Celebrate Madness and a Decade of Dread at Synchronicity Theater With the 10th Annual Buried Alive Film Festival!

Posted on: Nov 12th, 2015 By:

By Aleck Bennett11.14
Contributing Writer

The 10th Annual Buried Alive Film Festival; Saturday, November 14, 12:00 p.m. – 11:50 p.m.; Sunday, November 15, 12:00 p.m. – 9:30 p.m.; Synchronicity Theater; Tickets $10 per screening block / $50 all access pass; Schedule for each screening block here; Tickets here.

Halloween might have been two weeks ago, but there’s no reason why Atlanta’s horror community shouldn’t claim the entire month between it and Thanksgiving to create a haunting holiday season. That’s why having the always-amazing Buried Alive Film Festival right smack dab in the middle simply makes sense. In its tenth year, the band of morbid mad doctors behind the scenes (including ATLRetro Kool Kat Blake Myers) has assembled a monster of a festival and is bringing it to rampaging life at Synchronicity Theater! Venture in to witness horrors, paranormal and psychological, ranging from the frighteningly funny to the atmospheric and haunting. And, given the people involved, expect buckets of blood served up with every course.

The festival kicks off on Saturday with Shorts Program 1: Tentacles, Slime, and Problems. A series of shorts delivers on the program’s title, with a host of unsavory creatures on display—none so disturbing as our fellow man, however, as depicted in the Southeastern premieres of HEIR and Florian Frerichs’ adaptation curtain_posterof Roald Dahl’s gruesome classic IN THE RUINS. Also be sure to catch the contemporary eldritch horrors of 666 SQUARE FEET, which was picked as an official selection at the H.P. Lovecraft Film Festival, Cthulhu Con, the New York City Horror Film Festival, NecronomiCon, Filmquest and more.

Follow that up with Feature Program 1: CURTAIN, which is preceded by the short film HAG, featuring THE EXORCIST’s Eileen Dietz and CHILDREN OF THE CORN’s John Franklin in a tale of the downsides of sleep paralysis and somnambulism. CURTAIN is…well…it’s about disappearing shower curtains in an ex-nurse’s tiny New York apartment. But as with many of the other subjects on offer, don’t leap to any conclusions from that short summary. With maniacal energy and flourishes of wacky humor, we’re plunged headlong into an epic story of cults, portals, unlikely friendship and the hazards of showering.

After a quick break to gather your nerves, return at 4 p.m. to leave the live-action world behind with Zerch_PostalAnimation/Puppet Program: Drawn, Quartered, and hands stuck up our butt. We’re treated with a series of surreal short subjects that take us places that flesh and blood cannot alone. This ranges from the Victorian ghost story of THE MILL AT CALDER’S END (featuring the voice talents of Barbara Steele and Jason Flemyng, and performed using bunraku rod puppets) to the stop-motion shorts of local filmmaker Britain Cramer. Also worth checking out is the dramatic shadowplay of MONSTER and the Southeastern debut of the delightfully dreadful BUNNY BIZNESS.

Haven’t had enough? Of course you haven’t. That’s why you’re sticking around for Shorts Program 2: Violent Crimes. Each short deals with the bloody transgression of social codes, whether from the perpetrator’s point of view, or the victim’s. Whether it’s climbing the corporate ladder of organized crime in the hilarious BAD GUY #2 or the horrors awaiting a person on the other end of the scalpel in SURGERY (based on legendary British writer/producer Brian Clemens’ last story idea), you’ll find more than enough gore to satiate your bloodlust.

HEAD (Poster)Ready for more long-form entertainment after all those shorts? Well, sit back and enjoy Feature Program 2: BUNNY THE KILLER THING. The program is introduced by the world premiere of the short film HEAD, in which a grieving widower does anything in his power to keep his wife with him. BUNNY follows, a gruesome exhumation and insanely funny send-up of 1980s horror tropes, from the secluded cabin in the woods, to the sex=death equation, to the man-in-a-monster-suit menace. In this, a horrific half-human/half rabbit monstrosity stalks a group of Finnish and British youth while in pursuit of anything resembling female genitalia.

We close out the night with a special feature presented by the inimitable Splatter Cinema crew: a 40th anniversary screening of Dario Argento’s classic giallo, DEEP RED. Be sure to see the accompanying Retro Review of this title (Coming soon!), but rest assured that this is an absolute must-see.

After a night to recover from the horrors of the previous day, we find ourselves back at the crack of noon for Shorts Program 3: A Lighter Shade of Blood Red. As the title suggests, this is a good-humored set of Chompshorts. From the love of a vengeful family pet in LITTLE OLD CAT LADY FROM RANCHO CUCAMONGA to a mother’s love for her undead son in ZOMINIC, from the tasty trap of I AM CANDY (in its Southeastern premiere) to the delicious set design of EAT, to zombie kidnapping in CHOMP, there’s a little something for the twisted side of everybody in this program.

From one extreme to another (in a festival of nothing but the extreme), we come to our next shorts program, Shorts Program 4: Gross People and Their Problems. Again, the program’s title lets you know what you’re in for with this set: the troubles that beset those who don’t quite fit in. There’s the health-crazed satire of RECIPE, the Wes Anderson-ian nightmare comedy of CRUSH, the American premiere of the disturbing family horror FROM THE GUTS, the extremes of VHS horror found in NASTY, and much more. Twisted people, twisted lives, twisted problems and twisted nerves are what you’ll find onscreen.

The next program explores the outer bounds of horror and filmmaking technique, in Shorts Program 5: psychoticExperimental and Music Videos. Split fairly evenly between experimental shorts such as BIRTHDAY’s Satanic ode to silent-era cinema, experimenting with serial killers in PSYCHOTIC! and the symbolic odyssey across the rivers of HADES, there are boundary-pushing music videos from artists such as Vyla Vice’s “Come With Me” and Atlanta’s own Gunpowder Gray and Casket Creatures with “Saints” and “GKMF!” (the latter directed by some guy named Lucas Godfrey (ATLRetro Kool Kat article here), who might just also happen to be the festival’s Event Director).

Then it’s time once again to focus on the long-form with Feature Program 3: THE INTERIOR. We transition into the feature-length section this time with two short subjects. First up is local director Brian Teague’s 1580 AM, which documents the GoPro footage found after four friends disappear in in the woods. It’s followed by THE FISHERMAN, about a Chinese fisherman who ventures out of the harbor and into the pits of horror when he catches something unexpected in the deep. Then our feature THE INTERIOR receives its Southeastern premiere. It’s a tense, atmospheric journey into the isolated woods of British Columbia as we follow a young man who has recently been diagnosed with a grave illness. As he seeks TerryBrendaTeaserPoster2_WEBrefuge and retreat, he finds that something else is in these woods, and it’s pursuing him deeper and deeper into the interior. A building sense of unease and tension, coupled with gorgeous photography and a great central performance makes this one you must check out.

We close out this year’s festival with a palate cleanser in the form of Shorts Program 6: Closing Night Shorts. A little bit of everything for those who have made it through the horrors of the previous two days, you’ve got demented comedy in the form of SISTER HELL and LARRY GONE DEMON, haunting and atmospheric horror in THE POND, mind-melting action in EL GIGANTE and THEY WILL ALL DIE IN SPACE, and the aptly-titled THE END. A fun and frightening serving of sadism: your treat as you prepare to leave this chamber of horrors and venture out into the real world where you can let your guard down and rest easy. Because surely none of the fantastic horrors on display could possibly manifest outside the walls of Synchronicity Theater, could they? Could they?

Aleck Bennett is a writer, blogger, pug warden, pop culture enthusiast, raconteur and bon vivant from the greater Atlanta area. Visit his blog at doctorsardonicus.wordpress.com.

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Kool Kat of the Week: Fast Times at the Star Bar with Phoebe Cates and the Attractive Eighties Women

Posted on: Feb 26th, 2015 By:
Lazer Tag 2 by Josh Meister

Attractive Eighties Women. Photo credit: Josh Meister

Hammerhead Fest IV: Weekend at Burnouts thrashes the Star Bar back to the punk and metal glory days of the ’80s and ’90s Fri. Feb. 27 and Sat. Feb. 28 . Throw on your combat boots and get ready to thrash at this two-day event of bands, booze and debauchery. Co-headlining are comedy core “divas” Attractive Eighties Women (Fri.), who mix classic punk with ‘70s stadium rock, and self-described hardcore “jerks” The Vaginas (Sat.). Also on the killer bill are thrash metal Death of Kings,  Misfits-style punk SHEHEHE, Gunpowder Gray, Spray Tan, Hatestomp (from Tennessee), Bigfoot (featuring Kool Kat Jett Bryant), DROPOUT, Divided Heaven (featuring members of The Boils), Bottle Kids and Magoo’s Heros.

ATLRetro caught up with Phoebe Cates, recently to find out what happens when all that testosterone…er female power gets pent up in one bar. She’s one of the four Attractive Eighties Women, which also include Kelly McGillis, Christie Brinkley, Shelley Long, and Princess Leia herself, Carrie Fisher. The comedy-core band has rocked the Atlanta music scene back to MySpace days and are known for fun little ditties like “Mama Get a Mammogram,” “Murder Kroger” and “They Shoot Hipsters, Don’t They?”  “Lightning Bolt,” a jab at live-action-role-play, even made it onto AdultSwim’s FRISKY DINGO.

If that’s not enough to earn Phoebe a crack at Kool Kat of the Week, we’ve got to admit we sure dug her in GREMLINS

ATLRETRO: What’s the secret origin story of the Attractive Eighties Women?

Phoebe Cates: We were all fans of the Scottish prog-rock band Hot Eighties Ladies, so we decided to form a cover band. The seven original members of Attractive Eighties Women all met in 1997 in an IRC chat room for HEL fans.

How did you get your band name? We heard it had something to do with a self-help video so we assume you guys are pretty fit and stable.

The original name of the band was Guitars Aplenty—because we had four guitar players. Our friend Miss Lady Flex of Le Sexoflex suggested “Attractive Eighties Women” because our band is composed of some of the most attractive actresses of the 1980s. After she pointed that out, it was kind of a no-brainer.

Album Art by Mack WilliamsWhich of you is the most attractive and why?

Me, Phoebe Cates. Why? Because of this infamous clip which I’m sure you’ve seen. Christie Brinkley thinks she’s the most attractive, but she also thinks “Uptown Girl” was written about her. What an idiot. 

Classic punk mixed with ‘70s stadium rock sounds like an oxymoron. How do your reconcile the basic antipathy felt by each toward the other, or are you simply schizophrenic?

It’s 2015, who cares about multisyllabic words like “antipathy” and “schizophrenic.” Rock & roll is for the people, baby! Whether they’re in a shithole dive or the Georgia Dome, AEW is for everyone regardless of race, income level, gender, sexual orientation, smell, complexion, hair height, shoe size, IQ, political affiliation, blood type, dick length, vagina depth or BMI. Except Georgia Tech fans. They’re not welcome at our shows.

You’ve been getting airplay at major media outlets lately with the Murder Kroger getting renovated and cleaned up into the Beltline Kroger. So how do you feel about that makeover? Be honest, is Atlanta losing a landmark? 

“Murder Kroger” the song is far more famous than our band. That makes us a one-hit-wonder, just like Joan Osborne and Tag Team. If that song is our legacy in the city of Atlanta, that makes me very happy. Getting upset about gentrification or the death of small businesses is pointless. I prefer to spend my time contemplating the cosmos and writing songs about beer shits. Murder Kroger will live forever in the minds of those who experienced the filth and the fury themselves.

hammerheadfestShould hipsters still be shot?

No one cares about hipsters anymore. What’s a 2015 hipster? What was a 2007 hipster? I say shoot everyone under the age of 25.

Why should ATLRetro readers be sure not to miss Hammerhead Fest IV?! 

Attractive Eighties Women on Friday, and our friends The Vaginas on Saturday. I really like Death of Kings, too, and I’ve heard good things about Dropout and SHEHEHE, though I’ve never seen them myself. Is that Elvis Vault still there? Also, Shelley Long promised to whip it out during our third encore.

Looking at your Facebook page, can we expect Lazer Tag?

Yes, you can expect the hell out of it. 

OK, you don’t want to give away any spoilers, but for folks who have never seen you “ladies” live, what can they expect? And for those who have, why should they bother seeing you again?

Every Attractive Eighties Women show is unique, just like human dental records. Coincidentally, that’s what the authorities will need to identify the bodies in the audience after our sick riffs burn the Star Bar to the ground.

Hot Tub by Josh Meister

Attractive Eighties Women. Photo credit: Josh Meister.

What else are you up to now? Tour? New songs? Album?

There are no plans for any of that stuff at the moment. Immediately after the show is over, I’m being whisked offstage and flown back to Thailand, where I’ve been living for the past five years. I am doing a lot of meditating and training at a Buddhist temple. It’s very similar to the beginning of RAMBO III.

What question do you really wish someone would ask you? And what’s the answer?

Q: What’s the airspeed velocity of an unladen swallow? A: What’s it like to be a virgin in your 40s?

All photographs are provided by Attractive Eighties Women and used with permission. The cover gallery photo credit on the ATLRetro home page is by Josh Meister.

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