other ghastly creatures, we felt a wicked spine-tingling chill! Be bold! Be brave! But also, be prepared to scream (a lot!). NETHERWORLD’s ability to conjure a shriek, from even the most daring, keeps us coming back for more! Their second attraction, VAULT 13 UNEARTHED is a modern haunt, with mad scientists, ghastly creatures and gore for all of you lovers of torture and the weird! NETHERWORLD is definitely a haunt you won’t want to miss this Halloween season!

NETHERWORLD is open every night in October.

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The Horror! The Horror! Our Top Eight Retro Reasons to Go to DAYS OF THE DEAD 2015

Posted on: Feb 4th, 2015 By:

pinheadWhat are we doing this weekend?! We’re heading down to the fourth annual Days of the Dead at Sheraton Hotel Atlanta, Friday-Sunday Feb. 6-8.

1) HELLRAISER REUNION! The sinister Cenobites may be masters and mistresses of inflicting a puzzling kind of pain, but we’ve met the actors who play them and can attest they are nastily nice. See Pinhead himself Doug Bradley, Valentina Vargas, Barbie Wilde, Nicholas Vince and Simon Banford together on one stage at noon on Saturday and signing all weekend.

2) ANGUS SCRIMM! Yup, it’s PHANTASM‘s one and only Tall Man. Hear him talk at 3 p.m. on Saturday.

3) RIFF RANDELL! Don’t tell Principal Togar but the one and only P.J. SOLES is back. Yeah, she’s been in HALLOWEEN, THE DEVIL’S REJECTS and other screamin’ festures, but to us she will always the rebel with a Ramones of a cause of ROCK N ROLL HIGH SCHOOL (1979). Oh, wait what the hell, Togar herself is going to be at Days of the Dead, too–yes, the amazing Mary Woronov. We are not worthy! Please send us to Detention now.

Rock_'n'_Roll_High_SchoolPoster4) THE DEVIL’S REJECTS!  Sid Haig, one of those rare B-movie icons and character actors whose career spans the decades from Jack Hill’s blaxploitation films of the 1970s to the chaotic, creepy Captain Spaulding. Quite frankly you and Bill Moseley scared the sh-t out of us in Rob Zombie‘s best neo-exploitation flick THE DEVIL’s REJECTS and since we’re not easily scared, for that we salute you both! Together again with fellow REJECTS William Forsythe, Leslie Easterbrook, Ginjer Lynn, PJ Soles, Mary Woronov, Duane Whitaker, Dave Sheridan and in his first son appearance Michael Alcott all on one stage at 1 p.m. on Saturday and signing all weekend.

5) BUTCH PATRICK 50Th ANNIVERSARY APPEARANCE. Yes, it’s really been 50 years since THE MUNSTERS debuted on American TV. Little Eddy Wolfgang Munster himself is back.

6) DAVID NAUGHTON! KANE HODDER! TONY TODD! COREY FELDMAN! JAMISON NEWLANDER! JOHN DUGAN! JOHN KASSIR! MORE! The guest list just seems to go on and on with Retro-horror goodness including the original AMERICAN WEREWOLF IN LONDON, our favorite Jason Voorhees, the man who mixes it with love and makes the world taste scary, the Frog Brothers that sucked it up to THE LOST BOYS, a certain “Granpa” with a Texas chainsaw, and the man whose voice creeped us out so many times hosting TV’s TALES FROM THE CRYPT, and more stars of horror now and then.

6) SPOOKTACULAR SHOPPING  Horror cons are the perfect place to stock up on both macabre movie memorabilia, cult classics on DVD and creepy clothing, costumes and accessories. Vendors include Kool Kat Kyle Yaklin, master of the Creature From the Black Lagoon mask and suit.

the_devil__s_rejects_clown_by_emomickeymouse-d33m0007) MACABRE MAKE-UP, CREEPY COSTUMES, CREEPY CARNEY ACTS AND PHANTAMAGORIC PARTIES!! Check the schedule for make-up demonstrations, VIP parties, Monsters Among You Wicked Costume Showdown Saturday night at 10 pm followed by the Monster Ball. On Friday night, learn SFX make-up and costuming from elite level costumers at the 9 p.m. Monsters Among You: Origins panel, followed by a frightening Friday Night Party featuring Circus Envy and the Deadly Sins, the sideshow antics of Captain and Maybelle, karoake with celebrity guests Felissa Rose (SLEEPAWAY CAMP) and prolific scream queen Tiffany Shepis, who also recently starred in ATTACK OF THE MORNINGSIDE MONSTER, made by Kool Kats Jayson Palmer and Chris Ethridge.

8) FRIGHTENING FILMS! Lead actor Dave Sheridan hosts an exclusive sneak preview of zombie comedy THE WALKING DECEASED with cast & director Q&A and free giveaways at 6 p.m. on Saturday. Throughout the weekend from 5 p.m. Friday through 4 p.m. Sunday, the JABB 48-hour film festival  ranges from a shorts block on Friday to 1980s Saturday morning cartoon favorites to acclaimed, hard-to-see indie horror features such as Ryan Lieske‘s ABED (Sun. 3 p.m.), awarded 2013 Best Feature at Atlanta’s Buried Alive Film Festival and based on the Elizabeth Massie zombie short story.

Days of the Dead main con hours are Fri. Feb. 7 from 5 to 11 p.m.; Sat. Feb. 8 from 11 a.m. to 7 p.m.; and Sun. Feb. 9 11 a.m. to 5 p.m., with parties going late into the night on Friday and Saturday. For more info, visit http://www.daysofthedead.net/atlanta/.

 

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Haint Misbehavin’ 2014: ATLRetro Reviews Atlanta’s Top Halloween Attractions

Posted on: Oct 23rd, 2014 By:


By Anya Martin, Editor/Publisheraza Melanie Crew, Managing Editor
Rachel Stark, Guest Reviewer

The horror! The horror! Thanks to some dedicated monster-lovers, Atlanta has become the year-round capital city of Scary. This October our local terrifying talent again has outdone themselves in creepy creativity. Here are our reviews of our top three picks for Atlanta’s hottest haunted attractions. One general tip for all: wear comfortable closed toe shoes and clothes that you don’t mind getting moist. The monsters may tell you they are spurting you with blood or other bodily fluids, but it’s just water. Well, we think it is.

LABOR OF LOVE: ATLANTA ZOMBIE APOCALYPSE (through Oct. 31. Rock n Roll Monster Bash party onsite on Nov. 1)

Anya: When most folks, even in the horror biz, think of haunts, they peg them as attractions you walk or ride through with scares that jump out at you. Forget all that passive voyeurism with ATLANTA ZOMBIE APOCALYPSE (AZA), which this year is consolidated into one mega- attraction and the zombie shoot. It’s also the last year for AZA since the building is being sold so you better get out there or regret missing it forever. Since its founding five years ago, this bizarre brainchild of Shane Morton, aka Professor Morte of the The Silver Scream Spookshow, and Johnny Rej, former owner of the Plaza Theatre, distinguished itself as a fully immersive experience where visitors literally become part of a realistic plot line of a zombie incursion. Some may consider it off the beaten track just south of I-285 at the Moreland Avenue exit, but the abandoned aura of this industrial area only adds to the apocalyptic feel, and there’s no discounting that having the full run of Safety Wolf, a derelict motel/truck stop turned paintball course, opens up a toxic host of possibilities. This year the setting is a FEMA camp where the infected from a variety of diseases are being contained. The zombie shoot also is much more that shooters standing and aim at zombie targets. Moved to the woods, survivors are fitted with a safety helmet and weapon just like they would in a real zombie apocalypse. In sum, it’s more than a haunt, it’s a labor of love not just by Shane Morton and the creative crew and embodies the heart and soul of what makes Atlanta’s monster movie community truly unique and –hell, we’ll dare to say it– the best in the nation.

aza2Melanie: The undead have definitely risen at Atlanta Zombie Apocalypse this year! Prepare for the run of your lives in and out of abandoned buildings, down darkened, rotting body-filled halls, as the grizzly undead have a hankerin’ for your flesh! AZA is a no-holds-barred zombie infestation, guided by rogue, armed civilians and crazed doctors!  Put on your running shoes, because this attraction isn’t for the faint of heart or the delicate ‘n’ dainty. To survive this grotesque, flesh-crazed and brain eating disaster, you must think fast, you must prepare for the worst and you must not be afraid! From one AZA virgin to another, a trip to this terrifying, extremely immersive attraction of suspense is a monstrous MUST!

chambersUNDERGROUND ABYSS: CHAMBER OF HORRORS (through Nov. 1)

Anya: As I said last year, Chambers of Horror, Atlanta’s adults-only haunt behind The Masquerade, has come a long way from a torture porn extravaganza to a creepy crawl through a septic, gritty underworld. This year’s storyline involves super soldiers being developed out of the same technology as Dr. Splatter’s lurid experiments. It’s a must-see, as long as you have a stomach for  extreme violence and the phantasmagorically pornographic. Let’s be clear–you won’t be seeing parasexual activity, but nakedness and deformed organs are in view. The journey begins in an elevator that shakes and shudders to evoke a realistic ride down five stories into the depths that once were TortureCo and are now a US military facility.  Once below, again what makes Chambers stand out is its atmosphere and acting. You really feel like you are deep underground, passing through cave-like passages with disturbing dioramas, from a monstrous birthing to the swampy lair of a certain Louisiana reptile. Sure, there were some jumpy scares and victims predictably cried out mournfully for help, but the torturers threaten and tantalize visitors with a promise of pain, both excruciating but yet beautiful.

Rachel: I want to get scared, I want to feel immersed! From the introductory video, Chambers of Horrors immediately set the tone for going being different.  Different it was. I’m immediately get dropped into an immersive and well-thought out story. This year, military testing! At once one hears that all kind of horrors can be imagined. They do not spare you!  So you better start running along the dark twists and turns. Whether it is ex-test subjects or the military, they will be on your heals or in your face! Never once does the story wane. Visuals, acting and frights that are spot on, oh my! If you like your horror dark with an edge than this is the place for you.

netherworldGOTHICALLY GORGEOUS: NETHERWORLD (through Nov. 2)

Anya: Consistently ranked as the nation’s best Halloween attraction,Netherworld is also completely homegrown rather than corporately conceived. Founders Billy Messina and Ben Armstrong and a dedicated team of designers, painters, sculptors and other artists deserve ever kudo imaginable for crafting a Gothic wonderland in a Norcross commercial space. Every year it gets bigger and more creative and under this year’s theme of SEASON OF THE WITCH is no exception. I don’t scare easily, so I just walked slowly in awe of the bizarre beauty from graveyards of gargoyles to mirrored mazes, decadent dioramas inhabited by witches and other classic monsters to sinister steampunk laboratories, weird werewolf lairs to abysses inhabited by gigantic swamp creatures and  Lovecraftian elder Gods. NETHERWORLD also always features a second haunt, SPLICED that is more slasher/contemporary horror in its bent–read toxic waste and chainsaws.

MelanieThis year’s Netherworld delivers two horrifying haunts. The first and largest, SEASON OF THE WITCH is a fangtastic, gory and grotesque experience, reeking of death, monstrous creatures and deep, cavernous creeping creatures! As someone who doesn’t scare easily, this attraction not only did a great job in the startle and scream department, but also planted a small seed of fear, my heart racing even when I realized I did actually make it out alive. What an experience! Netherworld’s scenery reeks of voodoo and eerie old-time witchcraft, gorgeously displayed. The atmosphere pulls you in with its historical feel of evil, the horrifying and an intense, deep-rooted fear of the ancient and unknown! Their second attraction, SPLICED is a modern haunt, with mad scientists, ghastly creatures and gore for all of you lovers of torture and the weird! Netherworld is definitely a must this Halloween season!

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RETRO REVIEW: Splatter Cinema and the Plaza Theatre Camp It Up at SLEEPAWAY CAMP!

Posted on: Jun 9th, 2014 By:

Splatter Cinema presents SLEEPAWAY CAMP (1983); Dir. Robert Hiltzik; Starring Felissa Rose and Jonathan Tiersten; Tuesday, June 10 @ 9:30 p.m. (free photos in a recreation of a scene from the film start @ 9:00 p.m.); Plaza Atlanta; Trailer here.

By Aleck Bennett
Contributing Writer

Friday the 13th is upon us this week, and Splatter Cinema has taken the bold step of avoiding Crystal Lake altogether. Instead, they and the Plaza Theatre bring you a blood-soaked classic from another camp: Robert Hiltzik’s SLEEPAWAY CAMP!

Horror movies are disreputable. If you have any doubts about that, ask yourself how many horror films have won Oscars versus, say, movies from any other genre. Ask yourself how many times a horror movie has been handicapped right out of the gate by critics for simply being a horror film. Ask yourself how many times a great horror film has received only qualified praise (“it’s good…for a horror movie”).

So, yeah. Disreputable. Marginalized. Ostracized.

But slasher flicks? Doubly so. At least.

Sure, they’re typically formulaic. Then again, so are gangster pictures. So are westerns. So are films noir. (Nobody walks into DOUBLE INDEMNITY and thinks, “I’m sure Fred MacMurray is going to get out of this just fine.”) But limitations sometimes produce great art. John Carpenter’s HALLOWEEN? Great art. Hitchcock’s PSYCHO? Great art. Tobe Hooper’s THE TEXAS CHAIN SAW MASSACRE? Great art.

SLEEPAWAY CAMP? Well, not even I am going to argue that this is great, much less art. But it’s fascinating. Sure, it was obviously designed to capitalize on the whole “people are getting slaughtered at a summer camp” trend that was raking in bucketloads of cash in the 1980s, and as a knockoff of an already-critically-maligned series, it’s automatically more disreputable than most.  But it’s visceral and pulpy in a way that 90% of FRIDAY THE 13TH films most definitely aren’t. It constantly teeters on the brink of ridiculousness, has a definite and palpable sense of danger, and pulls off the most insane climax of any entry in the slasher movie subgenre.

The plot is paper-thin, seeming to be merely a hook upon which to hang multiple corpses. Introverted Angela and her protective cousin Ricky are sent to Camp Arawak for the summer. There, she is bullied and attacked by a series of people, all of whom wind up dead at the hand of an unseen killer stalking the campgrounds. Superficially, this doesn’t appear that different from most entries in the FRIDAY series. But one thing that sets SLEEPAWAY CAMP apart is whom the film targets.

Typically, in FRIDAY THE 13TH movies, most of the victims are the camp’s counselors and staff, generally vulnerable women (and the occasional vulnerable guy). Their deaths are all the more likely if they have just had sex, are contemplating having sex in the near future, or have a passing interest in potentially having sex at some point in their lives. But in SLEEPAWAY CAMP, most of the people who get killed are the campers themselves. In slasher cinema, this is generally not done. It’s out of bounds. Kids are innocents, and our killers’ knives are out for those who have transgressed some kind of warped code of adult morality. But not here. At Camp Arawak, the kids and adults are jerks and bullies, and nobody is safe. This alone would make the movie one of the more morally questionable entries in the slasher field. Add in the increasingly bizarre ways in which people are slaughtered (beehive? curling iron?) and you’ve got reprehensibility writ large.

But beyond the victims being targeted and the means of their destruction, what also makes this film stand out from its competitors is its relentlessly odd tone. There are tons of slashers that attempt to inject some humor into the mix, but few do it with as straight a face as this movie. Other films, for instance, might play up the character of camp owner Mel Costic as an over-the-top bit of comic relief, as he constantly tries to spin the series of outlandish murders as simple accidents. But while he’s obviously something of a caricature, he’s no more or less overtly comic than any other adult in the picture. He’s the equivalent of Paul Bartel in Joe Dante’s PIRANHA: a comic authority figure, but not a jokey figure. He is, at least, more relatable than Angela’s aunt Martha, who seems to exist in some weird state of hyper-eccentricity that feels like it’s been borrowed from some other movie altogether. The presence of renowned character actors like Mike Kellin (as the aforementioned Mel Costic) and Robert Earl Jones (father of James) lends a level of credence and gravity to these roles that would otherwise be ham-handedly played for comedic effect. As a whole, the character work in the movie seems to work on an almost delirious TWIN PEAKS-ish level, where we’re thrown off because what we’re seeing is funny, but it’s not parodic or written as explicit comedy. And when it combines with the horror of the film’s content, it’s…off-puttingly humorous.

And that’s not even getting into the whole psychosexual aspect of the movie that just traipses giddily all over the line dividing “sympathetic” and “offensive” and builds up to a twist ending that has left jaws firmly planted on floors since 1983.

Upon release, the movie was generally ignored as just another kids-at-camp-getting-killed flick. But even then, there were rumblings of this being something bigger than that. I remember, after first seeing it as a VHS rental, talking with friends of mine about how mind-blowingly nuts the movie was. How inventive the kills were. THAT ENDING. And in the years since, a sizable cult has grown up around this movie as tales of its oddball charms have circulated among horror fans. Today, the movie holds an impressive 82% favorable rating at RottenTomatoes.com. From critics who really ought to know better.

So here we have one of the more disreputable entries in arguably the most disreputable subgenre of an already disreputable genre. And it has developed a large following and overwhelmingly favorable critical consensus. It has traveled the full circle of sleaze all the way back around to ultimate acceptance, like someone made a John Waters movie completely by accident.

So take some time out of your busy mid-week schedule to visit the kids at camp. No, not Crystal Lake. The other one.

Aleck Bennett is a writer, blogger, pug warden, pop culture enthusiast, raconteur and bon vivant from the greater Atlanta area. Visit his blog at doctorsardonicus.wordpress.com

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Step Right Up to CARNIVAL OF SOULS, Just One of a Macabre Menagerie of Movies at the Plaza Theatre’s October FrightFest

Posted on: Oct 16th, 2013 By:

CARNIVAL OF SOULS (1962); Dir. Herk Harvey; Starring Candace Hilligoss and Sidney Berger; Friday, Oct. 18 @ 9:30 p.m.; Saturday, Oct. 19 @ 5:30 p.m. & 7:20 p.m.; Plaza Theatre; Trailer here.

By Aleck Bennett
Contributing Writer

During the Plaza Theatre’s week-long celebration of classic horror, a number of legendary films are being shown, including NOSFERATU, WHITE ZOMBIE, FRANKENSTEIN and THE INVISIBLE MAN. But sandwiched in there is a film that dwelled in relative obscurity for years before home video led to its rediscovery and reappraisal: Herk Harvey’s incredible CARNIVAL OF SOULS.

The film’s plot is deceptively slim. Church organist Mary Henry (Candace Hilligoss) and her two girlfriends are challenged to a drag race over a rickety bridge, and plunge into the river below. While the police drag the river for the remains, Mary emerges with no knowledge of how she survived. Upon leaving the town of Lawrence, Kansas, for Utah, she starts experiencing supernatural events that grow in intensity. She sees haunting visions of a ghoulish, pasty-faced man everywhere she goes. A nearby abandoned carnival pavilion seems to be pulling her toward it. And, eventually, she begins experiencing states where she becomes literally detached from her surroundings—nobody can see or hear her. These all seem to be leading her to an inevitable fate, as she is continually beckoned to take her rightful place among the dead in the Carnival of Souls.

The bones of the story may seem familiar if you’re a fan of old-time radio or THE TWILIGHT ZONE. A similar tale was first told on THE ORSON WELLES SHOW in 1941. “The Hitch-Hiker” took place on a cross-country drive, after the narrator (Ronald, played by Welles) has a car accident following a blow-out. After getting his tire fixed, he sees the same haunting hitchhiker motioning to him at various points on his journey. Nobody he encounters sees the strange man, yet the hitcher continues to appear along his route. At a stop, he calls home only to receive the news that he never survived that accident, and realizes that the hitcher is Death himself, waiting for him to accept his fate and move on. The story was a radio staple for years, and was later adapted by Rod Serling for TWILIGHT ZONE, with Inger Stevens in the lead role of “Nan.”

The story of a person who should have died—who may, in fact, be dead as the story proceeds—is not an original one, and has been seen many times before and since CARNIVAL OF SOULS. From Ambrose Bierce’s 1890 short story “An Encounter at Owl Creek Bridge” to 1990’s JACOB’S LADDER and 2001’s MULHOLLAND DRIVE, and from 1983’s SOLE SURVIVOR to 1999’s THE SIXTH SENSE, the basic story proves to be still-fertile ground.

But few have done it as well as CARNIVAL OF SOULS.

Herk Harvey, an industrial filmmaker based in Lawrence, came up with the film’s premise as he passed the then-closed Saltair Pavilion on his way to Salt Lake City. To set his film apart, he claims to have wanted to achieve “the look of a Bergman, the feel of a Cocteau.” His atmospheric lighting and high-contrast cinematography come about as close to that as one can achieve on a $33,000 budget. The film is one of those rare “dreamlike” movies that earns its name. The looming camera angles and the oppressive feeling of dread that accompanies her strange visions translate Mary’s sense of feeling trapped in some otherworldly web to the screen with incredible effectiveness. CARNIVAL’s organ score also adds to the disorienting effect of the film. The textual reason for its presence is an explicit reference to Mary’s profession, but its unconscious association is with silent film. And the intrusion of something from another time or place (the specter of death, the abandoned pavilion) into our present is one of the main conflicts that defines the atmosphere of the movie.

Lee Strasberg-trained star Candace Hilligoss also deserves strong praise, as she carries the entire weight of this film. She has the task of making the character of Mary Henry—who is extremely distancing and unsympathetic—into a character that we fear for. Hers is not a character that we immediately identify with. Everyone that reaches out to her gets pushed away (some deservedly so), and yet we eventually identify with her growing need to connect. As her supernatural experiences become more and more frequent, she suddenly finds that she needs these people. They’re at least less unnerving than that strange man she keeps seeing.

The movie was relegated to the bottom half of double bills upon release, and while late-night broadcasts inspired a small cult of film buffs to take cues from it, CARNIVAL’s quiet approach to horror kept the film from spreading far outside those numbers. It wasn’t until 1989, with the debut of the film on VHS, that people really began to take notice. New prints were struck and screened at art-houses and film festivals across the country, and Herk Harvey—who had continued to be a successful industrial movie maker and film instructor—was finally able to see his only feature film gain the kind of respect and acclaim that it had long deserved.

Herk Harvey joined the Carnival in 1996.

This is not a movie to be slept on. It’s a small, haunting masterpiece of horror cinema that was almost forgotten. It’s the kind of re-discovery that you wish would happen more often. Feel that pull? It’s the call of the Plaza, drawing you into this CARNIVAL OF SOULS. Care to dance?

Aleck Bennett is a writer, blogger, pug warden, pop culture enthusiast, raconteur and bon vivant from the greater Atlanta area. Visit his blog at doctorsardonicus.wordpress.com

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Kool Kat of the Week: Goddess, Giallo & Gorezone: Jeremy Morris Conjures Up a Twisted Fears Weekend to Kick Off a Hellacious Halloween Season for Atlanta Horror Fans

Posted on: Sep 25th, 2013 By:

Ruggero Deodato and Jeremy Morris. Photo courtesy of Jeremy Morris.

Ultimate Scream Queen Barbara Steele! Italian giallo director Lamberto Bava (DEMONS), son of Mario Bava! Ruggero Deodato, as in the original DJANGO (1966) and CANNIBAL HOLOCAUST (1979)! These names are simply legend among cult cinephiles, and they all will be in Atlanta for Twisted Fears Weekend, a three-day horror convention Sept. 27-29 at the Atlanta Marriott Perimeter Center. And that’s just the terrifying tip of a Retro-tastic guest line-up that also includes Linnea Quigley (RETURN OF THE LIVING DEAD), a SLUMBER PARTY MASSACRE  (1982) cast reunion, Tony Todd (CANDYMAN ), Fred “The Hammer” Williamson  (BLACK CAESAR , FROM DUSK TILL DAWN ), Geretta Geretta  (DEMONS ), Lynn Lowry (original THE CRAZIES ), and more.

The eerie event also will celebrate the worldwide re-launch of Gorezone, the even more splattery sister magazine of Fangoria . Needless to say, ATLRetro couldn’t help but declare con organizer Jeremy Morris Kool Kat of the Week to find out all the deadly details.

ATLRetro: I’ve heard so many local horror fans express absolute surprise and delight about Twisted Fears. Did it get started with the Gorezone anniversary or was something else the catalyst?

Jeremy Morris: Twisted Fears was formed a year ago by my twisted imagination. I have been in the convention scene nearly 20 years. I have met a lot of great people along the way. The true reasoning of the creation of Twisted Fears was a part of my true love of the horror genre. I have lived in Atlanta all of my life and I felt it was time to do a show with a twist, something different than what fans may be accustomed too.

Twisted Fears has an amazing guest line-up, including a lot of celebrities known for their European horror work, making it very different from Days of the Dead, Dragoncon, or even most horror cons around the country. Why take that the con in that direction?

This question is very easy to answer. As a long-time fan of this convention scene, I have always wished to see more international guests at shows because there are a lot of films [that are] forgotten. I chose to bring in guests that you may have not seen in a long time or possibly never, which gives the fans a fresh new roster of celebrities.

GOBLIN’s playing a few days later on Tuesday Oct. 1. Their shows are selling out across the country, and Fabio Frizzi  also is doing a Halloween concert  in London. AMERICAN HORROR STORY  has a clear giallo influence, which many think will be even more so this fall with its “Coven” storyline. Why do you think there’s such a resurgence of interest in giallo right now?

In my opinion, some of the greatest horror films originated from the Italian genre. People are craving fresh, new ideas while sometimes new ideas consist of rejuvenating past genres of films and the Italians are one of them.

Fangoria ad for Twisted Fears. Photo courtesy of Jeremy Morris.

We are just privileged and honored that Barbara and Lamberto have chosen to join us for the inaugural year of Twisted Fears. I consider them legends in their own right. They have influenced some of the greatest films that we know of to date.They will be participating in a Q&A panel on Saturday.

I am sure you don’t want to play favorites, but is there anyone you are particularly excited you were able to book?

I am truly excited for all of my guests I was able to book because I took great pride in the guest selection as a fan first. If I had to choose one that made me giggle it would be Ruggero Deodato because he is so rarely seen, but I consider him the master of Italian horror.

Jeremy Morris. Photo courtesy of Jeremy Morris.

Did you grow up reading Fango and Gorezone? What impact did these two magazines have on you?

Yes, I grew up reading Fango, I actually own the first issue. I have considered it the Godfather of all horror publications. I am truly honored that we were hand chosen to re-launch Gorezone after so many years of absence. It makes me giddy inside to think Fangoria wanted to be a part of this show.

One of the anniversary treats is a virtual interview with Fango Editor Chris Alexander, who’s based in Toronto. Can you talk a little about that

It is an anniversary treat so you need to be there to find out!!!

A lot of folks might think about just coming on Saturday. Why should they buy a full weekend pass instead? Or kick in the extra bucks for a VIP pass?

We have a lot of panels, events, night-time parties scheduled. The signature event is the first of it’s kind, our own Twisted Feast Dinner Party, with a very intimate setting for all fans to have a quiet dinner with all of the guests in attendance. This is a chance to truly have an experience of meeting the guests like no other.

What else do you want horror fans to know about Twisted Fears Weekend?

I want the fans to know that Twisted Fears will continue to be a show of firsts on every level as we continue to grow. Most importantly I am a fan and always will be a fan first. And I will see you in May 2014 for the sequel.

Hours for Twisted Fears Weekend are Friday Sept. 27, 4-10 p.m., Sat. Sept. 28, 10 a.m. – 6 p.m., and Sun. Sept. 29, 10 a.m. – 5 p.m. For more info and to purchase advance VIP and general admission tickets, visit http://www.twistedfears.com/.

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