Kool Kat of the Week: Tease, Tempt and Toga: Vivien Laye Pledges at ROXIE ROZ’S BURLY-Q HOUSE

Posted on: Nov 1st, 2016 By:
Vivien Laye Atomic Housewife

Vivien Laye, Atomic Housewife. Used with Permission.

Let us tell you about some crazy friends we know…we think you’ll dig their show. Roxie Roz invites you to pledge to the worst fraternity on campus BURLY-Q HOUSE Friday Nov. 4 at the Star Bar. This sure-to-be-outrageous show (doors 9 p.m., show at 10 p.m.) is themed around National Lampoon’s ANIMAL HOUSE (1978), hosted by the sensational Shellie Schmals, one of our first Kool Kats, features a bevy of Atlanta’s best burlesque performers and live music by Andrew + the Disapyramids. There’s a dance party after, and it’s just a guess, but we predict TOGAS!

So for this week’s Kool Kat, get set for detention with Ms. Vivien Laye, Atlantas’s own Sashaying Saucepot and one of the lovely ladies paying temptatious tribute to Delta House this weekend.

ATLRetro: When did you start performing burlesque and what inspired you?

Vivien Laye: I first started performing burlesque back in 2009. A good friend of mine was starting the troupe Ginger Collins and the Garter Girls and was looking for classically trained dancers. She had no idea I had a dance background and I had no idea she was starting a burlesque troupe until I randomly danced a jig for her one day. I had never considered burlesque until she asked me to join the troupe. It seemed like fun, but I had no idea just how much it would come to mean to me.

Do you have a favorite classic burlesque performer whom you look up to? Why does she in particular inspire you?

She may be one of the most recognizable and oft-mentioned names of classic burlesque, but Gypsy Rose Lee was my introduction to the art form through the various film portrayals of her. I think what I find most inspiring is that in a time when more traditional shimmy & shake or bump & grind were the norm, she made her intelligence, humor and wit the key elements of her performance style. She employed full artistic control and called the shots—not just in terms of what the audience would receive from her, but when and how they received it as well.

RR BQ House SquareYou recently returned to the Atlanta burlesque stage. Where did you go and are you excited about performing again in Atlanta? 

The original troupe I was in was only around for about seven months before disbanding. At that time in my life I was in a relationship that was not very supportive of me taking my clothes off for strangers and there were other artistic pursuits that became priorities for me. I decided to step away from performing, but honestly, I always missed it. Years later, I found myself living in Washington state and in a relationship that was loving and supportive in all ways, and I had the chance to attend some really amazing burlesque shows in Seattle. I decided then to give it another shot if the opportunity presented itself, and when my husband and I relocated to Atlanta in late 2015, I reached out to a friend who runs a local troupe and who had also been involved with Ginger Collins. I’m now an independent performer and this time around is very exciting because I’m making my own decisions—from music selection and choreography, to costume construction and character portrayal. It has opened up a new world of artistic expression and offered me a really fulfilling creative outlet.

ANIMAL HOUSE. Do you have any special memories of ANIMAL HOUSE? Why do you think its popularity has endured for so long?

I honestly had only seen bits and pieces of the film over the years and just recently watched it all the way through, but I think it’s had lasting popularity because the National Lampoon brand of humor has been so hugely influential to American comedy.

Animal House is an unexpected theme for a burlesque show, and yet as a classic movie with a cult following, it’s also potentially an inspired choice. Without giving it all away, can you give a tease as to your performance?

I agree with it being a potentially inspired choice. I think any time a show has a theme with a cult following, there is a built-in opportunity to connect with the audience. I will be portraying the role of Babs Jansen, the conniving Southern Belle with a huge crush on Greg, and I’m looking forward to donning a ridiculous bouffant wig!

Vivien Laye - Lowres - Action Shot

Vivien Laye. Used with permission.

We hear you’ll be performing at The Great Southern Exposure in December. That’s major cool. Anything about that you can share?

I’m very excited that my first time performing out of state will be at GSE! I’ll be rocking my Banana Boat number at the Friday Night Flash. It’s a relatively new, comedic number. Think Carmen Miranda meets Carol Burnett.

What else is new and next for you?

The month of November is busy. I’ll be attending my very first Burlycon in Seattle and performing for the November edition of the Speakeasy Electro Swing [Nov. 18] and Sadie HawkinsCheap Thrills [Nov. 19]. The holidays are going to offer a welcome break and a chance to regroup.

What do you do when you are not performing burlesque?

In muggle life I’m a photographer, and I also run the office for a graphic design studio in town. I stay pretty busy, but these days I really enjoy a little Netflix & Chill with my husband and our fur baby, Ruby.

Vivien Laye_Richard Caywood Photo

Vivien Laye. Photo credit: Richard Caywood. Used with permission.

Finally, what’s your top tip to a gal who’s just getting her start in burlesque?

If she’s in Atlanta, she should definitely check out the new and fabulous Metropolitan Studios, which is run by the ladies of the Candybox Revue and the Atlanta School of Burlesque. There is also a monthly [Burlesque Atlanta Society] meet-up for existing or prospective members of the community on the first Thursday evening of every month at Elliott Street Pub. If she’s not in Atlanta, she should look into any local classes that might be available to her.

What’s the most surprising thing about you that no one would guess?

I’ve been to 46 different countries at last count and I’m double-jointed in my elbows. Sounds simple enough, but it looks like my arm is broken if you’re not prepared for it.

Tickets to Roxy Roz Presents: Burly-Q House are $10 in advance and $15 at the door. VIP tables available. Purchase here.

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Kool Kat of the Week: Let Her Entertain You: Fonda Lingue Teases Us With a Snow-Glamorous Fan Dance and Embarks on a Grand European Tour

Posted on: Nov 28th, 2011 By:

Fonda Lingue. Photo credit: Rah Benton.

Place a wide ostrich feather fan in the hand of Fonda Lingue, and she’ll tease you with an act that captures the classic beauty of vintage  Sally Rand. She’s mastered “Let Me Entertain You,” the signature striptease number of Gypsy Rose Lee, and she’s even developing a tribute to Lili St. Cyr. But as you watch her graceful moves that recapture the glamour of burlesque’s golden era, chances are it may take you a while to realize Fonda’s ultimate tease. While burlesque has its share of boys, Fonda is one of the very few who dances as a woman and not just that, but as the awards and accolades she’s accrued in just a few years of professional performance in the field attest, with all the skill and sex appeal of today’s top female burlesque revival performers.

Atlanta’s burlesque scene has had its share of rising stars, but when we heard that Fonda was heading to Europe to compete against some of the best international performers for the prestigious Milan Burlesque Awardas well as a whirlwind performance tour through England, France and Italy, we knew it was high time to declare her Kool Kat of the Week. This Fri. Dec. 2, she’ll also be one of the Snow Queens of Burlesque in Santa Baby, a special wintry holiday edition of Mon Cherie‘s Va-Va Voom series at The Shelter featuring special guest celebrity emcee Devin Liquor and Stormy KnightBiloxi BrownKatherine LasheScarlett Page and more of Atlanta’s best dancers. Then on Sat. Dec. 17, she’ll be performing in the Syrens of the South-produced Tits for Toys for Tots show at The Five Spot. Headlined by burlesque legend Gabriella Maze, returning after almost 30 years, that holiday-themed spectacular features a glitzy all-star line-up of local performers including Talloolah Love, Katherine Lashe, Ruby Redmayne, Kittie Katrina, Kisa Von Teasa and Lola Lesoleil.

ATLRetro caught up with Fonda to find out what flamed her passion for classic burlesque and to see what we could tease out of her about her December performances and that upcoming European tour!

ATLRetro: Before you became a classic burlesque performer, you were a ballet dancer and female impersonator for 20 years. How did you get started in burlesque and what captivated you to embrace recreating the golden era of burlesque?

Fonda Lingue: I got started in burlesque when Devin Liquor and I had a show at The Stage Door in Tucker called “The Dirty South Dukes and Dolls Show.” It was primarily a drag king show, and I was the only “female” in the show. I never wanted to do traditional drag acts of just standing there and lipsyncing to popular songs so I would create these dance numbers to use all of my talents. I did a number to “Let Me Entertain You” from GYPSY where I did the first part as the young Gypsy, then ran off the stage, quickly changed and became Gypsy in her striptease years and stripped down to pasties and panties. The audience loved it! I began adding those numbers more and more into my act and was asked by The Lady Miss Vagina Jenkins to participate in one of her burlesque shows. That was the start.

Fonda Lingue. Photo credit: Derek Jackson.

As far as the Golden Era of Burlesque, I am a purist, almost to an OCD extent. I figure if I am going to do it, I am going to do it right and do it accurately. I have studied videos, read books—I am reading GILDED LILI [about] the life of Lili St. Cyr right now—and talked to legends, and to me, that time was the height of what burlesque used to be. You were a star back then and you were paid well to do your craft. You were taken care of and respected for what you did as an artist. I love the glamour, and I love the social aspects of the burlesque scene. I also think it is important to keep that part of our history alive. Right now there is a more contemporary approach to burlesque throughout the country, and my goal is to keep classic burlesque alive. There is room for both and many performers do both styles. For me, it is a preference, and I think it suits my movement style and my look.

It strikes me that the burlesque world is very open-minded and embracing, but did you have any challenges as a boylesque performer among your fellow performers or with audiences?

I can’t believe how well I have been received in the burlesque world. Much more than in the drag world. I am one of only a few males that perform as a woman. In fact, I know of no one else who does what I do. That’s not saying there isn’t someone, I just don’t know of anybody. I am different in that my goal is to fool the audience until the final reveal, then they realize I am a man. Really, I am the definition of the word “Burlesque.” I love to challenge people’s sensibilities and prove to them that they can enjoy my performances from an entertainment standpoint and not necessarily a sexual one. I also like the fact that I may challenge their sexual tendencies as well. The only real problem I have is when I apply to a festival or competition, they don’t always know where to put me. They want me, but they just don’t know if I am to be placed with the boys or the girls. In the Great Southern Exposure pageant last year, I won King of Burlesque. Some other competition might place me as a female. If it is not a competition, there is no problem.  I don’t care myself where I go, i just want to be able to perform.

Who are a few of the performers—both classic and from the contemporary burlesque revival—who most inspire you?

Lili St. Cyr is my absolute favorite. I have been compared to her in my performances, and I take that as the highest compliment. I have been inspired the most by Kisa Von Teasa, Sally Rand, Gypsy Rose Lee, Dirty Martini, Catherine D’Lish and Michelle L’Amour. Each of them inspire me in different ways.

You’ve won quite a few honors in just a few years in the profession, including King of Burlesque in the Great Southern Exposure Burlesque Competition. Do you feel that ballet and drag experience gave you a leg up, so to speak?

Drag not so much. I would like to say that it had, but I have to be honest. Other queens told me my make-up was wrong, my numbers weren’t current, and they all tried to “correct” me. Even my partner at the time tried to change my make-up. It was only when I went back to following my own instincts that I got any recognition. Plus, it’s all too political in Atlanta, but that is another interview!

Ballet has definitely helped me with my burlesque career. I would not have the carriage and vocabulary I have if it weren’t for my experience as a ballet dancer. Also my ability to portray different characters can be attributed to my ballet training. In ballet, you have to convey the story to your audience through your movements. Your voice is your body. It’s the same in burlesque. Burlesque is just another form of dance. People argue with me on that, but aren’t we called burlesque DANCERS?

Without giving away too much, what can you tease us with about your performance in this Friday’s winter-themed Va-Va-Voom?

Well, I have been asked to do a fan dance by Mon Cherie herself, so that I will do. It will be set to classical music, it will be very sparkly—of course—and I hope it will be very beautiful!

You’ve done a lot of performances at Mon Cherie’s events, including the Rockabilly Lounge. She’s really gone a long way towards making burlesque a regular activity in Atlanta and nurturing so many performers. Can you talk a bit about Mon Cherie’s impact on the local burlesque scene and why folks should come out to her events?

Well, Mon Cherie has done a lot for me personally as far as my performing here in Atlanta. She has allowed me to perform in front of audiences that I didn’t know if they were going to like me or hate me. Fortunately they have all been favorable experiences, and I have opened some peoples eyes through her. Mon brings in performers from all over the south and also tries to give “Newbies”—that’s a term I have learned through my dealings overseas—a chance to perform as well.

Money is tight these days, and there are not a lot of outlets for burlesque performers right now. I am very lucky I perform as much as I do. She has had a HUGE impact on Atlanta’s burlesque scene in that she makes it possible for us to work consistently. Just about every independent burlesque performer in Atlanta has graced her stages at one time or another. I admire the fact that she tries to keep us employed and often reaps no benefits herself. I know her day will come. You can’t give of yourself like she does and not be rewarded somehow. Her events are professional, she has high standards, and the atmosphere is that of those early years of burlesque when it was just as social as it was performance. I always feel like I have stepped back in time!

We just heard the exciting news that you’re about to set off on a European tour. Where are you going and what acts are you taking on the road?

Right now I am going to London, Rome, Paris, and I am still waiting confirmation on Milan. There are other things in the works but not confirmed. I am taking six acts with me! Am I crazy? Yes! I am performing three nights inParis, and they want two numbers each night! I am taking “Zip Strip” (the act I won Great Southern Exposure with) my “funny fan dance,” “Cry Me A River” (my signature piece), “Moon Indigo” (a new act that is in rehearsals now), “Lili,” my tribute to Lili St. Cyr (in rehearsal now, especially created for this tour) and another new number that I have chosen the music but haven’t started yet.

Is it true that Ruby Redmayne is coming with you?

We are working on that! If she does, she will accompany me on part of my trip only. She is my best friend, and she wants to be there to celebrate with me and to help me backstage. And who wouldn’t want to go to Europe?! We can make a great time out of walking through the grocery store, so I know we will have fun. I hope it works out that she can go because I would love to share this experience with her. She has done so much for me to keep me motivated and help me get things done. I have booked this whole tour on my own—researched my own contacts, pursued producers and corresponded with all of them. It has turned into almost a full-time job, and Ruby has been invaluable in helping me get things accomplished! She needs to reap the benefits of her hard work as well! It’s not easy keeping me motivated!

It’s hard to make a living as a burlesque performer here in the US, but you’ve said that the situation is easier in Europe. I was struck, for example, at the huge burlesque scene in London—there’s so much going on that there’s even a “burlesque map.” Would you ever consider relocating to Europe?

Absolutely! In fact, that is my intention when I go over there. I am not sure where I want to live yet. Most likely it will be the UK or Paris. I want to see if it will be possible to make a living at being a burlesque artist. From what I have been told, there are not many male performers in Paris and none that perform as a woman.  The London burlesque scene has exploded. Europeans treat their Artists like Artists. And they pay them what they are worth. I have worked since I was 12 years old and never stopped. I loved my career as a ballet dancer, don’t get me wrong, but I was never a star. I was, and still am, well-known but I want more. I know it sounds cliche but that is what I want. I feel that I am on a path right now, and this is where it is leading. I have had a rough year. My relationship ended, and the day before I was to move into my new apartment I was in a car accident that has left me with some physical problems.  Everything bad that has happened has happened for a reason and has led to this tour. Far be it from me to stop listening now!

Do you have any other performances scheduled in Atlanta during the holiday season?

Yes, on December 17, I will be doing my “Suzy Snowflake” number at Syrens of the South’s Tits For Toys for Tots at the Five Spot in Little Five Points. I have also been asked to perform again at The Pond in Nashville with Ruby Redmayne for their annual New Year’s Eve Party.

You feel passionately about teaching burlesque as well. Can you talk a little bit about why even accomplished performers can benefit from classes to keep up their craft?

Your body is an instrument and it needs to be maintained. Regular movement classes keep you supple and in shape. They also keep your mind working. You are a dancer, and a dancer needs to take class at least a couple of time a week. I try to do my own class everyday. You owe it to your audience to be in the best shape both mentally and physically. The only way to do that is through constant training. People argue this with me, but the performers that do this are the ones getting the jobs and keeping them. You can always learn something from someone else. That is why I try to take as many classes as I can when someone new comes in to town or I go to a burlesque festival. It is always nice to hear someone else’s perspective on the same thing—especially someone that makes their living doing it! Ninety-nine percent of the time you get something out of it.

Finally, if I recall correctly, you recently purchased an amazing, beautiful headdress from Miss Torchy Taboo. Have you worn it yet in an act or what plans do you have for it?

I have not worn it yet. Rumor has it that I did wear it for a photo shoot, but that is not true. That beautiful piece of art will hopefully make it’s debut if I am accepted into the Southern Fried Burlesque Festival here in Atlanta the week before I go to Europe. If not, you will have to come to Europe to see it! I will be applying to the Burlesque Hall of Fame Weekend. Torchy and I both agree it needs to end up there. “Moon Indigo” is the music I have selected for the number. I have designed my costume with a kind of Erte feel to it, and I have matched the fabric to the headpiece. It includes a fur wrap, and it will be made of dupioni silk! My costume is being constructed by Cat Harrison, a big Steampunk costume designer, so my corset will be especially awesome. I am using vintage beads combined with non-vintage Swarovski crystals. Costuming my body is not easy because I have to create body parts and curves that I just don’t have. My hat is off to her and she is doing a great job!

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