ATLRetro

Atlanta will say aloha to the Second Annual Rockabilly Luau this Sat. Aug. 4 from noon to 10 p.m. by the pool at the Holiday Inn Northlake, which has been undergoing renovations for a tiki cabana look. The first Rockabilly Luau last summer at Masquerade Music Park featured a great line-up of bands, burlesque and Polynesian performers and vendors. But after this long hot summer and before the Mayan calendar ends, this year’s event is themed The End of Summer, End of the World Luau! And ATLRetro is excited that cofounder Chris Mattox decided to relocate it to a more watery location, allowing us to pretend we have escaped to the paradise of the Hawaiian Islands and some added entertainment opportunities including aquatic dance by Marina the Fire-Eating Mermaid (also known as MeduSirena) from Fort Lauderdale, FL. Plus the incomparable Calu Cordeiro, mixologist for Mai Tai Tahitian Tuesdays at Dark Horse Tavern, will be supervising the cocktails – a must for any Retro-Polynesian-themed event. Again all proceeds go to two animal rescue charities, Friends to the Forlorn and Shelter Angels 

True to its name, Rockabilly Luau combines two Retro styles – tiki and rockabilly, with a healthy dose of surf. Back again are ATLRetro favorites The Rebel Surfers from Nashville (12:30-1:30), Hot Rod Walt and the Psycho Devilles (4:15-5:15) and  Daikaiju (1:45-2:45), who unfortunately got rained out last year. El Capitan & Thee Scallywags (5:30-6:30) also are on the bill, as well as a Polynesian Show (3-4 and 7:15-8:15),  a tropical bathing suit fashion show by Waterbabies (6:45-7), Marina the Fire-Eating Mermaid (8:30-9), and culminating in a Volcano Sacrifice Burlesque Show starting at 9:15. Co-hosts are Marina and the Right Rev. Andy, DJ of Psychobilly Freakout on Garage 71, Atlanta’s top rockabilly music radio source and the main stage sponsor.

More features include a fire knife performance, a vintage car cruise-in, live tiki carving, real kalua pork and other Polynesian fare, hula hoop performances by Hoop Essence, Poi performances by Sinder and Incendia and tons of vendors located on Tiki Row (including ATLRetro! We’ll be bringing plenty of T-shirts featuring our exclusive logo by DerekArt, hair flower art, Hula girl tote bags and more Hawaiiana and Retro items).

Marina, the Fire-Eating Mermaid. Photo courtesy of Marina.

ATLRetro caught up with Marina, a self-described “zany Uncanny Exoticat-Aquaticat,” to find out a little more about what it’s like to be a mermaid, why she was drawn to recreating vintage aquatic dance for today’s audiences, her Retro dance influences ranging from Esther Williams to Bruce Lee, and what she has planned for the Rockabilly Luau.

ATLRetro: How did you become a mermaid?

Marina: Well, there was never a time I “became” a “mermaid,” to tell you the truth. I can say that  I learned how to free dive at a very early age – 3 – in the West Indies and have always maintained a strong connection with aquatic movement art. That, together with training in Polynesian and Eastern dances, it was a natural fit.  I was inspired by marine animal movement and performers and showpeople ranging from Esther Williams, Eartha Kitt, Ricou Browning, Annette Kellerman, Iris Chacón and even Freddie Mercury, with a touch of Bruce Lee. My goal is to not only to return aquatic performances to people’s consciousness, but to help educate and encourage the art form for future generations. Retro-tainment if you will.

What attracts you to mermaids and do you have a favorite mermaid of screen or fiction?

The mermaid [is a] combination of two enviornments – the aquatic & the terrestrial – [and] everyone sees it in a different and personal manner. I perform often without fins, and love it just as much. It pays homage to those first aquatic performers.

The “mermaid” is what most people connect with, and as seems to have become quite popular recently, it’s what most people expect. I make it a point, however, not to appear “realistic,” instead opting for the image of a woman in a “fishtail cocktail dress.” I feel it best addresses the genre I wish to represent.

Marina recreates the aquatic dance made famous by the incomparable Esther Williams. Photo courtesy of Marina.

As for my favorite “mermaid” in film, it has to be the great Esther Williams. If you are referring to the “tailed” variety, it’s got to be SHE CREATURE (2001 remake). She was dangerous, and that really was great – she should make you nervous! The original CREATURE FROM THE BLACK LAGOON is also a fave. Love him to chummy bits.

Can you give readers a quick taste of what you have planned for Rockabilly Luau?

As for what I’ve got planned, all I’ll say is that it will be a loving nod to the golden age of tourism entertainment – a bit of swimming, a bit of fire, a lot of humor. I sincerely hope everyone enjoys it. It is a terrific honor to be a part of such a terrific event and for such a noble cause.

Tickets for the Rockabilly Luau are $15 in advance (available here) and $20 at the gate.

Jet Terror. Photo credit: Widdi Turner.

Think you are or ever were a punk rocker? The Star Bar is throwing a NYC Punk Tribute Night Fri. July 27 with some of Atlanta’s finest garage and punk bands headlined by none other than  Jayne County & The Electrick Queers and also including The Forty-Fives ( doingMC5 songs), The El Caminos, Randy Micheal and the Sharp Dressed Lads and Ghost Bikini . They’ll be performing songs by the New York Dolls, Blondie, Ramones, MC5 and more that started a rock revolution in the early-mid 1970s before the Sex Pistols ever spiked their hair. Unfortunately too many  performers of that era have left this plane including a majority of Ramones and NY Dolls, but Atlanta is fortunate to be  home to the queen of Max’s Kansas City, Jayne County. Since we interviewed Jayne last October (catch up with that Kool Kat here), we decided to turn to Jet Terror, an Atlanta punk legend in his own right as one of the founding members of the recently resurrected and still refreshingly raunchy Dead Elvis (Ed. note: fellow band member Derek Yaniger designed the ATLRetro logo; read an interview with him and catch up some more on the history of Dead Elvis here.)

The last time I interviewed Jet was for Maximum Rock n Roll, the best newsprint hardcore punk zine ever (and still thriving on the Web here), along with the rest of Dead Elvis - Derek, Kevin Rej and Chris Mills, in Chris’s Grant Park living room. Let’s just say there was a lot of…er…colorful language. A few years later, Jet left Atlanta for San Francisco, so it’s great to see him back roughing up the Atlanta music scene. If you didn’t get to Greenwich Village in the 1970s, this Friday night is sure to be the next best thing…

Why a 1970s NYC Punk Tribute Night in 2012?

Well, we just want to celebrate the music of that era and give people a real taste of what it was like. It was really Jayne’s idea, and I put it together with the Star Bar’s help. We wanted to create an event, not just a show. It will be fuckin’ great.

Jayne County and the Electrick Queers. Photo credit: Jeff Shipman.

Is the show going to mostly be covers?

Yeah it will be a lot of covers of bands like, Ramones, Dead Boys, New York Dolls, MC5, Velvet Underground and so on. Each band may do an original or two.

Other than Jayne County, what are the three must-know performers/bands of that era in your opinion and why?

Iggy and the Stooges, Ramones, New York Dolls. If you have to ask why, go to YouTube.

How did you meet Jayne County?

I met her through my girlfriend’s business partner Tim Scott. She was wanting to play some shows and we clicked.

What’s the back story about the Electrick Queers? I understand they were first formed because Jayne needed a back-up band for a gig she had at a PAWS Atlanta fundraiser?

Basically we formed to support her on that gig, but always had planned to move forward as her current band. Here we are four years later. It’s been a blast and getting better all the time.

Any chance of a Jayne County and the Electrick Queers recording in the future?

We just recorded two brand new songs that we wrote with Jayne, and they came out very strong. She and I are always throwing around ideas and are working on more new songs currently with the band. She’s the most dynamic person I’ve ever played with.

Jet Terror. Photo credit: Jeff Shipman.

What’s up with Dead Elvis? Any more gigs planned this summer/fall?

Hey, Dead Elvis has been around for 27 years now. We never expected we would still be playing in 2012. To answer your question, I don’t know. We don’t plan it; usually some show is presented to us, and we figure we can go onstage and destroy it one more time for fun. It’s all about having fun acting like immature beer-swilling punks.

You relocated to San Francisco for a long time. What made you return to Atlanta?

Yep, I lived in San Francisco for most of the Nineties. SF is still just as much home to me as Atlanta is. I came back to Atlanta in 2000, mainly because of some family health issues, and I was also looking to form my dream band. Luckily I did meet the right guitar player (Jim Wright) and the right guys and formed The Evils.  We’re playing The Star Bar on August 24.

I hear you’re doing some work with WWE. Can you tell us about that?

I work full time for the WWE world television tour for the show’s MONDAY NIGHT RAW and SMACKDOWN. I’m the Stage Manager. I’m responsible for getting our show built, run and loaded out. I manage about 150 people a day and 14 semi trucks of gear. It’s a big crazy job. I’m on a plane twice a week to somewhere in the U.S., Canada or Mexico.

What else are you up to?

I have a wonderful girlfriend (Jen [Belgard of Libertine, and ATLRetro contributing writer]), a German shepherd, a crazy terrier and three cats. They keep me pretty busy when I’m home. Also, I’m working on buying a bar with my business partner.

Any other personal interests of note?

Yes, I love my 1947 Chevy Rat Rod truck and my Triumph Bonneville motorcycle. My favorite bands: Elvis, The Stooges, MC5, Motörhead, Eddie Cochran, Hank Williams Sr., The Kinks, etc. etc…

We can’t say where you’ll find a Sasquatch in the actual woods, but we’re damned sure that you can spot BIGFOOT, one of Atlanta’s most badass and hard-edged rock bands, twice in the next few days right here. First they’ll be grinding their guitars at Sunday June 3 at the 10th annual Rock n Roll Monster Bash 2012 at the Starlight Drive-In (gates open at 10 a.m.). Then Tuesday June 5, BIGFOOT headlines the DVD release party for DEAR GOD NO!, the home-grown grindhouse film that’s been turning heads and stomaches all across the nation and stars BIGFOOT front-man Jett Bryant.

In case you’re living under a rock and haven’t heard about the Rock n Roll Monster Bash. It’s an all-day, all-night horror festival featuring Dames, Bands, Ghouls, Food, Creeps, Hot Rods, Hearses, Flicks, Freaks, Vendors Werewolf Style Parking Lot Partying and Monstrosity Championship Wrestling hosted by the Silver Scream Spookshow‘s Professor Morte. Other bands playing include X-Impossibles and one of them now rare but always unforgettable performances by Atlanta punk legends Dead Elvis, including ATLRetro logo artist Derek Yaniger. And damn you, dirty ape, but after dusk, lucky attendees get to see 35mm prints of the incomparable, original PLANET OF THE APES (1968) and zombie comedy RETURN OF THE LIVING DEAD (1985), on the big Drive-In screen! If you haven’t already read Gene Kannenberg‘s awesome remembrance of growing up with the Apes and making ape masks with paper and crayons, check it out here.

When DEAR GOD NO! launched its world premiere at the Plaza Theatre last fall, the Star Bar must’ve been empty. Indeed, the number is legion when it comes to talented folks from Atlanta’s alt-garage, Redneck underground and horror scenes who worked on the movie. Familiar faces in the cast and crew including Shane Morton (Silver Scream Spookshow, Gargantua, Atlanta Zombie Apocalypse), Nik Morgan (Splatter Cinema), Billy Ratliff (Truckadelic), Madeline Brumby (check out our Kool Kat on Madeline here), Jas. M. Stacy (Starlight Drive-In, Palookaville, Get Delicious!, AM Gold) and many more. Since then, Director Jimmy Bickert‘s “unapologetic homage to classic grindhouse cinema” (DailyGrindhouse.com) has taken the festival circuit by storm and hauling in reverent reviews from lovers of exploitation films. The Big World Pictures release will finally be available on DVD on Tues. June 5, with a ton of bonus features, and to celebrate, the public is invited to the FREE party and screening that night at The Masquerade (doors at 8 p.m.).

Shot in 16mm with ’70s period-authentic effects, DEAR GOD NO! follows outlaw motorcycle gang The Impalers, led by Jett Bryant (yup, that’s his character’s name, too), on a tri-state rape and murder spree which culminates in a bloody massacre with rival club Satan’s Own in a dive bar (actually Tucker Saloon) with the added bonus of topless strippers in Richard Nixon masks with machine guns. Still keen to continue their rampage, the survivors invade a mountain cabin occupied by a scientist and his geeky/sexy daughter. And that’s when the depravity really begins as the bikers realize the scientist is mad, his wife is madder, and the monster that lurks in the wilderness outside is maddest of all.

So it just seemed kinda natural (or should we say, supernatural?) to catch up with Jett, who also plays in AM Gold and has played Jesus on stage in JESUS CHRIST SUPERSTAR, for a down and dirty little talk about Bigfoot and why  hard rockers, drinkers and monster movie lovers alike need to get out of the house both Sunday and Tuesday! Dear God! Yes! That’s why we’re proud to say that we live in the city with America’s finest Retro horror scene!

First off, let’s talk BIGFOOT. How did the band get started and what’s your sound like for the uninitiated?

BIGFOOT was started by Jimmy Hall and Evil Jim Wright, two of the most badass guitarists you can imagine. Together with Micheal Faulkner (bass), Kevin Watford (drums) and myself, you get the rowdy and raunchy BIGFOOT—a very loud and heavy southern rock with high energy.

Do you have any special plans for your gig at Rock n Roll Monsterbash 2012?

My biggest plan is not to be too drunk when I get onstage.

What’s your favorite part of this year’s Monster Bash, other than BIGFOOT, of course?

I’m looking forward to seeing PLANET OF THE APES and RETURN OF THE LIVING DEAD on the big screen. I love me a zombie movie. I like the goofy punk rock situation in the graveyard, and Linnea Quigley gettg all naked and eaten by zombies is pretty cool, too. It’s always been a favorite movie of mine. And apes taking over the world, what’s not to love about that?! It’s always a pleasure to see a movie at the drive-in. That’s the best way to see a movie as far as I am concerned. You can bring your own beer. I love it.

How do you feel about all the positive buzz DEAR GOD! NO! has been getting on the festival circuit?

I’m excited about it. I think it’s great. I always wanted to be famous or infamous. However,  the f–k you look at it. Jimmy did a really great job with that movie. I wasn’t surprised that it was such a big hit just because I’ve known Jimmy Bickert forever and he put all his attention into it. I haven’t seen him do that in years. It’s about time.

Is it just coincidental that you’re in a band called BIGFOOT and a Bigfoot is the monster in DEAR GOD! NO!?

It’s total coincidence that the band is called BIGFOOT and the movie contains a raging sasquatch.The band name came about while we were tossing ideas back and forth and our buddy Ted got impatient waiting for us to figure it out because he needed to make a flyer. So he just dubbed us BIGFOOT

Did you ever feel like the movie was going too far in pushing the limits with the sex, violence, gore and general disgustingness? What do you say to people who are offended?

DEAR GOD NO! is a pretty brutal film, but it’s all in good fun. However, I will not let my mama see this picture

Your character in DEAR GOD! NO! bears your name. What’s the difference between you and him, and are you ever uncomfortable with that—given the crazy, sick things he does in the movie?

As far as playing the character Jett in DEAR GOD! NO! I really just played myself, took out all the good parts and replaced it with the DNA of a honey badger.

I can just imagine how much fun you had recording the commentary track for the DVD with Madelaine Brumby and Shane Morton. Can you talk a little about how you guys approached that and maybe share one favorite behind-the-scenes story? 

We all just sat around with microphones and watched the picture. They got wine-drunk and I got beer-drunk. Shane and I have been friends for a long time so it wasn’t even like work. It was just like hanging out with my buddy. As for a story, [shooting the film] was all pretty long days, but John Collins (Collins in DEAR GOD! NO!) was always making it pretty loose and funny. He made a habit of sending us pictures of his turds when taking a shit. It is not on the commentary track, but it is on blooper reel, a little Easter egg they have in there.

You die in DEAR GOD! NO! but everyone knows that never stopped a character from coming back in a sequel. Will we see Jett Bryant again in the sequel, FRANKENSTEIN CREATED BIKERS, or can you tell us?

My character will return in the sequel, probably more pissed off considering he’s been woke from the dead.

Anything you want to add about Bigfoot’s performance at the DVD release party next Tuesday?

We’re excited about it, but it’s just going to be another badass BIGFOOT show, you know!

What about what you’re up to with AM Gold, any other acting plans and what’s next for BIGFOOT?

BIGFOOT’s going to keep stomping like they do, we’re going to keep make movies, and AM Gold’s going to keep playing festivals!

When ATLRetro heard that The Sugar Dolls were throwing their 2nd Annual Day of the Cupcake party on Saturday Oct. 8, we couldn’t think of a more delicious way to officially kick off our latest weekly feature, the Wednesday Happy Hour & Supper Club. While a holiday just for this Retro sweet sounds scrumptious enough, this quintet of beautiful bakers (Alexis Gorsuch, Lena Kotler, Crystal Chambers-Goggin, Jessika Cutts and Kelli Graham) has cooked up an entire day of activities, starting from noon to 7 p.m. at Sacred Heart Tattoo in Little Five Points and then continuing late into the night at Java Lords ($5 cover; proceeds to Atlanta Bully Rescue). They’ve tempted you with everything from boobalicious chocolate confections to flaming strawberries at Blast-Off Burlesque shows, Mon Cherie spectaculars, Rockabilly Luau, but Saturday will be all about celebrating the cupcake through activities, art and music. You’ll lick your lips for cupcake-inspired games, a Sugar Skull decorating room so you’ll be all set for the Day of the Dead, tasty tattoos, live bands (including Six Shot Revival, The Sneaky Hand and The Claymores), karaoke, burlesque, pin-up hair-styling with Cherry Dame, a pin-up contest and, of course, cupcakes!

In fact, the idea of spending a day celebrating this timeless treat made us so hungry that we asked the Sugar Dolls if they’d be so sweet as to add ATLRetro to the menu as a sponsor. We’re thrilled to say that we passed their taste test, especially since we’ll be serving up a tasty new look at the end of this week, courtesy of Derek Art, too. That it’s Anya99′s birthday two days later is just icing on the cake, and she really loves icing, so while you’re dropping by for cupcakes, be sure to say hi. We’ll also be selling our first batch of ATLRetro T-shirts, so if you dig what we’re doing, consider buying one and supporting our humble efforts to keep Retro Atlanta alive.

With an all-day event, it’s sometimes hard to know when’s the best time to show up, so we asked Alexis to clue us in on all that’s cooking on Saturday. Of course, we couldn’t resist a few questions about the perennial appeal of the cupcake and the secret recipe behind the Sugar Dolls’ secret origin and success.

For a while, cupcakes seemed to have a bad reputation as being cheap alternatives instead of a real cake and mostly just for kids, but lately this quintessentially Retro treat is not just back in style, but as The Sugar Dolls have shown, can come in all sorts of creative flavors, even in adult versions such flaming with a drop of liqueur. What do you think accounts for their comeback?

Trends in fashion loop around so many years and I have been told on numerous occasion, it is due to nostalgia. “Fashion is not something that exists in dresses only. Fashion is in the sky, in the street, fashion has to do with ideas, the way we live, what is happening.” By Coco Chanel.  So what is more nostalgia than food, needless to say sweets? You nailed it on the head with the fact that cupcakes are Retro, but aside from that they have given us a sweet and simple way to step back to the past yet enjoy where we are and look forward to the future! I love how some of our sweets take me back to being a little girl, but the same cupcakes are the most elegant wedding display or engaging party favor. So much diversity in these simply amazing treats and people are really starting to recognize the possibilities and fun at reasonable budget. So honestly it is a nice handful of things that has really allowed these sweet cuppies to bloom into their own world.

We can’t think of a better name for a cupcake company than The Sugar Dolls. How did you gals get together and what made you start baking?

Thank you, we are pretty fond of the name too! Well, baking is such a sweet family tradition for so many folks, and all of the Dolls have some great memories and continue to make them together and with our families. We all met at different walks in our life but seem to have come together to make something bigger than ourselves. We want to share our love and experiences with you, and baking is the sweetest outlet to share those things and give in the many ways we would like.

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Just five months after quietly launching ATLRetro the last weekend of January, we’re up to our 100th post, blushing after a rockin’ review from Scoutmob, and averaging nearly 4,000 hits a month! Thanks, dear readers, for your support, and we hope you’ll stick around for an exciting site revamp in July featuring a mighty swell new logo courtesy of that swingin’ kat Derek Yaniger and new regular features on Retro restaurants, cocktails and vintage shopping.

Mike Geier and one of the lovely Dames Aflame.

Monday June 27

From 3 PM on, savor tropical sounds and libations, as well as a Polynesian dinner during Mai Tai Monday at Smith’s Olde Bar. Kingsized and Tongo Hiti lead singer Big Mike Geier is Monday night’s celebrity bartender at Sister Louisa’s Church of the Living Room and Ping Pong Parlor. Northside Tavern hosts its weekly Blues Jam.

Tuesday June 28

Grab your horn and head to Twain’s in Decatur for a Joe Gransden jazz jam session starting at 9 PM. Fedora Blues is at Fat Matt’s Rib Shack. Notorious DJ Romeo Cologne spins the best ‘70s funk and disco at 10 High in Virginia-Highland. Catch Tuesday Retro in the Metro nights at Midtown’s Deadwood Saloon, featuring live video mixes of ’80s, ’90s, and 2Ks hits.

Wednesday  June 29

Get ready to rumba, cha-cha and jitterbug at the weekly Swing Night at Graveyard Tavern. The Hollidays bring a little soul to Fat Matt’s Rib Shack and Danny “Mudcat” Dudeck blues it down at Northside Tavern respectively. Dance to ‘70s, ‘80s and ‘90s hits during Retro in the Metro Wednesdays presented by Godiva Vodka, at Pub 71 in Brookhaven.

Thursday  June 30

You don’t need a golden ticket to enter in a world of Gene Wilder‘s imagination courtesy of trippy 1971 kids classic WILLY WONKA AND THE CHOCOLATE FACTORY, this week’s movie at Piedmont Park‘s Screen on the Green.

Uncle Daddy & the Kissin’ Cousins get Twain’s a hoppin’, hillbilly style. Self-described Atlanta “modern retrobilly” band The Serenaders swing at Kathmandu Restaurant & Grill in Clarkston. All Thursday shows at the Vietnamese restaurant are free and all-ages. Go Polynesian to Tongo Hiti’s luxurious live lounge sounds, as well as some trippy takes on iconic pop songs, just about every Thursday night at Trader Vic’s. Party ‘70s style with DJ Romeo Cologne at Aurum Lounge. Breeze Kings and Chickenshack bring on the blues respectively at Northside Tavern and Fat Matt’s Rib Shack.Bluegrass Thursday at Red Light Cafe features Kris Youmans & the DC-3′s.

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Back in the day, a motley group of UGA art students had this crazy idea to start a band that combined their love of punk rock, beer and the King of Rock ‘n’ Roll. For about a decade, Dead Elvis was a—welcome to some, nightmare to others—fixture on the Atlanta music scene, drinking buckets of booze and spewing out hard-ass, high-energy hardcore with their signature sense of humor. All the local fame and phlegm, though, never went to their heads—shhh, don’t tell anyone but they’re really swell, sweet guys. But in the mid-1990s as punk began to fade into Green Day-fueled corporate respectability, the band parted ways.

That is, until an awesome set at the 688/Metroplex reunion concert at Masquerade in 2009. Since then Dead Elvis has been rising from the grave periodically to haunt the Atlanta scene. The next of those occasional gigs is this Saturday, February 26, at Star Bar. This time they are teaming up with the El Caminos, another Atlanta classic, and Sex Pistols tribute band Sid Vicious Experience, for a not-to-be-missed old-school punk revival to raise money to help good friend Ed Waller who was in a serious motorcycle accident last fall.

ATLRetro recently caught up with Squirmy Rooter, aka Derek Yaniger, for a sneak peak and to find out what the band has been up to. Since those decadent days, Derek also has forged a righteous reputation as one of America’s top retro pop culture artists. His self-described “chicken scratchins” have appeared in Marvel Comics and on the Cartoon Network, as well as in scads of vintage revival magazines such as Atomic, Barracuda and Car Kulture Deluxe. He’s also designed posters for some of the nation’s premiere retro gatherings like Tiki Oasis, Hukilau and the Wild Weekend. And soon you’ll be seeing his artwork right here as ATLRetro revs up its engines to supersonic this spring.

1. For all the young ‘uns, what’s the quick history of Dead Elvis’s origins and how you got involved? As I recall, the band was founded in 1984 and it had something to do with beer?

I’m a little fuzzy on when she all began, but 1984 sounds about right. The bass player Ernie Danzig, lead singer (Tranny Danny) and myself (Squirmy Rooter) met in the halls of the Art Department at UGA. We were surrounded by heaps of other bands in Athens, but no one was makin’ with the punk rock bit. It wasn’t until we graduated and moved to Atlanta and met up with our lead guitarist Jet [Terror], that Dead Elvis finally rose from the crypt. And yes—it had a LITTLE somethin’ to do with beer!

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As I said at the start of the week, there are some tough choices this weekend, and a few additions not included in This Week to make it even harder. Whatever you choose, hope you have a ravishingly Retro good time!

Thursday Feb. 24

The Atlanta Opera presents the opening night of George Gershwin’s PORGY & BESS, a American folk opera about two lovers struggling to find happiness in Charleston’s Catfish Row. Find out more about the production at the Cobb Energy Centre which runs through March 6, in KOOL KAT OF THE WEEK spotlighting Costume Coordinator Joanna Schmink.

Good grief, CB’s an adolescent now, his little sister’s a goth, his ex-girlfriend’s in a mental hospital for setting too many fires, his friends are all drunk, and when his dog dies from rabies after killing a “little yellow bird,” he starts to question the existence of an afterlife.That’s the wacked-out premise of DOG SEES GOD: CONFESSIONS OF A TEENAGE BLOCKHEAD, a black comedy inspired by the popular PEANUTS comic strip and performed by the new Fabrefaction Theatre Company, which premieres today and runs through March 13.

ATLRetro will finally be joining the Last Of The Red Hot Truc-ers as Ghost Riders Car Club celebrates Vietnamese New Year with classic ’50s honkytonk and rockabilly for the last of their February Thursday night free gigs at Pho Truc in Clarkston. For a sneak peek, read Feb. 1 ’s KOOL KAT OF THE WEEK with guitarist Spike Fullerton. Listen to Tongo Hiti’s luxurious live lounge sounds, as well as some trippy takes on iconic pop songs, just about every Thursday night at Trader Vic’s. And Breeze Kings bring on the blues at Northside Tavern.

Friday Feb. 25

Get back to rock’s rockabilly, country and Western swing roots with Big Sandy & His Flyrite Boys, with special guests Caroline & the Ramblers and The Stumblers, at Star Bar. It’s a soulful night at Highland Inn Ballroom with The Soulphonics & Ruby Velle and George Hughley with Johnny & the Lakewood 5. The Nick Longo Band jazzes up Fernbank Museum of Natural History’s Martinis & IMAX. And go really retro with a futuristic twist at AnachroCon, a three-day steampunk convention, which kicks off today in grande style with The Gaslamp Gala, a concert extravaganza organized and presented by The Artifice Club‘s Dr. Q, at 7 PM. Performers include The Ghosts Project with Nathaniel Johnstone (Abney Park) and Play it with Moxie, a ballroom jazz band. Admission is included in your AnachroCon membership, with VIP seating available for $5.  All festivities are at the Holiday Inn Select Perimeter, 4386 Chamblee-Dunwoody Road.

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It’s a veritable luau feast for Retro activities in Atlanta this week, and ATLRetro has some tough decisions about what to do, especially on Saturday night.

Monday Feb. 21

Joe Gransden & his smokin’ 16-piece orchestra present another Big Band Night of jazz at Café 290, featuring Sinatra, Bennett, Basie and Joe’s originals.

Tuesday Feb. 22

The current incarnation of seminal progressive rockers The Church play their haunting melodies not just under the Milky Way but at Variety Playhouse. Wynton Marsalis and the Lincoln Center Jazz Orchestra are at Symphony Hall. Or if you live on the east side, swing dance to the Atlanta-New York Connection at the unlikely location of Northlake Mall’s Food Garden starting at 6 PM. Then head to Twain’s in Decatur for a Joe Gransden jazz jam session starting at 9 PM.

Wednesday Feb. 23

“If Elvis had been a woman, he probably would have sounded just like Kim Lenz,” says Rolling Stone. Decide for yourself when the scarlet-haired rockabilly queen brings her fiery voice to the Star Bar with her band The Jaguars. And if the night weren’t rockin’ enough, local faves Atomic Rockets and Junior, Dolan & Cash are also on the bill. Get ready to rumba, cha-cha and jitterbug at the weekly Swing Night at The Glenwood. Catch Joe Gransden every Wednesday night at 8:30 PM at Jerry Farber’s Side Door. Dance to ‘70s, ‘80s and ‘90s hits during Retro in the Metro Wednesdays presented by Godiva Vodka, at Pub 71 in Brookhaven, starting at 8 PM.

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