Kool Kat of the Week: A Man of Style and Song: New Orleans Jon Serves Up a Swingin’ Soundtrack at Meehan’s Roaring ’20s Gourmet Dinner

Posted on: Jul 30th, 2013 By:

Johnny Pines, aka New Orleans Jon. Photo credit: No Rest Photography.

Johnny Pine, aka New Orleans Jon, has a well-earned reputation as the swankiest burlesque MC in Atlanta from his perfect pompadour to his after-eight moustache and signature soul patch, his Rat Pack-ready suits, shiny ties and dress shoes, not to mention a penchant for attracting a bevy of vintage vixens wherever he wanders. He’s also an ace crooner  of swing, lounge and jazz, and it’s that persona that he’ll be showing off this Thursday Aug. 1 at the latest in Meehan’s Public House Sandy Springs themed supper clubs, a Roaring ’20s Gourmet Dinner. (See our ATLRetro feature on Chef Val Domingo’s Elvis Beer Dinner here.)

New Orleans Jon began his burlesque career as the original MC for the now-retired Big City Burlesque & Vaudeville and also hosted one of the first cabaret shows at DragonCon. Recently, he has had two sold-out solo performances in Alpharetta and also hosted and performed at AnachroCon in February and MC’d the Free Range Burlesque Show at The Southern Fried Burlesque Fest in March. He also serves as MC and part of the Directorship of the vintage performance collaboration known as Musee du Coeur, but you’re likely to find him crooning and cocktailing at just about any burlesque, swing, vintage, cosplay or rockabilly event in Atlanta.

In other words, New Orleans Jon is just about the bee’s knees when it comes to Kool Kats in this city, so ATLRetro was delighted to have the opportunity to find out more about his lounge legacy, as well as his plans for the Roaring ’20s Gourmet Dinner and beyond.

ATLRetro: How did you get the name New Orleans Jon?

 

Johnny Pines: I got the name New Orleans Jon in 1999 when I moved to Atlanta after I graduated from Loyola University in New Orleans. New friends would say, “Jon’s coming out with us tonight!” “Jon who?” “Ya know, New Orleans Jon.” The name stuck and has been my stage name ever since. I thought about changing it, but that’s how Atlanta knows me.


Can you share any secrets about maintaining the perfect pompadour?

My hair is one of my best trademarks. They aren’t any secrets about maintaining it; I roll out of bed looking like this. Don’t everybody?

The flirty side of New Orleans Jon with Colette Alesi, aka Dahlia Danger. Photo credit: Dim Horizon Studio.

You are certainly a man of Retro style. Where do you shop, and what’s your favorite find or accessory?

My favorite retro find is my signature yellow smoking jacket. When I really wanna knock ’em dead that’s what I wear. I don’t really ever share with people where I find my duds, but lately my best connection has been Nathaniel Self. He knows my style and size, and when he finds something he knows I’d like he gets it for me. You can always find him alongside Jezebel Blue. She makes all of my custom accessories.


How did you get into MCing burlesque and what’s your favorite show as an MC so far and why?

I’ve been a retro/swing kid since 1997. I got into emceeing and burlesque when I was put in touch with the original production of Big City Burlesque through Evil Sarah. The director and I met, and he showed me a drawing of the character he wanted me to play, and I then showed him a picture of me at a club. And although he and I had never met, the drawing and I matched to a T. I got the gig, and 12 years later I’m still doing my thing.

Johnny Pines, aka New Orleans Jon. Photo credit: No Rest Photography

My favorite show so far is the Free Range Burlesque Show at this year’s Southern Fried Burlesque Fest. I got to share the stage with some true legends and amazing performers from all over the country and worldwide. I was humbled and honored to have been asked to do the show, and it was the best performance I ever gave as an MC. That whole weekend was career-changing for me.


What’s the secret origin story behind Musee du Coeur, and what’s its unique niche in the world of Atlanta burlesque? 

Musee du Coeur is a collaborative project in which each performer eats, sleeps and breathes our craft and history. We aren’t just a burlesque troupe. We are more of a vintage performance group. We’ve carved out our own niche because we have our hands in all types of art. We are musicians, artists, seamstresses, flyers, magicians, dances, singers, carnies, historians and the list goes on and on. We all bring something different to the group.


You seem to have a real joie de vivre and sense of adventure. What’s the craziest adventure you’ve had in the world of burlesque?

The craziest adventure I’ve had in the world of burlesque took place at this year’s Southern Fried Burlesque Fest. After Saturday night’s show, the reigning King and Queen of American Burlesque From The Burlesque Hall of Fame, THE Canadian Burlesque Legend, we’ll call her Judy, a certain journalist we know, and I went to a gentlemen’s club together. We had a blast! The dancers could get enough of Judy. It was a dream come true for me!

The Roaring ‘20s gourmet dinner at Meehan’s Thursday night sure looks delicious. Meehan’s has done a bunch of rock-themed dinners, too. Were you at all involved with the menu planning, and what can diners expect when it comes to the total experience – food, ambiance and entertainment? 

The planning of the menu was a collaboration between Chef Brian O’Rourke [of Meehan’s Public House Vinings] and Chef  Val Domingo [of Meehan’s Public House Sandy Springs]. The food at Meehan’s surpasses any expectations you may have of eating at a pub of any kind. The atmosphere is quite quaint and comfortable with an amazing staff. Since this theme is so different from what they’ve done in the past, they asked me to do my stuff. I’m what’s called a crooner. I sing Jazz Standards dating from the 1920s to the 1950s. I cover them all. Frank Sinatra, Bing Crosby, Dean Martin, Tony Bennett and so many more. I truly LOVE what I do. I hope the guests enjoy it as much as I do.


The invitation says reservations are required. Is there any standing room, too, to hear you perform?

Reservations are truly recommended and spaces are almost filled. I strongly suggest that people call ahead for availability.

Is it true you’ve also launched a burlesque ladies night out on Tuesdays? What’s that about?

The ladies night out isn’t really a burlesque event. Anyone can come out. It’s at Atlantic Seafood Co. in Alpharetta. They do a ladies night  starting at 4 p.m. featuring me and my buddy Monroe behind the bar, and live music, by George Martini, starts at 7:30.


You’re always so busy hosting and crooning. What’s next for New Orleans Jon?

After The show at Mehann’s, I begin preparing for DragonCon here in Atlanta. I’m MCing the Pool Side Pin-Up Party at the Sheraton Atlanta, Friday August 30, and I’m performing in The Glamour Geek Review the following Saturday night!

Meehan’s Roaring ’20s Gourmet Dinner is a mouth-watering $50 five-course price fixe dinner featuring pairings with New Holland Brewing and vintage-inspired cocktails.Call (404)-843-8058 to reserve your spot. For more information, including the night’s full menu, visit Meehan’s Public House Sandy Springs Website or the Facebook event page.

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Third Time’s The Charm: Revival Stars, Legends and Rising Ingenues Add Spice to Southern Fried Burlesque Festival

Posted on: Mar 18th, 2013 By:

Stars both of the Burlesque Revival and of classic tease arrive in Atlanta this week for the third annual Southern Fried Burlesque Festival Thurs. March 21-24 at  the Wyndham Atlanta Galleria. Bras off to Syrens of the South Productions, and in particular Katherine “Lashe” Neslund, with assistance from Ursula Undress, who had a dazzling dream to start a festival in Atlanta.As a lover of classic burlesque but appreciative of the creativity that revival performers show, ATLRetro has to say that the big evening shows at the first two SFBFs were among the best in Atlanta. We loved the chance to see some of the nation’s and Southeast’s best, including legends that sizzled stages in the ’60s and ’70s, without traveling to New York, the West Coast or the Burlesque Hall of Fame. Aspiring performers can take classes taught by these talents on topics ranging from costuming to performance to the history of the art form, as well as shop from a host of vendors selling everything from pasties to vintage items.

Just a quick glance at the line-up suggests this year will be just as good performance-wise, if not even better. First, we have to admit that we’re pretty excited to see Portland, Oregon’s Russell Bruner, reigning King of Burlesque, after getting a peek at him during our own Kool Kat Kitty Love‘s first Sultry Sunday of the year back in January. Male exotic dancers may be notoriously boring, but dressed in a pin-stripe seersucker suit, top hat and debonair moustache, let’s just say Russell wasn’t just sexy but sassy–really capturing the spirit of the tease in ways that most male dancers simply don’t. Of course, that underlines the essential difference between burlesque, or in this case “boylesque,” and striptease/exotic dance. Burlesque comes from vaudeville and variety and is all about having fun–which, well, they say gals love a guy with a sense of humor.

Russell Bruner

OK, yeah, that was a lot of getting hot and bothered about Russell. SFBF 2013 also features a bevy of lovely ladies. Friday night’s all-star Free Range Burlesque will be headlined by Miss Exotic World 2010 Roxi D’lite, who also stars in BURLESQUE ASSASSINS, a Canadian comedy/action indie feature film which will have its Atlanta debut at SFBF. Set in a 1950s Burlesque theatre, it stars top burlesque performers from around the world and and follows a trio of sexy super-spies as they seduce their way within killing distance of a trio of villainy hell bent on global Cold War domination. How can one not want to see a movie whose description provocatively teases: “WITNESS the fatal fan dance of Koko La Douce! BEHOLD the brutal boa striptease of Bombshell Belle! SEE Bourbon Sue, a bad girl with a taste for booze, boys and Rock & Roll. Experience the carnage and the cleavage as the enemies of The Burlesque Assassins discover that when it comes to these women, LOOKS CAN KILL!” Catch the trailer here.

Known for having the “mouth of a sailor” and the “voice of an angel,” Cora Vette will be on hand as pageant mistress of ceremonies on Saturday night. She performed for more than one million guests over three years as Tanya in MAMMA MIA! at the Mandalay Bay Hotel and Casino in Las Vegas. She now runs a burlesque company called Black Box Burlesque and also has a troupe of male burlesque performers called Cora Vette’s Hot Rods. In fact, she may be one of burlesque’s most diverse talents, having also written two burlesque musicals, the critically acclaimed Victorian comic burlesque operetta, LEADVILLE OR BUST! and a pot opera called REEFER MANIA: DENVER’S GONE TO POT.

Cora Vette.

Notorious for her costumes, 2012 Southern Fried Burlesque Queen, Denver’s Orchid Mei, returns. She gracefully combines traditional Chinese dance with influences from classic burlesque femme fatales and has performed with the Dresden Dolls. Also back are last year’s best group, New Orleans’ Slow Burn Burlesque! Atlanta’s own lovely Talloolah Love and Knoxville’s Kisa Von Teasa will be featured performers at the Southern Scorcher showcase, hosted by Minette Magnifique‘s Baroness vonSchmalhausen which also includes Fonda Lingue, Ursula Undress and many more talented performers  from all over the Southeast!

late night Saturday. SFBF’s legends this year are Canada’s Judith Stein and Detroit’s Toni Elling, who will both be performing Friday. And that’s not even counting Atlanta’s New Orleans Jon, who emcees on Friday; all the way from Stockholm, Sweden, Adoria Amoria – if you had any doubt that the revival had reached Scandinavia; Knoxville’s Sweet Little Psycho Kisa Von Teasa, and many more.

Here’s a quick rundown of SFBF daily highlights:

Thursday March 21

SFBF kicks off with a happy hour mixer, which also will double as the monthly meet-up of the Atlanta Burlesque & Cabaret Club from 6 p.m. to 8 p.m., then get a sneak peek at burlesque’s future stars at the Just Hatched Newcomers Showcase and watch the Atlanta premiere of BURLESQUE ASSASSINS at 10 pm.

Friday March 22

The festival teases into full gear with classes and vendors during the daytime, the Free Range International Showcase headlined by Roxi D’lite and featuring performances by local and national stars at 9 p.m. and an after-party at 11:30 p.m with music by Till Someone Loses An Eye featuring Kool Kat Aileen Loy and Good Golly Svengali.

Judith Stein.

Saturday March 23

Take classes and shop the vendors’ market during the daytime, then see some of the south’s and nation’s finest compete in the Southern Fried Burlesque Pageant, at 8 p.m. It’s hosted by Cora Vette with farewell performances by last year’s winners Orchid Mei and New Orleans’ Slow Burn BurlesqueThen close out the night with the Southern Scorcher Showcase at 11:30 p.m. featuring Talloolah Love, Kisa Von Teasa, Fonda Lingue, Ursula Undress and many more talented performers  from all over the Southeast!

Sunday March 24

Get your final shopping done and catch up with the performers before they leave town.

To purchase advance tickets and peruse the full class and event schedule with performer bios, visit www.southernfriedburlesquefest.com/. And for the latest updates and extras, be sure to friend SFBF on Facebook and follow on Twitter

All photographs are courtesy of Southern Fried Burlesque Festival and the performers pictured.

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Tis the Season to Be Sexy: The Second Annual Southern Fried Burlesque Fest Shimmies Into Decatur This Weekend

Posted on: Mar 8th, 2012 By:

Southern Fried Burlesque Fest; Thursday, March 8–Sunday, March 11, 2012; Courtyard Marriot and Conference Centre, 130 Clairemont Ave, Decatur, Georgia 30030; Weekend passes and show tickets available online and at the door. For more info, click here.

The Second Annual Southern Fried Burlesque Festival again is bringing the best performers from all over the world to Atlanta for a weekend full of sparkle, sizzle and spectacle!

Thursday night, the festival kicks off with Just Hatched, performances by new and promising performers (doors at 7 p.m.; show at 7:30 p.m.) Then at 9 p.m. Burlesque Legend Satan’s Angel takes the stage for “Have Tassels Will Travel, a One-Woman Improvisational play about the life and times of the star nicknamed “The Devils Own Mistress,” the Queen and originator of fire tassel twirling.  She has performed this act for over 40 years, lighting her tassels approximately 25,000 times all over the world.  The show chronicles Angel’s career from how she began stripping in 1961 in San Francisco, to a peek at how hers was no ordinary life. From following Bob Hope and the USO in Vietnam, appearing on the Gypsy Rose Lee television show, dating Clint Eastwood, Bobby Darin, Hedy Lamarr, and Janis Joplin, defying the convention of The Folies Bergéré in Paris, working with Ann Corio, Harold Minsky, Barry Ashton and running with The Rat Pack in Vegas, and two near death experiences.

Satan's Angel.

Friday Night brings The Free Range Burlesque International Showcase, featuring performances by Burlesque Legends Satan’s Angel, Shannon Doah and Gabriela Maze; neo-burlesque star such as Perle Noire, and headlined by Miss Exotic World 2002, Kitten De Ville (this week’s Kool Kat) as well as other amazing performers from all over the world! Last year’s Free Range was one of the best burlesque shows ever to grace an Atlanta stage, so in ATLRetro’s humble opinion, this show is not to be missed.

Saturday Night is the main event: The Southern Fried Burlesque Pageant has performers competing for Best Duet, Group, Variety and the Southern Fried Burlesque King and Queen!  The Pageant will also include a farewell performance by the first-ever Southern Fried Burlesque Queen, Siren Santina!  After the awards ceremony, let your hair down at the Southern Scorcher Showcase with performers from all over the Southeast, a special performance by Sadie Hawkins from Blast-Off! Burlesque, and headlined by Atlanta native, The Lady Ms. Vagina Jenkins!

Perle Noire.

Be sure to stop by Sunday, however, for a Burlesque Legends Panel at 1 p.m., with neoburlesque star Kitten DeVille and classic performers Satan’s Angel and Shannon Doah.

From Friday to Sunday, you can also sign up for lectures and classes for all skill and interest levels. Whether you are a history buff, into crafting costumes, want to learn the basics, or fine tune your performance, this festival will have activities for all levels and aspects of burlesque. Learn entirely from seasoned burlesque performers, teachers, and legends, and leave the festival with all the tools you need to be the next Burlesque Aficionado! Don’t worry guys – all genders are welcome to attend classes!

As lovely and talented festival producers Katherine Lashe and Ursula Undress of Syrens of the South remind us, Burlesque is the art of the striptease, with a focus on the tease.  Performers occasionally strip to pasties, but there is no nudity in any festival productions. This festival is dedicated to the preservation of an art form that has become an international movement.

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Kool Kat of the Week: Like a Burlesque Girl Should: Shaking, Rattlin’ and Rockin’ Out with Kitten DeVille on Neoburlesque’s Underground Roots, Lux Interior and Headlining Atlanta’s Southern Fried Burlesque Fest

Posted on: Mar 7th, 2012 By:

Kitten DeVille. Photo credit: Neil Kendall.

Anyone who’s spent any time watching Atlanta’s burlesque scene knows we have some amazing performers and troupes, but Southern Fried Burlesque Fest finally put Atlanta on the map as having its own weekender featuring nationally known stars, legends and local and regional performers. At last year’s premiere event, we had an amazing time watching some of the most creative acts ever to hit local stages and mixing and mingling over cocktails in between. So needless to say, ATLRetro can’t wait for the second annual festival this weekend (March 8-11) at the Courtyard Marriott/Decatur Conference Center.

Look out for a full preview soon, but in the true spirit of tease, we couldn’t wait to titillate you with an exclusive interview with headliner Kitten DeVille, Miss Exotic World 2002 and the Queen of the Quake. Kitten is the shake-rattle-and rock ‘n’ roll 3-D embodiment of the cat’s meow, the quintessential Kool Kat, and one of the key founders of the neo-burlesque revival. So listen up, kids, as she divulges some sexy secrets about the pioneer days of the early ’90s (to find out how Atlanta’s own burlesque revival began, check out Torchy Taboo‘s tale of the city’s first show here.), as well as what she’ll be up to this weekend. Oh, and we  just couldn’t resist asking her what it was like to shoot the “Ultra Twist” video with The CrampsLux Interior, Kitten and we miss you more than you could ever imagine!

ATLRetro: When you got started in burlesque, the art form was mostly dead. Yet around the country in the early-mid ‘90s, it seemed like there was almost a simultaneous energy to bring it back. Can you talk a little bit about the early days of the Burlesque revival and what inspired you to perform?

Kitten DeVille: At the time  I was go go dancing along with Michelle Carr at an underground gay club inLos Angeles called Club Fuck. I was collecting vintage men’s magazines and had always been inspired by the photos of burlesque dancers. Their photos seemed to capture  incredibly, fierce and glamourous women having  fun on their own terms. Their costumes inspired me to make all my go-go costumes in their style . When Michelle and Elvia ( the creators of [Los Angeles burlesque troupe] The Velvet Hammer) started talking about putting together a burlesque supper club I was sold on the idea. The first Velvet Hammer was held on Valentines Day 1995. Lux & [PoisonIvy (of The Cramps) were in the  sold-out audience. I was hooked from the very start – one-upping my costumes, always in search of the next song. Backstage was like a girls night out – champagne, laughter, catching up on the latest stories. (I still feel this way backstage today.)

Kitten DeVille Miss Exotic World 2002 Promo shot. Photo credit: Don Spiro.

Some things that were different in the start that maybe girls do not think about today [include]:

In the 1990s, there was really nowhere to go for  8x10s. There were no modern pin up photographers like there are today. We had to make it up as we went along, designing our shoots, telling them we wanted a certain mood and lighting. Most photographers did not ‘get it right off the bat.

There was no place to buy costumes. The lingerie industry was pretty boring, very plain compared to what is out there now (also pretty burlesque-inspired if you ask me). There are so many things that seem so common now that were really hard-to-find objects in the ’90s, from hair ornaments [to] shoes, clothing. Most things we could only obtain in vintage form; now there is so much off the rack .

At the 2000 Miss Exotic World & Tease-O-Rama in 2001 there were only a handful of neoburlesque girls. It was an exciting world to ourselves. Each year our numbers grew. We returned with new stories and adventures. Our world expanded. We helped each other along; we were inspired by the legends. We witnessed the burlesque explosion. It is pretty amazing to watch a scene grow, to be a part of it from the very beginnings. Because when you are in the midst of it, you do not understand that you are part of this history, that people will one day be inspired by you, that we were creating and forming this thing that has become modern burlesque. It is quite an honor.

What kinds of people came to those early Velvet Hammer shows?

Gays, straights, hipsters. We had an underground mixed crowd right from the start. It was its own scene. People dressed up. It was an event, a real night out on the town affair.

Today’s burlesque performers can learn their craft in classes through schools of burlesque such as yours. How did you develop your stage style and did you have any mentors/early inspirations/role models in the art of burlesque?

In 1994, when I started creating my first burlesque act, there was no YouTube and very little vintage burlesque easily available on video. I took what I saw in vintage burlesque  photos and blended it with what I believed they must have been doing on stage with their bodies and created my own style of burlesque. My main inspirations for my movements are Lilie Christine‘s photos and Lux Interior’s and Iggy Pop‘s no-holds-barred stage presence.

Kitten DeVille & Lux Interior.

What was it like working with the Cramps? 

Working and performing with the Cramps has been amazing and intimidating. I had been a huge fan of Lux and Ivy for years. At first, I felt so meek sitting in the same room with them. But they are such wonderful people, very friendly and funny.  At one point Lux was asking our opinion on which heels he should wear for the shoot and if we would mind doing an extra scene riding in a back of a convertible with them. Lux also liked to take 3D photos, and backstage at the Key Club, he was doing an impromptu photo shoot of Michelle and me when we opened for their show. Now that was a mix of horror and amazement because the event was over-sold so people were packed in standing room only from stage to exit and here we were opening for The Cramps!  Not really a burlesque show audience, people had only one thing on their minds and that was Lux & Poison or so it felt to me. I remember walking onto stage and looking into their faces. It seemed as if  half the audience was super into what I was doing  and half had that look of, “OK, now bring on The Cramps!  But the best thing from that night was what the DJ and some people in the booth overheard Lux saying to Ivy as they watched me perform. Lux had leaned over to Ivy and said  “now how are we going to follow that!”

What about being shot by Bunny Yeager and David LaChapelle?

Bunny Yeager is such a pro, such an eye and very easy to work with. I only wished I would have filmed the shoot so I could remember all the little tricks she was telling me, just an inch here or a hand held there. Her direction and photos came out flawless. I remember she kept wanting me to be naked and in the end I was. Ha ha, she has her ways of getting what she wants, and, well, it’s Bunny and who else should be the first photographer to shoot nude photos of me?!

David LaChapelle is so fun to work with. It is always a crazy party; you never know what to expect out of the day. I had first met him with a mutual friend  in the Hollywood Forever Cemetery watching movies being projected on the wall. He said that he liked the dress I was wearing and asked if he could put my number in his phone. I have done a few photos, videos and commercials with him. He is such an artist and very sweet.

What’s your favorite performance thus far and why? 

I cannot choose only one. Many of my performances have a special place in my heart for different reasons, but the one that shines is “The Casting Couch” that Dixie Evans personally taught to me back at the Ranch.  I love Dixie. She is the most enthusiastic, knowledgeable and kindest lady I have ever met in the field of burlesque. She is the glue that binds this whole scene from the beginnings to the modern day. When I was asked to perform a tribute number at the Burlesque Hall of Fame, I instantly chose Dixie.

I spent a couple  days with her teaching me her routine, filming her, taking down notes on what songs she had used. And in the end she was insistent that I finish the routine with something of myself, with my bumps and grinds, because she had said “no one can shake the way you shake and you have to make this your own.” So I added “The Man with the Golden Arm” song to the end and made her routine have a bit of myself mixed into it.  This is the only time I have ever performed someone else’s choreography and such a well-known routine.  Although it went off wonderfully, it was such a challenge of nerves to perform it in front of her and my peers at BHoF that I put the routine away for about five years. I brought it back out again for Viva Las Vegas and spent the next two years touring with it because I loved doing it so much. Funny how things go sometimes .

Kitten DeVille. Photo credit: Luca Rome.

For us East Coast Southerners, what’s the Rock & Roll StripShow, how did you get the idea and is that still happening?

The Rock & Roll StripShow is a joint effort of Joseph Brooks, Annie Sperling and myself. It came about because of a few different reasons. First, there are no large-venue burlesque shows in Los Angeles. Second I wanted to co-produce something with Joseph Brooks who is hugely responsible for the underground club scene in LA starting in the late 1980s which I loved dancing at. And thirdly I wanted to combine my two favorite worlds – rock  & roll and burlesque – something most people were not doing back in 2005. Rock & Roll StripShow features our own band and guest singers which have included David J of Bauhaus fame, Pearl Harbor, Kitten on the Keys and other wonderful  performers. We handpick a headliner roster of performers, and the night is filled with burlesque performances set to live Rock & Roll in a proper venue with amazing sound and lightin . It is a main event attracting everyone from Dita [Von Teese], David LaChapelle and a who’s who in LA  to attend. Right now we are looking to take StripShow on tour. We also want to attach it to larger burlesque or Rock & Roll festivals .

Kitten DeVille Onstage in New Orleans.

What will you be up to at Southern Fried Burlesque Fest?

I am performing on Friday night [at Free Range Burlesque] and judging the [Southern Fried Burlesque] Pageant on Saturday. I am also teaching two classes. I have a movement class [Sat. 3:15] that is guaranteed to have the students feeling their bodies,  and also a question/answer [Sat. 4:30 p.m.], ask-me-anything sort of a class that should be really fun because I never know what I will be asked and they maybe surprised by my answers.

What else, other than your own performance and classes, are you looking forward to the most at SFBF?

Watching the other performances. I love Perle [Perle Noire, the Black Pearl] and Angel [ Satan’s Angel]. They are both always so inspiring. I am excited to watch and meet all the wonderful  performers. My favorite things about festivals are meeting and making new friends. I have never been to Georgia before so I am also excited to be in a new place, to soak up my surrounding and sample the food.

You’re quite the multitalented Renaissance woman of burlesque. What else are you up to right now in movies, music, modeling?

I have been doing some interesting modeling work with Annie Sperling. I am in talks with a producer about doing  a TV show. I am thinking about doing some writing, and I am working on setting up another European tour for late summer early fall. I am also traveling the states doing festivals. I have Viva Las Vegas and the Texas Burlesque Festival in April and The Windy City Burlesque Festival in July .

What question does no one ever ask you that you wish someone did? And what’s the answer? 

Wow, what a great question! I think I am too much of a Scorpio to give away all my secrets, but now you have my mind spinning for the perfect question. I will have to get back to you on that one.

In addition to Kitten DeVille’s main Website, she invites you to enjoy more pics and clips at http://kittendeville.tumblr.com/.

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