The Sixth Annual Chattanooga Film Festival Gets Bizarre and Unearths Four Killer Days of Movie Madness & Mayhem, April 11-14!

Posted on: Apr 8th, 2019 By:

by Melanie Crew
Managing Editor

The Chattanooga Film Festival kills it again during its 6th year invading downtown Chattanooga (Chattanooga Theatre Centre (CTC), The Moxy Chattanooga and Miller Park) this Thursday-Sunday April 11-14. CFF has way more to offer than your average film festival and promises a weekend chock full of killer films (features and shorts blocks), workshops, presentations, podcasts and parties! CFF prides itself in sharing films with the masses that are “unique, challenging, critically significant, and a helluva lot of fun!” This year’s festival showcases films ranging from monsters, rockin’ tunes, geek magic, sinister good times and homages to classic films and bizzaro television series. Here are our top 10 reasons to high tail it on up to our wonderfully weird little sister city to the north for the Chattanooga Film Festival!

1) MALLORY O’MEARA & THE CREATURE. Delve into Mallory O’Meara’s recently released biography, The Lady from the Black Lagoon (Hanover Square Press, March 5, 2019). Take a peek into the life of Millicent Patrick, killer actress, make-up artist, special effects designer and creator of the head costume for Universal’s Gill Man, a.k.a “The Creature.” Patrick’s legacy was nearly forgotten, but O’Meara gives Patrick her due in this monstrous retrospective. O’Meara is scheduled to give a 30-minute talk, a reading and will sign books for all you Millicent Patrick fans. Catch O’Meara’s event from at 3pm on Friday, April 12 in the Classterpiece Theatre! And if you’ve never caught Jack Arnold’s monstrous classic CREATURE FROM THE BLACK LAGOON (1954) on the big screen, then you’re in for a special treat! Chill with the Creature at 8:30pm at Miller Park on Saturday, April 12!

2) CRISPIN HELLION GLOVER. Spend the night with cinema icon, Crispin Glover [BACK TO THE FUTURE franchise; television series “American Gods”; David Lynch’s WILD AT HEART (1990)] from 7pm – 11:3pm Friday, April 12, as he presents a “Big Slide Show 2,” screens IT IS FINE! EVERYTHING IS FINE (2007), which he co-directed with David Brothers and tells a psycho-sexual tale about a man with severe cerebral palsy who has a fetish for girls with long hair. According to Glover, screenwriter Steven C. Stewart “wanted to show that handicapped people are human, sexual and can be horrible” – a film you definitely will not want to miss! After the screening, stick around for a book signing and meet ‘n’ greet with Glover! An Evening with Crispin Glover takes place in the Bruce Springscreen Theatre.

3) GARY SHERMAN.  CFF Guest and horror film director/producer Gary Sherman [POLTERGEIST III (1988); DEAD & BURIED (1981)] brings you special treats at CFF this year! First, catch a screening of his ‘80s thriller film with mutilator pimps, Hollywood hookers and more, VICE SQUAD (1982) on Saturday, April 13 at 4:20pm with an introduction and Q&A afterwards with the director, screening in the Bruce Springscreen Theatre! On Sunday, April 14 at 10am, learn The Secrets of Poltergeist III with Sherman in the Classterpiece Theatre. You won’t want to miss Sherman dive deep into the “smoke and mirrors” behind the film’s practical special effects and more!

4) SO-CAL DESERT PUNK. CFF presents their Sonic Cinema Block screening of Stuart Swezey’s documentary DESOLATION CENTER (2018) and see the untold story of the Reagan-era anarchic punk rock desert events that have seeped into our culture by way of phenomena such as Burning Man, Lollapalooza, Coachella, etc. The film will be screened in the Bruce Springscreen Theatre on Saturday, April 13 at 12:30pm!

5) GEEK LOVE – EYE OF THE BEHOLDER. If you’ve ever wondered where the art for Dungeons & Dragons originated, look no further! Directors Kelley Slagle and Brian Stillman present their 2018 documentary, EYE OF THE BEHOLDER, which explores the history, influences and stories behind the artwork that helped create the world of Dungeons & Dragons. The film will be screened in Bruce Springscreen Theatre on Sunday, April 14 at 10:30pm!

6) BJORK IN THE JUNIPER TREE. Get medieval with Bjork with a 4k restoration screening of Nietzchka Keene’s debut Brothers Grim-esque film THE JUNIPER TREE (1990) on Sunday, April 14 at 8:40pm in the Bruce Springscreen Theatre!

7) METALPUNKOCALYPSE. CFF plans to rock your face of this weekend! Get hellbent during the Metal Madness After Party on Thursday, April 11 at 10pm at The Moxy, celebrating the Heavy Metal in cinema with themed cocktails, metal face painters and more! Or catch a screening of Eric Pennycoff’s heavy metal terror SADISTIC INTENTIONS (2018) on Friday, April 12 at 5pm in the Screena Turner Theatre, followed later that night by Jonas Akerlund’s LORDS OF CHAOS (2018) where an obsession with creating “true Norwegian black metal” turns truly sinister at 11:30pm! And who needs Saturday morning cartoons when you’ve got Destroy All Movies!!! The Punk on Film Panel with Zack Carlson and Bryan Connolly at 10am Saturday, April 13 at The Moxy, with a hilarious take on Hollywood vs. the Punk Rock Movement “when horror films and party comedies became infested with mohawks and mayhem!”

8) MEMPHIS ‘69. CFF presents a rare treat with a screening of Joe LaMattina’s documentary MEMPHIS ’69 (2019), which showcases the 1969 Memphis Country Blues Festival celebrating the 150th anniversary of Memphis, all thanks to Fat Possum Records’ acquisition of the nearly 50-year-old footage. LaMattina’s doc features a rare view of performances by Johnny Winter, Bukka White, Rufus Thomas and more, screening Friday, April 12 at 3:30pm in the Bruce Springscreen Theatre!

9) HELL-BENT AND BEWITCHIN’. Atlanta’s own Ben Winston’s feature debut, HELLBOUND (2018) world premieres at CFF! You won’t want to miss this witchy, satanic tribute to the classic films of the ‘70s, shot in B/W on 16mm, and described by CFF staff as giving off an “Easyrider/Texas Chain Saw Massacre/Race with the Devil vibe.” The film screens Saturday, April 13 at 2:30pm in the Bruce Springscreen Theatre! Winston and producer Tim Reis will be on hand for the film’s introduction and a post-film Q&A!

10) COWBOY WHO?
Get weird as CFF presents a screening of the first season of Canada’s bizarre children’s show “Cowboy Who” which aired from 1990-1994 (condensed to 90-oddball minutes) curated and introduced by Peter Kuplowsky. Have a wacked out good time on Saturday, April 13 at 10am in the Screena Turner Theatre.

 

Chattanooga Film Festival main hours are Thur. April 11 from 4:30pm to 12am; Fri. April 12 from 10am. to 1am; Sat. April 13 from 10am. to 1:30am; and Sun. April 14 from 10am to 12am. For more info, visit the Chattanooga Film Festival official website here.

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Retro Review: Cult ’80s Fantasy Movie KRULL Makes a Comeback as a Genial, Albeit Deeply Ironic, Pleasure

Posted on: Apr 4th, 2013 By:

KRULL (1983); Dir: Peter Yates; Starring Ken Marshall, Lysette Anthony; Starts Friday, April 5.; The Plaza Theatre; Trailer here.

By Andrew Kemp
Contributing Writer

A few years ago I attended a science-fiction double feature (woo-oo-oo) at the Carolina Theatre in Durham. This particular series had been running monthly for over 10 years at that point and the theatre was packed with die hards, who I assumed were, like me, there to see David Lynch‘s DUNE (1984), a theory I confirmed when the host of the series stood up and begged the audience to stay for the night’s second film, the infamous fantasy flop KRULL. The host pointed at a guy in the front row. “It’s his fault,” the host shouted. “He’s begged me to program this movie for years!” The guy in question raised his hands in the air and took a small ovation. I had always planned to stay—who goes to a double-feature just to see one film?—but I immediately guessed that Krull Fan and I were going to be sharing an empty room.

Shows what I know. Nobody left. In fact, I’d wager the crowd even grew a little as some KRULL fans wandered in late, apparently happy to dodge David Lynch to get to their main event. KRULL, I learned, has its fans. And, as the movie chugged along to its laugh-out-loud finale, I became a bit of a fan myself. Now, Atlanta audiences get their own chance to rediscover KRULL when it starts a big-screen run at the Plaza on Friday.

If STAR WARS (1977) was the huge stone thrown into the Hollywood water, KRULL was that last tiny ripple on the other side of the lake, marrying science fiction and fantasy together from a similar recipe, but achieving dramatically different results. KRULL, an American production shot in England at the legendary Pinewood Studios, concerns a mythic alien beast, creatively named The Beast, who descends onto a peaceful planet populated by fantasy characters—think Druidia from Mel Brooks’s SPACEBALLS (1987) and you’re halfway there. After The Beast wrecks the planet’s ruling kingdom, survivor Prince Colwyn (Ken Marshall) goes about the business of rescuing a captured princess (Lysette Anthony) in the usual way, by gathering a band of allies and pursuing a quest for a mythical weapon of legend known as The Glaive. This weapon, a five-bladed throwing star, is the only thing capable of slaying The Beast, which is pretty darned convenient when you think about it, since the critter’s not even from around there.

If the plot sounds right out of a game, that’s no coincidence. Plenty of rumors link KRULL to a pitch for a Dungeons & Dragons movie that never happened (D&D creator Gary Gygax denied this, but it’s unclear whether he would have even known), and KRULL was one of the earliest films to attempt the cross-platform synergy marketers swoon for today, with a KRULL video game adaptation appearing in arcades and on the famed Atari 2600 home system soon after the film’s release. In fact, pretty much everything about KRULL suggests a charmingly misguided belief that the creators were building a world people would want to return to again and again. Instead, KRULL was a major box office disappointment and dropped into obscurity, wearing the label of “failed franchise” as if on a sandwich board over the words “please help.”

But enthusiasts like Krull Fan have helped the movie make a comeback as a genial, albeit deeply ironic, pleasure.  While the sum of its parts may add up to very little, the parts are often enough fun to help viewers overlook the film’s rough patches. KRULL has imagination, and it’s chock full of bits that could have been iconic in a better movie, none more so than Colwyn’s Glaive, the film’s answer to the lightsaber. The weapon sits at the center of the film’s plot and marketing, but poor Prince Colwyn barely gets to use the thing, as if the production had only one to spare and couldn’t risk breaking it. (Or perhaps the Glaive’s non-presence is an attempt to duck the logistics of the thing. It seems as if though one should only throw a five-bladed star if one is absolutely certain of having no future as a piano player.)

The film also boasts a suitably gruesome main monster, encounters with giant spiders and sorcerers, a bumbling wizard (all 1980s fantasy films were required to have a bumbling something or other), a friendly Cyclops and even a future Hollywood star—pre-fame Liam Neeson appears as a surly convict enlisted to Colwyn’s quest. There’s much to love about KRULL, even if it’s pretty hard to love KRULL. Frankly, the movie can be a bit of a slog at times. But there’s something to be said for ingenuity and imagination, both of which KRULL has in plenty. The film came from a time before special effects made it easy to create whatever world you could imagine, and from a time when fans of the fantastical had to settle for whatever they could get. KRULL is hardly one of the best fantasy films of the era, but it’s endearingly goofy, hand-made and eager to please.

Unless, of course, you’re hoping to see Colwyn really cut loose with that Glaive. If so, you just have to keep waiting for the inevitable sequel. It’s got to be coming along any day now, right?

Andrew Kemp is a screenwriter and game writer who started talking about movies in 1984 and got stuck that way. He writes at www.thehollywoodprojects.com and hosts a bimonthly screening series of classic films at theaters around Atlanta.

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